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I sat for two and a half hours last night, painting the watercolour paper with water and rubbing it with my finger.
This had two results: it broke up the surface of the paper, so that the paint will sink in, and it gave a distressed effect to the whole piece.
Also, my finger was sore!
It was whilst I was waiting for paint to dry on another project that I spied an abandoned canvas in my workroom.
I coated it with tissue paper, acrylic paint and gesso, and then added various paint effects on top.
After sanding it with a sanding block I added tea stains, buttons and dyed lace.
This canvas will hold my collection of "glitzy" necklaces and is destined for my bedroom.
It is a work in progress as I have lots more memorabilia to add.
After four hard months of a total rebuild and extension I am now in possession of a studio. This is still a storage area pending decoration, and as I have to complete a four foot hanging in the next two days I am forced to work in a very tiny area in part of this room.
I have shown here my pin board with my "tapestry" attached to it. I am trying to position the daisy and the bottom border here. Lots more work to do!
From the kids bedroom.
This work by Anette Snarby is licensed under a Creative Commons Attribution 3.0 Unported License.
Arrivano i primi frutti della raccolta delle sedie per l'installazione
presso il Giardino Nascosto, in occasione della mostra "Landing on Earth"
nell'ambito #GreenCityMilano, grazie per la collaborazione.
A mock up using newspaper. I thought that I could individualise these boxes by using photographs of the intended recipients.
Grease Alley, an industrial backwater neighborhood in a blade-runner/fifth-element genre. These shops back onto a trash and old parts-strewn gully, where the junk skiff comes by to pick up broken components, industrial leftovers, and the occasional "borrowed" part.
My drawing spot on the sidewalk across Calle Hostas from Meson de Bari. The sun was encroaching--time to finish up. July 15, 2012
Half completed items waiting for attention.
I had intended to spend the morning in the garden but a continuation of the recent heavy rain has caused a change of plan.
Stage three.
I've coated part of the canvas with gesso, mixed with some tea.
Thankfully the sun is still out, although there are ominous clouds.
I love the way that the shadows of the flower stems stand out against the background.
Caithness and Orkney are rich in Neolithic sites and the thing that struck me whilst looking at the rings and burial chambers is that these people were the ultimate mark makers.
One site, Maeshowe, which is the finest chambered tomb in North West Europe is just mind blowing. It is dated to around 5,000 years old and so it is older than the pyramids and Stonehenge.
The awesome thing about it is that later settlers, the Vikings, have covered the walls with runes which date from 1100, so you have evidence of two cultures of mark makers in one place.
This piece which is made from modelling paste on to hand made paper, with the addition of beach detritus, is my first tentative attempt at making marks.
For my next series of sampling I'm using unusual surfaces for stitch.
This is a foil crisp packet which has been ironed ( between two sheets of paper) and then overpainted with shimmering gold interference paint.
This is a closer look at the device that is on the other end of the system - it has a receiver radio and translates the signals from the buttons into something that the conputer recognizes as a usb keyboard. It is made using hardware and software from the VUSB toolkit.
it currently uses two arduinos as a sort of brute-force solution to a timing issue where both the keyboard software and the radio software expect to be the 300-pound gorilla. I talked to someone at MFNY this past weekend who might have a solution for this problem!