View allAll Photos Tagged workers
This group were waiting to be taken to work in the fields for the summer. This is near the main market in Lublin, and on the left is a locally produced Zuk van.
This is available as a print at: www.saatchionline.com/art/Photography-Waiting-for-Work/94...
Manager of Hyundai Heavy Industries (contractor at E-power) (upper left) Kevin Jung J. H., working at E-Power in Port-au-Prince, November 6, 2012. Photo: Dominic Chavez / World Bank
Photo ID: Haiti_Electricity_Story_EDIT_0004
The "Quinta do Mocho" neighborhood has been considered for many years as a dangerous area. Situated a few kilometers from Lisbon (Portugal), in the LOURES municipality, the hood is very poor and composed of a huge majority of African immigrants, working on Loures industries around the hood.
Many of those workers have been relocated there when other near-by ghettos has been destroyed and rehabilitated.
The "O Bairro i o Mundo" festival has already produced something like 25 murals by portuguese artists in order to change the image of the area and is now starting to invite international artists ...
Mural situated in the heart of the neighborhood at the crossing of Rua agostinho and Rua Pero Escobar.
An article about the project :
http:/http://pjp-eu.coe.int/…/take-a-tour-of-loures-neighbourhood…
Festival FB page :
Auckland NZ. Waterview Connection, Southern Approach to the tunnels. Excavation near Richardson Rd for the motorway lanes that will lead to and from the Southern Approach of the tunnel. Day #1 of my photographic journey capturing this roading project of National Significance.
© A-Lister Photography. All rights reserved.
DO NOT BLOG, TWEET, FACEBOOOK or redistribute my photographs in any form, in any media without my written permission.
.
"A low level, soft focus image of the daily commute for several types of worker, in the bright morning sunshine..."
Check Out My JULY/AUGUST NEW IMAGES!
www.flickr.com/photos/81861182@N03/sets/72157634886132643/
Check out my New RUSH HOUR COMMUTING SET!
www.flickr.com/photos/81861182@N03/sets/72157634491206811/
Please use the Getty Images “Request to License” link found in “Additional Info”.
(THAUG2/114)
A Tallahassee, Florida- based group, advocating an end to U.S. involvement in the war in Iraq and returning all troops home is hanging more than 4,000 white origami cranes in the sculpture garden at the entrance to Railroad Square in downtown Tallahassee.
The debut of the installation will be from 6 p.m. to 9 p.m. on Friday, December 7th and remain up until the end of the year, weather permitting. It will be illuminated Dec. 7 and 8th.
The “Cranes,” a universal sign of peace, represent the number of coalition soldiers who have died in the Iraq war. The installation also honors Julian McMackin Woodall, 21, a local Marine killed in Iraq in May, who loved to make the cranes as a child. Julian's mother Meredith McMackin has been involved with the sponsoring group since long before his death. He would have turned 22 .Tues., Dec. 4, the day the exhibit started going up.
The installation is sponsored by the local group “Tallahasseeans Who Believe It’s Time to Come Home.” The group was responsible for the luminary memorial at Lake Ella in March that commemorated the 4th anniversary of the war. Since the luminary event, almost another 700 troops have died.
Su Ecenia , the group's founder, said, “Hundreds of people in our community participated in folding, stringing and hanging these cranes. We are unified in our desire to see this war end and for the safe return home of our troops.” '
The 4,000 cranes were made by hundreds of local people including members of spiritual communities, schools, a Girl Scout troop and private citizens. The exhibit was designed by artist Maureen Sullivan.
If you'd like to get info so as to do this project in your community, contact me and I'll tell you how to get in touch with the organizer. Su is a homemaker and former nurse who after she saw a documentary showing injured Iraqi children decided to do what she could to draw a quick end to the war. We'd love for this idea to be adopted by other cities.
This picture also is the inside cover of the summer, 2008, issue of "Yes!" magazine, and is in "Yes" magazine's calendar for 2010.
Workers at the east end of the Acropolis move construction goods along the rail to and from the crane 200 feet above the ground below