View allAll Photos Tagged wolfman
Sexy Mr Hobbs Coffee girl Lorna Spaine was wondering what everyone was staring at when 'Zombie Wolfman' aka Tommy O'Reilly appeared behind her in the paddock at this year’s Cannonball Irish Road Trip.
Gorgeous Lorna was with her gorgeous Mr Hobbs Coffee girl pals Hana Ni Mhainigh, Jade Corcoran and Isabella Ave.
This year’s event started at the 3 Arena in Dublin, Ireland on 09/09/2016. The route over the course of 3 days went from county Dublin > Westport, Westport > Limerick > Galway, Galway > Tullamore ending up in Wexford on Sunday 11th.
The Cannonball features each year over 150 of the world’s best cars like Ferrari, Lamborghini, Porsche, McLaren, Maserati, Aston Martin, Bentley, AMG etc. Cannonball Ireland over the past few years has raised over € 850,000 for Irish Children’s charities.
Shot with Nikon D-750 & Nikon D-800 camera bodies and zoom Nikkor’s 24-70mm f/2.8 IF-ED & 70-200 f/2.8 IF-ED VR2 lenses and Nikon SB-910 Speedlite/Godox power pack (on the 750).
Please note:
These images are not public domain and are protected by copyright law.
All images © MSI (Motorsport Images Ireland) 2016. All rights reserved.
COPYRIGHT: The copyright and intellectual property rights of this image is owned by MSI (Ireland), and is protected by copyright laws of Ireland and international intellectual property right treaties. You may not copy any portion of the images in any form whatsoever. You may not alter the images in any way.
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Photography by JOB/MSI Ireland
© MSI Ireland 2016
All Rights Reserved
frankenstein, wolfman, and dracula. When i was young, friday late nights these three were my holy trinity of evil. They made me quake and bury my face in the pillow screeming. Nowadays they are hardly considered scary, but to a young boy in the 1960's they were most feared, which is why I loved them so much.
FPP Wolfman 100 is a beautiful ASA-100 panchromatic film that works well in bright light! With fine grain, excellent contrast and tonal separation plus good edge sharpness!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Yellow-12) - FPP Wolfman 100 @ ASA-100
SPUR HRX (1+20) 9:45 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
FPP Wolfman 100 is a beautiful ASA-100 panchromatic film that works well in bright light! With fine grain, excellent contrast and tonal separation plus good edge sharpness!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Yellow-12) - FPP Wolfman 100 @ ASA-100
SPUR HRX (1+20) 9:45 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
As with the original LOMO LC-A is a reimaging/backwards engineered/copy of the Cosina CX-2, the LOMO LC-A+ is a reimaged version of the original LC-A camera. This compact full Auto-Exposure, zone focus is what inspired the entire Lomography movement starting in 1991, the LC-A+ was born out of needing to continue that legacy after LOMO shut down production in 2005. This beauty was dropped outside my door like a handful of other cameras, and having talked recently to Stephen of KosmoFoto about the LC-A, I knew it was going to be fun.
You can read the full review online
www.alexluyckx.com/blog/index.php/2021/05/03/camera-revie...
Lomography LOMO LC-A+ - Lomography Minitar 1 1:2.8 32mm - FPP Wolfman 100 @ ASA-100
Ilford Ilfotec HC (1+63) 12:00 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC
Do you know who this is? I need to find out, I want to send him a print! Please get me in touch with this guy!!!
After the regional contact's party I headed back to camp. I didn't get far before I saw this wolf on stilts who could jump five feet in the air. Hawtness.
You can view and download high-rez versions of this photo on my website at
www.michaelholden.com/pics/v/bman09/DSC_8622-Edit-2_filte...
(lots of other pics from Burning Man, festivals, events, parties and chihuahuas are up there too!)
FPP Wolfman 100 is a beautiful ASA-100 panchromatic film that works well in bright light! With fine grain, excellent contrast and tonal separation plus good edge sharpness!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Yellow-12) - FPP Wolfman 100 @ ASA-100
SPUR HRX (1+20) 9:45 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
2-15-22
out on a photo walk with my buddy Derrick. he was determined to find this neon dice sign he saw online. and we found it!
(Realart, R-1949).
Title Lobby Card (11" X 14").
Frankenstein Meets The Wolfman
youtu.be/5jkW_Ip1zzw?t=6s Part 1
Starring Bela Lugosi, Lon Chaney Jr., Patric Knowles, Ilona Massey, Lionel Atwill, Maria Ouspenskaya, Dennis Hoey, Don Barclay, Rex Evans, Dwight Frye, Harry Stubbs, David Clyde, Sonia Darrin, Cyril Delevanti, and Charles Irwin. Directed by Roy William Neill.
In 1943, Universal cranked out yet another so-so sequel, but created the first monster vs. monster films. Frankenstein Meets the Wolfman (FMW) is a double sequel. It is the fifth chapter in the Frankenstein saga, and a first sequel for the Wolfman ('41). As the Frankenstein fifth film, the story is weak, yet it is a highly significant chapter because Bela Lugosi plays the monster. (more in Notes section) Curt Siodmak, who penned many 50s sci-fi screenplays, wrote this sequel to his popular 1941 Wolfman film. Siodmak would also write the chapter, House of Frankenstein in 1944.
Synopsis
Grave robbers break into the Talbot family crypt looking for jewelry. They open the casket of Laurence Talbot, letting in a beam of moonlight. This revives the immortal werewolf. Laurence is found unconscious on a Cardiff street. He is taken to the hospital. Dr. Mannering and Inspector Owen don't believe he can turn into a wolfman and kill people, but change their mind when they see the casket is empty. Larry runs away and finds Maleva, the gypsy woman whose werewolf son bit him and made him a werewolf. She says a Dr. Frankenstein can help Larry die and stay dead. They travel from Wales to the village of Visaria. The doctor is dead, but the villagers are hostile towards anyone looking for a Frankenstein. Larry, turned to a werewolf, killed a young woman and got chased by the usual mob of angry villagers. He falls into the basement catacombs of the old castle. Next morning, now as Larry, he finds the monster encased in ice. He digs him out and asks him to locate the diaries. No success. Larry poses as a Mr. Taylor, pretending to want to buy the estate so he can meet baroness (Elsa) Frankenstein. He asks her for the diaries, but she pretends not to know. A quaint village festival of the new wine waxes musical. Larry loses his cool at the song lyrics which speak of living forever. Dr. Mannering followed Larry's trail of murders across Europe to find him in Visaria. He and Elsa find Larry hiding in the castle ruins. She opens the secret compartment revealing the diaries. Dr. Mannering thinks he know how to de-activate both the monster and Larry. The townsfolk fret and worry over what Dr. Mannering and "that Frankenstein woman" are doing up in the castle. Barkeper Vasec proposes they blow up the dam and flood the castle, killing them. No one signs onto his plan. They all go out to see the castle glowing from the electric arcs. Mannering has the the two hooked up to the machines. At the last moment, he can't deactivate the monster, but wants to see it at full power. He charges the monster. Filled with new power, the monster rips off his restraints. He chases and grabs Elsa. Talbot turned into the Wolfman. He stops the monster. The two fight, trashing the lab. Mannering and Elsa escape the castle. Vasec rigged explosives at the dam and blows it up. A model flood sweeps down on a model castle. It crumbles into rubble. The End.
The "science" is thinner in this chapter of the saga. Dr. Mannering recites some generalisms about entropy. The monster was energized with the life-giving cosmic rays. The "key" to deactivating him, is draining off his energy by reversing the poles of Frankenstein's sparky machines. Having Curt Siodmak as the screenwriter, gives FMW a family link to Golden Era sci-fi. Siodmak wrote some early sci-fi, such as F.P. 1 Doesn't Answer ('33), but also many 50s titles, such as: Donovan's Brain ('53), Magnetic Monster ('53), Riders to the Stars ('54) Creature With the Atomic Brain ('55) and Earth vs. Flying Saucers ('57).
The only carryovers from the fourth movie was the monster and baroness Elsa (daughter of Ludwig from "Ghost"). Elsa is played by a different actress. The monster is played by Bela Lugosi. While he doesn't have the build or stature for a good monster portrayal, the logic was that he would speak with Ygor's voice, as he did at the end of the fourth movie. This, since he got Ygor's brain. The blindness from the end of the fourth movie also explains the raised stiff arms Lugosi uses.
FMW may be a lesser-grade sequel, but it is historically significant because Bela Lugosi plays the monster (the only time he does). Back in 1931, when Universal was planning the original Frankenstein film to follow up their success with Dracula, they wanted Lugosi to play the monster. He made such a good Dracula, his name would have marquee power. Lugosi is said to have turned down the role because it had no speaking parts. Universal then tapped Boris Karloff, who had played mostly uncredited bit parts. Karloff then went on to greater fame as the monster. Lugosi may still not have been keen on playing the monster, but since it got Ygor's brain in the previous film, and the monster was to speak (like Ygor). He agreed.
Ironically, even though Lugosi's monster had some speaking lines, they all got edited out. The traditional story is that test audiences laughed at the monster speaking with Ygor's voice, so Universal cut them all out. Something doesn't line up in this traditional. The monster spoke with Lugosi's Ygor voice at the end of the previous film and it caused no laughter. Perhaps Universal was disingenuous about letting Lugosi have speaking lines. Perhaps they felt it better keep their cash-cow monster a mute beast. Maybe Lugosi's talking monster wasn't as frightening as speechless monster. Supposedly, his lines were to have explained his partial blindness (and hence his iconic stiff armed walk), as well as some back story tying in the previous film. Apparently this was not not crucial. Fans of the saga knew those details anyway.
Universal themselves contributed to the ongoing confusion over the name of the monster. The title of the film (and posters) show the monster fighting the Wolfman. To the average Joe, that meant the name of the monster was "Frankenstein." It seems unlikely that the title refers to Elsa Frankenstein meeting the Wolfman. Although she does chat with Talbot. in the mayor's office and at the festival, this hardly seems like a film's title moment.
Fans of the saga would have known that the ending of the film was really no ending at all. The Wolfman could not die. We learned that in the first half of the film. A mere flood wouldn't kill him. The monster, too, was deemed immortal earlier. Neither fire, nor cave-in, nor being frozen, nor molten sulphur had killed him before. Why would a mere flood kill him? Fans knew it would not. Universal was leaving their sequel options open
There must be something about those Frankenstein women. In the original story, the abandoned monster is jealous of the doctor's wife because SHE gets his attention. In the 1910 Edison version, the monster is also jealous of the doctor's young bride. This plays out too in the 1931 version. The monster seems almost lusty for Elizabeth. In Bride, the monster actually kidnaps Elizabeth. Now in FMW, the monster carries off the lovely Elsa.
From my solo show Frights of Fancy, Summer2009
These are gouache and ink resist paintings on illustrationboard
© 2009 Thomas Webb
prints available at www.webbitup.etsy.com
Original Framed Painting for sale contact Artist
swwsshh... swwsshh...
He's throwing salt all over the stage.
Maybe it's a cooking show?
Oh! It's Wolfman!
CLAP! CLAP!
Now he's clapping.
I thought we were supposed to do that.
Though we rarely do.
Wolfman is the sumo dude! It was a long time back.
STOMP! STOMP!
Now he's stomping!
It's part of the sumo ritual. It's called shiko.
Now I remember! He also came back as Rickshaw Man.
Not Rickshaw Man, Rikishi Man!**
swwsshh... swwsshh...
Again with the salt.
It's going to be a well seasoned stage.
He's doing a lot of squatting too.
Maybe he ate something that was too seasoned.
No, this is part of the sumo ritual! This is called chiri-chozu.
Maybe he shouldn't have chose the chili.
CLAP! CLAP!
Okay, he's just going through the same stuff.
How long does this go on?
Well, in a sumo match this can go on quite a while.
Since when do you know so much about sumo??
I happen to enjoy sumo. I can't help it if you're uncultured.
How about an anvil to your FACE!?
Never mind! You're cultured!
STOMP! STOMP!
Okay, I'm over this.
Yep, headed to the concessions.
Oh, me too. I suddenly have a hankering for something salty.
💪M💪U💪S💪C💪L💪E💪
A year of the shows and performers of the Bijou Planks Theater.
M.U.S.C.L.E. No. 156, "Wolfman A" Rikishi
Painted by Paprika, thus losing all collectible value forever.
* A long time back, indeed! BP 2018 Day 338!
www.flickr.com/photos/paprihaven/41520926780/
** As seen in BP 2023 Day 192!
Shot for Mezco in 2009
The Wolfman - In theaters now!
The Wolfman, 7" action figure - In stores now!
FPP Wolfman 100 is a beautiful ASA-100 panchromatic film that works well in bright light! With fine grain, excellent contrast and tonal separation plus good edge sharpness!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Yellow-12) - FPP Wolfman 100 @ ASA-100
SPUR HRX (1+20) 9:45 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
FPP Wolfman 100 is a beautiful ASA-100 panchromatic film that works well in bright light! With fine grain, excellent contrast and tonal separation plus good edge sharpness!
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Yellow-12) - FPP Wolfman 100 @ ASA-100
SPUR HRX (1+20) 9:45 @ 20C (Constant Rotation)
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
rockvillesl.blogspot.co.uk/2015/02/wolf-man.html
Hanging out with Ace and his cute wolf avatar. I love taking images, both Ace and I took a photo of this pose from completely different perspectives. His looks so romantic, mine..well..bit more malevolent I think.
Wearing in this photo:
Dress - Lulu - Valentine Night -
marketplace.secondlife.com/stores/163191
Skin - Glam affair - December skin 03. maps.secondlife.com/secondlife/Beauty%20Avatar%20couture/...
Armpiece - Misha J corruption armpiece - Fantasy gacha fair. maps.secondlife.com/secondlife/Acerbus%20Silva/52/138/52
Necklace - Kibbitz - Elia Necklace - Fantasy gacha fair feb 2015
Maitreya Mesh body - Lara
Hair - Calico Hair - Freya maps.secondlife.com/secondlife/Calico%20Kitty/88/98/45
Pose - Rack - Once upon a time (rare) Fantasy gacha fair.
Stills (8" X 10").
Frankenstein Meets The Wolfman
youtu.be/5jkW_Ip1zzw?t=6s Part 1
Starring Bela Lugosi, Lon Chaney Jr., Patric Knowles, Ilona Massey, Lionel Atwill, Maria Ouspenskaya, Dennis Hoey, Don Barclay, Rex Evans, Dwight Frye, Harry Stubbs, David Clyde, Sonia Darrin, Cyril Delevanti, and Charles Irwin. Directed by Roy William Neill.
In 1943, Universal cranked out yet another so-so sequel, but created the first monster vs. monster films. Frankenstein Meets the Wolfman (FMW) is a double sequel. It is the fifth chapter in the Frankenstein saga, and a first sequel for the Wolfman ('41). As the Frankenstein fifth film, the story is weak, yet it is a highly significant chapter because Bela Lugosi plays the monster. (more in Notes section) Curt Siodmak, who penned many 50s sci-fi screenplays, wrote this sequel to his popular 1941 Wolfman film. Siodmak would also write the chapter, House of Frankenstein in 1944.
Synopsis
Grave robbers break into the Talbot family crypt looking for jewelry. They open the casket of Laurence Talbot, letting in a beam of moonlight. This revives the immortal werewolf. Laurence is found unconscious on a Cardiff street. He is taken to the hospital. Dr. Mannering and Inspector Owen don't believe he can turn into a wolfman and kill people, but change their mind when they see the casket is empty. Larry runs away and finds Maleva, the gypsy woman whose werewolf son bit him and made him a werewolf. She says a Dr. Frankenstein can help Larry die and stay dead. They travel from Wales to the village of Visaria. The doctor is dead, but the villagers are hostile towards anyone looking for a Frankenstein. Larry, turned to a werewolf, killed a young woman and got chased by the usual mob of angry villagers. He falls into the basement catacombs of the old castle. Next morning, now as Larry, he finds the monster encased in ice. He digs him out and asks him to locate the diaries. No success. Larry poses as a Mr. Taylor, pretending to want to buy the estate so he can meet baroness (Elsa) Frankenstein. He asks her for the diaries, but she pretends not to know. A quaint village festival of the new wine waxes musical. Larry loses his cool at the song lyrics which speak of living forever. Dr. Mannering followed Larry's trail of murders across Europe to find him in Visaria. He and Elsa find Larry hiding in the castle ruins. She opens the secret compartment revealing the diaries. Dr. Mannering thinks he know how to de-activate both the monster and Larry. The townsfolk fret and worry over what Dr. Mannering and "that Frankenstein woman" are doing up in the castle. Barkeper Vasec proposes they blow up the dam and flood the castle, killing them. No one signs onto his plan. They all go out to see the castle glowing from the electric arcs. Mannering has the the two hooked up to the machines. At the last moment, he can't deactivate the monster, but wants to see it at full power. He charges the monster. Filled with new power, the monster rips off his restraints. He chases and grabs Elsa. Talbot turned into the Wolfman. He stops the monster. The two fight, trashing the lab. Mannering and Elsa escape the castle. Vasec rigged explosives at the dam and blows it up. A model flood sweeps down on a model castle. It crumbles into rubble. The End.
The "science" is thinner in this chapter of the saga. Dr. Mannering recites some generalisms about entropy. The monster was energized with the life-giving cosmic rays. The "key" to deactivating him, is draining off his energy by reversing the poles of Frankenstein's sparky machines. Having Curt Siodmak as the screenwriter, gives FMW a family link to Golden Era sci-fi. Siodmak wrote some early sci-fi, such as F.P. 1 Doesn't Answer ('33), but also many 50s titles, such as: Donovan's Brain ('53), Magnetic Monster ('53), Riders to the Stars ('54) Creature With the Atomic Brain ('55) and Earth vs. Flying Saucers ('57).
The only carryovers from the fourth movie was the monster and baroness Elsa (daughter of Ludwig from "Ghost"). Elsa is played by a different actress. The monster is played by Bela Lugosi. While he doesn't have the build or stature for a good monster portrayal, the logic was that he would speak with Ygor's voice, as he did at the end of the fourth movie. This, since he got Ygor's brain. The blindness from the end of the fourth movie also explains the raised stiff arms Lugosi uses.
FMW may be a lesser-grade sequel, but it is historically significant because Bela Lugosi plays the monster (the only time he does). Back in 1931, when Universal was planning the original Frankenstein film to follow up their success with Dracula, they wanted Lugosi to play the monster. He made such a good Dracula, his name would have marquee power. Lugosi is said to have turned down the role because it had no speaking parts. Universal then tapped Boris Karloff, who had played mostly uncredited bit parts. Karloff then went on to greater fame as the monster. Lugosi may still not have been keen on playing the monster, but since it got Ygor's brain in the previous film, and the monster was to speak (like Ygor). He agreed.
Ironically, even though Lugosi's monster had some speaking lines, they all got edited out. The traditional story is that test audiences laughed at the monster speaking with Ygor's voice, so Universal cut them all out. Something doesn't line up in this traditional. The monster spoke with Lugosi's Ygor voice at the end of the previous film and it caused no laughter. Perhaps Universal was disingenuous about letting Lugosi have speaking lines. Perhaps they felt it better keep their cash-cow monster a mute beast. Maybe Lugosi's talking monster wasn't as frightening as speechless monster. Supposedly, his lines were to have explained his partial blindness (and hence his iconic stiff armed walk), as well as some back story tying in the previous film. Apparently this was not not crucial. Fans of the saga knew those details anyway.
Universal themselves contributed to the ongoing confusion over the name of the monster. The title of the film (and posters) show the monster fighting the Wolfman. To the average Joe, that meant the name of the monster was "Frankenstein." It seems unlikely that the title refers to Elsa Frankenstein meeting the Wolfman. Although she does chat with Talbot. in the mayor's office and at the festival, this hardly seems like a film's title moment.
Fans of the saga would have known that the ending of the film was really no ending at all. The Wolfman could not die. We learned that in the first half of the film. A mere flood wouldn't kill him. The monster, too, was deemed immortal earlier. Neither fire, nor cave-in, nor being frozen, nor molten sulphur had killed him before. Why would a mere flood kill him? Fans knew it would not. Universal was leaving their sequel options open
There must be something about those Frankenstein women. In the original story, the abandoned monster is jealous of the doctor's wife because SHE gets his attention. In the 1910 Edison version, the monster is also jealous of the doctor's young bride. This plays out too in the 1931 version. The monster seems almost lusty for Elizabeth. In Bride, the monster actually kidnaps Elizabeth. Now in FMW, the monster carries off the lovely Elsa.