View allAll Photos Tagged voronoi
This "Stone Fossil" seeks to capture a moment in time when a leaf or insect is captured in a brief embrace with the forming rock and they each imprint on each other.
This lace rock (NZ schist) is made from 100% cotton thread which has been crocheted into lace that seamlessly encapsulates the rock.
Each rock dictates the form of the lace as the tensions and curves pull the lace into a unique shape. There is a beautiful contrast of soft and hard, earth made and man made, nature and art.
Each rock/pebble is a unique one of a kind piece which can be used as a paperweight, outdoor tablecloth weight, wedding table decoration, centrepiece or gift. The smaller ones can be secreted in a pocket as a personal talisman.
They look great in random small collections either grouped in a loose display, or together in a stunning bowl.
This was built using a second still image, trying to streamline the process of producing this type of image. One application might be to analyze key moments this way, looking to explain why certain passes worked or didn't work. The workflow at this point is to take a still image and import it into Processing, which allows me to build the voronoi diagram on top of the image. In reality, Photoshop is still involved - although I'm hoping to avoid that in a future iteration. I'm not sure I'll be able to fully automate the process, although that would be awesome.
Credit must be given to OpenProcessing user honaya, whose sketch provided the basis of my work here. You can get his sketch at www.openprocessing.org/sketch/11400
ref: www.fontplay.com/freephotos/seventhn/fp021107-03.jpg
Still toying with a new way to create more flamboyant masks for Voronoi Stippler. :)
This piece is the product of an experiment involving the creation of CNC router toolpaths from generative forms .
Voronoi Nude Walking at Prediction Sim.
Sim Owned by Nicolas Barrial aka Nick Rhodes
SIm designed by Comet Morigi for the Biennale Internationale de Design de Saint-Etienne, France.
ありがとう
Sherman Contemporary Art Foundation Bibliotheca
A stunning new architectural installation commissioned for the first anniversary of the Sherman Contemporary Art Foundation (SCAF) in Sydney creates a spectacular space for displaying catalogues and other publications.
The installation is an evolutionary display, which will adapt and grow in response to each new gallery project while creating an ephemeral and surreal experience with changing lights and effects.
Holding a selection of Sherman Contemporary Art Foundation and Art & Australia publications in honeycomb shaped cells, the installation is backlit through transparent acrylic via energy efficient LED lights.
The installation showcases LAVA’s ongoing fascination with the efficiency and beauty of geometries in nature – the potential for naturally evolving systems for new building typologies and structures.
“The shape of the installation is based on a “voronoi”, or “bubble geometry”,.
Dr Gene Sherman, director of Sherman Contemporary Art Foundation who commissioned the work said, “LAVA`s installation possesses an aesthetic that resonates throughout the gallery space while being surprisingly functional.”
The bookcase uses the latest digital fabrication and engineering techniques such as CNC milling and CAD CAM technology. LAVA maintained a “digital chain” throughout the design and production process, which has established offices in Sydney, Abu Dhabi and Stuttgart over the past 12 months.
Architects:
LAVA
Laboratory for Visionary Architecture
Chris Bosse, Tobias Wallisser, Alexander Rieck
with Esan Rahmani, Jarrod Lamshed, Erik Escalante
72 Campbell Street
Surry Hills
Sydney NSW 2010
Australia
Phone: +61 2 92801475
directors@l-a-v-a.net
Client:
Gene Sherman
Sherman Contemporary Art Foundation
16–20 Goodhope Street, Paddington, Sydney NSW 2021 Australia
T: +61 (0)2 9331 1112 F: +61 (0)2 9331 1051 W: www.sherman-scaf.org.au
Photo credit: Chris Bosse, Peter Murphy,
Builder:
Definitive, Display by Design
Light : LED systems Australia
REMODELACIÓN Y AMPLIACIÓN DEL MUSEO DE ESCULTURA DE LEGANÉS
1. ANTECEDENTES
En 2005, Leganés inauguró oficialmente su Museo de Escultura Al Aire Libre, en el que se exhibe una amplia colección de obras de escultura española de finales del siglo XIX hasta nuestros días. Actualmente, el Museo cuenta con un amplio fondo de escultura de pequeño y mediano formato, principalmente en escayola, que no puede ser expuesto en el exterior. Además, existe la posibilidad de traer de otros museos nacionales fondos de las mismas características. Por ello, es necesario llevar a cabo su remodelación y ampliación, que requiere la construcción de un nuevo edificio que albergue dotaciones y nuevos servicios. Entre estos, se prevé disponer de un espacio propio para la celebración de exposiciones temporales, dándole con ello una nueva dimensión al Museo.
Por tanto, el objeto del presente concurso es la definición arquitectónica y paisajística de la remodelación del Museo de Escultura de Leganés.
2. IDEA
Nos encontramos ante el importante hecho de crear el que será un nuevo referente dentro de la configuración arquitectónica de Leganés, el nuevo Museo de Esculturas que ampliará al existente Museo de Escultura al aire libre.
Ubicado en la confluencia de la Avenida del Museo y la Avenida del Doctor Fleming, colindante a los Recintos Feriales, esta nueva edificación se plantea a modo de una nueva escultura dentro del propio Museo de Escultura al aire libre: LIGHT FOREST SCULPTURE no deja de ser lo que su propio nombre indica, una escultura a la luz que se produce en el interior de un bosque. Una nueva pieza escultórica que albergará en su interior el programa solicitado que permita exponer las esculturas protegidas del exterior, así como futuras esculturas que lo conviertan en el referente de los museos de esta índole.
El nuevo Museo de Escultura de Leganés permitirá disponer libremente del espacio interior, mediante un gran espacio continuo para la exposición de las obras artísticas. Un espacio continuo y fluido gracias a las suaves curvas que lo configuran. Sus formas orgánicas unida a la desmaterialización de su revestimiento gracias al paso de la luz exterior, nos permite realizar un contenedor en el que se diluyen sus límites físicos y se mezclan interior y exterior, ligando el Nuevo Museo al existente al Aire Libre.
Esta nueva atmósfera de luz tamizada, asemejada a la producida en el interior de un bosque, viene generada por la estructura de la envolvente del edificio, resuelta gracias a la operación de dos conceptos matemáticos, que combinados entre sí, nos permiten la correcta definición para la construcción del mismo.
Los conceptos utilizados son los Diagramas de Voronoi y la Geometría Fractal.
“Los diagramas de Voronoi son uno de los métodos de interpolación más simples, basado en la distancia euclidiana, siendo especialmente apropiada cuando los datos son cualitativos. Se crean al unir los puntos entre sí, trazando las mediatrices de los segmento de unión. Las intersecciones de estas mediatrices determinan una serie de polígonos en un espacio bidimensional alrededor de un conjunto de puntos de control, de manera que el perímetro de los polígonos generados sea equidistante a los puntos vecinos y designando su área de influencia”
Los diagramas de Voronoi fueron utilizados inicialmente para el análisis de datos meteorológicos (situación de estaciones pluviométricas) y en la actualidad también se aplican en estudios en los que hay que determinar un área de influencia (crecimiento de bosques, estudios urbanísticos, centros hospitalarios …).
Las estructuras formadas por los diagramas de Voronoi resultan ser tremendamente estables y estar muy optimizadas.
Fractal: (Del fr. fractal, voz inventada por el matemático francés B. Mandelbrot en 1975, y este del lat. fractus, quebrado).
m. Fís. y Mat. Figura plana o espacial, compuesta de infinitos elementos, que tiene la propiedad de que su aspecto y distribución estadística no cambian cualquiera que sea la escala con que se observe.
Diccionario de la Lengua Española
La geometría fractal es la ideal para describir geométricamente un objeto demasiado irregular que no puede ser descrito por medios tradicionales. Las nubes, las montañas, el sistema circulatorio, las líneas costeras o los copos de nieve son algunos ejemplos en los que se aplica la geometría fractal para su representación.
Otra de las ventajas del sistema fractal es estar definida mediante un algoritmo recursivo que hace que sea fácilmente modelable por ordenador, y además al tratarse de una estructura autosimilar (su forma es hecha de copias más pequeñas de la misma figura y estas copias son similares al todo) su ensamblaje y producción industrializada facilita su fabricación y su final construcción conteniendo los costes.
Arquitectos Madrid. Arquitectos España. Arquitectura Española. Proyectos Arquitectura Madrid.
Paper lamp designed with a tool set in VVVV. Voronoi extrusion along the polygon average normals. No Glue, No Staples
3D city engine based on Conway's Game of Life and developed in Processing.
ETHZ MAS CAAD 2009/2010
click here for more images on flicker...
This "Stone Fossil" seeks to capture a moment in time when a leaf or insect is captured in a brief embrace with the forming rock and they each imprint on each other.
This lace rock (NZ schist) is made from 100% cotton thread which has been crocheted into lace that seamlessly encapsulates the rock.
Each rock dictates the form of the lace as the tensions and curves pull the lace into a unique shape. There is a beautiful contrast of soft and hard, earth made and man made, nature and art.
Each rock/pebble is a unique one of a kind piece which can be used as a paperweight, outdoor tablecloth weight, wedding table decoration, centrepiece or gift. The smaller ones can be secreted in a pocket as a personal talisman.
They look great in random small collections either grouped in a loose display, or together in a stunning bowl.
“Cellular Tessellation” is an architectural installation that transforms your urban experience as a pedestrian. This softly glowing, geometric form responds to your movements, creating an ever-shifting space of patterned and immersive light.
The impact is both spatial and aesthetic—you can be “inside” the space of the pavilion, as well as experiencing the project visually. As you move through and around the pavilion, you can manipulate the lighting effects—watch how the intensity and colour of the illuminations change as you interact with “Cellular Tessellation”. The artwork “reads” the proximity and number of inhabitants inside the pavilion and feeds this information back to you by adjusting its light output. It’s as if the pavilion comes alive as more people flock inside.
“Cellular Tessellation” uses innovative, “computational form generation” techniques to create and resolve the shape and componentry of the pavilion. The geometry of the artwork is a complex surface comprising an organic array of cellular “Voronoi” shapes, cut from flat sheet materials, folded, and aggregated to create the pavilion.
The pavilion is CNC-cut from flat sheets of high density polyethylene—recycled plastic milk bottles. Each “cell” contains an array of LED lights, driven by Arduino micro-processors and motion sensors.
The artwork has been developed by a team of three design-driven academics from the Soheil Abedian School of Architecture of the Gold Coast’s Bond University, who have developed the project to research emerging possibilities in architectural form and construction.
Chris Knapp is an Assistant Professor in Digital Design and Discipline Leader of the Architecture Program at Bond University. Chris directs the architecture office, Built-Environment Practice, which investigates design at the intersection of technology and culture.
Jonathan Nelson is an Assistant Professor of Architecture in Digital Fabrication and founding manager of the Architecture Fabrication and Research Laboratory at Bond University.
Michael Parsons is a Teaching Assistant at Bond University and a Master of Architecture candidate in the program, where he also received the Bachelor of Architectural Studies degree.
Voronoi Nude Walking at Prediction Sim.
Sim Owned by Nicolas Barrial aka Nick Rhodes
SIm designed by Comet Morigi for the Biennale Internationale de Design de Saint-Etienne, France.
ありがとう
Snow Voronoi at Prediction Sim. 2300m
Sim Owned by Nicolas Barrial aka Nick Rhodes.
This snow voronoi was used for a machinima of Rose Borchovski aka Saskia Boddeke for the Peter Greenaway Movie at Warsaw for the opening of the Copernicus Science Museum.
The Snow Voronoi was also filmed and on display at Biennale Internationale de Design de Saint-Etienne, France.
Paper lamp designed with a tool set in VVVV. Voronoi extrusion along the polygon average normals. No Glue, No Staples
Ladder Contraction
Track 0015 www.musictheorem.com/theorem/0015.html
For Misprint Thursday " Theorem "
Music inspired by the Sciences.
rhizome.org/announce/events/57105/view/
@ UTSA Roadrunner III
slurl.com/secondlife/UTSA%20Roadrunner%20III/167/206/30
A sim of University of Texas at San Antonio utsa.edu/
The Ladder Paradox
en.wikipedia.org/wiki/Ladder_paradox
Music file Ladder contraction @
ulf-photo.com/musictheorem/laddercontraction.mp3
All tracks @ www.musictheorem.com/theorem/Track_List.html
Schedule of Events:
Saturday 2nd April
4:00pm SLT-Exhibit Opening
ABOUT THE INSTALLATION:
Werner Kurosawa
aka Werner Van dermeersch
A Hermétique Garage in suspension of frozen time. Space is getting bended during it's acceleration towards the speed of light. A ladder at first too big is deconstructing to persuade it's goal to fit the GH (Garage Hermétique).
ABOUT THE MUSIC:
Ulf; Composer, Drums, Keyboard (Piano)
Yeray N.S.; Guitar, Bass
Jillian Star Bedrosian; Vocals
Misprint Thursday; Lyrics
Ladder Contraction is a thought experiment in special relativity. It involves a ladder traveling horizontally and undergoing a length contraction, the result of which being that it can fit into a much smaller garage. On the other hand, from the point of view of an observer moving with the ladder, it is the garage that is moving and the garage will be contracted to an even smaller size, therefore being unable to contain the ladder at all. This apparent paradox results from the assumption of absolute simultaneity. In relativity, simultaneity is relative to each observer and thus the ladder can fit into the garage in both instances.
testing a voronoi renderer based on cones.
the forntier is drawn by the 3D space renderer in processing.
6 sides and more look like camouflage patterns
Voronoi Nude Walking at Prediction Sim.
Sim Owned by Nicolas Barrial aka Nick Rhodes
SIm designed by Comet Morigi for the Biennale Internationale de Design de Saint-Etienne, France.
ありがとう
Created for teaching the mini-course: Introduction to Generative Art and Scientific Visualization (github.com/yue-sun/generative-art). On the second day of the course, in the "Voronoi Art" session, I taught making image art using Voronoi tessellation/Delaunay triangulation to the class.
PC: The Spruce / Kristie Lee; www.thesprucepets.com/cute-teacup-dog-breeds-4587847
First-order Voronoi diagram computed on GPU with depth texturing (darker regions indicate point sites). UNC GAMMA Research Group, Summer 2006.
Voronoi self portrait; reflected in a tessellation screen by Daniel Shiffman at the Jepson Art Museum in Savannah, Georgia, USA.
Paper lamp designed with a tool set in VVVV. Voronoi extrusion along the polygon average normals. No Glue, No Staples
This is the first thing that I have 3D printed that I am really excited about.
I kept bumping into these "Veronoi Patterned" objects, which seem like a mathematical way to create hexagonal-ish hole patterns
that look a lot like those “Chollo cactus skeletons” from Joshua Tree.
And I found a really comprehensive tutorial here on YouTube using Meshmixer.
Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition
forrestfulton.com/lace-hill-over-yerevan
Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.
Paper lamp designed with a tool set in VVVV. Voronoi extrusion along the polygon average normals. No Glue, No Staples
I have this shampoo that I never use. Its one of those uber-natural deals that I got from Lush. Olive something or other. The other day, I knocked it off the shelf and it got all bubbly. A couple days later, I noticed that the large bubbles stuck around and formed needle thin latices that looked a bit like 3D voronoi cells. So I did what any sleep deprived freak would do. I pointed my supercharged green laser into it and took some photos.