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Part one being the image of Michael that I posted this morning.
Here are a few peoplescapes for Sunday.
Image made with my Nikon F100.
Here comes the Mustang again. This car just looks really great on camera.
For more of my HDR photos, please visit my HDR set.
For more of my American Car photos, please visit my AMERICAN CAR set.
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Canon EOS 40D.
Lens: EF 24-105 F4 L IS.
ISO: 100.
Aperture: F/4.0.
Focal length: 24mm.
Software: Adobe Photoshop CS2 - Photomatix Pro 3.
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Venturing along the streets and winding lanes, I saw crowds of beggars, wallahs and street vendors of every kind, from car parts to slaughter houses and chicken keepers, It is a swelling the city which seem to burst at the seams. Rickshaws, worn-out taxis, wooden carts, endless bicycles, trolleys, over-loaded buses, cars and cows and people filled the streets.
Part 2 of film swap with irina ch
Not sure why, but most of the doubles didn't show up too well, but it's not the first time it's happened when I've swapped films. Maybe I shot in very bright conditions in comparison, or at a far wider aperture than Irina, who knows - it's all part of the fun of film swaps, not knowing what results you'll get :-)
I used my Zenit B with Helios 44-2 58mm f2.
Lomography 400 ISO 35mm film.
This photo is a small part of "Telavåg", which today is an idyllic village on the island of Sotra outside Bergen - Norway.
This area suffered a cruel fate during WW2. The entire village was razed. Blasted and burned down by the Germans.
You can read the tragic history of this place, from WW2, on one of my previous photos:
I like seeing how different the avatars I create look in the same background and outfits.
Unedited, Firestorm.
These cubs in the Masai Mara was part of a pride with over 11 cubs. It was great watching them play with each other and the adults
When planning the Rumbled in the Legañan Jungle MOC, I knew it would take up a lot of space. This was a problem as our spare room doubles as our guest room, and since over the Christmas period I knew we had guests staying, I had to create a modular MOC so I could transport it to our bedroom when guests were staying.
These photos show a breakdown of the 5-parts which made up the MOC. The sides with the technic connections are shown facing the camera.
Le parti pris de Louis Benech a été de créer un bosquet accueillant, moins fragile que ceux du XVIIe siècle et pouvant être ouvert au public en permanence, permettant au visiteur de goûter seul ou en famille à l’intimité de ces salons de verdure.
Les arbres choisis par Louis Benech – hêtres, chênes verts, quercus ilex, phillyrea latifolia... ne dépasseront pas les dix-sept mètres voulus par Le Nôtre, permettant ainsi au bosquet de rester complètement invisible depuis le Château et de s’intégrer au domaine. Le visiteur sera convié à découvrir une promenade dansante menant à une grande clairière de lumière et d'eau. Trois sculptures-fontaines ont été réalisées par Jean-Michel Othoniel. Posées à fleur d'eau et composées d'entrelacs et d'arabesques dorées en perles de Murano, matériau "signature" de l'artiste, elles s’inspirent directement des ballets donnés par Louis XIV et de l’Art de décrire la danse de Raoul-Auger Feuillet de 1701. Des calligraphies dynamiques qui rappellent les parterres en broderie présents à Versailles.
www.chateauversailles.fr/les-actualites-du-domaine/evenem...
L'ancien monastère de Sumela se situe au pied d'une falaise abrupte face à la vallée de l'Altındere dans la région de Maçka dans la province de Trébizonde en Turquie.
Une des parties situées sous la voûte de la grotte.
D'après diapositive