View allAll Photos Tagged voronoi
Volcanic, Maurycy Gomulicki, 2013
mural aprox: 60m2
Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.
design: Maurycy Gomulicki
executed by Tomek Maped Pizoń
architect: Jakub Szczęsny / Centrala
Test for the Yale University Art Gallery Calendar.
Made with scriptographer and Jonathan Puckey's Voronoi tool.
Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition
forrestfulton.com/lace-hill-over-yerevan
Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.
Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition
forrestfulton.com/lace-hill-over-yerevan
Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.
A processing-based weighted Voronoi stippler with TSP path output. Or, how to make plotter-friendly output, starting with a picture. Read more about this project here.
Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition
forrestfulton.com/lace-hill-over-yerevan
Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.
Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition
forrestfulton.com/lace-hill-over-yerevan
Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.
This "Stone Fossil" seeks to capture a moment in time when a leaf or insect is captured in a brief embrace with the forming rock and they each imprint on each other.
This lace rock (NZ schist) is made from 100% cotton thread which has been crocheted into lace that seamlessly encapsulates the rock.
Each rock dictates the form of the lace as the tensions and curves pull the lace into a unique shape. There is a beautiful contrast of soft and hard, earth made and man made, nature and art.
Each rock/pebble is a unique one of a kind piece which can be used as a paperweight, outdoor tablecloth weight, wedding table decoration, centrepiece or gift. The smaller ones can be secreted in a pocket as a personal talisman.
They look great in random small collections either grouped in a loose display, or together in a stunning bowl.
Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition
forrestfulton.com/lace-hill-over-yerevan
Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.
PROJECT:
Aggregations
PHOTO CREDIT:
Aranda\Lasch
Exhibit: Johnson Trading Gallery
Location: Design Miami/ 2008, Miami, Florida, USA
This model of Yoda in Voronoi structure was 3D printed on a Replicator 2 3D printer with pink PLA plastic filament.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:44505
This model of Yoda in Voronoi structure was 3D printed on a Replicator 2 3D printer with pink PLA plastic filament.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:44505
This model of Yoda in Voronoi structure was 3D printed on a Replicator 2 3D printer with pink PLA plastic filament.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:44505
This model of Yoda in Voronoi structure was 3D printed on a Replicator 2 3D printer with pink PLA plastic filament.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:44505
Not sure how to describe it, but you can't have two 45 degree angles meet in a 45.135.45.135 intersection and have the two tips meet up without vertical distance separating the two of them. You can see this with an interactive Voronoi tessellation generator, which shows you that such a pleat situation cannot arise regardless of how much you fiddle with it. (or so I'm thinking, please prove me wrong, I would much appreciate it!)
However, you *CAN* create something like a 45.90.135.90 intersection, or other variants of the sort- where the upper polygon has a much wider angle. this comes together quite nicely, and the dual of such a pleat intersection is our old friend, the deltoid (kite shape).
If we follow through on the pleat arrangements- by folding the Voronoi tessellation lines as a valley fold, and the 1/2 points between that line and the original coordinates as mountain folds (as seen in the picture) we get a fully twistable pleat intersection which realizes the dual as the final twist polygon. In this case, that means the twist will be a kite shape, and it matches up to the geometry of the Delaunay triangulation (the drawn lines in the photo, or in this case the dual of the Voronoi tessellation.)
(and yes, the Delaunay triangulation isn't exactly what I have drawn here, but I'm not a math person so it's close enough for my purposes.)
This model of Yoda in Voronoi structure was 3D printed on a Replicator 2 3D printer with pink PLA plastic filament.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:44505
This model of Yoda in Voronoi structure was 3D printed on a Replicator 2 3D printer with pink PLA plastic filament.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:44505
Using the same algorithm, I switched to Volcano Lat/Lon data from Wikipedia. en.wikipedia.org/wiki/List_of_volcanoes_in_Iceland They have several more, but some are extinct, non-creater types and/or haven't erupted in a long time. This gives a much more tessellated map of Iceland.
Using so many data points required the scale to increased so the floating-point lat/lon variables could be properly computed.
Voronoi embroidery. Silk, wool, cotton chain stitched to linen. Because maths is beautiful (even if my photos aren’t great).
Voronoi embroidery. Silk, wool, cotton chain stitched to linen. Because maths is beautiful (even if my photos aren’t great).
Cells adapt automatically to user's drawn table contour and chosen height as well as CNC-bending machine constraints. Structural integrity of evolved object is ensured via FEM feedback.
Executed at Lund University School of Industrial Design by Andreas Hopf and Axel Nordin, supported by Vinnova, Sweden.
andreas.hopf@design.lth.se
axel.nordin@mkon.lth.se
Me & Tomek Pizoń
Tomek executed three of my murals by now (also Candy Stick / Satanico Tropical [2nd version] & Vortex) - The Best Man: sharp and obsessed with quality – I wish I could always work with people like him.
Volcanic, Maurycy Gomulicki, 2013
mural aprox: 60m2
Volcanic mural I designed for private house in Podkowa Leśna near Warsaw. I was invited by the architect Jakub Szczęsny to do the intervention in the house. The space is very peculiar: Jakub worked with Voronoi formula – the effect is an asymmetric house with almost no right angles inside. The house – a bizarre wooden container, sort of Scandinavian hunting lodge taken to the next level stands sunken between the trees. I wanted to relate as much to architecture as to the green surroundings – so the decision of vertical modules and color. Also in the emotional aspect of it I was searching the experience or the warmth that would be specially appreciable in the winter time after half an hour ride back home trough cold gray darkness.
design: Maurycy Gomulicki
executed by Tomek Maped Pizoń
architect: Jakub Szczęsny / Centrala