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First lesson in the Eleanor Winters' book "Mastering Copperplate Calligraphy": 8 basic strokes for lowercase letters, and simplest lowercase letters.
Writing is something we at edubirdie.com/words-to-minutes-converter do best. So if your looking for professional who can do high-quality paper for you than contact us!
My first real published work was a monthly column of happenings at my elementary school published in the Amherstburg Echo during the 1988-89 school year. See if you can tell where a 13-year-old scribe was trying to show off.
This version comes from an aging notebook I compiled my rough drafts in - the final version would have been published in early May 1989.
AgendaTxt: março 2011
28 . A . GO: inscrições p/ 1º Salão de Arte Contemp. do Centro-Oeste. último dia
28 . C . RJ: expo Visgraf 21 anos no Impa. último dia
28 . D . EUA: conferência Design Bloggers em Los Angeles. até 1.3
28 . D . NET: concurso de id. visual p/ Tohqi Europa. último dia
28 . T . NY: inscrições p/ o Condensed Program de type design. último dia
28 . T . UK: curso Linocut and Type Poster na St. Bride
28 . T . UK: expo Shape My Language de Bruno Maag. último dia
01 . A . SP: expo Docugrafias de Almir Mavignier no Ibirapuera
01 . D . SP: palestra sobre a Marca Rio 2016 c/ Fred Gelli na Rio Branco
02 . D . SP: aula magna c/ Akira Goto e Guilherme Sebastiany na Belas Artes
02 . N . SP: seminário IDEA/Brasil 2011 sobre economia criativa, na ESPM
03 . A . SUI: expo Street Art & Graffiti from São Paulo em Basel. último dia
03 . B . SP: curso Gestão de Marca c/ Marcos Hiller
03 . T . MEX: evento Tipografilia 06. até 4.3
04 . C . NET: trabalhos p/ a revista online Semeiosis. último dia
04 . F . UK: festival int. de foto Format. até 3.4
06 . T . ALE: expo Jimmy Ernst and the Chinese Compass. último dia
08 . P . NET: competição int. de design só para mulheres. último dia
09 . T . DIN: evento CPH:Typo*11 em Copenhagen
10 . A . NET: trabalhos p/ o 1º Prêmio Ibema Gravura. último dia
10 . D . BA: curso de Encadernação Longstitch c/ As Papeleiras
10 . V . NET: inscrições p/ o 17º Festival Vídeo Brasil. último dia
11 . A . GO: curso de Serigrafia Artística c/ Jotapê. 21 sextas
11 . C . NET: trabalhos p/ o 1º ConfIberCom (SP, 3 a 6.8). último dia
11 . C . EUA: evento South by Southwest no Texas. até 20.3
11 . G . SP: evento Game World 2011. até 13.3
12 . A . SP: expos de Rafael Silveira e Adam Wallacavage na Choque. último dia
12 . D . ES: inscrição p/ o R Design Vitória. 1º lote
12 . D . NET: inscrições p/ oficineiros e monitoria no N Design Rio. último dia
12 . I . SP: expo do Benício na Cartel 011. último dia
12 . P . SP: feira 18ª Craft Design. até 15.3
13 . L . RJ: expo Cora Coralina – Coração do Brasil no CCBB. último dia
13 . D . SP: expo Revista Para Ver no SESC Vila Mariana. último dia
13 . Q . FRA: expo Moebius-transe-forme em Paris. último dia
13 . T . SP: expo Tipos Latinos (edit.) no Senac Sto. Amaro. último dia
14 . T . ESP: curso de Diseño de Tipografía no IED Madrid
15 . L . SP: curso Jornalismo Literário com Julio Chang. até 18.3
15 . D . SP: curso de E-Books formato ePub. até 16.3
15 . D . SP: curso Lighting Design. até 14.6
15 . E . SP: palestra Inovação na Embalagem com Fabio Mestriner
16 . I . RJ: encontro Feijão Ilustrado
16 . T . UK: simpósio Type Writing em Birmingham
17 . D . UK: expo The film posters of Saul Bass. último dia
18 . A . NET: concurso int. Prix Ars Eletronica de cyberarte. último dia
18 . F . NET: prêmio nacional de fotografia Pierre Verger. último dia
18 . I . SP: encontro Pupunha Ink. (previsão)
18 . T . NY: curso Font Design for Non-Type Designers no TDC
19 . B . RJ: curso de Gestão de Marcas com Beto Lima. 6 sábados
19 . K . RJ: curso de Marketing Digital c/ Carol Hoffmann. até 30.4
19 . T . DF: curso de Caligrafia com Andréa Branco. até 20.3
21 . D . NET: concurso logo oficial Conferência WWW2013. último dia
21 . T . UK: curso Linocut and Type Poster na St. Bride
22 . D . SP: curso A capa do livro... c/ Moema Cavalcanti. até 23.3
23 . A . NET: inscrições p/ o Anima Mundi 2011. último dia
23 . Q . NY: expo R. Crumb – Lines Drawn on Paper. até 30.4
25 . I . SP: encontro Bistecão Ilustrado. (previsão)
25 . P . NET: inscrições p/ o 15º Salão Design
25 . T . NY: curso Advanced Typesetting and the Art of Typography
26 . D . PR: curso Identidade Visual c/ Alexandre Wollner. até 27.3
26 . D . SP: evento Pecha Kucha Night SP Vol.7 no Senac Lapa
26 . I . CE: encontro Baião Ilustrado. (previsão)
26 . Q . ESP: expo 1895–1920: el nacimiento del cómic. último dia
27 . A . RJ: expo O Mundo Mágico de Escher no CCBB. último dia
27 . A . SP: expo Islã: Arte e Civilização no CCBB. último dia
27 . D . ITA: expo Graphic Design Worlds em Milão. último dia
28 . I . ITA: Feira do Livro Infantil de Bolonha. até 31.3
30 . K . CE: curso Marketing em Mídias Sociais c/ Interney
30 . D . UK: expo Wim Crouwel – A Graphic Odyssey. até 3.7
31 . D . CHI: desconto p/ o IDA Congress outubro em Taipei. último dia
31 . D . MEX: congresso Dejando Huella 14. até 2.4
31 . D . NET: resumos p/ 5º Congr. Int. de Design de Informação. último dia
31 . D . NET: concurso Pôster 33º Prêmio Vladimir Herzog. último dia
31 . D . UK: debate com Wim Crouwel sobre design gráfico e espacial
31 . F . NET: concurso de Fotografia de Rua. último dia
31 . Q . NET: resumos p/ I Jornadas Int. de Quadrinhos. 1º prazo
31 . T . EUA: propostas p/ TypeCon 2011 julho em New Orleans. último dia
31 . T . NET: concurso int. de Type Design p/ estudantes. último dia
01 . D . SP: palestra Golden Grids com Victor Guerra. curso até 2.4
02 . D . ES: inscrição p/ o R Vitória 2011. fim do 2º lote
03 . V . RJ: expo Warhol TV. último dia
03 . T . UK: expo Evolving English. último dia
A . Arte & Arquitetura
B . Branding
C . Comunicação & Cultura
D . Design
E . Embalagem
F . Fotografia
G . Games
I . Ilustração & Infografia
K . Marketing
L . Literatura
M . Moda
N . Negócios
P . Produto
Q . Quadrinhos
T . Tipografia & Caligrafia
V . Cinema & Vídeo
Eventos de Tipografia,
Design e afins pelo Brasil
e mundo
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Caligrafia por Matheus Barbosa
A quick test for my Nikon 50mm AF-D f/1.4.
© Matteo Foiadelli
Do not use this photo without my express consent
Please, like my Facebook page too!
The desk is vintage and I added the accessories. I made some of the books and the paper stacks, envelopes, and ink well (just a bead and feather).
Faith and Hope made into a Heart Shape and including a Beautiful Butterfly. Made in my custom lettering....
I have been designing lettering for over 20 years now. If you are
interested in having me make you a custom tattoo design, you can contact
me at deniseawells40@gmail.com or denyceangel_40@yahoo.com to get
a Price Quote.
♥♪ ♥¸.•*´¨´¨*•.¸ ♥♪ ♥♥♪ ♥¸.•*´¨´¨*•.¸♥♪ ♥♥
You can 'like' my Facebook page of tattoo designs here:
www.facebook.com/pages/Denise-A-Wells-ArtworksCustom-Tatt...
Albania - Butrinti.
The city of Butrinti (Bothrota) is one of the fragments which form the fabric of Albania's ancient cultural landscape. Nestling in the highlands in the far south of the country and surrounded by dense vegetation, Butrinti was doubly protected by nature and by the fortifications which its inhabitants built in ancient times. However, this was not sufficient to isolate the city from the rest of the world. Less than ten kilometers from the island of Corfu, Butrinti was linked to the Mediterranean by the Vivari canal, which ran from the Butrinti Lake to the Ionian Sea.
The proximity of the sea and the lake, the gentle climate and the beauty of the surrounding countryside provided a splendid environment for the foundation of a city. In taking advantage of this site, the architects of the past constructed what was to become one of the major maritime and commercial centers of the Ancient World. Butrinti reached the height of its glory in the 4th century B.C., at which time the city numbered 10,000 inhabitants.
The sight of the fortifications alone, which date from the 6th century B.C., evokes the military and economic potential of the city at that time. The hill on which the acropolis stands is encircled by a wall built of huge stone blocks. In places this wall is two meters high and 3.5 meters wide.
The amphitheater, dating from the 3rd century B.C., bears witness to the cultural riches of the city. The stone banks of seating, of which twenty-three rows have been preserved, would have held an audience of 1,500. The theater is situated at the foot of the acropolis, close by two temples, one of which is dedicated to Asclepios, the Greek god of medicine, who was worshiped by the city's inhabitants. Approximately thirty inscriptions, almost all in ancient Greek, carved the western facade of this temple, and another hundred or so found on a tower which was rebuilt in the 1st century B.C., are the only examples of writing discovered in Butrinti. These inscriptions are mainly concerned with the liberation of slaves.
Excavations have brought to light many objects - plates, vases, ceramic candle sticks - as well as sculptures, including a remarkable "Goddess of Butrinti," which seems to completely embody, in the perfection of its features, the Greek ideal of physical beauty.
For centuries, the walls faithfully defended Butrinti, but no wall is invincible, and these huge blocks of stone finally ceded to the assault of the Roman legions which landed on the Adriatic and Ionian shores in the 2nd century B.C. Under the rule of the occupiers, Butrinti was to fall slowly into decadence. In spite of this, three monumental fountains, three public baths, a gymnasium decorated with mosaics, and especially the aqueduct constructed during the reign of Augustus, prove that the site was not completely abandoned. Augustus also oversaw the reconstruction of all the ancient city walls and the erection of new fortifications.
Christianity brought new life to Butrinti. The palaeo-Christian period adorned the city with two basilicas and a baptistry, which is among the most beautiful in the Mediterranean region. Sixteen granite columns, forming two concentric circles, support the roof of the main hall. The floor is paved with a magnificent mosaic representing the Tree of Life and decorated with medallions embellished with animal motifs. Barbarian incursions and Norman raids in the eleventh century, a catastrophic earthquake in 1153, conquest by the Venetians in 1386, the subterranean infiltration of water and the subsequent epidemics completed the ruin of the city and forced the inhabitants to flee. Butrinti was buried in silence and oblivion. Throughout the occupation by the Ottoman Empire, from the 15th to the 20th centuries, the city remained in deep slumber. The waters covered Butrinti in mud, and abundant vegetation completely hid the remains from view.
It was not until the beginning of the 20th century that systematic excavations were carried out at Butrinti by the Italian archeologist I. Ugolini, followed by his compatriots P. Marconi and D. Mustili. Between 1928 and 1941, the ground was cleared and the ancient city gradually began to reveal its hidden treasures.
Following the liberation of Albania in 1944, Albanian archeologists undertook more ambitious excavations. In turn, the ramparts, the acropolis, the agora, the amphitheater, the temples, public baths and private residences re-emerged into the light of day. The entire city arose, almost intact, under the fascinated gaze of the archeologists. The mud and vegetation that covered Butrinti had protected it from the natural and human ravages of time.
Today, this rediscovered city represents a unique cultural treasure whose value far surpasses national frontiers. The importance of Butrinti can be gauged from its inclusion in 1992 on UNESCO's World Heritage List.
"The automatic writing project started out as an activity among friends and locals. I would write a line someone else would write a line and so on... Then people would overhear us and ask if they could participate and write something too (which surprised me) of course I said "yes!" At that point I realized that lots of people have something to say. I started asking strangers to add entries offering them: vintage postcards , a collage or $1.00 to participate, some people do not accept the dollar and some pay me a $1.00 (paying it forward). It's becoming quite a lovely, surprising and compelling project. People from many walks of life are participating: homeless, a news reporter, academics, doctors, drug addicts, lawyers, tourists etc... People have written things in my journal that they'd never say out loud, not to anyone. Some of it's so sad, some intriguing, hilarious and so on... At the end of the day, every one of these people understand that their entries are being uploaded to the internet and are comforted in knowing that they will be heard. I have no idea where this is going, but it's going just fine! FYI: English is not everyone's first language here. I will be illustrating the book/journal after the text is done. I hope that everyone who reads these entries learns something about people, mostly that we never know what someone else is going through.
Feel free to stop by my facebook page or follow me on tumblr:
www.facebook.com/pages/Dawn-Arsenaux/180288508725296
msarsenauxhere.tumblr.com/
msneauxneaux.tumblr.com/
Cancelled gig due to brian gregory quitting the cramps mid-tour... This would have been a killer show!
i like my swirly writing AND my bold rainbow effect... i'm just not sure they are great TOGETHER. ah well. that's the great thing about doing this EVERY DAY, there is always another shot tomorrow!!!
From Zaner-Bloser publication, The Penman-Artist and Business Educator", vol. 26 (1900). www.archive.org/stream/penmanartistbusi68zane#page/n4/mod...
"The Smiths are the worlds greatest group."
A bold proclamation!
And arguably correct. Maybe not at that moment, but they would soon claim that crown. Who else was there? U2 had sold their soul for the yankee dollar, REM still hadn't got out of the States, Echo and the Bunnymen were beginning to fray at the edges and Simple Minds were becomming bloated.
Signed reverse of ticket stub by Morrissey of The Smiths. The poor hand writing was because he signed it standing up.
This was from the SFX, Dublin, first of two nights that they would play on their debut album tour (not their first Irish gig - I was at that in Trinity College 9 December 1983), Friday, 18 May 1984. Number 036, costing £6.00. That's the basic facts out of the way. They were touring a slightly underwhelming debut album (I was bitterly disappointed when it came out, having championed them previosly), albeit with some earthshatering singles and hidden away was some deep and meaningful melacholic tunes.
But they were relaxed and beginning to get on top of their game.. Yada, yada... it was obvious that they were destined for greatness. Shortly after, in fact less than a month, they went into the studio and recorded How Soon Is Now and became the default cool teenage idol group. Met up with them afterwards, backstage where they were very relaxed and open. I reckon this was their happiest time, they were on the up and there was no financial or inter-band squabbles.
See what the Johnny Marr wrote on my other ticket stub.
Setlist:
1. Hand In Glove
2. Sill Ill
3. This Charming Man
4. This Night Has Opened My Eyes
5. Heaven Knows I'm Miserable Now
6. Miserable Lie
7. I Don't Owe You Anything
8. Barbarism Begins At Home
9. Reel Around The Fountain
10 What Difference Does It Make?
Encore:
11 These Things Take Time
12.Hand In Glove
13.You've Got Everything Now
14.Handsome Devil
Check out more of my Concert Tickets
First draft of a piece I wrote as part of the April writing challenge on Creative Nonfiction Writing Forums. The final text is also available at Silver Bullets.
i can't make it stop..
repeat, repeat,
the cycle never ends..
i'm so sick, i'm making me sick..
there's been something else talking in my ear..
someone save me.
oh God, my hands are shaking again..
ghostbones, free texture. thank you.
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Darkday has made an exciting discovery of some Courier Mail newspaper sheets from 1962 that's permanently stuck into the concrete ceiling of the underground storm drain. Possibly it's left over from the construction of the underground rcp storm drain. This has prompted Darkday to call this storm drain - Back in '62
to fear death is to think ourselves wise,
to think that we know what we do not know.
no one knows whether death may be the greatest good that can happen to man.
I do not think I know.