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While taking a break from walking around Chicago, I snapped this pic of some gentlemen playing chess.
Since its first release in 1982, Touch has created sonic and visual productions that combine innovation with a level of care and attention that has made it the most enduring of any independent music company of its time. The first period up to the digitalization of music in the mid-80's saw the release of several cassette magazines, where sounds by luminaries such as New Order, Cabaret Voltaire and The Residents were paralleled by visual work and writing by Neville Brody, Jon Savage, Joseph Beuys and many others. As the industry went through its usual elaborate cycles of self-annihilation and rebirth, Touch adapted to incorporate new technologies with the old, underscoring the power and necessity of editing and presentation to bring the best out of each production.
Now working extensively with Fennesz, Chris Watson, Philip Jeck, Biosphere, BJNilsen, Oren Ambarchi and many others, Touch celebrated its 20th year in 2001 with a UK CMN-backed tour, including sell-out dates in Brighton, Bristol, Glasgow, Newcastle, Salisbury and the QEH in London. The transitions from analogue to digital, from camera-ready artwork to broadband file-sharing and from 1/4' masters to website downloads are only the surface manifestations of the great changes that have taken place in recorded music over the last 25 years. Touch has been at the forefront of these changes, and will continue to be. Therefore, Touch is a welcome guest at TodaysArt.
Led by Mike Harding, Touch will be doing a QA in the Filmhuis during the festival, where anybody who is interested will get the chance to talk with the people from Touch, including the artists, some who will be performing at TodaysArt (Hildur Gudnadottir / Biosphere / Jana Winderen / Philip Jeck).
Some male bonding and South Korean touchscreen - or touch-wall? - technology in the world's biggest department store (allegedly).
"The spotted touch-me-nots that bloom beside the lake in shady spots,
those horn-shaped orange flowers, freckled with a thousand reddish dots—
are they not dappled by a brush as fine as any painter's? And
are not their leaves as well-designed as any by a sculptor's hand?"
-Anonymous
(a pretty poem and flower, but most of all I love touching the seed pods to make them pop!)
Wanted to break out the gels for this one. The red in the background balances out the colors a bit more and adds a little more interest.
Strobist Info: 2 Canon 580EX 2 speedlites: 1-bare behind & above subjects shot into black posterboard background @ 1/128 power w/ red gel &/ 1 camera right - bare @ 1/32 power bouncing off ceiling...
Camera Info: 1/4 sec. F/8.0, 38mm, ISO 100.
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this was taken in my hotel in philadelphia. I liked the retro flavour. (: okay, I'm saying silly things. sorry.
better on black: press L.