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www.lemonde.fr/societe/article/2017/03/06/des-affiches-de...
Rassemblement à Paris à l'occasion du 25 novembre, journée internationale pour l'élimination de la violence à l'égard des femmes.
Un tout petit rassemblement entre midi et deux en ce jour de semaine, il ne fallait pas habiter ou travailler trop loin de la place de la République pour pouvoir s'y rendre.
November 25 (the International Day for the Eradication of Violence Against Women)
Espíritu De Montjuïc 2019
Check my website : antoinedellenbach.myportfolio.com
Le jardin Majorelle est un jardin botanique touristique d'environ 300 espèces à Marrakech au Maroc et un musée de la culture berbère. Il porte le nom de son fondateur, l'artiste peintre français Jacques Majorelle (1886-1962), qui l'a créé en 1931 en s'inspirant du type de jardin islamique.
The Majorelle Garden is a twelve-acre botanical garden and artist's landscape garden in Marrakech, Morocco. An archaeological museum, it contains the Islamic Art Museum of Marrakech. The edifice was designed by the expatriate French artist Jacques Majorelle in the 1920s and 1930s, during the colonial period when Morocco was a protectorate of France.
The abstract geometric visual language of the De Stijl movement in the 1920s inspired a new generation of artists forty years later. The French couturier Yves Saint Laurent won international acclaim with dresses inspired by the paintings of Piet Mondrian. This is the most elementary model of the six variants presented by Yves Saint Laurent in 1965.
Yves Saint Laurent's Mondrian dress (1965), photographed at the Seattle Art Museum, fall 2016.
"Fashion fades, style is eternal" - Yves Saint Laurent
20th century Women’s fashion decade by decade. illustrated by Irina V. Ivanova . Text for this Women’s fashion template available at w w w.artdesignfashion. com /timelines Please follow the link from the profile page to w w w. artdesignfashion.com .You can see more of fashion inspired artwork by Irina V. Ivanova on the new website www.fashion-accent.com
Der Jardin Majorelle ist ein botanischer Garten in Marrakesch, Marokko.
Der französische Maler Jacques Majorelle legte 1923 diesen Garten an.
1980 wurde er von dem französischen Modedesigner Yves Saint Laurent und seinem Lebensgefährten und Geschäftspartner Pierre Bergé aufgekauft. Nach seinem Abschied vom Modegeschäft 2002 wurde die Villa und der Garten zu einem seiner Rückzugsorte.Nach seinem Tod im Jahr 2008 wurde seine Asche im Beisein von Mitarbeitern und Freunden im Rosengarten verstreut.
The Majorelle Garden, is a two and half acre botanical garden and artist's landscape garden in Marrakech, Morocco. It was created by French Orientalist artist, Jacques Majorelle over almost forty years, starting in 1923 and features a Cubist villa designed by French architect, Paul Sinoir in the 1930s. The property was the residence of the artist and his wife from 1923 until their divorce in the 1950s. In the 1980s, the property was purchased by fashion designers, Yves Saint-Laurent and Pierre Bergé who worked to restore it. Today the garden and villa complex is open to the public.
(Wikipedia)
This outfit looks to me like it's from the future, but it's really from 1967. We saw this and many other amazing pieces of wearable art at the Seattle Art Museum's Yves Saint Laurent Exhibition.
A bamboo graffiti in the Majorelle Garden in Marrakech, Morocco.
This world-famous landscape garden was created by the French artist Jacques Majorelle in 1920s, and features a Cubist blue villa, designed by the French architect Paul Sinoir in the 1930s. The property was purchased in the 1980s by the fashion designer Yves Saint-Laurent. Today, the garden and the villa complex is open to the public.
The Jardin Majorelle in Marrakech is one of the most visited sites in Morocco. It took French painter Jacques Majorelle (1886-1962) forty years of passion and dedication to create this enchanting garden in the heart of the “Ochre City”.
Terribly lazy day in which I have done nothing. So I spilled the current contents out of the bag I wore yesterday. And here it is.
Model Dovima wearing a creation of Yves Saint Laurent for Dior Maison and photographed by Richard Avedon.Vogue,August 1955.
Sur quelques portes des fameuses cabines, entre acteurs américains, Deauville rend hommage à quelques illustres résidents de - court ou long - passage dans la cité balnéaire
FR : Structure provisoire dans les jardins du Palais Royal à Paris pour "Saint-Laurent Self 07"
Exposition de photographies de mode de l'agence Magnum pour Yves Saint-Laurent.
6 expos temporaires pour 6 photographes différents, présentées simultanément du 9 au 12 juin 2022 dans 6 villes différentes et éloignées (Paris, Londres, New York, Tokyo, Séoul et Shanghai)
Donc impossible de voir les 6 expos en trois jours, même en forçant un peu sur l’empreinte carbone !
A Paris, ce sont les photos de Harry Gruyaert qui étaient présentées ce week-end.
Nota : Dans un tel décor, la jeune femme en noir et blanc de la tête aux pieds était un cadeau inespéré pour le photographe attentif.
Il ne fallait pas la rater, car je n’ai pas eu de deuxième chance !
EN: Temporary tent in gardens of Palais Royal in Paris for "Saint-Laurent Self 07"
Exhibition of Magnum agency fashion photos for Yves Saint-Laurent.
6 exhibitions for 6 different photographers in 6 cities (Paris, London, New York, Tokyo, Seoul and Shanghai) presented simultaneously from 9th to 12th June 2022 (very short period)
In Paris, the exposed photos were by Harry Gruyaert.
Note: In such an environment, the young woman in black and white from head to toe was an unexpected gift for the attentive photographer...
It should not be missed, because I didn’t have a second chance! I
Magda was formerly a Fashion Royalty Monogram Magnetism doll. For this shoot she removed her beauty mark and added eyelashes to look more sassy. Her hair is set in waves.
She's wearing a transparent chiffon blouse and a iridescent taffeta skirt. In addition to this is her pink belt with a big chiffon peony. Her platform sandals go nicely with the skirt.
The yellow Kelly-bag is made of leather. Her rings are made of solid gold with circonia.
27.05.2011
Fashion - Shoes : by me
Um dos edifícios mais icónicos de Paris, o Louis Vuitton, na avenida Champs-Élysées, em Paris, recebeu uma intervenção artística da renomada artista japonesa Yayoi Kusama. A fachada do prédio foi coberta por bolinhas coloridas, incluindo uma escultura gigante da artista, que remetem para o seu trabalho, conhecido pelas suas instalações imersivas e psicadélicas, criando um contraste vibrante com a arquitetura clássica.
One of the most iconic buildings in Paris, the Louis Vuitton on the Champs-Élysées in Paris, has received an artistic intervention by renowned Japanese artist Yayoi Kusama. The façade of the building was covered in colorful balls, including a giant sculpture of the artist, which refer to the work of the artist, known for her immersive and psychedelic installations, creating a vibrant contrast with the classic architecture.