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Norwich's Cathedral started life as an Anglo Saxon settlement, this and 2 churches were demolished to make way for the large building begun in 1096.
Additions were later made but the building is mainly in Norman style with it's original Norman tower. The original wooden spire collapsed in 1362 taking down the Norman eastern later rebuilt in the perpendicular style, the present spire dates to the late 15th-Century, it's 315 ft the second highest in England after Salisbury. Aswell as this the Cathedral's cloisters are the second largest in the country again only out done by Salisbury.
This is a stained glass recreation of the logo from a substance abuse treatment center using chakra/reiki stones as inclusions.
Saw this while walking through Galena, Illinois and could stop asking myself, "How Much is that 'Doggie' in the Window."
While taking photos throughout the city yesterday, I was obsess with the reflections in the windows. Windows are the views to the world :)
I hauled the podzilla out to Broley last fall to look for more images. I posted several then. Viewing will have to be small or as large as you can manage; the window screen will moire otherwise. I am not entirely sure the screen is sufficient to keep the weather outside? The river bottom scene beyond this window seemed pretty mellow to me but it sat unedited. I knew the range involved was a real stretch even as a RAW. This was an exercise in trying to capture everything. I remember that I refused to completely give up on the autumn that already packed its bag and left for climates warmer than the St.Vrain Valley, taking with it our glorious season. The foliage is pretty crusty here.
Again, there was a blank sky that was less than inspiring on this day. This last autumn pass mostly consisted of keeping the foliage out of the frame but I liked dangling autumn clues in the small windows. So very like MS product, small in functionality but very leaky. I am still not willing to let this autumn slip away and I made another pass the other day. I got a couple of shots of the foliage that was still deteriorating.
I am out here at Broley, the Boulder County greenbelt investments in mosquito breeding. The bold sky is gone, the rippling water gone, the bold clouds gone, my favorite foliage, gone or brown and most cattails seeding the next year's supply. I shot a few pictures and kept the sky out of the frame. The colorful autumn foliage remains in this sheltered location.
FR Mulhouse 2006 - Trompe l'oeil windows. What fun. Notice that the artist even rendered the ripples in the glass in the right window.
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From my set: Dan's Windows
(Dan Daniels)
St Peter, Nowton, Suffolk
East window, fifty continental roundels, 16th and 17th Century, set in English glass of 1816.
To stand at Nowton church, or the almshouses where the friendly keyholder is, you would not think that we could be so close to Bury St Edmunds. Here, in rolling west Suffolk, woods and copses hide the next parish in any direction, creating an intimacy that is not belied by the occasional hazy distant view from a ridge or hilltop. Nowton church sits on one particular hill, a long track leading up from the nearest road into the silence of its tree-shrouded churchyard, an oasis of lush botanical green in the agricultural expanses.
A mile or so off in the Bury suburbs is Nowton Country Park, one of the main recreational areas of the town, and the former grounds of Nowton Hall. The Hall was the home of the fabulously wealthy Oakes family, and in 1811 Elizabeth Frances Oakes, wife of Orbell Ray Oakes and Lady of the Manor, died at the age of 42. She was buried in Nowton church, which must have been a very plain and ramshackle structure in those Georgian days. However, over the next ten years something extraordinary happened here, as we will see.
Essentially, the church in which Elizabeth Oakes was buried was a 14th century building with surviving Norman details, before the Victorians went to work on it. Walking around it, the graveyard is a strikingly beautiful adornment, still with an air of the early 19th century, with the kind of trees that Lords of the Manor and Rectors-of-leisure liked to plant in those days, including a glorious cedar. Stepping inside, this is a pleasant, shipshape little church. All around are memorials to the Oakes family in the 19th and 20th Centuries, but it probably won't be them that catches your eye, because Nowton is home to one of the largest and best collection of continental glass in England.
Not far from Nowton is Rushbrooke, which in the early 19th Century was the home of the eccentric Colonel Rushbrooke, an avid antiquarian and carpenter who I am afraid was not above the odd spot of forgery. He refurnished Rushbrooke church in the manner of the Cambridge college chapel of his youth, giving it a Henry VIII royal arms into the bargain. Items that he collected can be found in several churches in the eastern counties, for Colonel Rushbrooke spent many happy months in the first decade of the 19th century trawling around the Low Countries and buying up wooden panels and painted glass from monasteries. Many of these monasteries had been closed and ruined in the aftermath of the French Revolution and the following Napoleonic Wars, and their treasures were easily acquired for the right price.
At this time, Orbell Ray Oakes was struggling with a way to make Nowton church into a more fitting and beautiful last resting place for his wife. His solution was to purchase perhaps as many as eighty continental panels from Rushbrooke. They were installed between about 1816 and 1820 by the Norwich stained glass artist Samuel Yarington, who was an expert in these matters, working with the Norwich antiquities dealer Christopher Hampp to supply and install continental glass, mostly depicting scriptural and allegorical subjects, to English churches, mainly in the Norwich area. In those days before the great revival of church art later in the century, most English churches were very plain, especially in puritan East Anglia, and in any case coloured glass of English manufacture was not easily come by. The installation of panels of continental glass would be an easy solution, and even a few panels would be an adornment to a simple church. The Nowton scheme, of course, goes much further than this.
The panels are to be found in every window except the west window. The panels in the east window are set in nine groups of five, the larger panel in the centre of each group and four smaller panels orbiting around it in a sea of Yarington's patterned glass. There is no obvious sequential order or theological structure, and so it must be assumed that Oakes' intention was purely decorative, to beautiful his wife's last resting place. The panels were reordered on two occasions later in the century as Nowton church was restored and extended, but the original configuration of the east window in particular was not altered much. There are slightly odd panels depicting knights on brasses by John Sell Cotman set at the base of someof the aisle windows. When the glass was restored in 1970, some panels from the demolished Dagnams Hall in Essex were added at the bottom of the east window to replace glass of Yarington's that had perished.
At the west end of the south aisle is the elegant memorial to Elizabeth Oakes by John Bacon Jr. It shows her praying against an angled tombchest on the other side of which are a cross and an open book reading Thy Will Be Done. Under the tower, a brass plaque tells us that this church was embellished & decorated with painted glass collected from the Monasteries at Brussels, an Organ erected with a Peal of Six Bells, at the Expense & Gift of Orbell Ray Oakes Esq. The inhabitants inscribe this tablet as a memorial of his liberality, 1820.
Orbell Ray Oakes died in 1837 as the Victorian era began, and his son Henry James Oakes, the new Lord of the Manor, bankrolled a considerable restoration of the church under the architect Anthony Salvin. The construction of a neo-Norman north aisle necessitated the moving of some of the panels, and possibly the acquisition of some more. The nave and chancel were essentially rebuilt and the building was reroofed. The elegant remains of the medieval screen were retained, and all in all this must have been a very shipshape little building by the end of the 1870s. The Oakes family continued to live in the parish at Nowton Court, built in the 1830s. In the 20th Century, Nowton Park was acquired by St Edmundsbury District Council. The last of the Oakes family is still alive today, in her nineties, but after her the dynasty will be no more.
Around the walls of the church, memorials recall members of the Oakes family, some dying out in the Empire, some of the younger ones falling on the battlefields of France in the First World War. But having said all this, I do think this building escapes being merely a mausoleum to the Oakes family. Perhaps it is the simplicity of their memorials, or the sense of life in the building, despite its remoteness. Even so, the overwhelming feeling is of the century that rebuilt it and adorned it, which is just as it should be.