View allAll Photos Tagged voronoi

Size 2000 x 1500 x 370 and 2000 x 750 x 325 mm, made from white PF-coated 9mm plywood. High shelf generated and optimised for 75% magazines and large art books. Low shelf generated and optimised for 50% large art books and 50% regular soft and hard cover books.

Processed in Affinity Photo V2.4 and used the Voronoi Live Filter to create the mosaic look

 

CC Rainbow: Purple

Precreased. The marked points are randomly placed. Folding to align neighboring points forms a Voronoi tessellation.

Not sure how to describe it, but you can't have two 45 degree angles meet in a 45.135.45.135 intersection and have the two tips meet up without vertical distance separating the two of them. You can see this with an interactive Voronoi tessellation generator, which shows you that such a pleat situation cannot arise regardless of how much you fiddle with it. (or so I'm thinking, please prove me wrong, I would much appreciate it!)

 

However, you *CAN* create something like a 45.90.135.90 intersection, or other variants of the sort- where the upper polygon has a much wider angle. this comes together quite nicely, and the dual of such a pleat intersection is our old friend, the deltoid (kite shape).

 

If we follow through on the pleat arrangements- by folding the Voronoi tessellation lines as a valley fold, and the 1/2 points between that line and the original coordinates as mountain folds (as seen in the picture) we get a fully twistable pleat intersection which realizes the dual as the final twist polygon. In this case, that means the twist will be a kite shape, and it matches up to the geometry of the Delaunay triangulation (the drawn lines in the photo, or in this case the dual of the Voronoi tessellation.)

 

(and yes, the Delaunay triangulation isn't exactly what I have drawn here, but I'm not a math person so it's close enough for my purposes.)

Nótese mi charcha uso de Tampón de Clonar en las partes etiquetadas.

Just another progress shot. Red finished, onto the next area now.

A processing-based weighted Voronoi stippler with TSP path output. Or, how to make plotter-friendly output, starting with a picture. Read more about this project here.

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

The Mammals, displayed using a further development of my Voronoi treemap code (now with nicer borders and more robust calculations). Each polygon represents a mammalian species or group of species, distributed inside larger groupings.

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

Insect hotel in the garden of St Dunstan's in the East, London. The shapes are based on the Voronoi pattern which is commonly found in nature. In this case it resembles the rib structure of a dragonfly's wings. It was designed by Arup Associates.

 

This design won the Beyond the Hive prize.

Playing with the new printer. Trying out the Jared Tarbell recommendation for paper... Im impressed. Hahnemüehle Torchon 275. Superb.

A processing-based weighted Voronoi stippler with TSP path output. Or, how to make plotter-friendly output, starting with a picture. Read more about this project here.

OFFICIAL WEBSITE: calabarte.com/

FOLLOW CALABARTE ON FACEBOOK: www.facebook.com/calabarte

 

TABLE LAMP XX BUTTERFLY

 

Nature and math is an ocen of inspiration. The organic pattern contains three structures (plus butterflies main lines) and each of them is based upon Voronoi diagram – one of those mathematical oddities (like fractals) that turns up frequently in the world of nature.

The head of the lamp is made of Senegalese gourd. Its diameters are 27 and 23cm.

Thickness of the gourd is about 1cm so the structure is quite deep and it is carved on three different depth levels.

Height of the whole lamp is 48cm.

The diameter of the base is 28cm and it is finished with dark brown jeweler waxed string.

The end of the base is carved from wood.

On the top of the lamp is closing part locked with little magnets.

Jellyfish House, designed in 2005-06: original drawings, renderings & diagrams

Designed by Arup Associates, 2010. Compartments based on a Voronoi pattern. At St Dunstan in the East, City of London.

 

(CC BY-SA - anyone can freely use this size file anywhere, provided accompanied by the credit: Images George Rex.)

Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition

 

forrestfulton.com/lace-hill-over-yerevan

 

Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.

3D printed model of Jellyfish House by IwamotoScott with proces2 - reproduced in 2011 for the SFMOMA Architecture and Design Permanent Collection

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

Ladder Contraction

Track 0015 www.musictheorem.com/theorem/0015.html

For Misprint Thursday " Theorem "

Music inspired by the Sciences.

rhizome.org/announce/events/57105/view/

@ UTSA Roadrunner III

slurl.com/secondlife/UTSA%20Roadrunner%20III/167/206/30

A sim of University of Texas at San Antonio utsa.edu/

The Ladder Paradox

en.wikipedia.org/wiki/Ladder_paradox

Music file Ladder contraction @

ulf-photo.com/musictheorem/laddercontraction.mp3

All tracks @ www.musictheorem.com/theorem/Track_List.html

 

Schedule of Events:

Saturday 2nd April

4:00pm SLT-Exhibit Opening

 

ABOUT THE INSTALLATION:

Werner Kurosawa

aka Werner Van dermeersch

 

A Hermétique Garage in suspension of frozen time. Space is getting bended during it's acceleration towards the speed of light. A ladder at first too big is deconstructing to persuade it's goal to fit the GH (Garage Hermétique).

  

ABOUT THE MUSIC:

Ulf; Composer, Drums, Keyboard (Piano)

Yeray N.S.; Guitar, Bass

Jillian Star Bedrosian; Vocals

Misprint Thursday; Lyrics

 

Ladder Contraction is a thought experiment in special relativity. It involves a ladder traveling horizontally and undergoing a length contraction, the result of which being that it can fit into a much smaller garage. On the other hand, from the point of view of an observer moving with the ladder, it is the garage that is moving and the garage will be contracted to an even smaller size, therefore being unable to contain the ladder at all. This apparent paradox results from the assumption of absolute simultaneity. In relativity, simultaneity is relative to each observer and thus the ladder can fit into the garage in both instances.

 

Loved this Halloween print. Downloaded it but can't find the link to share here. The top of the head didn't print, but it's still very cool.

Really simple stuff: Voronoi or Delaunay plus brownian motion.

 

Made with Processing plus the excellent Mesh library by Lee Byron.

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

Photo redécouverte et très modifiée.

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

Sherman Contemporary Art Foundation Bibliotheca

 

A stunning new architectural installation commissioned for the first anniversary of the Sherman Contemporary Art Foundation (SCAF) in Sydney creates a spectacular space for displaying catalogues and other publications.

The installation is an evolutionary display, which will adapt and grow in response to each new gallery project while creating an ephemeral and surreal experience with changing lights and effects.

Holding a selection of Sherman Contemporary Art Foundation and Art & Australia publications in honeycomb shaped cells, the installation is backlit through transparent acrylic via energy efficient LED lights.

The installation showcases LAVA’s ongoing fascination with the efficiency and beauty of geometries in nature – the potential for naturally evolving systems for new building typologies and structures.

“The shape of the installation is based on a “voronoi”, or “bubble geometry”,.

Dr Gene Sherman, director of Sherman Contemporary Art Foundation who commissioned the work said, “LAVA`s installation possesses an aesthetic that resonates throughout the gallery space while being surprisingly functional.”

 

The bookcase uses the latest digital fabrication and engineering techniques such as CNC milling and CAD CAM technology. LAVA maintained a “digital chain” throughout the design and production process, which has established offices in Sydney, Abu Dhabi and Stuttgart over the past 12 months.

 

Architects:

 

LAVA

Laboratory for Visionary Architecture

Chris Bosse, Tobias Wallisser, Alexander Rieck

with Esan Rahmani, Jarrod Lamshed, Erik Escalante

 

72 Campbell Street

Surry Hills

Sydney NSW 2010

Australia

 

Phone: +61 2 92801475

  

www.l-a-v-a.net

directors@l-a-v-a.net

  

Client:

Gene Sherman

Sherman Contemporary Art Foundation

16–20 Goodhope Street, Paddington, Sydney NSW 2021 Australia

T: +61 (0)2 9331 1112 F: +61 (0)2 9331 1051 W: www.sherman-scaf.org.au

 

Photo credit: Chris Bosse, Peter Murphy,

 

Builder:

Definitive, Display by Design

Light : LED systems Australia

    

3D printed model of Jellyfish House by IwamotoScott with proces2 - reproduced in 2011 for the SFMOMA Architecture and Design Permanent Collection. Shown here at the office of IwamotoScott.

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

For Evan...This is what the mock-up looked like installed...80sq ft of a proposed 5000. Who says work isn't fun?

project 3d points to screen, use points index divided by number of points as HSB color, build voronoi diagram.

 

there's some vsync offset in the screencapture.

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

Near the baggage claim area in Terminal C of the Boston Logan International Airport, Boston, MA

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

Volcanic, Maurycy Gomulicki, 2013

 

mural aprox: 60m2

  

Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.

  

design: Maurycy Gomulicki

executed by Tomek Maped Pizoń

architect: Jakub Szczęsny / Centrala

 

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