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Day 2. Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five lotus-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor.
At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. Other temples of the same style and period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.
Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself is 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level that display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful.
The northern reflecting pool in front is the most popular sunrise location. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon.
The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant postcard photo against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view.
The first level of is the most artistically interesting. Most visitors begin their exploration with the bas-reliefs that cover the exterior wall of the first level, following the bas-reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march of the army of Suryavarman II, builder of Angkor Wat, against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the east wall.
The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. A guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper-most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor Wat was constructed as a Hindu temple, it has served as a Buddhist temple since Buddhism became Cambodia’s dominant religion in the 14th century. Some say that it is good luck to pay homage to all four Buddha images before departing Angkor.
Source: Canby Publications Co., Ltd
Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five lotus-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor.
At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. Other temples of the same style and period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.
Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself is 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level that display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful.
The northern reflecting pool in front is the most popular sunrise location. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon.
The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant postcard photo against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view.
The first level of is the most artistically interesting. Most visitors begin their exploration with the bas-reliefs that cover the exterior wall of the first level, following the bas-reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march of the army of Suryavarman II, builder of Angkor Wat, against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the east wall.
The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. A guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper-most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor Wat was constructed as a Hindu temple, it has served as a Buddhist temple since Buddhism became Cambodia’s dominant religion in the 14th century. Some say that it is good luck to pay homage to all four Buddha images before departing Angkor.
Source: Canby Publications Co., Ltd
Best in original size.
The blue and yellow " bubbles" on the platform edges are tactile strips to give a warning to visually impaired people about the location of the platform edge. As well, announcements are made to " Stand behind the Yellow line" for all passengers as stopping and non stopping trains approach.
There have been a few days of real Spring weather in Sydney of late. Thursday saw a warm 33 C, followed by a change to showers and temperatures less than half that maximum.
This morning ( Sunday 4 October) was cool, dull and wet, but I ventured out on a train photography session at Carlton. My principal subject was to be the recently restored steam locomotive 3265 on its second public outing.
Here 3265 is climbing at 1 in 60 through Carlton 13 kms from Sydney.
Beyer Peacock built 50 P class 4-6-0s for NSW in 1891. These were large locomotives for the time, and eventually the class numbered 191, and all were in service until the mid 1950s when the first withdrawal was a result of accident damage.
These locomotives were incredibly versatile and worked as express, suburban, goods and shunting locos.
One of the 1891 built locos worked the last regular steam hauled passenger train in Australia in 1971.
This loco was built in 1902 by Beyer-Peacock as part of the second order . It is is the only survivor of the original " low frame" version of the original design and has been preserved by the Powerhouse Museum.
Now it has been restored to operation after 40 years, and it carries the striking maroon and black livery it carried in the 1930's when it worked the accelerated " Newcastle Express" services . It was also named " Hunter" ( the river which runs through Newcastle).
Named steam locomotives were very rare in NSW.
Photo Title: Visually impaired student equipped with portable video magnifier
Submitted by: Yazan Gammoh
Category: ♥ HOPE
Country: Jordan
Organization: Lions Clubs Jordan
Photo Caption: Ayoub, a severely visually impaired AlDhiaa Association graduate has finished high school and is embarking on the next journey of studying at the university.
We were able to donate a portable CCTV that would allow him to see the college textbooks through donations from LCIF and Lions Clubs Jordan.
Good luck Ayoub!
Disclaimer: Photo taken with permission of the student’s parents. All Dhiaa Association parents sign a consent form that grants AlDhiaa permission to access and publish any material including photos.
Professional or Amateur Photographer: Amateur
Country where the photo was taken: Jordan
Photo uploaded for the #LoveYourEyes Photo Competition on iapb.org held for World Sight Day 2021.
Photographer:
visually annoy the neighbourhood - AGAIN ;-)
These specially devised blinking patterns go right down to the brain stem and deliver the essence of annoyance.
Made with this
Display at the “Multisensory Exhibition for the Blind and Visually Impaired Persons” that shows how visually impaired persons experience artwork via tactile plates and audio guides.
Curated by art historian and art educator Nataša Jovičić and the Modern Gallery, Zagreb, Croatia, the exhibition also sensitizes others to how people living with limited vision experience the world.
The exhibition was held on the sidelines of the Assemblies of WIPO Member States, which met from September 24 to October 2, 2018. WIPO co-organized the event with the government of Croatia.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Jumping visually back to London.......... The Sunday Times magazine is running a big piece written by [Matt Rudd](http://www.amheath.com/pages/authors/view.asp?id=400)....... funny but revealing article about the cyclists of London and the UK........... That also features a few big old pics by me......... Anyway if you are here cos you are a cyclist who has bumped into me in the last week or so zapping around doing bike things like the 'Critical Mass' ride or watching you commute in and out of the City....... Sunday is the big day pop out and get the Magazine with the Sunday Times Newspaper ......... thats the best way..... otherwise if you are not in the UK and reading this....... you can check whats happening a online at the [Sunday Times](http://www.timesonline.co.uk/tol/driving/features/article6940837.ece)....... anyway I'll run a few pics here that didn't get space in the magazine...... :-))
Cheers Jez XXXXXXXXXXXXX
On October 15, blind and visually impaired students took to the streets to raise awareness of pedestrian safety.
Pop Art - a rolling daily diary comprising a manipulated digital art collage that visually documents a local, political or international event of popular culture based on fractured photographic images.
The work is premised on the basis that Pop art in its beginnings, freeze-framed what consumers of popular culture experienced into iconic visual abstractions. With the advent of the techno age, visual information circulates in such quantities, so rapidly and exponentially, that to comprehend a fraction of it all becomes a kind of production process in itself.
Adapting Pop Arts notion of mass media imagery into a context of the contemporary digital age, this work draws on a myriad points of reference. Utilizing fractured images to provide an allusion to the digital noise pounding away daily into our subconsciousness.
This work diverges from the traditional Pop Art notion of a pronounced repetition of a consumer icon, instead focusing on the deluge of contemporary digital content. The compilation of the fragmented imagery is vividly distractive, not unlike cable surfing or a jaunt through Times Square.
This work considers elements of Pop Art through an artistic and conceptual exploration of specific people and events of the day. The works are diaristic in nature that metaphorically record a spectators experience of the contemporary digital age.
Visually one of the prettiest herbs as an annual plant, it's used to season mild-flavoured dishes and is a constituent of the French mixture "fines herbes"
Conor at an even to support the Bournemouth Society for the Visually Impaired, which was supported by students from Bournemouth University’s Events Management degree programme.
Yulia Kuznecova, the visually impaired presents own website with her lyrics poems in "Poetry evening " at the Conference room of the PAS, US Embassy in Ashgabat.
Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five lotus-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor.
At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. Other temples of the same style and period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.
Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself is 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level that display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful.
The northern reflecting pool in front is the most popular sunrise location. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon.
The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant postcard photo against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view.
The first level of is the most artistically interesting. Most visitors begin their exploration with the bas-reliefs that cover the exterior wall of the first level, following the bas-reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march of the army of Suryavarman II, builder of Angkor Wat, against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the east wall.
The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. A guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper-most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor Wat was constructed as a Hindu temple, it has served as a Buddhist temple since Buddhism became Cambodia’s dominant religion in the 14th century. Some say that it is good luck to pay homage to all four Buddha images before departing Angkor.
Source: Canby Publications Co., Ltd
I didn't take a shot of the original..
for sale $300.00!!!!
but heres how it turned out.
tons of killer people gonna be there
MARCH 8th 2008
@ DDR projects in
Long BEach CA
Castlerigg Stone Circle is one of the most visually impressive prehistoric monuments in Britain, and is the most visited stone circle in Cumbria. Every year thousands of people visit it to look, photograph, draw and wonder why and when and by whom it was built. The stone circle is on the level top of a low hill with nice views to the towns in the valleys. There are 38 stones in a circle approximately 30 metres in diameter. Within the ring is a rectangle of a further 10 standing stones. The tallest stone is 2.3 metres high. It was probably built around 3000 BC - the beginning of the later Neolithic Period - and is one of the earliest stone circles in Britain. It is important in terms of megalithic astronomy and geometry, as the construction contains significant astronomical alignments. Although its origins are unknown it is believed that it was used for ceremonial or religious purposes.
***
Cercul de pietre de la Castlerigg este unul dintre cele mai imporante monumente preistorice şi cel mai vizitat de acest fel din Cumbria. In fiecare an, mii de persoane vin sǎ priveascǎ, sǎ fotografieze, sǎ deseneze şi sǎ se întrebe când, de ce şi cine construit bizarul ansamblu. Cercul de pietre se aflǎ pe o platformǎ situatǎ pe vârful unui deal de micǎ înǎlţime, cu privelişti frumoase cǎtre oraşele din vale. Ansamblul este format din 38 de pietre aşezate într-un cerc cu diametrul de cca. 30 metri. In interiorul cercului se aflǎ un dreptunghi alcǎtuit din 10 pietre. Cea mai înaltǎ piatrǎ are 2.3 metri. Ansamblul a fost construit probabil la începutul perioadei neolitice (în jurul anului 3000 î.Ch.) şi este unul dintre cele mai vechi cercuri de piatrǎ din Marea Britanie. Este un monument important din punct de vedere al astronomiei şi geometriei megalitice, întrucât construcţia conţine unele similitudini astronomice semnificative. Deşi originea ansamblului nu este cunoscutǎ, se presupune cǎ a fost folosit în scopuri ceremoniale şi religioase.
Blow Holes Tonga
Silver Gelatin Print
Pheobe Barkan
San Francisco, CA
I have been legally blind since age ten due to Stargardt’s disease, a juvenile form of Macular Degeneration. I primarily rely on my peripheral vision. In photography I disregard aesthetic conventions of detail and clarity because they aren’t visible or important to me. As a young, visually impaired girl, I wasn’t exactly encouraged to use tools, machinery, or anything with moving parts. Now, experimenting with simple machines like the potter’s wheel and a SLR camera are vital parts of my creative process. Some of my successes are the result of calculated study while others are serendipitously accidental.
Portugal, Lisboa. Visually handicapped residents of the Convento dos Cardais have a good time in the São Bento swimming pool. 05 March 2008. Photography by Ernst Schade
The Delaware Division for the Visually Impaired (DVI) partnered with the Wilmington Police Department in February to provide visual impairment sensitivity training for about 65 police officers at the Walnut Street precinct. Activities included hearing from Patti Addison and Frederick Noesner, who have visual impairments, and being blindfolding and provided with a white cane and sighted guide in order to navigate the halls, stairs, and the outside front area of the Justice of the Peace Courthouse in Wilmington. With the success of the training, conducted by DVI certified orientation & mobility therapists Heather Dougherty and Maria Lepore-Stevens, additional training dates have been scheduled for March.
History of Peckerwood Garden
John G. Fairey
Thirty years ago I came to Texas to teach first-year design in the school of Architecture at Texas A&M University and in 1971 purchased the land that forms the nucleus of my garden. The site with its clear, spring-fed brook reminded me of "magical places" in South Carolina where I grew up and what began innocently, as a pursuit of a sense of place, fast evolved into a passion. This enthusiasm continues unchecked, and the garden is still evolving on a site that has grown to almost 40 acres and abounds with new projects and purpose.
There are many ways to describe Peckerwood Garden: it is a collection of more than 3,000 plants including many rarities; it is a conservation garden containing examples of numerous threatened species, many of which are no longer found in the wild; it is a laboratory garden testing a wide range of "new" plants and our Mexican discoveries. It is a garden with a mission to encourage other gardeners to see a beauty in landscape that is consistent with our plants and climate; it is a pioneering garden exploring new plants and cultivation methods and aesthetic concepts for other gardeners. It is a garden that looks to the future, not to the past. Yet, most essential, it is my studio, a place where artistic and horticultural research are fused to create an environment that stimulates all of the senses, including the most elusive of all, our sense of time. My background and education as a painter have trained me to see the garden as an ever-changing interaction of texture, color, rhythm, and space; it is a series of rooms constructed with a wide variety of plant material in which trees, shrubs, light, shade, paths, steps, and water create and balance the composition...spaces created are arranged so that when walking, one catches glimpses of other spaces; there is not a beginning or ending but a progressive journey of discovery.
Peckerwood Historical PhotoA tornado destroyed the high canopy of giant, old trees in 1983. In hindsight, the devastation provided the opportunity to explore new directions in the garden that better reflected my ideas about space and to investigate and experiment with new plant material. At this time I was joined in this enterprise by Carl Schoenfeld, and we started researching native plants and their Mexican and Asian counterparts in the garden. The constant pursuit of new plants for the garden design has kept us aware of the need to evolve the garden continuously. With each addition and change, new problems arise to be solved, resulting in the evolution of the garden both visually and conceptually.
Renowned plantsman and native plant explorer, Lynn Lowrey (whose death was a keenly felt loss) introduced me to my first Texas native plant and for 25 years lent me his support and knowledge. It was Lynn who in 1988 invited us to join him on a botanizing trip in the mountains of northern Mexico.
Now veterans of about 100 expeditions to diverse remote regions of Mexico, we are striving to document and conserve a rapidly vanishing uncatalogued matrix of beautiful and uniquely diversified Mexican plants.
Our goal is to provide a cultural bridge between Mexico and the United States and, we hope, raise awareness on both sides of the border about the richness of this horticultural trove and the threat of its irrevocable loss due to overgrazing and other growing economic pressures. We feel strongly about conservation work. In order for these extraordinary plants to be fully appreciated, they must be brought to the attention of the public.
Plant Tag GraveyardThe best way to achieve this is to share plant material and information with other public institutions. Germplasm collected from these Mexican expeditions as well as the results of plant testing in the garden were shared with arboreta and interested plant societies. In the early 1990's, Doctor J.C. Raulston, Director, North Carolina State Arboretum (now J.C. Raulston Arboretum) distributed in one year alone over 9,000 plants grown from seed that we shared with him. The best of these plants are beginning to make their way into the nursery trade and individual gardens. The urgency value of the Mexican plant exploration has been a major factor in motivating me to donate my garden to the people of Texas. It is the beginning of a new level of sharing, both the garden and its new plants, with an ever wider constituency. Energy can now be directed to plant research in collaboration with an expanded group of participating institutions. In this way, I hope, the garden and the program to seek out and test new plants will continue into the next century. In this world of overemphasized technology in which values are often based on the superficial, gardens are a must for the public. They reacquaint us with the natural world, with our individual and shared past; they bring healing, literally and figuratively, to many of our ills.
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
Created by the Italian artist Giovanni Fantoni, visually merging the healing bronze serpent set up by Moses in the desert, and the Crucifixion of Jesus.
universes.art/en/art-destinations/jordan/mount-nebo/tour-...
Created by Illinois School for the Visually Impaired, Jacksonville, IL
Artists: Cameran, Izayah, Nevaeh, Sara, Anya
Title: American Democracy
Teacher: Anna Bergschneider
Learn more about IFC Projects at www.ifcprojects.com
The Delaware Division for the Visually Impaired (DVI) partnered with the Wilmington Police Department in February to provide visual impairment sensitivity training for about 65 police officers at the Walnut Street precinct. Activities included hearing from Patti Addison and Frederick Noesner, who have visual impairments, and being blindfolding and provided with a white cane and sighted guide in order to navigate the halls, stairs, and the outside front area of the Justice of the Peace Courthouse in Wilmington. With the success of the training, conducted by DVI certified orientation & mobility therapists Heather Dougherty and Maria Lepore-Stevens, additional training dates have been scheduled for March.
Cathy Norgren (right) displays the voluminous preparation she did as costume designer for last year's Kennedy Center staging of Marco Ramirez's "Mermaids, Monsters and a World Painted Purple." Norgren and other theatre artists are sharing their knowledge this week with several dozen playwrights at the Kennedy Center Summer Playwriting Intensive in Washington, D.C. Listening to Norgren are, among others, Stephen Kaplan, Linda Evans (blue shirt) and Margaret Baldwin.
Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five lotus-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor.
At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. Other temples of the same style and period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.
Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself is 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level that display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful.
The northern reflecting pool in front is the most popular sunrise location. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon.
The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant postcard photo against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view.
The first level of is the most artistically interesting. Most visitors begin their exploration with the bas-reliefs that cover the exterior wall of the first level, following the bas-reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march of the army of Suryavarman II, builder of Angkor Wat, against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the east wall.
The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. A guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper-most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor Wat was constructed as a Hindu temple, it has served as a Buddhist temple since Buddhism became Cambodia’s dominant religion in the 14th century. Some say that it is good luck to pay homage to all four Buddha images before departing Angkor.
Source: Canby Publications Co., Ltd
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
About Barrio de Artista, Xanenetla
Colectivo Tomate — a group of young creatives who seek to “generate social projects that benefit the city of Puebla using art as their flag” — last year began working to revitalize Xanenetla by painting murals that vividly depicted the neighborhood’s identity. In the first two stages of the project, dubbed Puebla Ciudad Mural, some 30 artists produced more than two dozen paintings celebrating the barrio’s history, its lost traditions (and a few that remain), its storied former residents, and the hopes and fears of its current inhabitants. In the third and final stage of the project, which is currently under way, Colectivo Tomate and its volunteers plan to paint even more murals, bringing the total count to 55.
he history of Xanenetla dates back to end of the 17th century, when it was founded by Tlaxcaltecas who relocated to Puebla to work in construction. The site, which was the last indigenous settlement along the San Francisco River, was chosen for its location: a hillside from which people could extract the mud needed to make bricks. The Tlaxcaltecas called this mud xalnene, from which Xanenetla gets its name. The settlement gradually stretched across the river and later became part of the city of Puebla. In the 1970s, the San Francisco River was diverted into an underground tube (to make way for Boulevard 5 de Mayo) and later the Calzada Zaragoza thoroughfare was built, leaving the emblematic neighborhood relatively isolated from the rest of Puebla’s urban core.
According to local lore, the barrio played a role in the Battle of Puebla on May 5, 1862. When Napoleon III’s troops tried to flee the fighting through Xanenetla, they got lost in its alleys — and were captured. Mexico’s initial victory in Puebla, which was ultimately occupied by the French for five years (1862–67), is considered to be one of the more significant moments in North American war history, in part because Mexico’s unexpected triumph in Puebla likely prevented the French from reinforcing the Confederate Army during the U.S. Civil War. This year marks the 150th anniversary of Cinco de Mayo.
In 1987, UNESCO declared 600 blocks of Puebla’s historic city center — including Xanenetla — as a World Heritage Centre. The Xanenetla barrio today is visually unique, mixing 16th- and 17th-century architecture with the contemporary urban art of Puebla Ciudad Mural.
Day 2. Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five lotus-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor.
At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. Other temples of the same style and period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.
Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself is 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level that display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful.
The northern reflecting pool in front is the most popular sunrise location. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon.
The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant postcard photo against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view.
The first level of is the most artistically interesting. Most visitors begin their exploration with the bas-reliefs that cover the exterior wall of the first level, following the bas-reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march of the army of Suryavarman II, builder of Angkor Wat, against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the east wall.
The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. A guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper-most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor Wat was constructed as a Hindu temple, it has served as a Buddhist temple since Buddhism became Cambodia’s dominant religion in the 14th century. Some say that it is good luck to pay homage to all four Buddha images before departing Angkor.
Source: Canby Publications Co., Ltd
A visually highly appealing showcase of Austrian research in the field of mountains, ecology, geology, water and climate. The enthusiasm of the scientists is noticeable in every picture.
credit: Lammerhuber
Visually Goose Fair is adorned with amazing artwork which possibly gets overlooked. In 2022 I created a short video focusing on it, check it out!
www.youtube.com/watch?v=3Ix1jE9Nt80
These series of photos were taken 28 Sept 2023, the day before the official opening of the fair. People were busy making final adjustments to rides, checking electrics, stock of foods, drinks, gifts and so on.
The Nottingham Goose Fair is an annual travelling funfair held at the Forest Recreation Ground here in Nottingham. This year, 2023, it runs for 10 days, usually it's 3 days.
Album: Goose Fair. Nottingham
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No Group Banners, thanks.
Visually looks very similar to a HAL Tejas....except that there are 2 exhaust vents (twin-engine) in the former.
Submitted by: khin mglwin
Country: myanmar
Organisation: mps myanmar
Category: Professional
Caption: Myanmar children eye care
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Photo uploaded from the #MakeVisionCount Photo Competition website (photocomp.iapb.org)
This competition is held for World Sight Day 2017.
Dogland GuideDogs
Dogland Guide Dogs, is a support service for visually/perceptually impaired residents that want a Guide Dog, with a custom look.
These dogs are not meant in any way to duplicate the functions that the VHH/VAI Guidedog "Max" can provide.
The Dogland Guide Dog, can do basic guide dog functions, like find, follow, and tp you to coordinates. Our basic guide dog, can also give a free copy of "Max" , the VHH/VAI Guidedog v.2.9 to any friend you wish, through chat command.
I fully support the "Max" project, and that is why the Dogland Guidedog is able to pass a Guidedog v.2.9, that has all functions to you, or to any friend you like.
Dogland Guide Dogs are not for sale.
Dogland Dogs will custom make a Guide Dog for any visually impaired resident of SL.
Qualified recipients will be asked to send a full perm copy of their body shape(NOT SKIN) to Vitolo Rossini, so the dog can be custom fit prior to sending out.
There are a number of fine looking breeds to choose from.
Dogland Park has a long standing reputation for not charging for goods or services. The resale of preowned dogs of different types at reduced costs is another service of Dogland. We are fortunate to have wonderful supporters.
There is no charge for the making of a custom Dogland Guide Dog, for residents that are visually or perceptually impaired.
This Guide Dog, is in no way meant to replace "Max" or to interfere with the "Max" project by VHH and VAI.
These Custom Guide Dogs are not transferable, and are good only for the person they are made for.
There are two options for your Guide Dog.
1- Get an unscripted Custom Guide Dog, with instructions on how to install your "Max" contents into him (or have us do that for you).
2- Get a Basic Dogland Guide Dog;
Basic Dogland Guide Dog is a simpler choice. They do not have pre-installed landmarks, voice or "tour" information, that "Max" does. Your Guide Dog can give any friend you choose, a copy of the "Max" Guidedog v.2.9 distributed as a free assistive device in SL.
These are the functions of Dogland's Guide Dog
*notecard help
*Find
*Follow
*Locate
*Can tell distances
*Give a copy of the "Max" guidedog to others
*Can sense direction
*Can go to map coordinates( you may add landmarks to the dog)
The Custom Dogland Guide Dog, will be given with the understanding, that the recipient will disclose to any that may ask, that this is not a Guide Dog distributed by VHH/VAI, and that the dog that you offer them , is the original "Max", with all features provided by VHH/VAI.
The notecard that the dog is able to give you takes you through all features.
Contact Vitolo Rossini with questions.
vitolorossini@yahoo.com