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Inside the cafe made use of the F1.8 Nikkor can't get on with these slow zooms. My favourite of the set.
SunShade Window Tinting
185 E Elmwood Ave
Troy, MI 48083
248-440-7949
248-244-8477
support@sunshadeintroy.com
Uma janela antiga, uma época passada que transpassa os velhos vidros e nos deixa a pensar. Janela de casa enxaimel, Jardim Botânico, Timbó/SC
A picture I took out the window on a very cold February morning in South Woodstock Vermont.
Black and white film with Pentax K1000
Must see Large On Black
Detail: Window Angel window by Kayll and Co. of Leeds in memory of James Cox D.D. Born 1764 Died 1848 Aged 84 Curate of Springthorpe 21 years - Church of St Laurence and St George , Springthorpe, Lincolnshire
This warm old building looks considerably less welcoming in black and white.
82. Nostalgia in 115 pictures in 2015
Used in Our Daily Challenge: No Words Photogame www.flickr.com/groups/ourdailychallenge/discuss/721576236...
One of a pair of recent, largely plain-glazed windows in the north east corner of Newcastle Cathedral
Trying to get Windows partitions working on new and old MacBooks. With varying levels of frustration, caused by both OS's.
Art deco as Art is. .. The view from the air terminal of the Worlds oldest civil airport, Shoreham airfield. .
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To keep things simple I have only created a limited number of themed sets. I have however tagged all photos extensively; please see all my tags arranged alphabetically for an overview or if you’re looking for something specific.
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View from a friend's third floor painting studio.
The topic is windows and doors. Tried to get as many windows in the shot as possible.
The topic is windows and doors.
Window depicting the Annunciation on the north side of the nave, an early work by Ninian Comper, 1901.
Ufford's church of the Assumption is justly famous and needs little introduction in churchcrawling circles. It is one of those special churches which is not only a most handsome building in its own right but retains more of its medieval features than most, and one extraordinary piece that is of such renown it would be worth coming here to see all on its own; the fact the church is such a gem regardless makes an additional bonus!
I first came here decades ago as my interest in churches blossomed in childhood. We knew this one was worth a special trip and I remembered it accordingly (long before I took any half decent photos of course). Being so close I couldn't resist the urge to revisit Ufford, over three decades later.
The church appears entirely of 15th century date (though clearly a church has stood on this site for much longer) and the fine west tower announces its presence as one approaches from the street. The churchyard is a green and pleasantly sheltered space (even though the trees make it hard to get an overall view of the building) and the path leads straight to the beautiful south porch, all adorned with playful flint flushwork designs. As pleasant though the exterior is however the lure of this church lies within and and is too inviting to resist.
Inside the church it is immediately clear that this light and lovely place has much of interest with medieval pews all around populated by figurative carvings, but moving from the south aisle to the nave one is confronted by what makes Ufford so famous, the font with its towering wooden canopy, reaching as high as the nave roof! The font itself is quite ordinary for Suffolk and not large, but the great wooden spire placed atop it makes it a wonder of medieval England. It is unsurprisingly the tallest in the country and a remarkable survival, it has lost the statuettes that once filled its niches (a few more recent replacements adorn it here and there) but is still crowned by the image of the pelican in piety. One has to contemplate it awhile, it dominates the narrow space of the nave like no other and is a masterpiece of medieval woodwork (to raise the cover the lower section is designed to move separately and 'telescopically' to cover that above, rather than raise the entire spire of wood).
There is more to see here beside the font of course, but that is the feature that steals the show here. Above it the medieval roof adorned with angels, sadly not the original figures which were last to Protestant iconoclast, the present pair of angels and winged cherubic heads being early 20th century. The fine woodwork of the nave pews would be worth a visit in their own right anywhere else with a remarkable range of figures adorning them which reward exploration and study. The chancel beyond also has a fine roof, this time adorned with painted shields depicting symbols of the Passion, and the glass in the east window appears old, though be aware that most of this is very clever early 20th century imitation.
Ufford church is one of the highlights of this part of Suffolk and shouldn't be missed. It is happily kept open and welcoming on both occasions I visited, and normally should be outside covid-affected times.
For more on this gem of a church see its entry on the Suffolk Churches site below:-
91/365 4/1/11
I saw this curtain at my doctor's office and thought it was so pretty, I asked if I could photograph it. I even tried to get a belly shot of it, which yielded some lovely bokeh, but I prefer this shot with the window behind it. SOOC except for some cropping.
Graffiti scratched onto the glass windows in the Long Gallery at Haddon Hall, Derbyshire
Edit : It seems that the writing above is a business card.......
"In the early days the fustian or calico was printed by hand using wooden blocks dipped into bowls of coloured dye but a pottery painter living in New Mills worked out how to bring the process into the factory age.
“Calico printing is performed with cylindrical copper rollers, on which the figures are engraved. The process of this mode of printing is so rapid, that pieces of twenty-eight yards are thrown off from each set of rollers in less than two minutes. This art was greatly improved, if not invented, by Mr John Potts, of the house of Potts, Oliver and Potts, of New Mills. This gentleman was an artist himself, and having studied the different shades of colour produced upon the blue-ware in the potteries, he was enabled to bring the art of calico-printing to a perfection of which previously it had not been supposed to be capable.”
Taken from A History and Gazetteer of the County of Derby, S. Glover. 1829
Ultraviolet Rays and Heat Protection
Ultraviolet (UV) causes many known skin diseases like erythema (more commonly known as sunburn) and even skin cancer. You should avoid being exposed to direct sunlight as much as possible to avoid these. Window tint blocks UV rays while still allowing visible light to pass through. Not only will it protect you, but protect your furniture and carpets from color fading as well. Window tint also provides adequate protection from heat by trapping the heat it blocks on the exterior side of the window, which is later diffused or cooled down by wind. This saves a lot of energy and money.
For some reason, the box under the bathroom window always does the best. Strange. The boxes were planted almost four weeks ago and have grown like crazy. I started with very small plants.
Seattle Modern Home Tour
316 Lake Washington Blvd. S.
modernhometours.com/2014/01/13/robert-hutchison-architect...
Well, okay actually Window to the Hungarian Parliament.
Taken from Fisherman's Bastion, Buda Castle, Budapest, Hungary