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+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

On 27th November 1940, Moldova followed closely behind its neighbor and protector, Romania, and joined the Axis Powers. Now eligible for German military equipment, the Royal Moldovan Air Force sought to update its inventory with German types and gain access to German training. In January 1941 an agreement was reached that enabled both; by then, German troops had already entered Moldova to “secure the border [with the Socialist Union] from Red aggression.”

 

Moldovan air and ground crews were soon sent for training with the Luftwaffe and the first (second-hand) Messerschmitt Bf 109E-3s to enter Moldovan service arrived in May 1941. This first batch of 14 planes was allocated to the 1st Fighter Squadron, where they replaced Romanian-built PZL P.11fs. They were in combat from the first day of Operation Barbarossa, crossing the border into the Transnistrian and Ukrainian republics of the Socialist Union to conduct escort, strafing and fighter sweep missions on 22 June 1941.

 

Soon thereafter, more and more modern (but still mostly second hand) equipment of German origin was provided. Beyond the Bf 109 E, several Bf 109F and early G fighters were delivered, some Fw 190A and F, a handful of Ju 87 and Hs 123 dive bombers as well as some Ju 52 transporters and Junkers Ju 88 bombers.

 

Most of these aircraft had formerly taken part in the North Africa campaign or the Mediterranean TO. As a consequence, many Moldovan aircraft were outfitted with special equipment like dust filters, and a high number of machines still carried desert camouflage upon their arrival at the Russian Front. The latter was quickly modified in the field workshops, with whatever alternative paints at hand, but due to the aircrafts’ immediate use in combat, only hasty and minimal adaptations were made.

 

During its peak in June 1943, the Royal Moldovan Air Force had grown to a total of 150 aircraft. However, its contribution to the Axis forces was not significant, even though some individual Moldovan fighter pilots scored considerable air victory counts.

 

With the advance of Soviet Forces by late 1944 and the liberation of the Crimean peninsula, most Moldovan aircraft had been severely damaged or destroyed. Through the withdrawal of the Axis forces the Moldovan machines became unserviceable, so that the small air arm effectively ceased to exist. The few remaining, airworthy machines were retired to the west and absorbed in Romanian units.

It would take until 1991 that the Moldovan Air Force would be re-formed, after the country’s newly gained independence from the dissolved Soviet Union as Republic of Moldova.

 

(Background and model inspired by fellow modeler comrade harps at whatifmodelers.com)

  

General characteristics:

Crew: 1

Length: 9.00 m (29 ft 5 in)

Wingspan: 10.51 m (34 ft 5 in)

Height: 3.95 m (12 ft 12 in)

Wing area: 18.30 m² (196.99 ft²)

Empty weight: 3,200 kg (7,060 lb)

Loaded weight: 4,417 kg (9,735 lb)

Max. takeoff weight: 4,900 kg (10,800 lb)

 

Powerplant:

1× BMW 801 D-2 radial engine, 1,250 kW (1,700 PS, 1,677 hp)

 

Performance:

Maximum speed: 656 km/h (408 mph) at 19,420 ft (5,920 m)

Range: 800 km (500 mi)

Service ceiling: 11,410 m (37,430 ft)

Rate of climb: 15 m/s (2,953 ft/min)

Wing loading: 241 kg/m² (49.4 lb/ft²)

Power/mass: 0.29–0.33 kW/kg (0.18–0.21 hp/lb)

 

Armament:

2× 7.92 mm (.312 in) synchronized MG 17 machine guns with 900 RPG

4× 20 mm MG 151/20 E cannon, two of them with 250 RPG, synchronized in the wing roots,

and two more with 125 RPG outboard in mid-wing mounts

A retrofitted centre-line ETC 501 rack, typically holding a 250 kg (550 lb) bomb or a 300 L drop tank

Some machines also carried Luftwaffe Rüstsätze, e .g. R1 with a pair of WB 151 weapon

containers, each holding 2× 20-mm-MG 151/20 with 125 RPG under the wings

 

The kit and its assembly:

A remake of an inspiration. This build is a follow-up, and a further interpretation of another modeler’s idea, comrade harps from whatifmodelers.com, who came up with a Moldovan Bf 109E and a respective background story some time ago. After all, the Russian Liberation Army (ROA) also operated German aircraft like the Bf 109G, so the idea was not as weird as it might seem at first. I liked the idea of an overlooked Moldovan operator very much, and my first build within this fictional framework was a Heller Bf 109 F trop (a horrible kit, BTW).

 

This time I wanted to tackle an early Fw 190 A fighter, and also finish it in winter camouflage. The kit I used is the Academy Fw 190 A-6/8 model. It is certainly not the most detailed and up-to-date model of the aircraft, but it is a solid model, goes together well and is IMHO a priceworthy offering.

 

Building-wise, I did not change much about the kit, it was built OOB with some minor mods. The pitot, OOB mounted close to the wing tip for an A-8 version, had to be relocated towards a mid-wing position for an earlier A-6 variant. As an extra I lowered the flaps and cut away the lower sections from the wheel covers; this was a common practice on Fw 190s operated at the Eastern front during wintertime, because snow would clog up between the wheels and the covers, freeze and eventually make the aircraft inoperable.

As another extra I used the WB 151 gun packs which come with the kit – resulting in the massive firepower of eight(!) 20mm cannon, plus a pair of machine guns that would operationally fire tracer bullets, so that the pilot knew when he could unleash the cannons! The optional tropical sand filters came with the kit, too.

  

Painting and markings:

To a certain degree quite conservative, since this was supposed to be a former Luftwaffe aircraft, transferred to the Moldovan air force from the Mediterranean TO. As such I gave the aircraft a standard Luftwaffe camouflage with RLM 74/75/76 (using a mix of Modelmaster enamels). As a side note, this does not speak against the aircraft’s potential former use in North Africa – many Fw 190s operated there did not carry any desert camouflage at all.

 

However, I wanted to present the aircraft in a temporary/worn winter camouflage on the upper surfaces with washable white paint, overpainted former Luftwaffe insignia and additional new Moldovan markings. I also wanted to visualize the short period of time between the aircraft’s arrival at the Russian Front from Northern Africa and its immediate employment in Moldovan hands, including tactical markings of the Axis forces in the Eastern TO from around late 1941 onwards. Sounds complicated – but it’s the logical translation of the made-up background, and I think that such a concept, literally telling a story, makes a what-if model more convincing than just putting some obscure markings on an off-the-rack kit.

 

After the original German scheme had been painted, the next step was to paint over the former German and African TO markings. I used a light olive green and a light blue tone, as if the machine had been modified in a Moldovan field workshop with Romanian paints (or whatever else) at hand. The new yellow ID markings (lower wing tips, engine front (both painted with Humbrol 69) and fuselage band (decal) were added at this stage, too. Then came a black ink wash, emphasizing the model's engraved panel lines.

Once dry and cleaned-up, the new Moldovan markings were added. They come from a Begemot MiG-29 sheet. The flag on the rudder was improvised with a mix of paint (blue and red) and a ~2.5mm yellow decal stripe. The tactical code, the red "26", comes from a Soviet lend-lease P-40.

 

But the Fw 190 was till not finished - now the whitewash was added. This was simply created with Humbrol 34 (Matt White) and a soft, flat brush, in streaks which were made from the back to the front. This creates an IMHO quite plausible look of the worn, washable paint, and in some areas (around the cockpit, on the wings) I thinned the whitewash layer down even more, simulating wear.

 

Once dry, the decals received a light tratement with sandpaper, in order to match their look to the worn surroundings, and exhaust stains and gun soot were added with grinded graphite. Some dry-brushing with light grey was done on some areas, too. The wheels and the landing gear received a layer of "snow cake", created with white tile grout.

 

Finally, the model received a coat of matt acrylic varnish and finishing touches like a wire antenna (made with heated black sprue material).

 

Even though it's almost an OOB build, except for the markings, the result looks quite convincing. The result cannot be called “pretty”, but I think the extra work with the whitewash paid out. The fictional Moldovan Fw 190 looks really …different, especially in the BW beauty shots, the aircraft looks pretty convincing, and now it can join its Bf 109F stablemate in the collection.

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

On 27th November 1940, Moldova followed closely behind its neighbor and protector, Romania, and joined the Axis Powers. Now eligible for German military equipment, the Royal Moldovan Air Force sought to update its inventory with German types and gain access to German training. In January 1941 an agreement was reached that enabled both; by then, German troops had already entered Moldova to “secure the border [with the Socialist Union] from Red aggression.”

 

Moldovan air and ground crews were soon sent for training with the Luftwaffe and the first (second-hand) Messerschmitt Bf 109E-3s to enter Moldovan service arrived in May 1941. This first batch of 14 planes was allocated to the 1st Fighter Squadron, where they replaced Romanian-built PZL P.11fs. They were in combat from the first day of Operation Barbarossa, crossing the border into the Transnistrian and Ukrainian republics of the Socialist Union to conduct escort, strafing and fighter sweep missions on 22 June 1941.

 

Soon thereafter, more and more modern (but still mostly second hand) equipment of German origin was provided. Beyond the Bf 109 E, several Bf 109F and early G fighters were delivered, some Fw 190A and F, a handful of Ju 87 and Hs 123 dive bombers as well as some Ju 52 transporters and Junkers Ju 88 bombers.

 

Most of these aircraft had formerly taken part in the North Africa campaign or the Mediterranean TO. As a consequence, many Moldovan aircraft were outfitted with special equipment like dust filters, and a high number of machines still carried desert camouflage upon their arrival at the Russian Front. The latter was quickly modified in the field workshops, with whatever alternative paints at hand, but due to the aircrafts’ immediate use in combat, only hasty and minimal adaptations were made.

 

During its peak in June 1943, the Royal Moldovan Air Force had grown to a total of 150 aircraft. However, its contribution to the Axis forces was not significant, even though some individual Moldovan fighter pilots scored considerable air victory counts.

 

With the advance of Soviet Forces by late 1944 and the liberation of the Crimean peninsula, most Moldovan aircraft had been severely damaged or destroyed. Through the withdrawal of the Axis forces the Moldovan machines became unserviceable, so that the small air arm effectively ceased to exist. The few remaining, airworthy machines were retired to the west and absorbed in Romanian units.

It would take until 1991 that the Moldovan Air Force would be re-formed, after the country’s newly gained independence from the dissolved Soviet Union as Republic of Moldova.

 

(Background and model inspired by fellow modeler comrade harps at whatifmodelers.com)

  

General characteristics:

Crew: 1

Length: 9.00 m (29 ft 5 in)

Wingspan: 10.51 m (34 ft 5 in)

Height: 3.95 m (12 ft 12 in)

Wing area: 18.30 m² (196.99 ft²)

Empty weight: 3,200 kg (7,060 lb)

Loaded weight: 4,417 kg (9,735 lb)

Max. takeoff weight: 4,900 kg (10,800 lb)

 

Powerplant:

1× BMW 801 D-2 radial engine, 1,250 kW (1,700 PS, 1,677 hp)

 

Performance:

Maximum speed: 656 km/h (408 mph) at 19,420 ft (5,920 m)

Range: 800 km (500 mi)

Service ceiling: 11,410 m (37,430 ft)

Rate of climb: 15 m/s (2,953 ft/min)

Wing loading: 241 kg/m² (49.4 lb/ft²)

Power/mass: 0.29–0.33 kW/kg (0.18–0.21 hp/lb)

 

Armament:

2× 7.92 mm (.312 in) synchronized MG 17 machine guns with 900 RPG

4× 20 mm MG 151/20 E cannon, two of them with 250 RPG, synchronized in the wing roots,

and two more with 125 RPG outboard in mid-wing mounts

A retrofitted centre-line ETC 501 rack, typically holding a 250 kg (550 lb) bomb or a 300 L drop tank

Some machines also carried Luftwaffe Rüstsätze, e .g. R1 with a pair of WB 151 weapon

containers, each holding 2× 20-mm-MG 151/20 with 125 RPG under the wings

 

The kit and its assembly:

A remake of an inspiration. This build is a follow-up, and a further interpretation of another modeler’s idea, comrade harps from whatifmodelers.com, who came up with a Moldovan Bf 109E and a respective background story some time ago. After all, the Russian Liberation Army (ROA) also operated German aircraft like the Bf 109G, so the idea was not as weird as it might seem at first. I liked the idea of an overlooked Moldovan operator very much, and my first build within this fictional framework was a Heller Bf 109 F trop (a horrible kit, BTW).

 

This time I wanted to tackle an early Fw 190 A fighter, and also finish it in winter camouflage. The kit I used is the Academy Fw 190 A-6/8 model. It is certainly not the most detailed and up-to-date model of the aircraft, but it is a solid model, goes together well and is IMHO a priceworthy offering.

 

Building-wise, I did not change much about the kit, it was built OOB with some minor mods. The pitot, OOB mounted close to the wing tip for an A-8 version, had to be relocated towards a mid-wing position for an earlier A-6 variant. As an extra I lowered the flaps and cut away the lower sections from the wheel covers; this was a common practice on Fw 190s operated at the Eastern front during wintertime, because snow would clog up between the wheels and the covers, freeze and eventually make the aircraft inoperable.

As another extra I used the WB 151 gun packs which come with the kit – resulting in the massive firepower of eight(!) 20mm cannon, plus a pair of machine guns that would operationally fire tracer bullets, so that the pilot knew when he could unleash the cannons! The optional tropical sand filters came with the kit, too.

  

Painting and markings:

To a certain degree quite conservative, since this was supposed to be a former Luftwaffe aircraft, transferred to the Moldovan air force from the Mediterranean TO. As such I gave the aircraft a standard Luftwaffe camouflage with RLM 74/75/76 (using a mix of Modelmaster enamels). As a side note, this does not speak against the aircraft’s potential former use in North Africa – many Fw 190s operated there did not carry any desert camouflage at all.

 

However, I wanted to present the aircraft in a temporary/worn winter camouflage on the upper surfaces with washable white paint, overpainted former Luftwaffe insignia and additional new Moldovan markings. I also wanted to visualize the short period of time between the aircraft’s arrival at the Russian Front from Northern Africa and its immediate employment in Moldovan hands, including tactical markings of the Axis forces in the Eastern TO from around late 1941 onwards. Sounds complicated – but it’s the logical translation of the made-up background, and I think that such a concept, literally telling a story, makes a what-if model more convincing than just putting some obscure markings on an off-the-rack kit.

 

After the original German scheme had been painted, the next step was to paint over the former German and African TO markings. I used a light olive green and a light blue tone, as if the machine had been modified in a Moldovan field workshop with Romanian paints (or whatever else) at hand. The new yellow ID markings (lower wing tips, engine front (both painted with Humbrol 69) and fuselage band (decal) were added at this stage, too. Then came a black ink wash, emphasizing the model's engraved panel lines.

Once dry and cleaned-up, the new Moldovan markings were added. They come from a Begemot MiG-29 sheet. The flag on the rudder was improvised with a mix of paint (blue and red) and a ~2.5mm yellow decal stripe. The tactical code, the red "26", comes from a Soviet lend-lease P-40.

 

But the Fw 190 was till not finished - now the whitewash was added. This was simply created with Humbrol 34 (Matt White) and a soft, flat brush, in streaks which were made from the back to the front. This creates an IMHO quite plausible look of the worn, washable paint, and in some areas (around the cockpit, on the wings) I thinned the whitewash layer down even more, simulating wear.

 

Once dry, the decals received a light tratement with sandpaper, in order to match their look to the worn surroundings, and exhaust stains and gun soot were added with grinded graphite. Some dry-brushing with light grey was done on some areas, too. The wheels and the landing gear received a layer of "snow cake", created with white tile grout.

 

Finally, the model received a coat of matt acrylic varnish and finishing touches like a wire antenna (made with heated black sprue material).

 

Even though it's almost an OOB build, except for the markings, the result looks quite convincing. The result cannot be called “pretty”, but I think the extra work with the whitewash paid out. The fictional Moldovan Fw 190 looks really …different, especially in the BW beauty shots, the aircraft looks pretty convincing, and now it can join its Bf 109F stablemate in the collection.

B PLUS BMW E92 M3 on WORK Emotion CR Kiwami

 

WORK Emotion CR Kiwami

GT Silver (GTS) Finish

19x9.5 +15

19x11.0 +18

5x120

 

Photo by WORK Wheels Japan

Original size

www.flickr.com/photos/pinboke/3003923509/sizes/o/

★(New!!)Canon EOS 50D:Canon TS-E 90mm F2.8

 

Nakayan says:

 A picture of a rental apartment called the Sea Sir Minamisenju was taken from the River Harp Tower in the syle of a miniature garden.

Although the location of this apartment is the place inserted into the apartment group, the price of the highest house rent is 347,000 yen. Since the first condition of my search for the room is a view, this apartment does not go into my choice. It seems that the conditions which choose an apartment are of infinite variety.

 (translation by livedoor translate)

 

Google Street View

View Larger Map

 

Nakayan's site Super-high-rise apartments and super-high-rise buildings (in Japanese) is here

bluestyle.livedoor.biz/

Nakayan's tilt-shift-fake (Hakoniwa photos) datail and slideshow is here

www.flickr.com/photos/pinboke/sets/72157600298403603

 

Palace Gardens under Prague Castle (Palácové zahrady pod Pražským hradem)

 

This complex of interconnected historical gardens (Ledeburg, Small and Large Palffy, Kolovrat and Small Fürstenberg Garden) is situated on the southern slopes below Prague Castle. All of these palatial terrace gardens have a rich architectural decoration, decorative staircases, balustrades, scenic terraces, garden-houses and pavilions carefully integrated into the vegetation to create a picturesque whole. Concerts and social events are often held here.

The Southern slopes under the Prague Castle premises above Valdštejnská Street are the location of terrace Baroque gardens established in place of vineyards or Renaissance gardens by the spectacular noble palaces. In the direction from the square Valdštejnské náměstí towards Klárov, there are the following gardens: Ledeburg Garden, Lesser and Greater Pálffy Gardens, Kolowrat Garden, Lesser and Greater Fürstenberg Gardens. All the gardens have been restored and newly replanted. The Langweil’s model of Prague from 1826 - 1836 (today situated in the Museum of the Capital City of Prague) served as a very good model for the restoration of the gardens, as it documented their appearance most completely. All the palace terrace gardens have rich architectural decorations, decorative staircases, balustrades, observation terraces, gloriettes and pavilions composed into picturesque units together with the vegetation. During the summer seasons, they are opened for public in their representative state. Concerts and different social events are held in these gardens.

Ledeburg Garden

is located behind the Ledeburg Palace, house No. 162, and spreads on 0.18 hectares, 205 - 230 m high above sea level. It is also called the Trautmannsdorf Garden, after its founders, Marie and Leopold Trautmannsdorf. The garden was established in 1697 during a reconstruction of the palace carried out by Giovanni Santini Aichl or Giovanni Battista Alliprandi. In 1787 it was acquired by the Kolowrats, and it was modified in Baroque style by Ignác Jan Palliardi.

The garden is divided into two parts. The lower part is situated on a plane, spreading as wide as the palace, and the upper part has half the width and the slant terrain has been modified into five terraces, permeated via an extended steep staircase, terminated via a small octagonal pavilion - a gloriette, built in 1787 at the time of Josef Kolowrat. There is a sala terrena in the lower, parterre part of the garden at the Western front, which used to be decorated by wall paintings. Today, the sala terrena serves the purposes of a concert venue. On the opposite Eastern side, there is a scenery wall with a double staircase and a fountain with a statue of Hercules fighting a several-headed hydra (probably a copy of the original sculpture from the first quarter of the 18th century). There is another fountain in the central part of the green parterre area. The garden is decorated with a female act named Fertility (Plodnost) by Jan Štursa from 1920. There is a supporting wall between the lower parterre and the terraced part, which was originally decorated with Reiner’s fresco. One sundial has been preserved in the garden. By the supporting walls, there are wooden brackets with grapevine and climbing roses, and further on, there are cut evergreen hems, summer annual flowers, as well as plants in terracotta pots.

In the 1950s, there was a complete reconstruction of the garden according to a project of V. Kříž. From 1977 on, the garden was closed for emergency reasons. The last reconstruction was initiated in 1989. Over the years, several professionals participated in the project documentation regarding the garden’s rehabilitation. Their preparation resulted in a project of architect Karel Císař and his team, and the team of a garden architect Květoslav Vlček. Upon the completion of the constructional, technical, restoring and silvicultural works, the garden was festively opened for public in full glory on the 14th June 1995.

Lesser and Greater Pálffy Gardens

Both the terrace gardens of Baroque origin above the Pálffy Palace in Valdštejnská Street No. 158 were established in place of a Renaissance garden of Italian type after Jan Josef of Valdštejn united and re-built two burgess houses with gardens into a palace in 1712 - 1720. After 1731, the property was owned by the Fürstenbergs. The terrace gardens were established in 1751 by Marie Anna of Fürstenberg; we do not know the authors of the project. In 1881, the palace and the gardens were purchased by Eduard Pálffy of Erdöd, hence the name of the gardens. Both the gardens underwent significant reconstruction in the 1950s, but later they had to be modified and relieved of some unsuitable elements.

Lesser Pálffy Garden (0.07 ha) rises up above the former service wing of the palace. It was extensively rehabilitated in the years 1988 - 95 according to the project of architect Josef Lešetický and ing. Václav Pína. Agricultural restoration was realized by ing. Božena Mackovičová. Seven terrace levels of the garden are interconnected via a staircase. At the level of the lowest and the highest terraces, there is an interconnection with the neighbouring gardens - Ledeburg and Greater Pálffy Gardens. The garden has a utility character; the terraces are planted with pear-trees, apple-trees and sour cherry-trees. Grapevine climbs upon the upper supporting wall. Behind the steep staircase in the upper part, there is a small garden with medicinal plants. The Lesser Pálffy Garden was festively opened together with the Ledeburg Garden on the 14th June 1995.

Greater Pálffy Garden spreads in 8 height levels, interconnected in an axis of staircases, alternatively tunnelled and open. In the middle of the lowest terrace, there is a Baroque portal with round pool decorated with a statue of a blowing Triton. On the second terrace, there is a sundial within a Baroque portal. Underneath the clock, there is an inscription on a band: Claret in orbe dies, ac teatras, hora pete umbras - let a clear day in the world scare the gloomy shadows away. Red letters of the inscription, read as Roman numerals, give the year 1751.

There used to be a skittle alley in the garden. As Josef Dobrovský or František Palacký mention, it was a popular place for walks. In place of the original connection with the premises of Prague Castle, there is an oval marble desk, which reads that rehabilitation of the palace gardens was realized with a contribution of the Prague Heritage Fund, under the patronage of President Václav Havel and His Royal Highness Prince Charles. It was in the years 1995 - 1997 according to a project of Václav Girsa and Miloslav Hanzl; the garden modifications were carried out by Irena Bartošová. Greater Pálffy garden was festively opened on the 9th September 1997, and it was added to the observation round of the Ledeburg and the Lesser Pálffy Gardens.

Kolowrat Garden spreads on a steep hill behind the Kolowrat Palace No. 154 on an area of 0.07 hectares. It was established on the bailey of the former medieval ramparts, strengthened by supporting walls, as a terrace with fruit trees. The axis is formed by a narrow, straight staircase connecting seven terraces. In the Eastern part, there is a Baroque fountain with a gargoyle head. The garden is planted with medlars, pear-trees and apricot-trees. The garden was opened for public on the 30th August 2000, following rehabilitation according to projects of architect Václav Jirsa and Miloslav Hanzl, and silvicultural arrangements realized by architect Irena Bartošová.

Lesser Fürstenberg Garden (also the Lesser Černín Garden or the Černín Terraces) used to be a part of the lesser Fürstenberg, former Černín House, No. 155. In the mid-18th century, there used to be a Baroque terrace garden of an Italian type. When it became the property of countess Marie Barbora of Černín, born Schaffgotsche, the house went through an extensive reconstruction carried out by Ignác Jan Palliardi in the years 1784 - 88, which gave the house its current appearance, and at the same time, the architect rebuilt an older Baroque garden into an impressive Rococo terrace garden. It takes up a narrow, but long strip of the slope on the castle hill. The axis has a form of an formidable staircase leading from the gloriette to the observation pavilion, intersected by supporting walls, terraces and balustrades. The gloriette on the ground level, originally containing a bath as well, is painted with grisaille motives with a central genre painting named Swings in the nature (Houpačky v přírodě) and with allegoric paintings of four seasons in the year (perhaps by Ignác František Platzer). There are symmetrically spread orangeries on the second terrace. The staircase is terminated under the Castle’s enclosure wall by a three-piece sala terrena, an observation terrace with a loggia and with plastic stucco articulation, the front of which contains the coats of arms of the Černín and the Schaffgotsch Families. The balustrade is decorated with putti and decorative vases. The staircase leads from here to the observation pavilion with a cylindrical tower, in which Countess of Černín had her bathroom. The last landing of the staircase by the tower allows for access into the Prague Castle Southern Gardens. The garden is characteristic for its climbing roses.

Despite the relatively small extent of the garden, the combination of architectural, sculptural and painting elements with the vegetation on the terraces and the exotic plants in the orangeries provides the best possible effectiveness for the visitors. It is specifically the location under the Castle with a unique view of the town what contributes to the garden’s excellence. In 1997 - 2000, the garden was completely rehabilitated according to the project of architect Václav Jirsa and Miloslav Hanzl, with the silvicultural modifications realized by architect Irena Bartošová. The garden has been accessible for public since the 30th August 2000.

Greater Fürstenberg Garden is situated by the Fürstenberg Palace (Palace of Berka of Dubá, Netolický Palace). It was established by an unknown architect in place of the former vineyards in the 1st half of the 18th century. It consists of two parts - lower plane and rear terraces, intersected via a staircase terminated by a triaxial summer house from the mid-18th century. Modifications were made in 1790 by I. G. Palliardi, and at this time, the fountain with Neptune was founded. In 1822, the garden together with the adjoining palace was purchased by the Fürstenberg Family, and around 1860 they had architect Josef Leibl transforming it into an English park. At the same time, the lower part of the garden was also arranged, in place of the former dumping place, and a fountain was installed here with a sculpture of a boy playing with a stork. The lower plane went through a reconstruction in the 20th century, which was related to the transformation for the Polish Embassy, and the modern modifications were rather of a maintenance character. The upper terraces dilapidated due to lack of care. It was only renewed during reconstruction in the years 2006 - 2008.

The garden spreads on the surface area of 1.55 hectares, it is 130 m wide and the overall height of the ten terraces from the bottom plane amounts to 35 m. It was planted with over 3,500 flowers, 8,500 woody plants, and 2,200 roses. The newly installed lighting allows for evening visits.

www.prague.eu/en/object/places/497/palace-gardens-under-p...

 

Yashica Lynx-14

L III 8022251

c1965-68

f 1.4 / 45mm Yashinon-DX - 7 elements, 5 groups

Copal-SVE 1 to 1/500 second

 

Purchased at a yard sale for about $20

 

HDR

Qtpfsgui 1.9.1 tonemapping parameters:

Operator: Reinhard02

Parameters:

Key: 0.18

Phi: 1

PreGamma: 1

3 Exposures

B PLUS BMW E92 M3 on WORK Emotion CR Kiwami

 

WORK Emotion CR Kiwami

GT Silver (GTS) Finish

19x9.5 +15

19x11.0 +18

5x120

 

Photo by WORK Wheels Japan

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Whosoever heareth these sayings of mine, and doeth them, I will liken him unto a wise man, which built his house upon a rock: And the rain descended, and the floods came, and the winds blew, and beat upon that house; and it fell not: for it was founded upon a rock. (Matthew 7:24-25)

 

Combined using Qtpfsgui from three JPGs taken using the Canon PowerShot S5 IS Exposure Bracketing feature. It was taken hand held and aligned using Qtpfsgui's auto-align function.

 

Qtpfsgui 1.8.12 tonemapping parameters:

Operator: Reinhard02

Parameters:

Key: 0.18

Phi: 1

------

PreGamma: 1

Flottenmanagement: „Euro-6-Mietfahrzeuge als clevere Sparvariante“

 

Aufgrund der neuen Mautsituation ergeben sich für Spediteure, Transporteure und Logistikanbieter seit 1. Januar 2015 veränderte, bei der Investitionsplanung zu beachtende Rahmenbedingungen. Das betont die zu MAN Financial Services gehörende EURO-Leasing GmbH. Dank der neuen Mautsätze können Flottenbetreiber laut Marketing- & Vertriebsleiter Matthias Szupories in der Praxis sofort bares Geld sparen und ihre Wettbewerbssituation verbessern.

 

Weitere Informationen:

Pressemitteilung: goo.gl/7Sw4MA

Produktbroschüren: goo.gl/22ljpa

 

MAN Financial Services

EURO-Leasing GmbH | Hansestraße 1 | 27419 Sittensen

 

www.euro-leasing.de

 

Haben Sie Fragen oder Rückmeldungen? Sie können uns auch persönlich erreichen. Wir freuen uns auf Ihre

Anfrage!

Allgemeine Hotline: 0 42 82/9319-0

 

Service-Hotline:

0 18 06/25 46 73*

Montag bis Freitag von 7.30 Uhr bis 17.30 Uhr

 

*0,20 € per Anruf aus dem Festnetz, Mobilfunk max. 0,60 € per Anruf

  

Hintergrundinformation:

 

Die EURO-Leasing GmbH wurde 1997 gegründet und ist seit 1. Januar 2014 ein Teil der Volkswagen Financial Services. Diese ist Europas größter automobiler Finanzdienstleister und mit über 12.000 Mitarbeitern in 50 Ländern aktiv. Die neue Marke „MAN Financial Services“ bietet in diesem Rahmen ein weltweites Dienstleistungsportfolio für die Kunden von MAN Truck & Bus.

 

EURO-Leasing vermietet unter der Marke „MAN Financial Services“ rund 14.000 Zugmaschinen, Sattelauflieger/Anhänger und Spezialfahrzeuge. Als einer der führenden europäischen Full-Service-Provider für Fuhrparkmanagement beschäftigt das Unternehmen in seiner Zentrale direkt an der A1 in Sittensen sowie in 60 deutschen Niederlassungen, Depots und Auslandstöchtern mehr als 160 Mitarbeiter. Die Dienstleistungspalette reicht vom Neufahrzeugeinkauf über die Vermietung bis zur professionellen Gebrauchtfahrzeugvermarktung im In- und Ausland.

 

www.manrental.eu

From the ITN archives come this release - all clips are in EXCELLENT QUALITY!!!!! Only in PAL in the UK - now for all the rest courtesy of FAB!

 

0:18 - Opening montage

 

1:18 - LATE SCENE EXTRA (w/Ken Dodd) 11/25/63

 

8:58 - fans queuing

 

9:15 - Southend-on-Sea 12/9/63

 

9:26 - London Airport 10/23/63

 

9:48 - London Palladium interview 10/13/63

 

10:37 - Playhouse Theatre interview 10/16/63

 

11:15 - Royal Variety Performance 11/4/63

 

11:49 - Leaving London Palladium 10/13/63

 

12:05 - Astoria Xmas interview 12/20/63

 

12:50 - THE BEATLES COME TO TOWN newsreel 11/20/63

 

13:40 - Champs-Elysees 1/15/64

 

14:00 - Paris Olympia 1/16/64

 

14:30 - London Airport 2/5/64

 

16:49 - JFK Airport + Plaza Hotel 2/7/64

 

17:24 - Central Park 2/8/64

 

17:39 - Washington Coliseum 2/11/64

 

18:30 - Penn Station + Carnegie Hall elevator 2/12/64*

 

19:54 - London Airport 2/22/64

 

23:22 - British Embassy 2/11/64

 

23:46 - on the Thames 2/23/64

 

24:19 - George's 21st birthday 2/25/64

 

24:46 - Variety Club Awards 3/19/64

 

26:17 - Ringo enters hospital 12/1/64

 

27:07 - EMI w/Jimmy Nicol 6/3/64

 

27:20 - Sydney press conference 6/11/64

 

28:25 - Adelaide news report 6/13/64

 

28:51 - Ringo leaves hospital 6/13/64

 

29:40 - TONSILS GOOD-BYE newsreel 12/10/64

 

30:39 - Ringo at London Airport 6/13/64

 

30:45 - Ringo interview w/Ronald Burns 6/13/64*

 

31:40 - John's psychedelic Rolls-Royce 1967

 

32:15 - John skiing in St. Moritz 1/28/65

 

32:24 - Ringo & Maureen interview 2/12/65

 

33:53 - Radio Caroline award 4/6/65

 

34:38 - Salisbury Plain 5/3/65

 

35:03 - Ulster News 11/8/63

 

35:57 - Help! premiere 7/29/65

 

36:45 - MBE Reuters interview 6/12/65

 

39:06 - MBE public reaction 6/65

 

40:27 - MBE interview 10/26/65*

 

42:18 - Zak's birth 9/14/65

 

43:00 - George & Pattie interview 1/22/66

 

44:23 - Tokyo arrival & protestors 6/30/66

 

44:44 - London Airport 7/8/66

 

46:19 - REPORTING '66 Memphis 8/19/66

 

48:20 - New York press conference 8/22/66

 

49:18 - REPORTING '66 Memphis cont. 8/19/66

 

56:36 - REPORTING '66 Abbey Road 12/20/66

 

1:00:47 - Apple Boutique opening 12/5/67

 

1:01:16 - Paul on LSD 6/19/67

 

1:03:26 - Jason's birth 8/20/67

 

1:04:26 - IT'S SO FAR OUT IT'S STRAIGHT DOWN 1/18/67*

 

1:10:23 - Brian's funeral 10/17/67

 

1:11:00 - Rishikesh colour footage 2/19/68

 

1:11:30 - George at EMI Bombay 1/10/68

 

1:11:40 - FROST ON SATURDAY 8/24/68

 

1:16:57 - Yellow Submarine press preview 7/8/68

 

1:17:32 - Paul & Linda wedding 3/12/69

 

1:19:30 - John & Yoko in Paris 3/16/69

 

1:19:48 - Amsterdam Hilton 3/27/69

 

1:20:30 - Montreal Bed-in 5/27/69

 

1:21:10 - London Airport 4/1/69

 

1:21:50 - Returning the MBE 11/25/69

 

1:22:35 - "Howling" interview 9/15/69

 

1:22:56 - Derek Taylor + Allen Klein interview 4/10/70

Alfa D308 KKO:

Tax Status: Unlicensed

Expiry Date: 01/04/1997

Registration Date: 01/10/1986

Audi D426 FYY:

Tax Status: Unlicensed

Expiry Date: 01/07/2001

Registration Date: 10/10/1986

Honda C331 TLT;

Tax Status: Unlicensed

Expiry Date: 01/10/1999

Registration Date: 01/11/1985

THE BEATLES - HERE THERE AND EVERYWHERE

From the ITN archives come this release - all clips are in EXCELLENT QUALITY!!!!! Only in PAL in the UK - now for all the rest courtesy of FAB!

0:18 - Opening montage

1:18 - LATE SCENE EXTRA (w/Ken Dodd) 11/25/63

8:58 - fans queuing

9:15 - Southend-on-Sea 12/9/63

9:26 - London Airport 10/23/63

9:48 - London Palladium interview 10/13/63

10:37 - Playhouse Theatre interview 10/16/63

11:15 - Royal Variety Performance 11/4/63

11:49 - Leaving London Palladium 10/13/63

12:05 - Astoria Xmas interview 12/20/63

12:50 - THE BEATLES COME TO TOWN newsreel 11/20/63

13:40 - Champs-Elysees 1/15/64

14:00 - Paris Olympia 1/16/64

14:30 - London Airport 2/5/64

16:49 - JFK Airport + Plaza Hotel 2/7/64

17:24 - Central Park 2/8/64

17:39 - Washington Coliseum 2/11/64

18:30 - Penn Station + Carnegie Hall elevator 2/12/64*

19:54 - London Airport 2/22/64

23:22 - British Embassy 2/11/64

23:46 - on the Thames 2/23/64

24:19 - George's 21st birthday 2/25/64

24:46 - Variety Club Awards 3/19/64

26:17 - Ringo enters hospital 12/1/64

27:07 - EMI w/Jimmy Nicol 6/3/64

27:20 - Sydney press conference 6/11/64

28:25 - Adelaide news report 6/13/64

28:51 - Ringo leaves hospital 6/13/64

29:40 - TONSILS GOOD-BYE newsreel 12/10/64

30:39 - Ringo at London Airport 6/13/64

30:45 - Ringo interview w/Ronald Burns 6/13/64*

31:40 - John's psychedelic Rolls-Royce 1967

32:15 - John skiing in St. Moritz 1/28/65

32:24 - Ringo & Maureen interview 2/12/65

33:53 - Radio Caroline award 4/6/65

34:38 - Salisbury Plain 5/3/65

35:03 - Ulster News 11/8/63

35:57 - Help! premiere 7/29/65

36:45 - MBE Reuters interview 6/12/65

39:06 - MBE public reaction 6/65

40:27 - MBE interview 10/26/65*

42:18 - Zak's birth 9/14/65

43:00 - George & Pattie interview 1/22/66

44:23 - Tokyo arrival & protestors 6/30/66

44:44 - London Airport 7/8/66

46:19 - REPORTING '66 Memphis 8/19/66

48:20 - New York press conference 8/22/66

49:18 - REPORTING '66 Memphis cont. 8/19/66

56:36 - REPORTING '66 Abbey Road 12/20/66

1:00:47 - Apple Boutique opening 12/5/67

1:01:16 - Paul on LSD 6/19/67

1:03:26 - Jason's birth 8/20/67

1:04:26 - IT'S SO FAR OUT IT'S STRAIGHT DOWN 1/18/67*

1:10:23 - Brian's funeral 10/17/67

1:11:00 - Rishikesh colour footage 2/19/68

1:11:30 - George at EMI Bombay 1/10/68

1:11:40 - FROST ON SATURDAY 8/24/68

1:16:57 - Yellow Submarine press preview 7/8/68

1:17:32 - Paul & Linda wedding 3/12/69

1:19:30 - John & Yoko in Paris 3/16/69

1:19:48 - Amsterdam Hilton 3/27/69

1:20:30 - Montreal Bed-in 5/27/69

1:21:10 - London Airport 4/1/69

1:21:50 - Returning the MBE 11/25/69

1:22:35 - "Howling" interview 9/15/69

1:22:56 - Derek Taylor + Allen Klein interview 4/10/70

WORK Equip 40

Brut Silver (BSL) Finish

15x9.0 -16 A-Disk

15x10.0 -18 O-Disk

4x100

Maynar, Gianyar, Bali, Indonesia

NIKON D600 + 16.0-35.0 mm f/4.0 @ 18 mm, 6 sec at f/16, ISO 100 + Lee 0.6 Hard ND Grad + Heliopan CPL

 

Green covered rocks by the plenty, some water movement, an interesting lone tree reaching up into the sky on the horizon and fire in the sky - what more could you ask for I say...

 

© Rodney Campbell

Alfa NLO 932V:

Tax Status: Unlicensed

Expiry Date: 01/12/1988

Registration Date: 16/06/1980

Audi VRP 663W: No data.

Renault RLT 263W:

Tax Status: Unlicensed

Expiry Date: 01/09/1990

Registration Date: 19/12/1980

28 July 2012. Andreas Michli & Sons, fruit vegetable, 405-411 St Ann's Rd N4.

(Corner of St Ann's Road and Salisbury Road.)

 

But Andreas now seems to want to sell up.

 

Please read the online reviews below which illustrate one way in which a family-owned store can build a niche market - even without a prominent High Street location.

§ Gourmet Britain.

§ Yelp

§ Qype Review.

____________________

 

§ Take a virtual stroll past the shop with Google StreetView

§ See where this picture was taken..

 

-§- Link on this page not working? Please let me know by adding a comment below.

Nikon Coolpix p90, f/4.0, 18.8 mm. Manual focus.

Primi scatti con la Niki e la messa a fuoco è proprio lì dove voglio io!!!!! Bellissimo avere una fotocamera del genere, fare tutto manualmente, senza vincoli! Io già la lovvo! Devo solo imparare ad usarla meglio...

 

View my eleventh photo on Explore

 

View on black and large

View on white and large

 

This photo is made by me.

No only groups invites or images in my comments, please.

Please don't use this image on websites, blogs or other media without my explicit permission.

© All rights reserved. Use without permission is illegal

 

John S' Toyota MR2

 

WORK Meister S1 3P

White (WHT) Finish

18x9.5 +16 (effective 9.5 +11 w/ spacer)

18x11.0 +18

5x114.3

 

Photo by John Santos

Gilles GUÉRIN

Paris, 1606 - Paris, 1678

 

Louis XIV terrassant la Fronde

1653

Terre cuite

H. : 0,535 m. ; L. : 0,33 m. ; P. : 0,18 m.

 

Modèle de la statue en marbre exécutée après le marché de 1653 pour l'Hôtel de Ville de Paris, et enlevée en 1689 pour être remplacée par une statue en bronze d'Antoine Coysevox (aujourd'hui au musée Carnavalet). La statue en marbre de Guérin est conservée dans la cour intérieure du petit château de Chantilly.

Roman's Subaru STI

 

WORK Emotion XD9

Matte Bronze (MHG) Finish

18x10.0 +18

5x114.3

 

Photo by Viet Dang

/ Wreckless Productions

 

Source: www.wrecklessproductions.com/Automotive/Romans-Impreza-WR...

These stylish designer aprons can be found by Simply Savvy Aprons at www.simplysavvyaprons.com

 

Designer Salon Aprons by Simply Savvy Aprons – Chantal #1000

 

Simply Savvy Aprons – Salon Apron Chantal

 

This Designer Salon apron “Chantal” has a delightful feminine feel. The delicate flared skirt and bow detail give this apron a gentle appeal. Ideal for the stylish stylists whom are fashion forward, complimentary to their profession. This Chantal salon apron has a haltered back and is form fitting to compliment a lady’s figure.

 

- Proudly Made in the USA!

- Specifications: Material is 100% Nylon. Bleach, Dye and Water Resistant

- Size: Fits women between approximately sizes 0-18

- Care Instructions: This cute salon apron is machine washable. hang to dry. Iron at low setting

This is a view of the front drive of the Episcopal High School, where -- excluding the years he served with Patton during WW 2 -- my dad taught from 1936-68. And where my sisters and I and Alicia grew up.

 

The road begins levelly, then rises slowly upward to the top of a hill that overlooks the city of Alexandria. In the center of the photo you can just make out the front of Hoxton House, the main building and academic heart of the school.

 

Just inside the gate and to the right is the school's pond, seen here in a photo I posted a couple of weeks ago.

 

This long, quarter-mile stretch of road made for unbelievably great sledding in the 50s.

 

This is an old postcard I found many years ago that I'd given my sister Ruthie; it was returned to me when she died.

 

To see this front gate today via Google street view, click on this link: View Larger Map

   

Page 2 from my new fashion story Under Mercury Vapours, here, streetfashionsydney.blogspot.com.au/2015/12/under-mercury...

 

Shot with the Fujifilm X-Pro1.

XF18mmF2.0 R

ƒ/2.0 18.0 mm 1/60 iso4000

 

www.kentjohnsonphotography.com.au/

Durch den Einsatz unserer herstellerübergreifenden Telematik-Lösung verschaffen wir unseren Mietern die Möglichkeit, Einsparpotenziale in ihrem Fuhrpark leicht zu ermitteln und entsprechende Verbesserungsmaßnahmen einzuleiten.

 

Die ständige Verfügbarkeit von exakten Daten ermöglicht ohne großen Aufwand nicht nur eine Verbesserung der durchschnittlichen Spritverbräuche, sondern beispielsweise auch eine genaue Aufzeichnung von benötigten Rampenzeiten. Letzteres macht sich vor allem dann bezahlt, wenn man mit den Befrachtern eine verbesserte Abwicklung besprechen möchte.

 

Der Einsatz der Telematik optimiert den Informationsfluss und hilft somit den Servicegrad zu erhöhen. Beispielsweise können Werkstattaufenthalte besser mit den Routenplanungen koordiniert werden. Außerdem werden dadurch auch noch Reparaturausfälle minimiert, was für den Mieter die höchste Verfügbarkeitsrate über das Mietobjekt bedeutet.

 

Einheitliche, europaweit gültige Tarife, die außerdem flexibel aktiviert und deaktiviert werden können, sind unseres Erachtens die optimale Lösung, den Mieter risikolos zu unterstützen und die Effizienz des Fuhrparks weiter zu steigern.

 

www.euro-leasing.eu/telematic

  

MAN Financial Services

EURO-Leasing GmbH | Hansestraße 1 | 27419 Sittensen

 

Haben Sie Fragen oder Rückmeldungen? Sie können uns auch persönlich erreichen. Wir freuen uns auf Ihre

Anfrage!

Allgemeine Hotline: 0 42 82/9319-0

 

Service-Hotline:

0 18 06/25 46 73*

Montag bis Freitag von 7.30 Uhr bis 17.30 Uhr

 

*0,20 € per Anruf aus dem Festnetz, Mobilfunk max. 0,60 € per Anruf

 

Transatlantic Co.

5th and Fairmount Streets

Philadelphia, PA

Copyright © 2012, Bob Bruhin. All rights reserved.

(via bruhinb.deviantart.com/art/Panorama-1268-313282507)

If posting tag our Facebook: www.facebook.com/dubempireco and our Instagram: @dubempire

     

www.dubempireco.com

View On Black

      

Sorry for the poor quality low resolution uploads as you may have gathered this is my first commission for a book on the mining disaster.

     

This image is copyrighted to David Smith; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at daismiff39@hotmail.com for express permission to use any of my photographs.

     

Tragedy at Six Bells

By David John Withers, Brynmawr

 

My father worked in the colliery all his life and I sort of followed him into the pit. I went to work in Six Bells Colliery at 17 years of age.

 

When I first went on the 0.18 coal face as a collier's helper I was introduced to my 'batty' Reggie Poe who showed me the tools we were using and two chalk marks 15 yards apart on the coal face. This was our working place, 15 yards long by 4-foot-6 deep by 5 feet high. I thought 'bloody hell' - it seemed a huge amount of coal to shift.

 

Although the other coal faces in our district were more modern with hydraulic roof supports, we were still using the older friction posts and linked bars. I've still got the scars where one of the bars came down on me!

 

We had quite a few problems with gas on the 0.18 coal face and the dust was killing. At times the conveyor would start up and you couldn't see each other until the dust settled down.

 

As boys we often refused to go onto the face because of the amounts of dust there - being youngsters we stuck together even when the officials threatened to send us home. It wasn't much of a threat as I was only earning about £6 odd!

 

I had been working about two years when the explosion happened. I was working on the 0.18 face at Six Bells on the 'turning shift' and arrived at the colliery on the bus to see the place in turmoil and heard that an explosion had happened. As the explosion had occurred at our place of work, we offered to go down and help as we knew the place, but the Rescue Brigade had it under control and wouldn't let us go down.

 

It's hard to say my feelings about it all. We knew there was gas there and they said a spark had set it off. I had mostly enjoyed the colliery up to then. I remember four of the men who died - I used to give them snuff with powdered bark mixed in as a joke - there was a good spirit amongst the men at the pit.

 

Once the explosion had happened it put me off. I finished and I put my notice in soon after. I was too young to lose my life in the colliery. If I had been working the day shift that week it would have been me. The explosion opened my eyes to the dangers and I went into the construction industry instead - I was always good with my hands. The pit made me grow up.

         

The deaths of 45 men killed 50 years ago in a colliery explosion have been remembered with a service at the site.

 

A gas explosion ripped through the Six Bells colliery near Abertillery, Blaenau Gwent at 10.45am on 28 June 1960.

 

The Archbishop of Canterbury, Dr Rowan Williams, led a service of remembrance at the site.

 

He also unveiled a memorial to the tragedy, a 20m high sculpture of a miner by Sebastian Boyesen.

McLaren Mercedes MP4-17D - David Coulthard (1:18)

 

Collectors replica of the 2003 racing car in scale 1:18 (length approx. 24 cm), featuring accurate details such as driver helmet and partner logos.

 

In 1996, Coulthard contracted with McLaren to drive alongside future champion Mika Häkkinen. His first season with McLaren was unremarkable, as the Mercedes-powered team struggled to find speed. He led at Imola and lost out to an inspired Olivier Panis at Monaco.

In 1997, in his second year with McLaren, he finished the drivers championship tied with Jean Alesi for third place (after the disqualification of Michael Schumacher). He had taken two wins and could have added more, but for problems. At Montreal he was leading, but was brought into the pits for a precautionary stop. Coulthard stalled his engine twice whilst trying to exit the pits, losing his lead in the process. What made this even more frustating for Coulthard was that the race was stopped just a few minutes later due to Olivier Panis' crash. If Coulthard had not pitted, he would have won the race. At Jerez, Coulthard was running in 2nd place towards the end of the race and was catching race leader Jacques Villeneuve after his earlier collision with Michael Schumacher. Due to team orders, Coulthard was forced by McLaren to allow his teammate, who was running close behind him, into 2nd place. On the final lap of the race, Villeneuve let both McLarens by and Coulthard thus felt he maybe should have won the race.

In 1998, the McLaren was consistently the fastest car on track, but it was Häkkinen who made the most of it, winning the title. Coulthard took just one win and spent most of the year in a supporting role.

  

Coulthard driving for McLaren at the 1999 Canadian Grand Prix.

In 1999, a combination of under-performance and bad luck saw him finish the season in fourth place, and McLaren lost the constructors' title to Ferrari. Häkkinen became champion, whilst Coulthard won twice. In 2000, he was involved in a tight battle for the drivers championship with Schumacher and Häkkinen, but eventually fell out of contention into a disappointing third place finish. In 2001 he finished the year in second place, but with barely half the points (65) tallied by runaway winner Schumacher (123).

Coulthard's subsequent years at McLaren, from 2002 through 2004, were disappointing as well, as he was regularly out-paced by younger teammate Kimi Räikkönen. Many of Coulthard's critics argue that his decline began in 2003, when the FIA introduced the single-lap qualifying format. Since his Formula Three days, Coulthard had the reputation of being a poor qualifier. He openly admitted that he did not like the format and was a vocal opponent of the format. With the announcement that Juan Pablo Montoya was to join McLaren in 2005 alongside Räikkönen, 2004 was to be Coulthard's last year with the team. A poor tenth place finish in the final 2004 standings (24 points, equal with the injured Ralf Schumacher) had not helped Coulthard's cause for 2005 either.

 

Active years 1994–2008

Teams Williams, McLaren, Red Bull

 

1996 Formula One McLaren 16 0 0 18 7th

1997 Formula One McLaren 17 0 2 36 3rd

1998 Formula One McLaren 16 3 1 56 3rd

1999 Formula One McLaren 16 0 2 48 4th

2000 Formula One McLaren 17 2 3 73 3rd

2001 Formula One McLaren 17 2 2 65 2nd

2002 Formula One McLaren 17 0 1 41 5th

2003 Formula One McLaren 16 0 1 51 7th

2004 Formula One McLaren 18 0 0 24 10th

 

Races 247 (246 starts)

 

Wins 13

Podium finishes 62

Career points 535

Pole positions 12

Fastest laps 18

 

First race 1994 Spanish Grand Prix

First win 1995 Portuguese Grand Prix

Last win 2003 Australian Grand Prix

Last race 2008 Brazilian Grand Prix

 

2008 position16th (8 pts)

  

In the vaulted, skylit cell, the prisoner had only the light from heaven, the word of God (the Bible) and honest work (shoemaking, weaving, and the like) to lead to penitence.

WORK Meister S1 3P

Silver (SIL) Finish

18x10.0 +18 (O-Disk)

5x114.3

 

18x10.0 +18 (O-Disk): 4.3" lip

From right to left (ha still don't know which ones which) er I mean left to right

 

Mark 2 2.0 TFSI in Race Blue

 

Facelift 2.0 TFSI

 

Mk 1 1.8 turbo in Black Magic

 

Limited Edition 2.0 TDi in Anthracite Grey

 

For the full size images please see my Skodas set on Flickr.

 

If I had a welding torch i think I'd build a custom version.

 

The 1.8T engine but chipped to 200bhp, same as the later models

Looks of the Mk1 or Facelift (more aggressive front ends) - definitely the rear of the Mk1

Race blue

General interior/ dash and overall quality of the FL / LE especially the Bolero sound system with the mp3 socket and the SD card capability

Those oh so gorgeous seats from the Limited Edition

Fuel economy of the diesel

The overall fun factor of the Mk1 (but definitely not the brakes!)

1 2 ••• 4 5 7 9 10 ••• 79 80