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Pentax Auto 110, 2.8/24mm, Lomography ORCA B&W 110

 

Lomography Interview: www.lomographyasia.com/backend/magazine/posts/185215/?aut...

B/W and color select.

Canada Games-Womens Triathlon 31july2017-Photo: Scott Grant

W bar in SoMA, SF

Beers with friends. Julian amused and impressed by existence of 18-250mm lens.

W Hotel Barcelona

 

Located in Boonville, MO is this vintage A&W Restaurant that still looks the same from when it opened sometime in 1972. We enjoyed a resfreshing root beer twist ice cream cone! You can read my blog post here - neatocoolville.blogspot.com/2009/08/vintage-restaurant-in...

 

2009

*Explore/Interestingness*

he came to get a bite to eat between rain showers.

Cream Line. Leyland Tiger Cub / Weymann. Neath ex Thomas Bros. Neath

2/5 B&W Challenge

 

My daughter wrapped in a scarf in the briefest of snow fall today.

Thanks Vikki x

Wynns Chevrolet crane

No matter colored or b/w, Venice looks great

Travaux sur les réseaux d'eau et d'assainissement et d'adduction d'eau potable sur 165 mètres avenue de la Garenne et allée de la Garenne à Nancy.

 

Pays : France 🇫🇷

Région : Grand Est (Lorraine)

Département : Meurthe-et-Moselle (54)

Ville : Nancy (54000)

Quartier : Nancy Sud

Adresse : avenue de la Garenne / allée de la Garenne

 

Durée des travaux : octobre 2021 → mai 2022

Hotel W Barcelona desde la playa de San Sebastián

Hotel W - Barcelona

aka "Edificio Vela" (Sail building)

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De paseo con Jorge, Esther, David y Sofía, un día primaveral de diciembre

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Hand Held HDR - 5xp - (-2,2)EV + Digital blending

17/52 24/04/2014

Theme - Geometry

Category - Abstract

 

Seedhead converted to B&W, diffuse glow filter, hopefully fits the bill.

 

Yep - the door holds.

W!. New York City. December 28, 2017. © Copyright 2018 G Dan Mitchell - all rights reserved.

 

Colorful painting and graffiti on metal door, New York City

 

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There's nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

 

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing... and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

  

G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

My new Fuji Klasse w perched prodly atop its classy box...

arch. Ricardo Bonfil

These don't belong to me but when I look at them in someone else's toolbox it makes me wish I had bought better tools back in the day!

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