View allAll Photos Tagged weegee
Before founding the love of his life and losing everything with the ugest hangover ever.
A warm and feverish night in the bar "El Casino Social", along the port of Valparaiso, Chile.
Leica M6, 35mm, f/2, Kodak Tmax 100, scan from a neg.
A selection of imagery I have collected from Coney Island's Famed Luna Park. I will be attempting to reconstruct this in miniature as part of my Coney Island Scan-A-Rama project. See our project's Kickstarter page: www.kickstarter.com/projects/fredini/coney-island-scan-a-...
I think this might be closing time at Gary's. But maybe not. All I can guarantee is that it was after sunset.
Left to Right- Douglas- Jim and the Indian- A Commando, I don't know whose it is. He will make an appearance in the next picture- Ross' Beemer- my Guzzi -- Ross- Douglas' Knuckle Head . I like the WeeGee crime-scene-flash look .
I found the funky work around to the Flickr screw up on the description box. Go to "Edit title, description, and tags"
Anyone ever got those moments were you get that feeling for someone you would just die for them or just melt when you see them ? yes i bet you have once
my friend just got her tattoo the word love on her Wrist because she is obsessed with love :D
im obsessed with this kind of photo because i find it so interesting i might become next weegee
Court Tavern, and the Van Cleef Band
Taken with a Crown Graphic, Nikkor-w 135 f/5.6, Metz flash. Tri-X 320.
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Futuro (or Futuro House no. 001) (1968)
www.thefuturohouse.com/Futuro-WeeGee-Espoo-Finland.html
thefuturohouse.com/futuro_house_concept_and_design.html
Exhibition Centre WeeGee
EMMA (Espoo Museum of Modern Art)
Ahertajantie 5, Tapiola
FIN-02070 Espoo,
Finland
arch Matti Suuronen (FIN, Lammi, June 14 1933 - Espoo, April 16 2013)
© picture by Mark Larmuseau
Left to right: Mrs. George Washington Kavanaugh, Lady Deceis, and Mrs. Leonora H. Warner are shown at the Metropolitan Opera opening, New York, 1940. Mrs Kavanaugh and Lady Deceis are the subjects of a famous photograph by Weegee called 'The Critic'. (Photo by Bert Morgan/Getty Images). For information about licensing this image, visit: Getty Images
A mirror and continually changing numbers over it in Emma (The Espoo Museum of Modern Art) in Tapiola (Espoo, Finland).
Read about Tatsuo Miyajima and his interesting art philosophy HERE
Visualizing invisible learning - as a conclusion of the week 41
Photos for the collage have been taken on Oct. 16 at Galleria Aarni in Espoo and in the park outside the gallery - thanking Sari Palosaari and her installation art (Colonnade 2011) for inspiration
Bit of a project for my AS photography exam title which is Evidence Of Human Presence. I was kinda working along a Weegee/Banksy theme for these. Had a lot of fun doing this :D
These pics where taken as I left the Weegee exposition at the FOAM, Amsterdam. The intention was good, the weather not so good... and the weight of the Kiev plus equipment didn't help either... but he, they aren't so bad.
I was driving down Main Street in Logan, taking WeeGee for his "bits and bobs" checkup at the Hospital. I thought I would need to stop on the way back and take something around the Logan Tabernacle. So, I did. On the way back we kept stopping along the way and nothing seemed to work: Power lines. Trucks. Stop lights. Buildings. It looked like all the good compositions were only available right in the middle of the street. So we did.
Luckily, everything turned out OK.
Day 28 Jan 2010
"Illustrate what the word vision means to you. Either be literal or interpret it broadly and artistically."
Two years ago my vision was: "LEARNING: life-wide + random + trialogical + networked + inter-cultural + multidisciplinary + distributed + immersive + worldmaking + social + meditated + wayfinding = CONNECTIVE"
I had jumped into a totally different pipe. I believed in the light. I perceived a different world outside but I was alone.
Now my vision is: "Social network keywords: socio-cultural competence, cultural literacies, capacity building, societal innovations, emergent networks"
I'm experimenting in practice. The vista has become much more clear - the context more stable. I get supporting idea-impulses. I'm still very much alone. I don't feel lonely any more. That makes the difference.
(Upper photo taken yesterday close to the Otsolahti Marina and the other at Galleria Aarni in Espoo. Artworks are by Finnish Ari Pelkonen)
Two of the most played boule games are pétanque and boule lyonnaise. The aim of the game is to get large, heavy, balls as close to the small, 'jack'. It is very popular especially in France where it may often be seen played in any open space in villages and towns. It is also referred to as 'WeeGee'.
This one is almost perfect. The subject is Koen Leeh, another colleague. There are again three levels of action. In this case I used the components to give an idea of depth.
You can indeed notice that the upper third is defined in a classical way, that's because the classical division into thirds is indeed based on the ay our brain works. It happend again, that it seem to have been taken using vertical divisions, this was not intended but is nice.
And what I aim to do is not subvert this classical concept, but use it in a way I hadn't done before: Based on the action or the subject and not on the geometry of the image.