View allAll Photos Tagged wampler
Last weekend I spent more time photographing smoke. My home office still stinks, as does my camera. ;-)
My goal was to create images of free-flowing surfaces with subtle curves. I wanted to avoid the turbulence that creates the swirls and braids in my previous images. (I like that look, but I was looking for something different.) I also wanted the final colors to come from, to some degree, the colors inherent in the smoke instead of colors applied to the smoke in Photoshop. In short, the effect I was hoping for is best demonstrated in this image, and the other one, I uploaded today.
I had the wonderful opportunity to shoot for the boutique "Electric Frenchie" last weekend. Heather modeled for us. She, as they say, is good. This is one of the last shots we took before calling it "done".
Model: Heather Betchan
Make-up: Make-up by Sabrina (Sabrina is a fantastic MUA and Model)
Wardrobe: Chonie Bradley of Electric Frenchie
Wardrobe Styling: Leonardo D'Almagro
Lighting: Ambiant light dialed down in camera. Canon 430 EX II with 1/4 CTO gel shot through a 43" white umbrella camera left.
I decided to reshoot my Ferrari photos using a gel'd background. I like it better than the black background. Makes for a better 3-D look. See the setup shot for more info.
Strobist Info: 580 EX II camera right shot into a reflector just above the model on full power. White card to camera left for fill. Gel'd SB-26 set on 1/16th power shot through a grid onto the background.
Camera set on ISO 100, f/22 (for DOF), at 1/200 second.
This one is an out-take. I tied each glass together with a fishing line near the base. The idea was to pull over all three glasses at the same time (to the right), but when I pulled the line broke, and only the blue glass actually fell over. I kinda like it though. A happy accident.
Lighting Info: 580 EX II on full power camera right shot into an umbrella. SB 26 on full power camera left shot through an umbrella. I used a 3'x3' sheet of black acrylic for the table and some black velvet as the background. The "glasses" are actually plastic. Good thing too, because they ended up crashing to the ground multiple times.
Next time I'm planning to put up two sheets (or white shower curtains) on the sides to act as defusers (instead of using umbrellas). I don't like the reflections of the umbrellas in the sides of the glass.
Post Processing: I cleaned up a lot of small dust specks using the spot healing and clone stamp tools in Photoshop. I also selected the background and painted it black to remove any stray specks and the fishing line.
Model: Destiny Borland (MM# 1932241)
Lighting: Profoto stobe shot into a huge silver umbrella camera right at f/4.
I've been doing occasional "lunch time photo shoots" with a few of Austin's local models. It's been a great way to get out and shoot for fun and practice without taking up a huge amount of time.
Meet Katie. She's working on a nursing degree at LSU. Had a great time shooting with her along with my photographer friend Alex Suarez.
I wrote a post on how to organize a photo shoot on my blog.
Model: Katie
Assistant: Alex Suarez
Lighting: Natural + 430 EX II camera left for rim.
This is one of my favorite candid shots from the AFW shoot I did a few weeks ago. I caught Britany rubbing some dust out of her eye.
I'd really appreciate your vote for my Austin Fashion Week image and team!
Makeup Artist: Adrienne Pitkin
Hair Stylist: Kendall Koehler
Clothing Designers: Alchemy Design and Feathers Boutique
Jewelry Design: ByJeannie Jewelry
Model: Britany Walker
Strobist Info: AB800 shot into a beauty dish (with a sock) above the model. Silver reflector below the model for fill.
I had an burned out lightbulb handy, so I put it into the stream of smoke to see how the smoke might flow around it (or in this case, clung to it). When I nuked it with my strobe it, well, lit up like a lightbulb. Hmmm.
Taken at the Austin Strobist 1930s Gangster Shoot in Pflugerville Texas. That's Giovanni playing the piano.
Model: Giovanni
Makeup: Lauren Morris (MM #569138)
Location: The European Bistro in Pflugerville Texas.
Lighting: Natural light from a large window (north facing) camera right.
Post: Converted to b&w, added sepia tone, fake smoke, texture, and vignette.
©2012 Alex Suárez. All rights reserved.
Thanks to you, my Flickr friends, this image made Explore for July 23, 2012.
Image from a fitness shoot for Justin Walls. Thanks to Steve Wampler and Ashley Elgie for are their help in making this shoot a success. . More images from this shoot on my blog.
Strobist info: Split light setup:
- Camera right: AB800 with 7" reflector and grid triggered wirelessly via PocketWizards.
- Camera left: SB-900 with with grid triggered and controlled wirelessly via PocketWizards.
Had a blast shooting Becca's senior portraits yesterday.
Lighting: Natural. I put Becca in one of those construction walkway things. This one is all white, so it acts like a hug softbox. Sweet.
I wrote about the location and lighting for this photo on my blog.
Goodbye NAMM 2017
Jason left early this morning and I basically stayed up the entire time. It is the final day of NAMM 2017 and you can tell. It was raining again today when I arrived. Then it seemed to be raining all day. I honestly didn't know what I was going to do today because I had pretty much seen it all. I thought I would try to catch up with Bill LoNero, meet this Jonathan Byrnside, talk to Mike Martin again, and see if there were any cool performances to catch. Well, Bill went home after yesterday and Jonathan was in meetings but would let me know. I did get a chance to talk to Mike Martin.
I revisited ESP, Fender, Charvel/Jackson/EVH/Gretch, Chapman, and The Boutique Amp company (Wampler, Bogner, Egnator, Friedman, etc.). I asked more questions and played more guitars today. I saw fewer celebrities but I did see some: Nicko McBrain, Josh Freese, Rudy Sarzo (again), Albert Lee, Keith Merrow, Jeff Loomis, Ola Englund, Nick Johnston. But I also saw Glenn Fricker, Brian Wampler, Rabea Massaad and Matt Hornby, and other YouTube people. I back tracked and visited places multiple times. I did the cris-cross combing of the entire building but gave up near the drum area. I watched Rabea perform at the Two Notes Audio/REVV booth and then at the Champan Guitars/Victory Amps booth.
It rained like crazy all day long! When I went out to wait for the shuttle it was a little before 4pm. The shuttle finally showed up a little after 4pm and it was a Disney shuttle coming back empty that the driver thought he would swing by NAMM since he knew the other driver was stuck in traffic. It turned out I was the only one on the bus back to the hotel!
After four days of walking the Anaheim Convention Center my feet, knees, and hips are killing me!
The rain let up and I ended up walking to the Mexican place close to the outlet mall. They had great happy hour pricing going on. After dinner I went back to the hotel and sat at the bar. The last thing I remember is ordering a bottle of wine and getting through most of it. There was some wine snob next to me and he got a bottle. Since I was half way in the bag I got one too! I'm not sure how I got back to my room again or why I woke up without pants or underwear on...
May 2022 version of my constantly changing, non-gigging pedalboard. Signal chain:
EHX Qtron+
Boss TU-2
Keeley Dynatrem
Wampler Mini Ego
Keeley Rotten Apple
JHS Morning Glory V4
Keeley Oxblood
KEP Mostortion
TC Electronic Sub-n-Up
Keeley Rotosonic
Keeley GCS Limiting Amp
Keeley 30ms (Stereo out)
Walrus Julianna (Stereo)
---parallel (R) Marshal SV-1 Supervibe
---parallel (L) Boss BF-2
Boss DD-200 (Stereo)
TC Electronic Alter Ego V2 (Stereo)
Boss RV-6 (Stereo)
Keeley Hydra (Stereo)
Strymon Iridium (Stereo)
Off board on the floor:
Boss RC-2 looper
in reserve:
JRAD Archer IKON
Keeley Moon Fuzz
Fulltone 70's Fuzz
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
Carlisle and I did catalog shoot for The PJ Shop (a local boutique) this past weekend. Even though she's from Missouri, she can definitely rock the Texas Country Girl look pretty well.
Model: Carlisle Forester (MM #1053708: www.modelmayhem.com/1053708)
Hair and Make-up: Nicole Kuntz (www.marykay.com/ankuntz)
Strobist Info: Canon 430 EX II in a Softlight (umbrella/softbox combo) camera left with a 1/4 CTO gel for warmth.
©2011 Alex Suárez. All rights reserved.
Here’s an image from another model photo shoot we did just for fun. My friend Steve Wampler and I took turns shooting and assisting during this session. This time we worked with Hallie. Hallie studied Theater at the University of Texas at Austin and is now off to LA to kick off her career. More images from this shoot on my blog.
Model: Sophia
Hair: Rachael Dunn from Bella Salon
Make-up: Kim Toht Hogan from Bella Salon
Assistant: Sarah Wampler
Lighting: Natural "north side of the building" kinda light mid day.
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
Taken somewhere between Austin and Abilene Texas. I've passed this old windmill a couple of times, but this time I made a point to stop and take a shot.
Lighting Info: Backlit by the sun around 6:00pm (in October). Created two exposures from a single RAW file and blended them in Photoshop.
This one barely made into Explore at #498 for a short time, but hey, I'll take what I can get. ;-)
Another of the models for the Bella Salon & Spa shoot in Austin, Texas. This was Sara, a singer who was also volunteering to pose for some of the stylist headshots that night.
Sara was great, and really fun to work with. You could throw any direction at her and she'd react wonderfully. This is a rare trait even in experienced models. Sara could do that thing that most people can't, on the drop of a dime she can "turn it on". Laughing one minute, and the next I'd say "more stoic and serious", and BAM there it was. I love when that happens. Even better when they subject is in tune with what I'm attempting to do.
In truth I think I could have shot with her for the rest of the session and I would have been content. I have soooooo many shots of her that are good and highly-usable I just had to pick one to start with. This is that one.
I'd again lke to thank Steve Wampler and Mike Connell for having me along.
Strobist-like info:
The lighting rig is two SB800s. One shot through a moderate sized Softbox on the left and a large shoot through umbrella on the right. Both were firing slightly past and in front of the subject to help feather the light a little more and balance it out from both sides. The softbox was more of an accent/fill while my shoot through was the global light source. Both lights were triggered with the SU-800 but controlled in manual setting and not TTL.
As always I'm on twitter so please add me there.
Twitter @lifebypixels
Model: Sophia
Hair: Rachael Dunn from Bella Salon
Make-up: Kim Toht Hogan from Bella Salon
Assistant: Sarah Wampler
Lighting: Open shade.
I've been looking forward to shooting my son's senior portraits. Here are a few I shot yesterday. Fun.
Lighting Info: Canon 580 EX II on 1/8th power (too low) shot into an umbrella camera right. Unmodified Nikon SB-26 camera left.
The glasses were pulled from left to right using fishing line as seen in this photo.
Lighting Info: Canon 580 EX II camera right on 1/2 power shot into an umbrella. SB-26 on 1/2 power camera left shot through an umbrella. Black acrylic table top and black velvet backdrop.
More smoke images from a set I shot last January and February.
Strobist Info: Canon 580 EX II about a foot from the smoke. Camera settings were approx. 1/200 sec at f/9. See setup shot.
A little girl running through a mud puddle in her bare feet and green dress at Eeyore's 45 Birthday Party.
Taken in Austin Texas on April 26, 2008.
Model: Jordan Underwood
Hair: Rachael Dunn Hair Design
Make-up: Kelsey Hansen
Wardrobe: Staci Rizner Costume and Prop
Assistant: Alex Suarez
Assistant: Jake McKee
Assistant: Sarah Wampler
Available Light
I did a couple of photo shoots this past weekend during the SXSW interactive conference in Ausitn where I expored the concept of "Alone in a Crowd." This shot, and the one I posted previously of Paige, are very much what I had in mind. This time around I wanted to use the crowd as compositional element to frame the model. To communicate the concept, I also wanted to capture as much contrast as possible, including light vs. dark, warm vs. cold, one vs. many, detached vs. engaged, still vs. motion.
Model: Meg London-Boche
Assistant: Rudy Ximenez
Strobist Info: 430 EX II in a LumiQuest SB III with a 1/4 cut CTO gel camera right (held by Rudy).
A Baltimore personality associated with the Fells Point waterfront, and later, Venice Beach, California. She had small stores in both places: Edith's Shopping Bag.
kannibalkrunch.tumblr.com/image/166623808655 -- With Deborah Harry.
Brother Steve and sister-in-law Susan loved her, helped her and were in a band with her. They put out a record and toured, including a show at The Whisky a Go Go on The Sunset Strip. She said to Steve of teen-aged me, "I don't think Mark likes me." She was wrong. Late brother Nick, Rob Fahey, Tony Vega and Rosalie Wampler were also in the band at different times. I think Kyf Brewer played a show on drums.
Cousin Dennis Davison's first band, Ebenezer & the Bludgeons, were on the bill with one of her earlier bands: rave review in The Baltimore Sun Sunday Magazine.
www.amazon.com/Edith-Massey-Live-Sunset-Strip/dp/B001Y0LG... -- Cover art by Young Lucy
I couldn't believe it when she told me at The Marble Bar that someone had just been rude to her. She said, "I said, Hello, to that guy who just left and that b*st*#d called me a f*g-hag, hon." I didn't know who she meant. explore.baltimoreheritage.org/items/show/89 -- The Marble Bar inside The Congress Hotel -- baltimorefishbowl.com/stories/baltimore-architecture-foun... -- 'Godfather of Punk' loved it.
Nick always called her Miss Edie.
c.tenor.com/pP7wvFOgOTkAAAAC/edith_massey-desperate_livin...
www.themoviedistrict.com/wp-content/uploads/2017/10/marni... -- Tippi Hedren in Fells Point, from Hitchcock's 'Marnie'. www.imdb.com/video/vi2476212505?ref_=tt_pv_vi_aiv_1 -- 'Marnie' trailer, with Sean Connery as Mark.
©2012 Alex Suárez. All rights reserved.
I'm Back! I've been offline for a while dealing with a family crisis that is now, thankfully, mostly behind us. Today we ventured out into the woods and did a photo shoot today with Carol. Carol was a real trooper. She held some painful poses leaning against tree bark, sidestepped poison ivy and traversed muddy creeks just to get the shots we wanted. Thanks to my friend Steve Wampler for assisting on this shoot (and letting use some of his equipment).
For this shot, we used a 30" gridded Beauty Dish on an Alien Bee 800 strobe directly overhead and in front of the camera, just out of the frame. We also set up a scrim high and camera-right to kill the direct sunlight off of Carol's head and shoulders.
I had great rapport with Carol and have already scheduled our next shoot.
The car that is. It's a Tesla that a guy was dropping off for the valet outside the W hotel. His company is a rental broker for exotics. I ask him if Paige could take a seat. He said yes. So she did. :)
Model: Paige Hanlon (MM #1971613)
Strobist Info: Canon 430 EX II with a 1/4 cut CTO gel camera left inside a LumiQuest SB III.
Taken at the Austin Strobist 1930s Gangster Shoot.
Models: (Left to right) John, Steven Kosler (MM # 1181458), Josh
Makeup: Lauren Morris (MM #569138)
Location: The European Bistro in Pflugerville Texas.
Lighting: Flash on 1/4 power (?) through an umbrella camera right. Hair light just behind Josh on the right.
Post: Cleaned up the background and added some vignetting and a texture. Converted to b&w and used curves and an unsharp mask to increase contrast.
I've been wanting to try photographing smoke for a while. I finally bought some incense sticks and proceeded to smoke-up and stink-up my home office. Graham Jeffery has an excellent blog entry on how to photograph smoke. If you're interested, I'd head over there to see his photos and read about his technique. I'll post some comments on my blog when I get a chance. I colorized some of these images in Photoshop. Those that are more subtlety colored (about half of them) show the natural colors of the smoke itself (with some saturation added in a few cases).
All of my smoke images were created with two light sources. The first was natural light coming through an window on the left. I doubt the natural light contributed much (if anything), because my shutter speed was 1/250 and the f-stop was f/10. To the right of the smoke I placed a Canon Speedlite set to full power. Those setting pretty much nuked any ambient light. To prevent any light from spilling onto the background, and flaring into the lens, I attached a couple of 4" X 8" cardboard "gobos" to the sides of my flash (using Velcro). I wish now that I had taken a setup shot. Oh well, next time.
PEDALBOARD, Facebook's biggest German speaking pedal nerd group with +16.000 members, chose our guitarist's baby as board of the week ❤
Here's the link to the article about Michael and his pedals (German only, sorry): www.pedalboard.org/blog/board-zum-sonntag-michael-bertl
Have a great week! ✌
#pedalboard #soundwork #wampler #pigtronix #boss #okko #redwitch #electroharmonix #sourceaudio #strymon #onecontrol #dunlop #walrus #lava #temple
So, our goal was to create a "lookbook" of image showing the look of the clothing sold by Electric Frenchie, the boutique whose clothing we were shooting. We wanted a few shots of the model in an urban environment interacting with the things around her. Heather, our model, had the great idea of pretending to break into the news-paper machine. I like how that girl thinks. ;-)
Model: Heather Betchan
Make-up: Make-up by Sabrina (Sabrina is a fantastic MUA and Model)
Wardrobe: Chonie Bradley of Electric Frenchie
Wardrobe Styling: Leonardo D'Almagro
Lighting: Lighting wise this one was a bit of a challenge. When we arrive at this building where Chonie (the boutique owner) wanted to shoot, the building was in direct sunlight. What to do?!? I'm thinking, go with it and hope that there's enough fill light bouncing off of the sidewalk to fill in some of the harsh shadows and use a small flash camera right on full power to help fill in the rest.
The Floral City (Monroe, Michigan) Model A club took a tour in the countryside on August 15. I joined them at R & A Engineering, a world class restoration shop near Manchester. We traveled from there to Jerry's Pub on Wamplers Lake in the Irish Hills near Brooklyn (Michigan - not New York!). I shot this through the windshield on Watkins Road, one of the "hill and dale" roads in southeast Michigan's Irish Hills.
While eating lunch at Jerry's Pub, today's Sprint Cup race at the Michigan International Speedway began. Only mentioned because the race track is roughly four miles from where we were eating.
All of my classic car photos can be found here: Car Collections
Press "L" for a larger image on black.
More smoke images from a set I shot last January and February.
Strobist Info: Canon 580 EX II about a foot from the smoke. Camera settings were approx. 1/200 sec at f/9. See setup shot.
I like the flare, so I left it in the shot.
... from a recent shoot I did for the Electric Frenchie boutique.
Model: Sanetra Stewart
Wardrobe: Chonie Bradley for Electric Frenchie
Hair: Kelli Wilson
Make-up: Bobbi Douglas
Styling: Leonardo D'Almagro
Strobist Info: Natural window light from camera left. 430 EX II (flash) camera right and behind the model. SB-26 (flash) to highlight the clothing camera right and in front of the model.
A bit more editorial …
Models: Philigp Meeks and Michele Hines
Strobist Info: 430 EX II in a LumiQuest SB III camera right. Late afternoon sunlight for rim.. Late afternoon sunlight for rim.
Photographer: Robin Rowell
Info---| Place: Austin, TX
Info---| Gear: Canon 5D MKII w Zeiss Distagon T* 1,4/35
Info---| Strobist: 2 Canon 430EXII's camera left and right, right speedlight using shoot thru umbrella; fired w/ pocketWizards
Info---| Location: Downtown
Info---| Settings: 1/100 | F6.3 | ISO 100 | FL35mm
Big thanks to my friend and fab photographer Steve Wampler, who invited me along to this shoot.
Last weekend I spent more time photographing smoke. My home office still stinks, as does my camera. ;-)
My goal was to create images of free-flowing surfaces with subtle curves. I wanted to avoid the turbulence that creates the swirls and braids in my previous images. (I like that look, but I was looking for something different.) I also wanted the final colors to have come from, to some degree, the colors inherent in the smoke instead of colors applied to the smoke in Photoshop. In short, the effect I was hoping for is best demonstrated in this image, and the other one, I uploaded today.
Matheran is a mysterious place!
It is part of the Deccan Traps, that extend till Mahabaleshwar from Bombay. One can see the ages and ages of Basaltic Lava formation in this photograph, once the greens are all dead, this place would stand evidence to the history of this land!
Deccan Traps, India : 17-24N, 43-47E, Elevation: 4,000 feet (1,200 m)
The Deccan Traps[Maharashtra, India] are one of the largest volcanic provinces in the world. The term 'traps' is derived from the Swedish word for stairs (trappa, or sometimes trapp), referring to the step-like hills forming the landscape of the region.
Link to Shiva Crater
A large impact crater has been recently reported in the sea floor off the west coast of India. Called the Shiva crater, it has also been dated at sixty-five million years, The researchers suggest that the impact may have been the triggering event for the Deccan Traps as well as contributing to the acceleration of the Indian plate in the early Tertiary. However, opinions differ among the geologic community and this theory is not unanimous.
It consists of more than 6,500 feet (>2,000 m) of flat-lying basalt lava flows and covers an area of nearly 500,000 square km, (roughly the size of the states of Washington and Oregon combined) in west-central India.
Estimates of the original area covered by the lava flows are as high as 15,00,000 square km. The volume of basalt is estimated to be 12,275 cubic miles (512,000 cubic km)(the 1980 eruption of Mount St. Helens produced 1 cubic km of volcanic material).
The Deccan Traps are flood basalts similar to the Columbia River basalts of the northwestern United States.
This photo shows a thick stack of basalt lava flows south east of Matheran, Photograph by (c) Baajhan, Oct18, 2007.
The Deccan basalts may have played a role in the extinction of the dinosaurs. Most of the basalt was erupted between 65 and 60 million years ago. Gases released by the eruption may have changed the global climate and lead to the demise of the dinosaurs 65 million years ago.
Vocanologists are also trying to understand how such great volumes of lava are erupted. Early models proposed that lava flooded across large areas at extremely rapid rates. Recently proposed models suggested that at least some of the flows are emplaced at gradual rates, lasting months to years.
The Ajanta and Ellora Cave temples were carved into the basalts of this region, north of Aurangabad, MH, India. Some of my Photographs of such Architectural marvels carved out in this Basalt Rock:
1. Ambarnath Temple, North of Bombay
2. Khaneri Caves, SGNP, Borivili, Bombay
The Ajanta Caves were carved over four centuries beginning in 200 BC. More construction was done in the 6th and 7th centuries. The "caves" contain important examples of Buddhist architecture and sculpture. A contact between two lava flows passes through the knees of one of the statues in Ellora, and I'm eagerly waiting to go here to shoot the Stupas and the Beautiful Prayer hall.
Thanks and Credits go to:
Bhattacharji, S., Chatterjee, N., Wampler, J.M., Nayak, P.N., and Deshnukh, S.S., Beane, J.E., Turner, C.A., Hooper, P.R., and Subbarao, K.V., and Walsh, J.N., Krishnan, M.S., Officer, C.B., and Drake, C.L., Rampino, M.R., and Stothers, R.B, S., Thordarson, T., and Keszthelyi, L., f, S., Finnemore, S.L., Walker, G.P.L., and Thordarson, T., White, R.S., and McKenzie, D.P.,
Other Trapps around the word:
# Siberian Traps
# Emeishan Traps
# Ethiopian Highland Basalts
# Columbia River Basalt Group
The maria on the Moon are additional, even more extensive, examples of flood basalts. Flood basalts on the ocean floor produce Oceanic Plateaus.
Other Flickr Photos of Basalt Rock Flow: [All of them are a must see snap. So open those links and have a look :) ]
www.flickr.com/photos/9320105@N03/1536056158/
www.flickr.com/photos/sliding_penguin/1017915669/
www.flickr.com/photos/62989594@N00/863653978/
www.flickr.com/photos/starmist1/1450538241/
www.flickr.com/photos/piedmont_fossil/132690006/
www.flickr.com/photos/theshutterbug/23214453/
www.flickr.com/photos/theshutterbug/23214447/
www.flickr.com/photos/vasant/176012549/
www.flickr.com/photos/dileeppg/429469404/
www.flickr.com/photos/saikat74/374338562/
Update: This photo was published in NWT Mag, Netherlands.
Link: www.flickr.com/photos/tamil/5051854630/in/photostream/