View allAll Photos Tagged yokoono
yoko onu'nun sergisinden bir detay.burada kırılmış porselen parçalarını birleştiriyorsunuz.ama tabi asıl amaç herkesin bir parça işin ucundan tutması ile dünya barışını tamir edilebileceğini anlatmak..
-- a detail from the exhibition of yoko ono in istanbul.this is called mend peace and here you repair broken plates,mugs etc and put them together with glue and tapes.but here the thing she wants to say is that if everybody puts a small efford we can mend broken peace of the world and make it alive again..
"yokoono: heal (Yoko Ono
via Facebook)"
LAMAR
facebook.com/Lamar Youngstown"
May 7, 2010
9010 Market St., North Lima, Ohio
YOKO ONO
SPACE TRANSFORMER, 2009
"From the book Yoko Ono: Instruction Paintings (1995)
'Thirty years ago, in 1962, I did an exhibition of
instruction paintings at Sogetsu Art Center in Tokyo. A
year before, I did a show of instruction paintings at AG
Gallery in New York, but that was exhibiting canvases
with instructions attached to them. Displaying just the
instructions as paintings was going one step further,
pushing visual art to its optimum conceptualism; it
would open up a whole new horizon for the visual
arts. I was totally excited by the idea and its visual
possibilities. To make the point that the instructions
were not themselves graphic images, I wanted the
instructions to be typed.'
Conceptual and fluxus artist, poet and composer,
Yoko Ono presents here an installation from her series
of space transformations, which, as the artist has
said, work mainly as an invocation 'to constructing
in your head,' to urge viewers to make their own
transformations as they move through space and time.
"SPACE TRANSFORMER" as presented here, consists
of security barriers which delineate a specific site in the
space chosen for transformation."
www.nolongerempty.com/new/pressrelease_02.html
Yoko Ono
Conceptual and fluxus artist, Yoko Ono, will present a work from her series of space transformations which, as the artist has said, work mainly as an invocation “to constructing in your head”. The installation being presented in this exhibition will consist of security barriers which delineate a specific site in the space chosen for transformation together with the sign "SPACE TRANSFORMER IS BEING BUILT”. The installation will be accompanied by take away cards which continue the concept as one goes through the city with the invocation to be a “SPACE TRANSFORMER”.
www.nolongerempty.com/new/artists/yokoono.html
YOKO ONO
I am thrilled to be a part of this NO LONGER EMPTY project! We need to transform all of the empty spaces on our planet with love and wisdom...starting with our heads and our hearts. Love, yoko nyc '09.
For "Reflecting Transformation"
at NO LONGER EMPTY, New York City, New York
July 30th to September 26th, 2009
During PBS’ AMERICAN MASTERS: "LENNONYC" (W.T.) session at the TCA Summer Press Tour in Los Angeles on August 5, 2010, Yoko Ono and series creator and executive producer Susan Lacy discuss John and Yoko’s time together in New York City.
Twitter: @PBS
Facebook: www.facebook.com/pbs
YouTube: www.youtube.com/pbs
Photo credit: Jake Landis/PBS.
"Memory Painting; Blood Object Clock" (1997/2008) by Yoko Ono for "FLY" at the Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland, 9/19 - 10/26/2008
(Texto en castellano al final)
Yoko Ono’s "Cut Piece" was one of the performances I did on June 11, 2008 at El Círculo de Bellas Artes in Madrid as part of the opening ceremony of VISIBLE : The LGBT Culture Festival, created and curated by Pablo Peinado.
Yoko Ono has performed “Cut Piece” several times from 1964 in Kyoto and Tokyo until 2003 in Paris. She has said that “Cut Piece” is her hope for World Peace and her stand against ageism, against racism, against sexism, and against violence.
This time I wanted to perform “Cut Piece” for Gay Human Rights and I wanted it to be a kind of Memorial to the ones that were repressed, oppressed, killed or executed in history in the whole world because of their sexual orientation.
In the wedding dress that I wear there are written the names of many that suffered that violence, so I asked the audience to cut and keep those names as a way of protection and love for them.
The hat I wear is not a fairy cap as some people wrongly thought. Itis the kind of pointed hood that the Spanish Inquisition put on the people to humiliate them.
The music with the video is the aria "Casta Diva" from Bellini’s "Norma". It was used in the performance along with so many other songs like Yoko Ono’s “Shiranakatta”
For more information about YOKO’S CUT PIECE I recommend you to read this essay by Kevin Concannon:
imaginepeace.com/archives/2680
Jorge Artajo Muruzabal
Contact: wanderwatersworks@gmail.com
........................................
"CUT PIECE" de Yoko Ono fue una de las performances que realicé en el Círculo de Bellas Artes de Madrid el 11 de junio de 2008 como parte del acto de apertura del Festival de cultura LGTB VISIBLE que dirige Pablo Peinado.
Realizada por Yoko Ono, la obra ha simbolizado la entrega total del artista, pero también la violencia sufrida por mujeres, ancianos y homosexuales. En esta ocasión quise que esta pieza ayudara a recordar e hiciera revivir a todas las personas represaliadas, asesinadas o ejecutadas a lo largo de la historia en todo el mundo debido a su orientación sexual.
En el vestido de novia que llevaba estaban escritos sus nombres y pedí a los asistentes que los recortaran y se los llevaran como una forma de protección y muestra de amor hacia toda persona discriminada.
El gorro que llevo no es un gorro de hada como alguna gente interpretó, sino que representa el "capirote" que se ponía a los condenados por la Inquisición.
La música que acompaña el video es el aria “Casta Diva” de la ópera “Norma” de Bellini.
Jorge Artajo
Contacto: wanderwatersworks@gmail.com
"Wish Tree for Tokyo December 9 2008" by Yoko Ono at the Museum of Contemporary Art Tokyo (MOT), Tokyo, Japan, on December 9, '08
"YOKO ONO IMAGINE PEACE Featuring John & Yoko's Year of Peace" curated by Dr. Kevin Concannon at Emily Davis Gallery / Mary Schiller Myers School of Art / The University of Akron, Ohio, July 6 - September 7, 2007
"Give wings to things
around you so they can fly.
(@yokoono via Twitter)"
LAMAR
Twitter.com/Lamar Youngstown"
May 7, 2010
9010 Market St., North Lima, Ohio
"Wish Tree for Tokyo December 9 2008" by Yoko Ono at the Museum of Contemporary Art Tokyo (MOT), Tokyo, Japan, on December 9, '08
On this date in 1980, John Lennon was murdered. I was asleep at time, and when my mom told the news the next morning I was furious with her for not having woken me up to tell me right away. It was, from the perspective of a 12-year-old whose favorite band was the Beatles, the single biggest news story that had occured in my lifetime, and the idesa that I had been allowed to sleep through it was appalling.
This is a Christmas card sent by John Lennon and Yoko Ono in 1969 to Karlheinz Stockhausen, a avant-garde German composer who was a pioneer in the field of electronic music. Stockhausen was a particular inspiration to Lennon, and his work is said to have influenced "A Day in the Life" and "Revolution #9." He is one of the figures pictured on the cover of Sgt. Pepper's Lonely Hearts Club Band. (He's in the top row, just to the left of W. C. Fields.)
During PBS’ AMERICAN MASTERS: "LENNONYC" (W.T.) session at the TCA Summer Press Tour in Los Angeles on August 5, 2010, Yoko Ono and series creator and executive producer Susan Lacy discuss John and Yoko’s time together in New York City.
Twitter: @PBS
Facebook: www.facebook.com/pbs
YouTube: www.youtube.com/pbs
Photo credit: Jake Landis/PBS.
This is a collection of photos from September 2nd, 1980. John and Yoko are walking down 72nd Street, presumably to visit their favorite coffee shop, La Fortuna.
For "Go and take a pic of ... " Apple. John Lennon was great, of course, but I've always enjoyed Yoko's bizarre mixture of coyness and inyerface. Although it's interesting to note that she hasn't been quite as sweetness-and-light egalitarian as you might have expected. So - she's human after all. Thank goodness for that.
(Texto en castellano al final)
Yoko Ono’s "Cut Piece" was one of the performances I did on June 11, 2008 at El Círculo de Bellas Artes in Madrid as part of the opening ceremony of VISIBLE : The LGBT Culture Festival, created and curated by Pablo Peinado.
Yoko Ono has performed “Cut Piece” several times from 1964 in Kyoto and Tokyo until 2003 in Paris. She has said that “Cut Piece” is her hope for World Peace and her stand against ageism, against racism, against sexism, and against violence.
This time I wanted to perform “Cut Piece” for Gay Human Rights and I wanted it to be a kind of Memorial to the ones that were repressed, oppressed, killed or executed in history in the whole world because of their sexual orientation.
In the wedding dress that I wear there are written the names of many that suffered that violence, so I asked the audience to cut and keep those names as a way of protection and love for them.
The hat I wear is not a fairy cap as some people wrongly thought. Itis the kind of pointed hood that the Spanish Inquisition put on the people to humiliate them.
The music with the video is the aria "Casta Diva" from Bellini’s "Norma". It was used in the performance along with so many other songs like Yoko Ono’s “Shiranakatta”
For more information about YOKO’S CUT PIECE I recommend you to read this essay by Kevin Concannon:
imaginepeace.com/archives/2680
Jorge Artajo Muruzabal
Contact: wanderwatersworks@gmail.com
........................................
"CUT PIECE" de Yoko Ono fue una de las performances que realicé en el Círculo de Bellas Artes de Madrid el 11 de junio de 2008 como parte del acto de apertura del Festival de cultura LGTB VISIBLE que dirige Pablo Peinado.
Realizada por Yoko Ono, la obra ha simbolizado la entrega total del artista, pero también la violencia sufrida por mujeres, ancianos y homosexuales. En esta ocasión quise que esta pieza ayudara a recordar e hiciera revivir a todas las personas represaliadas, asesinadas o ejecutadas a lo largo de la historia en todo el mundo debido a su orientación sexual.
En el vestido de novia que llevaba estaban escritos sus nombres y pedí a los asistentes que los recortaran y se los llevaran como una forma de protección y muestra de amor hacia toda persona discriminada.
El gorro que llevo no es un gorro de hada como alguna gente interpretó, sino que representa el "capirote" que se ponía a los condenados por la Inquisición.
La música que acompaña el video es el aria “Casta Diva” de la ópera “Norma” de Bellini.
Jorge Artajo
Contacto: wanderwatersworks@gmail.com
"IMAGINE PEACE y.o. 2007" badges
for "YOKO ONO IMAGINE PEACE Featuring John & Yoko's Year of Peace" curated by Dr. Kevin Concannon at Emily Davis Gallery / Mary Schiller Myers School of Art / The University of Akron, Ohio, July 6 - September 7, 2007
This is a Piece inspired by Yoko Ono’s "White Chess-Set"
The basis is the same, but where Yoko says "Play It by Trust", I add "Yes, Play It by Trust and Joy". We should have always in mind that respect is the best way to end with our fears and enjoy the others. Although the differences, we are not as different as we are told. We all are in the same game, despite our anger or hate. We all have the choice of transforming life in a game of love and togetherness, or in a game of death and rejection.
When I was a child, about 10, I used to hate playing chess, because one of my brothers, who was 5 years older than me, used it to humiliate me. He always won, of course, and he had that feeling of being stronger and cleverer than me, and he would show off treating me like an inferior and insulting me. That, raised a lot of resentment in me towards him, but when I was alone, I used to find something fascinating in that black and white cardboard and all those different pieces, so I enjoyed very much playing chess alone, with my own rules. The cardboard could become a hug golden room, a palace, a desert, a country, a planet, or a universe and there were lots of love and war stories over there, but there were always happy endings with balls and parties where the pieces got to know to each other, dancing and talking.
So with all this in mind, I made this Coloured Chess-Set, as a way of add a layer to Yoko's piece. Maybe if I have had this kind of chess set when I was 10, my older brother and I wouldn’t have stopped talking to each other when grown ups.
During PBS’ AMERICAN MASTERS: "LENNONYC" (W.T.) session at the TCA Summer Press Tour in Los Angeles on August 5, 2010, Yoko Ono and series creator and executive producer Susan Lacy discuss John and Yoko’s time together in New York City.
Twitter: @PBS
Facebook: www.facebook.com/pbs
YouTube: www.youtube.com/pbs
Photo credit: Jake Landis/PBS.
Yoko Ono: The Road Of Hope
The prize-giving ceremony for the 8th Hiroshima Art Prize (sponsored by Hiroshima City and Asahi Newspapers), an award for contemporary artists whose work has contributed to peace, was held at the Museum of Contemporary Art in Hiroshima on July 29th. The avant-garde artist (78), wife of the late John Lennon, a former Beatle, was there to accept the prize. Saying that "the whole world recognises how Hiroshima picked itself up and rebuilt itself so remarkably after being totally annihilated," she spoke of her determination to evoke that power her future artistic work.
In the morning of the same day she visited the Hiroshima Peace Park, and laid a wreath at the Memorial Cenotaph for the victims of the atomic bombing. She also toured the Hiroshima Peace Memorial Museum (the atomic bomb archive), and appealed to people to "make sure to look (at the exhibits) and don’t try to avoid them. If you haven't been there yet, please do visit, and look carefully at them all."
To commemorate the award, the museum will host her exhibition "ROAD OF HOPE –YOKO ONO 2011 until October 16th. The exhibition features works inspired by the recent disaster at Fukushima, as well as the victims of Hiroshima and Nagasaki, and embodies a spirit of hope for the future.
more info: imaginepeace.com/archives/13631
Photo: Anne Terada (c) 2011 Yoko Ono
(Texto en castellano al final)
Yoko Ono’s "Cut Piece" was one of the performances I did on June 11, 2008 at El Círculo de Bellas Artes in Madrid as part of the opening ceremony of VISIBLE : The LGBT Culture Festival, created and curated by Pablo Peinado.
Yoko Ono has performed “Cut Piece” several times from 1964 in Kyoto and Tokyo until 2003 in Paris. She has said that “Cut Piece” is her hope for World Peace and her stand against ageism, against racism, against sexism, and against violence.
This time I wanted to perform “Cut Piece” for Gay Human Rights and I wanted it to be a kind of Memorial to the ones that were repressed, oppressed, killed or executed in history in the whole world because of their sexual orientation.
In the wedding dress that I wear there are written the names of many that suffered that violence, so I asked the audience to cut and keep those names as a way of protection and love for them.
The hat I wear is not a fairy cap as some people wrongly thought. Itis the kind of pointed hood that the Spanish Inquisition put on the people to humiliate them.
The music with the video is the aria "Casta Diva" from Bellini’s "Norma". It was used in the performance along with so many other songs like Yoko Ono’s “Shiranakatta”
For more information about YOKO’S CUT PIECE I recommend you to read this essay by Kevin Concannon:
imaginepeace.com/archives/2680
Jorge Artajo Muruzabal
Contact: wanderwatersworks@gmail.com
........................................
"CUT PIECE" de Yoko Ono fue una de las performances que realicé en el Círculo de Bellas Artes de Madrid el 11 de junio de 2008 como parte del acto de apertura del Festival de cultura LGTB VISIBLE que dirige Pablo Peinado.
Realizada por Yoko Ono, la obra ha simbolizado la entrega total del artista, pero también la violencia sufrida por mujeres, ancianos y homosexuales. En esta ocasión quise que esta pieza ayudara a recordar e hiciera revivir a todas las personas represaliadas, asesinadas o ejecutadas a lo largo de la historia en todo el mundo debido a su orientación sexual.
En el vestido de novia que llevaba estaban escritos sus nombres y pedí a los asistentes que los recortaran y se los llevaran como una forma de protección y muestra de amor hacia toda persona discriminada.
El gorro que llevo no es un gorro de hada como alguna gente interpretó, sino que representa el "capirote" que se ponía a los condenados por la Inquisición.
La música que acompaña el video es el aria “Casta Diva” de la ópera “Norma” de Bellini.
Jorge Artajo
Contacto: wanderwatersworks@gmail.com
"Wish Tree for Pasadena" by Yoko Ono at One Colorado Courtyard in Pasadena, California, August 2 - November 9, '08
YOKO ONO
SPACE TRANSFORMER, 2009
"From the book Yoko Ono: Instruction Paintings (1995)
'Thirty years ago, in 1962, I did an exhibition of
instruction paintings at Sogetsu Art Center in Tokyo. A
year before, I did a show of instruction paintings at AG
Gallery in New York, but that was exhibiting canvases
with instructions attached to them. Displaying just the
instructions as paintings was going one step further,
pushing visual art to its optimum conceptualism; it
would open up a whole new horizon for the visual
arts. I was totally excited by the idea and its visual
possibilities. To make the point that the instructions
were not themselves graphic images, I wanted the
instructions to be typed.'
Conceptual and fluxus artist, poet and composer,
Yoko Ono presents here an installation from her series
of space transformations, which, as the artist has
said, work mainly as an invocation 'to constructing
in your head,' to urge viewers to make their own
transformations as they move through space and time.
"SPACE TRANSFORMER" as presented here, consists
of security barriers which delineate a specific site in the
space chosen for transformation."
www.nolongerempty.com/new/pressrelease_02.html
Yoko Ono
Conceptual and fluxus artist, Yoko Ono, will present a work from her series of space transformations which, as the artist has said, work mainly as an invocation “to constructing in your head”. The installation being presented in this exhibition will consist of security barriers which delineate a specific site in the space chosen for transformation together with the sign "SPACE TRANSFORMER IS BEING BUILT”. The installation will be accompanied by take away cards which continue the concept as one goes through the city with the invocation to be a “SPACE TRANSFORMER”.
www.nolongerempty.com/new/artists/yokoono.html
YOKO ONO
I am thrilled to be a part of this NO LONGER EMPTY project! We need to transform all of the empty spaces on our planet with love and wisdom...starting with our heads and our hearts. Love, yoko nyc '09.
For "Reflecting Transformation"
at NO LONGER EMPTY, New York City, New York
July 30th to September 26th, 2009
During PBS’ AMERICAN MASTERS: "LENNONYC" (W.T.) session at the TCA Summer Press Tour in Los Angeles on August 5, 2010, Yoko Ono and series creator and executive producer Susan Lacy discuss John and Yoko’s time together in New York City.
Twitter: @PBS
Facebook: www.facebook.com/pbs
YouTube: www.youtube.com/pbs
Photo credit: Jake Landis/PBS.
(Texto en castellano al final)
Yoko Ono’s "Cut Piece" was one of the performances I did on June 11, 2008 at El Círculo de Bellas Artes in Madrid as part of the opening ceremony of VISIBLE : The LGBT Culture Festival, created and curated by Pablo Peinado.
Yoko Ono has performed “Cut Piece” several times from 1964 in Kyoto and Tokyo until 2003 in Paris. She has said that “Cut Piece” is her hope for World Peace and her stand against ageism, against racism, against sexism, and against violence.
This time I wanted to perform “Cut Piece” for Gay Human Rights and I wanted it to be a kind of Memorial to the ones that were repressed, oppressed, killed or executed in history in the whole world because of their sexual orientation.
In the wedding dress that I wear there are written the names of many that suffered that violence, so I asked the audience to cut and keep those names as a way of protection and love for them.
The hat I wear is not a fairy cap as some people wrongly thought. Itis the kind of pointed hood that the Spanish Inquisition put on the people to humiliate them.
The music with the video is the aria "Casta Diva" from Bellini’s "Norma". It was used in the performance along with so many other songs like Yoko Ono’s “Shiranakatta”
For more information about YOKO’S CUT PIECE I recommend you to read this essay by Kevin Concannon:
imaginepeace.com/archives/2680
Jorge Artajo Muruzabal
Contact: wanderwatersworks@gmail.com
........................................
"CUT PIECE" de Yoko Ono fue una de las performances que realicé en el Círculo de Bellas Artes de Madrid el 11 de junio de 2008 como parte del acto de apertura del Festival de cultura LGTB VISIBLE que dirige Pablo Peinado.
Realizada por Yoko Ono, la obra ha simbolizado la entrega total del artista, pero también la violencia sufrida por mujeres, ancianos y homosexuales. En esta ocasión quise que esta pieza ayudara a recordar e hiciera revivir a todas las personas represaliadas, asesinadas o ejecutadas a lo largo de la historia en todo el mundo debido a su orientación sexual.
En el vestido de novia que llevaba estaban escritos sus nombres y pedí a los asistentes que los recortaran y se los llevaran como una forma de protección y muestra de amor hacia toda persona discriminada.
El gorro que llevo no es un gorro de hada como alguna gente interpretó, sino que representa el "capirote" que se ponía a los condenados por la Inquisición.
La música que acompaña el video es el aria “Casta Diva” de la ópera “Norma” de Bellini.
Jorge Artajo
Contacto: wanderwatersworks@gmail.com
YOKO ONO
SPACE TRANSFORMER, 2009
"From the book Yoko Ono: Instruction Paintings (1995)
'Thirty years ago, in 1962, I did an exhibition of
instruction paintings at Sogetsu Art Center in Tokyo. A
year before, I did a show of instruction paintings at AG
Gallery in New York, but that was exhibiting canvases
with instructions attached to them. Displaying just the
instructions as paintings was going one step further,
pushing visual art to its optimum conceptualism; it
would open up a whole new horizon for the visual
arts. I was totally excited by the idea and its visual
possibilities. To make the point that the instructions
were not themselves graphic images, I wanted the
instructions to be typed.'
Conceptual and fluxus artist, poet and composer,
Yoko Ono presents here an installation from her series
of space transformations, which, as the artist has
said, work mainly as an invocation 'to constructing
in your head,' to urge viewers to make their own
transformations as they move through space and time.
"SPACE TRANSFORMER" as presented here, consists
of security barriers which delineate a specific site in the
space chosen for transformation."
www.nolongerempty.com/new/pressrelease_02.html
Yoko Ono
Conceptual and fluxus artist, Yoko Ono, will present a work from her series of space transformations which, as the artist has said, work mainly as an invocation “to constructing in your head”. The installation being presented in this exhibition will consist of security barriers which delineate a specific site in the space chosen for transformation together with the sign "SPACE TRANSFORMER IS BEING BUILT”. The installation will be accompanied by take away cards which continue the concept as one goes through the city with the invocation to be a “SPACE TRANSFORMER”.
www.nolongerempty.com/new/artists/yokoono.html
YOKO ONO
I am thrilled to be a part of this NO LONGER EMPTY project! We need to transform all of the empty spaces on our planet with love and wisdom...starting with our heads and our hearts. Love, yoko nyc '09.
For "Reflecting Transformation"
at NO LONGER EMPTY, New York City, New York
July 30th to September 26th, 2009
Project made with Sini Rovanperä.
Haparanda, Sweden. 275 pappier maché balloons.
Facebook page on.fb.me/bheXMW