View allAll Photos Tagged yokoono
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
"IMAGINE PEACE (Maps)" (2003/2007)
by Yoko Ono
maps, rubber stamps, badges
maps: variable dimensions
rubber stamps: 2 3/4 x 3 3/4 x 7/8 inches
badges: 1 3/8 inches diameter
" IMAGINE PEACE
Yoko Ono, among the earliest of artists working in the genre known
Conceptual Arts, has consistently employed the theme of peace
and used the medium of advertising in her work since the early 1960s.
Yoko Ono Imagine Peace Featuring John & Yoko's Year of Peace
explores these aspects of her work over the course of more than
forty years.
Three recent pieces - Imagine Peace (Map) (2003/2007); Onochord
(2003/2007); and Imagine Peace Tower (2006/2007) - offer gallery
visitors to an opportunity to participate individually and collectively
with the artist in the realization of work. Consider the world with
fresh eyes as you stamp the phrase "Imagine Peace" on the location
of your choice on maps provided for this purpose. Using postcards
provided send your wishes to the Imagine Peace
Tower in Reykjavik, where they will shine on with eternally more than
900,000 others. Or beam the message "I Love You" to one and all
using the Onochord flashlights. Take a flashlight and an Imagine
Peace button, the artist's gift to you, and carry the message out into the
world. As Ono has often observed, "the dream you dream alone is
just the dream, but the dream we dream together is reality."
The exhibition continues in nine locations with Imagine
Peace/Imaginate La Paz billboards across the San Antonio region.
YOKO ONO IMAGINE PEACE Featuring John & Yoko's Year of Peace is made
possible by the generosity by Bjom's Audio Video-Home Theater, Colleen
Casey and Tim Maloney, Clear Channel Outdoor, Rick Liberto, Smothers
Foundation, and Twin Sisters Bakery & Cafe. "
" John & Yoko's Year of Peace (1969 - 70)
Ono's Imagine Peace project carries conceptual and formal
strategies the artist had employer from the earliest years of her
career, not only in her seminal solo works, but in her collaborations
with John Lennon. In 1965, she created works specifically for the
advertising pages of The New York Arts Calendar. Picking up from
her Instructions for Paintings, a 1962 exhibition at Tokyo's Sogetsu Art
Center in which she exhibited written texts on the gallery walls
designed to inspire viewers to create the described images in their
minds, Ono created purely conceptual exhibitions with her
Is Real Gallery works.
The theme of peace is also evident in works sush as White Chess Set,
recreated here as Play It By Trust (Garden Set version) (1966/2007).
Lennon's songwriting during this period had shifted from more
conventional themes of romantic love to grander anthems for the
Flower Power generation. The Baetles' worldwide satellite broadcast
of Lennon's "All You Need Is Love" in the summer of 1967 featured a
parade of signs with the word "love" in multiple languages.
The couple's most famous collaborative works, the Bed-Ins (1969)
and the War Is Over! campaign (1969 - 1970), were conceived as
elements of a large peace advertising campaign. The Bed-Ins took
advantage of the inordinate amount of press attention the couple
received by inviting the world press to their honeymoon suite where
they talked about peace! Ono told Penthouse magazine's Charles
Childs: "Many other people who are rich are using their money for
something they want. They promote soap, use advertising
propaganda, what have you. We intend to do the same."
In December of 1969, they launched their War Is Over! campaign, a
project that included billboards and posters in 11 cities of the world
simply declaring "War Is Over! If You Want It. Happy Christmas from
John & Yoko." As with Ono's earliest instruction pieces, viewers were
invited to transform their dreams into reality. Ono has explained,
"All my work is a form of wishing." "
YOKO ONO: IMAGINE PEACE Featuring John & Yoko's Year of Peace
September 26th - October 28th, 2007
UTSA Art Gallery / Department of Art and Art History
The University of Texas at San Antonio
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
Last year Yoko sent me 5000 badges to share with schoolchildren in Australia who helped me collect blankets for Mongolians.
I organised the Magical Mongolian Blanket Bus as a celebration of the 40th anniversary of ther Beatles' Magical Mystery Tour, as well as being a practical way of collecting and moving blankets down the east coast of Queensland.
A chronology of our project can be found at www.blankets4mongolia.com
As it turned out I had many badges to spare and decided to share them with Mongolian children from the Gobi Desert who I met just recently whilst delivering blankets for Mongolian hospitals and schools etc. Please find 2 messages which describe my recent trip to Mongolia, and which hopefully show that Peace can be Imagined and made real.
These delivery pictures were all taken in the Gobi Desert between Oct 9 and Oct 11, 2008. The truck which I accompanied for this distribution is also seen being packed in Ulaan Baatar on Oct 2. The distance between the UB storage and the nearest Gobi soum (village) to receive blankets during the trip, is 800km.
These pics are from my recent visit to Mongolia - in fact some blankets had already been distributed before I arrived, and many more will continue to be distributed over the next 3 to 6 months ... it is not such an easy thing to organise:) For instance, the Bayangovi hospital which triggered my 1st collection, is now very well stocked with blankets, sheets and pillows. Their supply was topped up in July so there was no need to deliver more blankets to the hospital. We instead were planning more blankets for the soum dormitory, but the unexpected participation of my Mongolian friend and partner Bodio, in the Bayangovi local election meant that he could not be seen to be delivering gifts until after election day, so .... Anyway, he won the election and I now have a government contact in Mongolia who is there for the right reasons!
Therefore these pics include the kindergarten and school dorm at Shinejinst soum, the kindergarten (Qantas blankets draped over teachers) and school dorm at Bayan-Undur soum, and the kindergarten and school at Bayanlig soum. The drivers ha already delivered blankets to Jinst and Bogd soums before I caught up with them in Bayangovi. Bayanlig is the home of the young girl whose picture inspired me to start the ball rolling in 2003 -she became my poster girl and I caught up with her again this trip - very special for me!
Of course also, we delivered 'Imagine Peace' badges to the school kids at Bayanlig and Bayangovi, and those special pics are coming soon - only a select group of schools in Mongolia and Queensland received these gifts from Yoko Ono. Oct 9 was of course the 68th anniversary of the birth of John Lennon, and on the same day as we 'made warm not war!' in Bayanlig, a statue of the Fab Four was unveiled in Ulaan Baatar.
Thank you to everyone ...
...but the Magical Mongolian Tour continues ...
Cheers
Barry Jiggins OAM
Radiographer
Cairns Base Hospital
Australia
"IMAGINE PEACE (Maps)" (2003/2007)
by Yoko Ono
maps, rubber stamps, badges
maps: variable dimensions
rubber stamps: 2 3/4 x 3 3/4 x 7/8 inches
badges: 1 3/8 inches diameter
" IMAGINE PEACE
Yoko Ono, among the earliest of artists working in the genre known
Conceptual Arts, has consistently employed the theme of peace
and used the medium of advertising in her work since the early 1960s.
Yoko Ono Imagine Peace Featuring John & Yoko's Year of Peace
explores these aspects of her work over the course of more than
forty years.
Three recent pieces - Imagine Peace (Map) (2003/2007); Onochord
(2003/2007); and Imagine Peace Tower (2006/2007) - offer gallery
visitors to an opportunity to participate individually and collectively
with the artist in the realization of work. Consider the world with
fresh eyes as you stamp the phrase "Imagine Peace" on the location
of your choice on maps provided for this purpose. Using postcards
provided send your wishes to the Imagine Peace
Tower in Reykjavik, where they will shine on with eternally more than
900,000 others. Or beam the message "I Love You" to one and all
using the Onochord flashlights. Take a flashlight and an Imagine
Peace button, the artist's gift to you, and carry the message out into the
world. As Ono has often observed, "the dream you dream alone is
just the dream, but the dream we dream together is reality."
The exhibition continues in nine locations with Imagine
Peace/Imaginate La Paz billboards across the San Antonio region.
YOKO ONO IMAGINE PEACE Featuring John & Yoko's Year of Peace is made
possible by the generosity by Bjom's Audio Video-Home Theater, Colleen
Casey and Tim Maloney, Clear Channel Outdoor, Rick Liberto, Smothers
Foundation, and Twin Sisters Bakery & Cafe. "
" John & Yoko's Year of Peace (1969 - 70)
Ono's Imagine Peace project carries conceptual and formal
strategies the artist had employer from the earliest years of her
career, not only in her seminal solo works, but in her collaborations
with John Lennon. In 1965, she created works specifically for the
advertising pages of The New York Arts Calendar. Picking up from
her Instructions for Paintings, a 1962 exhibition at Tokyo's Sogetsu Art
Center in which she exhibited written texts on the gallery walls
designed to inspire viewers to create the described images in their
minds, Ono created purely conceptual exhibitions with her
Is Real Gallery works.
The theme of peace is also evident in works sush as White Chess Set,
recreated here as Play It By Trust (Garden Set version) (1966/2007).
Lennon's songwriting during this period had shifted from more
conventional themes of romantic love to grander anthems for the
Flower Power generation. The Baetles' worldwide satellite broadcast
of Lennon's "All You Need Is Love" in the summer of 1967 featured a
parade of signs with the word "love" in multiple languages.
The couple's most famous collaborative works, the Bed-Ins (1969)
and the War Is Over! campaign (1969 - 1970), were conceived as
elements of a large peace advertising campaign. The Bed-Ins took
advantage of the inordinate amount of press attention the couple
received by inviting the world press to their honeymoon suite where
they talked about peace! Ono told Penthouse magazine's Charles
Childs: "Many other people who are rich are using their money for
something they want. They promote soap, use advertising
propaganda, what have you. We intend to do the same."
In December of 1969, they launched their War Is Over! campaign, a
project that included billboards and posters in 11 cities of the world
simply declaring "War Is Over! If You Want It. Happy Christmas from
John & Yoko." As with Ono's earliest instruction pieces, viewers were
invited to transform their dreams into reality. Ono has explained,
"All my work is a form of wishing." "
YOKO ONO: IMAGINE PEACE Featuring John & Yoko's Year of Peace
September 26th - October 28th, 2007
UTSA Art Gallery / Department of Art and Art History
The University of Texas at San Antonio
Cast silicone, wood, bowl, water
Table: 28 1/2 x 96 x 30 inches (72.4 x 243.8 x 76.2 cm)
Pedestal: 30 x 14 x 14 inches (76.2 x 36.6 x 36.6 cm)
Yoko Ono: touch me : Gallery LeLong, 528 West 26th Street, NY, USA
Apr18-May31 2008, Tue-Sat 10am-6pm
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
Ausstellungsansicht | Exhibition View
Kunsthaus Graz, Space01 & Space02, Lendkai 1, 8020 Graz
Laufzeit | Duration: 14.11.2014-15.02.2015
www.museum-joanneum.at/Kunsthaus
www.museumsblog.at/DamageControl
© Universalmuseum Joanneum / N. Lackner
Yoko Ono: touch me : Gallery LeLong, 528 West 26th Street, NY, USA
Apr18-May31 2008, Tue-Sat 10am-6pm
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
"All You Need is Love." The irony is that this banner is hanging on the under side of a sculpture given to the college by Yoko Ono.
Ausstellungsansicht | Exhibition View
Kunsthaus Graz, Space01 & Space02, Lendkai 1, 8020 Graz
Laufzeit | Duration: 14.11.2014-15.02.2015
www.museum-joanneum.at/Kunsthaus
www.museumsblog.at/DamageControl
© Universalmuseum Joanneum / N. Lackner
This photo feature John having an outdoor lunch on Sunday, April 12th, 1980, at his country home, Cannon Hill, in Cold Spring Harbor, New York. Also present (although not seen in the photographs) were Uda San, Fred Seaman, and Helen Seaman.
This is one of the last images ever taken of John Lennon. This was taken on the day of his murder at approximately 12PM in a photo session at apartment 72 (his main apartment) in The Dakota. The photographer was Annie Leibovitz.
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
Butt #21, Fall 2007
006140
Periodicals
2007
Butt Magazine Amsterdam Netherlands
unpaginated pp.
23.2 x 16.5 x cm.
Softcover
Featuring…a French horticulturist, drag legend Vaginal Davis, a gay dog, a bunch of London trannies, California portrait artist Don Bachardy and a charming pair of twins from Brooklyn, New York. The issue is available in Europe right now and will hit the US newsstand around mid November. This issue also contains an ad by Yoko Ono for the Art Metropole project 'Advertising by Artists,' curated by Andrew Zeally.
* BORDER CROSSINGS (Vol. 26/#1, Winter 2007)
artist: Nestor Kruger
* WIRE Magazine (Issue 277, March 2007)
artist: Cecilia Berkovic
* BUTT (Issue 19, Spring 2007)
artist: Stephen Ellwood
* THEY SHOOT HOMOS DONT THEY? (Issue 4, Summer 2007)
artist: Cecilia Berkovic
* CABINET Magazine (Issue 26, Summer 2007 [July-September])
artist: Steven Ellwood
* BORDER CROSSINGS (Vol. 26/#2, Spring 2007)
artist: Yoko Ono
* WIRE Magazine (Issue 280, June 2007)
artist: Nestor Kruger
* CABINET Magazine (Issue 27, Fall 2007 [September-December])
artist: Cecilia Berkovic
* WIRE Magazine (Issue 284, October 2007)
artist: Yoko Ono
* BORDER CROSSINGS (Vol. 26/#4, Autumn 2007)
artist: Stephen Ellwood
* BUTT (Issue 21, Autumn 2007)
artist: Yoko Ono
* THEY SHOOT HOMOS DONT THEY? (Issue 5, Winter 2007)
artist: Nestor Kruger
* CABINET Magazine (Issue 28, Winter 2008 [December 2007 - March 2008])
artist: Nestor Kruger
* WIRE Magazine (Issue 287, January 2008)
artist: Stephen Ellwood
* BORDER CROSSINGS (Vol. 27/#1, Winter 2008 [February])
artist: Cecilia Berkovic
* CABINET Magazine (Issue 29, Spring 2008 [March-June])
artist: Yoko Ono
(The homepage of Art Metropole)
www.artmetropole.com/popups/events_exhibits.cfm?str_filen...
ADVERTISING BY ARTISTS
CECILIA BERKOVIC - STEPHEN ELLWOOD - NESTOR KRUGER - YOKO ONO
Curated by Andrew Zealley
February 2007 through April 2008
FOUR ARTISTS
FIVE PUBLICATIONS
FIFTEEN MONTHS
CECILIA BERKOVIC
STEPHEN ELLWOOD
NESTOR KRUGER
YOKO ONO
BORDER CROSSINGS
BUTT
CABINET
THEY SHOOT HOMOS DONT THEY?
WIRE
ADVERTISING BY ARTISTS is an international print-media project conceived to draw attention to Art Metropole's online presence and services - as well as a vehicle for the selected artists to express their own ideas. Over the coming 15-months, we look forward to challenging the conventions of advertising with pure imagination. The rules? Each ad-work must include Art Metropole's logo and website address... the rest is... art. Welcome to Art Metropole.
- Andrew Zealley, February 2007
artmetropole.com/index.cfm?fuseaction=exhibitions.FA_dsp_...
Cecilia Berkovic
Nestor Kruger
Yoko Ono
Stephen Ellwood
Advertising By Artists, full set
005951
Periodicals
$500.00
2008
Art Metropole Toronto Canada
17 x 31 x 31 cm.
Magazines
FOUR ARTISTS, FIVE PUBLICATIONS, FIFTEEN MONTHS. CECILIA BERKOVIC, STEPHEN ELLWOOD, NESTOR KRUGER, YOKO ONO. BORDER CROSSINGS, BUTT, CABINET, THEY SHOOT HOMOS DONT THEY?, WIRE. ADVERTISING BY ARTISTS is an international print-media project conceived to draw attention to Art Metropole's online presence and services - as well as a vehicle for the selected artists to express their own ideas. Each ad-work includes Art Metropole's logo and website address... the rest is... art. Full set of 16 magazines, in a signed edition of 23.
Signed: Yes
Images courtesy of Art Metropole
Print & display in your window, school, workplace, car & elsewhere over the holiday season, and send as postcards to your friends.
If you don't see your language here, then send us your translation of
WAR IS OVER!
IF YOU WANT IT
Happy Christmas from John & Yoko
so we can make a poster for your language.
Also, if we've made an error or omission, please also contact: admin@IMAGINEPEACE.com. Thankyou!
YOKO ONO MORNING PEACE 2015, a global gathering at sunrise on June 21, 2015, 4:30-8:00 AM, celebrating the MoMA exhibition Yoko Ono: One Woman Show, 1960–1971 and the 50th anniversary of Yoko Ono’s New York performance of Morning Piece (1964).
On the solstice at sunrise
celebrate mornings of
past, future, and now.
Listen to the world.
Touch each other
when the sun comes up.
y.o. spring 2015
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
Download, print & display these posters in your window, school, workplace, car and elsewhere.
Post them on your Social Media feeds.
Send them as postcards to your friends.
We say it in so many ways, but we are one.
I love you!
Yoko Ono Lennon
1 December 2015
ARTIST: John Lennon & Yoko Ono
TITLE: Double Fantasy
COMPOSERS: Lennon & Ono
YEAR: 1980
LABEL: Geffen GHS 2001
(copy nr. 20097)
PRODUCER: John Lennon, Yoko Ono, Jack Douglas
TIME: 45:05
PHOTO: Kishin Shinoyama
COUNTRY: US
BOUGHT: 22.8.2008 - Flee Market 8 €
GENRE: Rock
FORMAT: 30 cm LP
RECORD BEFORE THIS: Kitaro: Silk Road
RECORD AFTER THIS: Toto: Greatest
14 tracs:
1. (Just Like) Starting Over (Lennon) 3:56
2. Kiss Kiss Kiss (Ono) 2:41
3. Cleanup Time (Lennon) 2:58
4. Give Me Something (Ono) 1:35
5. I'm Losing You (Lennon) 3:57
6. I'm Moving On (Ono) 2:20
7. Beautiful Boy (Darling Boy)(Lennon) 4:02
Side 2
8. Watching the Wheels (Lennon) 4:00
9. Yes I'm Your Angel (Ono) 3:08
10. Woman" (Lennon) 3:32
11. Beautiful Boys (Ono) 2:55
12. Dear Yoko (Lennon) 2:34
13. Every Man Has a Woman Who Loves Him (Ono) 4:02
14. Hard Times Are Over (Ono) 3:20
This is actually the 1st time I've ever heard Ono singing (her own compositions), half of the songs are marked as her compositions.
This was the last album by Lennon. And that's why very nostalgic. The songs are - again - quite ordinary pop songs (where is the experimental Lennon that we knew in the 60's?).
Very touching is "Beautiful Boy" which is dedicated to Lenno's son Sean (he was 5 years at the time).
John Noga with Mikihiko Hori
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
Recording 'Happy Xmas (War Is Over!)'
The Record Plant Studios, West 44th Street, New York, USA
31 October 1969
John Lennon & Yoko Ono with the Harlem Community Choir
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
" YOKO ONO CUT PIECE
performed by john noga
Akron-Summit County Public Main Library Auditorium
Wednesday 29 August 2007 7pm "
" YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library
(The Akron-Summit County Public Library is the site of the performance, and is not a sponsor.)
Cut Piece
Yoko Ono's performance, Cut Piece (1964), first performed by the artist herself in
Kyoto, Japan, in 1964, will be performed this evening by graduate student and assistant
curator of the IMAGINE PEACE exhibition, John Noga. The exhibition Yoko Ono
IMAGINE PEACE, Featuring John & Yoko's Year of Peace, curated by Kevin
Concannon (with John Noga), is on display through September 7th at the Mary Schiller
Myers School of Art's Emily Davis Gallery in Folk Hall (150 E. Exchange St, Akron)
on the campus of The University of Akron.
While Cut Piece is now widely understood as a feminist performance piece, Ono's early
performances of the work were commonly understood quite differently. Ono performed
the piece a number of times between 1964 and 1966. At the time, she spoke of it as a test
of her commitment as an artist. She frequently told interviewers a story about the
Buddha in which he comes across a hungry lioness and her cubs. taking pity on her
plight, he hurls his body off a cliff above the lioness, scattering the pieces of his body to
offer nourishment to the animals. At the moment of his leap, he achieves enlightenment.
Ono also often discussed the piece as an attempt to move beyond the artist's ego. The
artist, she explained, often gave his audience what he thought they should have. She
wished instead for the audience to take what it wanted from the work. With Cut Piece,
she expressed this quite literally.
The performance score (instructions) calls for the performer to sit on the stage wearing
his or her best suit of clothing with a pair of scissors placed in front of him or her. it is
then announced that members of the audience may approach the stage one at a time to cut
a piece of clothing that they may take with them. The performance ends at the
performer's discretion. Witnessing the performance, it becomes clear that the cutters are
performers as well. The audience observes that each voluntary participation has their own
unique and distinct approach to the work.
in 2003, Ono performed the work personally for the last time. She did it, she says, for
peace, and against ageism, racism, and sexism.
Thank you for being a part of tonight's special performance of Yoko Ono's Cut Piece
The Mary Schiller Myers School of Art
The University of Akron "
YOKO ONO'S CUT PIECE (1964)
Performed by John Noga, graduate assistant, The University of Akron
College of Fine and Applied Arts, Master of Arts Administration program
Introduction by Kevin Concannon, associate professor of art, UA
Wednesday, August 29, 2007 7 pm
Akron-Summit County Public Library