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I went on a vintage lingerie buying kick last weekend. I just love how floaty and delicate it is; and super cool in the summer.
Top: vintage, thrifted (it's actually a long nightgown that I shortened by tying a knot in the middle).
Tank: (underneath) Express
Jeans: Levi's (UO)
Shoes: vintage, thrifted.
Bangle: vintage, thrifted.
A winter season scenic landscape view of the Colorado Rocky Mountains of Rocky Mountain National Park through a white rustic peeling picture window frame. Your very own private window view of the Colorado Rocky Mountains.
Bring nature indoors, now you can add a window with a view to any room in your home or office with our picture window frame (tm) fine art striking photography nature landscape prints. The IMAGE is the FRAME, how cool is that!
Now you can have a window with a view in any room with our NEW picture window frame (tm) fine art striking photography nature landscape poster prints, canvas wraps, acrylic fine art prints and metal prints, all with a view and ready to hang by James Bo Insogna
PLEASE NOTE : The Window Frame is part of the image. This image looks best and recommend ordering as an acrylic print, metal print or canvas wrap with white sides.
An incredible way to decorate your office walls, home walls, cafe, restaurant, boardroom, waiting room, trade booth or almost any commercial space. Museum quality art with fast, secure, world wide shipping to your door.
Colorado fine art nature landscape photography images by James Bo Insogna (C) - All Rights Reserved.
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From My Little Blue Window
By Elvis Costello
Well, I was a gloomy soul
Never thought I see a brighter day
The dark interior
Blows those silver clouds away
'Til now this was my view
But I'm counting on you
How am I ever going got make you see?
Nothing in this ugly world comes easily
I want you to be...
My lovely hooligan
Come by and smash my pane
'Til I can see right though
My little blue window
Before the newer highway was built in 1969 (and the new roadhouse) there was another highway leading from the american sector to the GDR transit route to west Germany - next to the border stands the old roadhouse. Until 2003 the building was used by a camping site - today the building is in really bad shape... but the weird colored windows survived, much to my delight :)
More in the set description.
recommend to view large on black.
Window in the church of St Thomas Becket, Chapel en le Frith, Derbyshire, in memory of Joseph Lowe, priest, who was for 44 years vicar of Haltwhistle, Northumberland. He died in 1920, aged 90. The theme of the window is priesthood and it includes portraits of St Aidan and the Venerable Bede, both notably associated with Northumbria.
West window of the south aisle, containing an intriguing assemblage of late 17th century enamel-painted elements from a lost (and somewhat larger) window.
Fawsley church has long been a favourite of mine, ever since we first stumbled across it on a family outing in my youth. Seeing it standing alone in its field we simply had to stop and investigate, and were not prepared for the wealth of interest awaiting us inside. The memory thus is a strong one, and we liked it enough to revisit all those years ago, but it had been a good three decades and more since then and I was most eager to return.
To reach the church one has to pass through a gate and a field usually full of roaming sheep. The church is protected by a ditch that encloses it and the very small churchyard on the south side, beyond which is a lake. A short distance to the west stands the late medieval Fawsley Hall, now a hotel but formerly the ancient home of the Knightley Family who at the time of the Reformation decided to clear away Fawsley village to enclose the area for sheep grazing, living only the church standing alone as it still does today.
The earliest parts of the building are 13th century but what we see today is the result of various modifications since, the square tower being of 14th century date and the nave clerestorey and square-headed aisle windows from the early Tudor period. Lastly the small chancel was rebuilt in 1690, an example of Gothic Survival, blending well with the rest of the building. The material used is as usual in this area the warm Northamptonshire ironstone, though here it has a more silvery appearance as a result of being loud with lichen, though much of the whiteness of the north face of the tower appears to be the remnants of an external limewash. The effect is attractive and gives the northern face of the building a rather chalky finish.
Stepping inside through the narrow north door reveals an interior full of interesting features. a light interior that though not large feels more spacious than it is owing to the lack of pews except for the rare Tudor box pews at the west end. These only fill the first bay of the nave but are replete with linenfold below and fascinating carved panels above which include many strange human and animal figures. The style is a fusion of late medieval and Renaissance and the date may be perhaps 1530s.
The windows meanwhile are filled with an assortment of heraldic medallions and Flemish figurative roundels, all mainly of 16th century date with a few notable exceptions (some late medieval elements remain amidst the heraldry while the west window of the south aisle has an intriguing patchwork of 17th century enamel-painted pieces). The only evidence of the Victorian period is the east window of the chancel which is a fairly standard work by Hardman's.
Perhaps the most memorable features here however are the monuments, the best being the magnificent Tudor alabaster tomb of Sir Richard and Lady Knightley with splendid effigies lying on a tomb chest adorned with small figures of their eight sons and four daughters. It is one of the finest church monuments in the country and remarkable for fusing Gothic and Renaissance details (though it remains more medieval in spirit) and retaining so much of its original colouring. Nearby in the nave are two fine late medieval brasses whilst opposite is an extraordinarily massive Jacobean monument to members of the Knightley family that fills much of the wall of the north aisle, flanked by a pair of later urn like memorials. Various grand tablets adorn the walls elsewhere in the church.
Fawsley church is unspoilt and unforgettable and if one has limited time visiting the area then this is the church to see, it is a delightful and hugely rewarding place in every sense. Happily it is normally open and welcoming to visitors too, and I was glad to see that several came in for a look throughout my visit.
The church suffered in recent years owing to the theft of lead from the roof but all is now restored. It is a heavy burden for the tiny congregation that support it, but they soldier on and will doubtless welcome any support this lovely building can attract.
Have had these peach colored blinds forever. They have faded and warped somewhat over the years. With the morning sun shining on them they are a gorgeous peach color.
East window at Sandord St Martin by Michael O'Connor and made by Holland of Warwick 1850, representing Christ between angels and the four Evangelist's emblems.
Apparently this window was nearly removed in the 1970s; when John Piper was commissioned to design a new window for the church it was the then vicar's intention to replace this window. Piper was less keen to discard the window as it was a good example of O'Connor's work, and therefore suggested the north aisle east window instead, which was subsequently installedin 1974.
The FVWM window manager (in less or more default configuration) running on Solaris (version 9, I guess) shown on Window XP screen. It's from 2004.
source: lifehacker.com/5504465/how-to-transform-your-windows-desk...
wallpaper by: interfacelift.com/
West window of the south aisle at St Augustine's, Edgbaston. All three of the Victorian windows in the west wall of the church were damaged by bombing, this one retains some heads from the bomb damaged glass by Heaton, Butler & Bayne.
St Augustine's church in Edgbaston was built in 1868 by local architect J.A.Chatwin (the French inspired tower and spire were added in 1876, Pevsner calls it's proportions 'really horrid', which may be a little harsh!).
Inside most of the fittings are the original Victorian ones with much stained glass by Hardman's and Heaton, Butler & Bayne (some windows replaced after war damage). The chancel also has an attractive painted ceiling.
The church is set back from the busy main arteries of the city in a residential area, and is generally kept open for visitors and private prayer.