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Although to the eye this building looks black, it comes out in photographs much lighter (see my previous photos). So for this series I tried to capture its real appearance. Taken with center weighted averaging. Images were developed fom the RAW files, which gave much better results.

 

For more information:

www.aia.org/aiarchitect/thisweek03/tw1017/1017pw_dance.htm

web.cfa.arizona.edu/dance/facilities/theatres/dancetheatre

  

Designed by the architectural firm of Gould Evans

 

_5031866.ORF-_5031867.ORF.tif

 

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If you want to walk around the Piton de la Fournaise - the access to the crater is officially close - you have to follow the white points.

 

Because of the sun and the fog witch can come very quiclky, to walk out of the mark may become very dangerous...

 

------

 

Press L if you want to see it better.

 

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

a small container ship and a fishing boat in the channel

BMW 2002 Turbo, Schöler-Chassis, Whitepoint Karosserie

Fulgora laternaria--this is cropped, and enhanced, from a BHL plate of Cuvier's La Regne Animal. Summary of processing:

-cropped to show just the color illustration on the larger plate

-rotated a little to get axis of insect vertical

-a couple of printing errors and smudges cloned out

-whitepoint set to background (removes yellowing of paper)

-curves adjusted to enhance contrast a bit

-slight increase in color saturation

-downsampled from about 1600 pixel width in original scan to 1400 pixels wide

-very mild unsharp mask applied

(Image replaced 7/9/13 with one with cleaner background--whitepoint averaged over larger area, and background also given a Gaussian blur. I could only see the flaw on certain monitors.)

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

The images on the left lack contrast.

 

The images to the right have been adjusted to increase contrast, so that they have richer blacks and truer whites.

 

Post Processing Tutorial:

 

Using Curves: adobe.ly/X9WrSP

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

Cobh Sunrise from Whitepoint.

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

So in a move of brilliance on my part, I somehow shot a bunch of shots and forgot that it was in manual mode, and overexposed the images. Once I fed it through lightroom, however, the result merited some interest.

Taken with plungercam mini.

 

Full set here; pictures from 2009 here.

With a high overcast the sky was pretty un-photogenic, so I cropped out as much as possible. To see the full extent of the anticline (with white sky), see the next photo.

 

Taken NE of Winkelman, Arizona where the Gila River cuts through southern end of the Spring Mountains.

 

(_A031319-_A031323)

 

See where this picture was taken. [?]

 

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Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

Although to the eye this building looks black, it comes out in photographs much lighter (see my previous photos). So for this series I tried to capture its real appearance. Taken with center weighted averaging. Images were developed fom the RAW files, which gave much better results.

 

For more information:

www.aia.org/aiarchitect/thisweek03/tw1017/1017pw_dance.htm

web.cfa.arizona.edu/dance/facilities/theatres/dancetheatre

  

Designed by the architectural firm of Gould Evans

 

_5031861.ORF-_5031862.ORF.tif

 

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So in a move of brilliance on my part, I somehow shot a bunch of shots and forgot that it was in manual mode, and overexposed the images. Once I fed it through lightroom, however, the result merited some interest.

 

Taken with plungercam mini.

 

Full set here; pictures from 2009 here.

Location: Europe > Portugal > Algarve

 

Date Photo Taken: March 18, 2017

 

© Copyright. You cannot use! Only Encyclopedia of Life (EOL)

Coastline, the beach at White Point, Nova Scotia

 

Copyright 2009 Gavin T. Clabaugh

Cabot Trail, NS, Canada

After zillions of tries, I've given up on getting the seam to right of center to align exactly. It's not a wonderful photo anyway.

 

Taken from the first overlook above the crossing on the north side of the canyon.

 

See where this picture was taken. [?]

 

Panorama created with Hugin.

 

Circular polarizer.

 

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(_9290961_sm-_9290965_sm)

 

Photo showing Werner Jauk (AT) at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

sigma 85mm 1.4

I've done panoramas of Big Springs several times, but this was the best display of wildflowers we've seen

On Thursday we decided to avoid the trails near the cabin. Previous experience had taught us that after the sort of rain we had on Wednesday the mud would be sticky and tenacious.

In the afternoon we drove to Big Springs Environmental Study Area and hiked down the nature trail. The water level was higher that we had seen it in several years and we saw lots of wildflowers.

Processed with Hugin and Picasa.

(_9234665-_9234668)

 

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nikon fm2 + mc helios-81h 50/2 + expired kodak gold 200.

 

near white point (that big landslide), san pedro, calif.

  

sunlight through the bunker

This image and everything in it from the composition to the positioning has meaning, but only to me...

   

_______________________________________

  

Almost straight from the camera. All I did was adjust the whitepoint in levels, and use the healing brush on some very minor but unwanted dirt.

 

_______________________________________

     

Strobist:

430EX2 handheld off-camera left using E-TTL cord to complement overhead lighting.

White Point takes full advantage of its beachside location serving beachside Mussel Bakes frequently throughout the year. Indian Point Mussels from nearby Mahone Bay are featured in these events! Tasty:)

Photo showing AROTIN & SERGHEI (AT/RU) White Point at Focus Digital Music and Soundart: Music Monday at Deep Space.

 

credit: Florian Voggeneder

083 / 365 [Project 365]

 

Broken Spectrum Lighting

 

When shooting in RAW it's not too difficult to shoot first and correct later when it comes to selecting correct white balance. Adobe's Lightroom makes life even easier with greypoint eyedropper selection and temperature sliders. Tungsten bulbs? No problemo! Fluorescent lighting? *click* done... but when it comes to the streetlight outside my house it's another matter entirely...

 

Although most of my town has switched over from sodium to the modern whiter LED lighting, there's one low pressure sodium lamp that still casts it's eerie glow over the neighbourhood. Unlike most other light sources, these colourcast given off by this streetlight cannot be corrected for absolutely by shifting the temperature of the whitepoint. The light discharged by this particular bulb doesn't contain a full spectrum of light from infrared to ultraviolet as other lights typically emit, instead spiking at specific colour temperatures whilst others are absent entirely. As a result certain colours will always look 'wrong' even if we can correct for the majority of the colour spectrum.

 

I've managed to peg this one to 2500 Kelvin, but it's still does not look natural at any temperature selection chosen. The sooner they replace it with a modern eco-friendly LED lamp that emits light at a more natural rendering index the better...

This is the same shot, but lit with an iPhone running Catchlight, on the Native Whitepoint preset. This is what other iPhone "flashlight" apps will give you. As you can see, it's quite blue.

 

My tests rate the iPhone's native color temperature as about 6800°K, with a distinct green tint.

 

Catchlight was written to give you full control over light color, and comes with 16 presets from 2500°K to 10,000°K. It's available on the iTunes App Store.

Some test shots of my Vivitar 135mm 1:2.8 f-mount wich i have in my collection for a long time now, never used it till i saw some shots on GOT taken wit a similar one. So fitted it on the D90 and these are results.

@2.8

No sharpening just black &whitepoint in Capturenx

Tried to capture a sunset, but was left with a moody marine layer instead.

Photo showing an impression of Deep Space 8K: White PointArotin & Serghei (AT) at Ars Electronica Center.

 

credit: Florian Voggeneder

Three images stiched together (top to bottom) with Hugin.

Another evening when there was something to photograph in just about every directions. This was followed by about .02" of rain at our house.

 

(_9082637-_9082635)

 

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