View allAll Photos Tagged visually
Another shot from our day at the Marin Cheese Factory. This is also the pond where the canada goose was swimming.
I cropped the original and think it makes it visually more pleasing - thoughts?
HGGT!
In my constant effort to publish interesting and visually appealing photos, I usually refrain from doing self portraits - for good reason. Here, however, comes an exception. Behold yours truly in all his semitransparency.
This is about as much as I can dare to show of myself. If in doubt, just look through me.
Technically, the transparency was not done in post processing. With an exposure of 30 seconds I could comfortably walk right into the image and stand where I wanted to while the camera was exposing. It took me about 7-10 seconds to walk to this spot. This means that I was there to be captured by the camera for about 10 seconds less than the rest of the image - hence the semitransparency.
This image should be viewed as large as possible, so please press 'L' to view it in the lightbox.
Despite my presence - enjoy!
EXPLORE # 235
I dedicate this photo to 3 friends who wrote testimonials about me. I am deeply touched.
1. Danilo (Onillad) ever present commenting on my photos. (true or false?)
2. Jay (jahrock91) sometimes not commenting on my photos (hehe)
And last but not the least:
3. Dosia (SIGHT EFFECTS), she says I am her first contact here on Flickr (I am deeply honored). Thank you. Visit her stream, she has an eye for good photography. Keep on shooting, my friend.
Pedestrian crossings in the UK are phasing out beeping sounds in favour of quieter, more intelligent systems like Puffin crossings. This reduces noise pollution for residents and prevents confusion for visually impaired pedestrians at complex junctions where multiple crossings are nearby. Modern crossings use vibrating cones under the box to signal safety.
Key Reasons for the Change:
Reduced Noise Pollution: Constant, 24-hour beeping in town centres is often complained about by nearby residents.
Preventing Confusion: If multiple crossings are close together, beeps from different locations can confuse visually impaired users, leading them to step out at the wrong time.
Accessibility Improvements: Modern "Puffin" (Pedestrian User Friendly Intelligent) crossings use sensors to detect pedestrians, featuring a tactile rotating cone under the control box instead of just sound. This helps both deaf and blind pedestrians.
Safety Technology: Many newer crossings now feature cameras that detect pedestrians, allowing them to cross only when the road is clear, often without the need for an audible sound.
Reducing "Dozy" Crossing: The removal of sound encourages pedestrians to look at the lights and traffic, rather than just relying on sound.
While some older "Pelican" crossings still beep, the shift is towards smarter, quieter, and more accessible infrastructure.
Wellington, Somerset, UK.
34:52 Choose your favourite poem and try to represent a line of it visually.
I do not have a favourite poem but song lyrics are poetic and this one resonates with me. I am sure you have all heard it...if not here it is: www.youtube.com/watch?v=u7rQvJgTQ9U
There is a town in north Ontario,
With dream comfort memory to spare,
And in my mind
I still need a place to go,
All my changes were there.
Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes.
Leave us
Helpless, helpless, helpless
Baby can you hear me now?
The chains are locked
and tied across the door,
Baby, sing with me somehow.
Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes.
Leave us
Helpless, helpless, helpless.
NB: There was always a lot of speculation about the town referred to in the opening line being Omemee Neil’s childhood town. Neil set the record straight in a 1995 Mojo interview with Nick Kent:
"Well, it's not literally a specific town so much as a feeling. Actually, it's a couple of towns. Omemee, Ontario, is one of them. It's where I first went to school and spent my 'formative' years. Actually I was born in Toronto..."
I love the reference to more of a feeling as opposed to a specific town. Many sights leave us feeling helpless…This was shot just outside of Omemee.
Demonstrated visually using the example!
Your house, your boat, your living space?
Am Beispiel optisch erfassbar demonstriert !
Dein Haus , Dein Boot , Dein Lebensraum ?
Is there a lack of awareness of climate change in tourism advertising? No, it's just about the advertising contract / i.e. about the money!
abgesoffen ! drowned!
photographed for "Hope" TV
Visually, using a mirror and a window pane. When an image is fragmented or its various parts are scattered, these various parts or fragments may well be images in their own right. Leica M8, Elmar (coll.) 90/4.
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One posed hand and one bento hand
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Giveaway open from 10/21/22 - 10/24/22
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So many nice spots on the edge of this trail. The photo shows the vast sweep both in depth as well as width as this area runs away from you going down towards the river below. Oaks dominate the tree variety but the lone birch I thought was visually pleasing.
Anselm Kiefer (*1945) visually reinterprets the title of the collection of poems published by Paul Celan in 1952 (including 'Death Fugue' and 'Corona') in this German bunker, which is studded with dried poppy plants. The bunker originally stood on the banks of the Rhine as part of the so-called Westwall.
‘Pour Paul Celan’ – an exhibition by Anselm Kiefer at the Grand Palais Ephemère from 16 December 2021 to 11 January 2022 (7e)
Paris, France, 20.12.2021
www.grandpalais.fr/sites/default/files/guidevisite_exposi...
www.youtube.com/watch?v=4vO__fHHM2o
Mohn und Gedächtnis (2019)
Den Titel der 1952 von Paul Celan veröffentlichten Gedichtsammlung (u.a. Todesfuge, Corona) verarbeitet Anselm Kiefer (*1945) plastisch in dem mit getrockneten Mohnpflanzen gespickten deutschen Bunker. Ursprünglich stand der Bunker am Rhein als Teil des sog. Westwalls.
'Pour Paul Celan' - Ausstellung von Anselm Kiefer im Grand Palais Ephemère vom 16.12.2021 bis 11. Januar 2022 (7e)
Paris, Frankreich 20.12.2021
www.dw.com/de/anselm-kiefer-schau-paris-f%C3%BCr-paul-cel...
The Brown Booby (Sula leucogaster) is a visually arresting seabird I encountered during an early morning expedition by fishing boat to Isla Terrón de Azúcar, a remote rock island in the open Caribbean waters off the coast of Capurganá and Acandí, in Chocó, Colombia. Battling the ocean’s rhythm, I stabilized myself at the base of the cliffs as the boat rocked through intense sunlight reflecting off the water’s surface. This bird perched calmly on the rugged rock, allowing a moment of stillness amidst the motion for a shot.
To capture this image, I used my Canon R5 paired with an 800mm f/11 lens and a 1.4x extender, giving me an effective focal length of 1120mm. I selected 1/750 second to compensate for the instability of the boat, while shooting at f/16 and ISO 800 to maintain detail and depth under the bright tropical sun. The result is a high-resolution portrait that captures the contrast of the bird’s rich brown plumage against the textured cliff and the soft gradient of ocean and sky beyond. Technical choices aside, this was a rewarding challenge—one that reminds me of the delicate balance between preparation, persistence, and nature’s fleeting stillness.
©2022 Adam Rainoff Photographer
This one I saw with my eyes as I was out observing in the early morning for Leonids and saw this Taurid, and so did the camera. Nikon Z7II and Nikon 20 mm S F1.8 with interval timer.
Very bright, at the horizon over the mountains. Dark Moonless sky.
This is my brightest meteor so far for 2025, and one that I happened to see and experience with my eyes in the early morning as well capturing it with a camera.
I have been told wishes do not count if the meteor is only seen by the camera, but to see the fireball, I think I get a wish !
after an incredibly visually stimulating weekend, i am exhausted. my best buddy from college came to visit for the weekend. (chicagokristi).
we had a blast...but did not rest AT ALL! we love the same things...photography, urban shots, vintage stuff, antiques, thrift stores, beads, etc. So, that's what we did the entire weekend-----nonstop.
i realized late tonight that i hadn't done a 365 shot today and had a million great opportunities, but it just slipped my mind. so.........this is it. tired me. i actually spent the whole afternoon sleeping, and poor kristi had to do the long drive back to chicago w/ no nap. she must have been soooooooooo tired!
it's so strange how much friendships effect my life. i am so fortunate to have some of the very best friends in the world. many of you are here on flickr, but many many more are people who have been there for me through the very rough times. and fun times. we have awesome memories and look forward to a future of growing old "together."
kristi has been all of this for me. i met her in college and was very intimidated by her. i was sure she was way too cool to be my friend. she was a walking barbie doll and very very popular. i don't remember exact instance that those barriers were broken down and we became friends (i'm sure we were both wasted and that has something to do with it!!)
anyway, we soon learned that we shared a lot of things, including: our desire and appreciation for creativity, our unorganized crazy nature, our rough and troubled relationships with our dads, our never-ending struggles with money, our views toward the world, our desire to be crazy and always seek out fun, our hard-working nature, our love of animals, our poor self-images, our forgetfulness and just goofiness.
Over the years, we have remained friends, and despite the fact that we live in different states and time zones, we have become even closer. we can go months without talking, and when we finally do, we're ok with it and it seems like no time has passed. Kristi was there for me during the most difficult time of my life (i mean literally THERE!...she was in my house when i first discovered my cheating husband!...yikes!). She has been a shoulder for me to cry on, and an ear to listen. She always knows the right thing to say and when to say it. She is non-judgemental and cares about so many things more than anyone i know.
Kristi, i had a great weekend with you and so look forward to the next time we get to spend together. You just rock girl. Thanks for everything. I love you buddy!! :)
Visually it is the most difficult for your eyes to focus on. It is actually brighter than white and stronger in its emotional impact. It also has a stimulating impact on your memory. (Think yellow notepads, highlighters and Post-It Notes.)
highest position in Explore #64. thank you all.
A visually striking, narrative-driven photograph that excels in its simplicity, use of light, and emotional resonance.
The subject is captured from behind while seated facing the vast ocean, which minimizes personal identity and turns the figure into a universal symbol of contemplation or spiritual connection with nature.
Perfectly placed in the lower-left third of the frame, facing right toward the vast expanse of water, leaving the vast sea and horizon open, emphasizing solitude and scale. This anchors the image and creates an open, forward-looking narrative.
The shoreline creates a natural diagonal leading line that guides the viewer's eye from the subject toward the upper right.
The horizon sits in the upper third. This emphasizes the textured beach and shimmering water over an empty sky.
Shooting directly into the sun creates a beautiful, shimmering reflection across the water's surface.
The camera successfully captures the texture of the subject's dark vest and the sand, preventing the shadowed areas from turning into pure black silhouettes.
The cool blues and greens of the ocean contrast beautifully with the warm, earthy pinks and browns of the sand.
The red-and-white pattern of the subject's headcovering (Keffiyeh) acts as a strong focal point against the muted landscape.
The photograph evokes feelings of peace, reflection, and isolation. The traditional attire adds a distinct cultural context, suggesting a moment of quiet pause in a rugged, coastal landscape.
"The Voice of Silence" carries a subtle paradox: how can silence have a voice? Which gives the title depth and invites interpretation, much like strong photographic art should.
Visually, it looks like I am inside a nautilus shell, but I am actually in a silo.
Physically, the winter wind was kicking. It picked up the sub-freezing air, whistled through the door that was locked in the open position, spiraled up the silo walls, hit the ceiling and then rushed out the vista-watching sides of the top.
I was a human Popsicle. No wonder no one was here. Brrr.
A chaotic, but visually dynamic patch of the night sky in Cygnus. This is panel 45 out of 66 in a bigger mosaic project I started in 2018. I think this panel stands well on it's own, and has convinced me that shooting SII might really be worth it for the whole project. Ha and SII from Somerville (Bortle 9); OIII from Oakham (Bortle 5).
Pillars of the demolished Hornibrook Highway in Brighton Park, Brisbane. Noticed them when I was passing by on the new highway bridge which is now replacing the demolished one and thought that these monolith structures should make a nice contrast with smooth silky water around. On low tide this area gets dry and not visually all pealing so I cam on upcoming tide, which fortunately coincided with sunset and took a series of photos. The sunset that day was not particularly spectacular, but when the sun disappeared behind the horizon the colours of blue hour were beautiful. This is when this photo was made. I used polariser to remove reflections and 10-stop ND filter to get silky water. I hope I managed to capture the atmosphere of this place. Enjoy!
photo rights reserved by B℮n
The National Botanical Garden of Georgia, located in Tbilisi, is a stunning oasis of tranquility surrounded by the city's impressive mountains. One of its main attractions is the picturesque waterfalls that cascade through lush flora, creating a serene atmosphere. These waterfalls provide a refreshing spot for visitors to relax and take in the natural beauty of the surroundings. The garden boasts an impressive diversity of plant species, making it an ideal destination for nature enthusiasts and walkers seeking a peaceful retreat within the city. The trees are a crucial part of the garden's rich biodiversity. They include both native and exotic species, contributing to the garden's ecological value and aesthetic appeal. Among the native trees are majestic oaks and chestnuts, offering deep shade and a playful variation of colors throughout the seasons. Additionally, striking exotic species such as the Japanese maple and cedar add unique foliage and distinctive beauty to the landscape. Spanning 128 hectares, the garden features numerous trails that wind through exotic flora and serene water features. Besides the waterfalls, several viewpoints offer breathtaking views over Tbilisi and the surrounding mountains. Dating back to the 17th century, the garden plays a significant role in botanical research and conservation in Georgia and is a beloved spot for both tourists and locals to unwind in nature.
The largest waterfall in the National Botanical Garden of Tbilisi is a stunning natural feature, cascading gracefully through lush greenery and adding a dynamic element to the garden's serene landscape. This impressive waterfall, with its powerful flow and sparkling waters, creates a picturesque setting that attracts both nature enthusiasts and visitors looking for a tranquil retreat. Often, visitors pose for photos in front of the waterfall, captivated by its grandeur and the way its shimmering waters catch the light. The backdrop of the cascading falls provides a dramatic and visually striking contrast to the surrounding flora, making it a popular spot for capturing memorable moments. People often stand with outstretched arms or in thoughtful poses, enjoying the cool mist and the refreshing ambiance created by the waterfall's natural splendor. The scene is one of both awe and joy, as the waterfall’s beauty enhances the experience of being immersed in the garden’s tranquil environment.
De National Botanical Garden van Georgië, gelegen in Tbilisi, is een prachtige oase van rust, omgeven door de indrukwekkende bergen van de stad. Een van de belangrijkste attracties zijn de schilderachtige watervallen, die te midden van weelderige flora naar beneden stromen en een serene ambiance creëren. Deze watervallen bieden bezoekers een verfrissende plek om te ontspannen en de natuurlijke schoonheid van de omgeving te bewonderen. De tuin herbergt een indrukwekkende diversiteit aan plantensoorten, waardoor het een ideale bestemming is voor natuurliefhebbers en wandelaars die op zoek zijn naar een rustige ontsnapping binnen de stad. De bomen in de National Botanical Garden vormen een essentieel onderdeel van de rijke biodiversiteit van de tuin. Ze omvatten zowel inheemse als exotische soorten, die bijdragen aan de ecologische waarde en de esthetische aantrekkingskracht. Onder de inheemse bomen bevinden zich majestueuze eiken en kastanjes, die zorgen voor rijke schaduw en een speelse afwisseling van kleuren door de seizoenen heen. Daarnaast zijn er opvallende exotische soorten zoals de Japanse esdoorn en de ceder, die unieke bladeren en een bijzondere uitstraling toevoegen aan het landschap. Met een oppervlakte van 128 hectare biedt de tuin tal van wandelpaden die langs exotische flora en kalme waterpartijen leiden. Naast de watervallen zijn er verschillende uitkijkpunten die een adembenemend uitzicht bieden over Tbilisi en de omliggende bergen. De tuin, die teruggaat tot de 17e eeuw, speelt een belangrijke rol in botanisch onderzoek en natuurbehoud in Georgië en is een geliefde plek voor zowel toeristen als de lokale bevolking om tot rust te komen in de natuur.
The main waterfall at Ballaglass Glen is a visually impressive spectacle with the river being funnelled powerfully down a narrow gorge. However I’ve never felt that it was all that photogenic, with it potentially being a classic example of a nice sight that doesn’t automatically translate into nice photographs. That being said the incredible autumnal colours in the glen this year has I feel lifted the main waterfall scene to a whole new level. This is a square crop image captured from the bridge which crosses over the gorge. Composed to eradicate all traces of the distracting sky creeping into the shot, with the huge lush fern providing a nice foreground counter balance to the waterfall. After visiting this place for the last 17 years or so, I’m pleased to finally have a shot of the main attraction! 😅
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So Low (Literally) But Not Underwater (Figuratively) Feeling Blue (Visually) Sky Filled Gradations Of Blues, Moon Reflecting, Pools Of Lights, And Shadows, On Solo Bird, Under Gratitude So High (At New York Home Marina 5 Years Ago) - IMRAN™
The title of this photo is long, and that is even after I chopped off half of(f) the run of run on puns-upon-puns I had first typed! I was out for a walk on the boardwalk of my blessed home on Long Island, New York, five years ago. It was late summer 2016. I was reflecting on several complex situations I faced.
Honestly, I was very low.. literally! The iPhone GPS EXIF data shows that even with the phone held in my hands, it was merely 12 feet above sea level. That means my feet were literally just about 8-9 feet above mean sea level (not just 2-3 feet above the water in my marina). But thankfully I was not underwater, literally or figuratively! It was 8 pm FDT (Fake Daylight Time) on the phone screen, but really 7 pm going by real planet-time. The power of being positive and grateful was demonstrated in an instant. As I walked by my boat slip, at the marina in my Heron Pointe community, I came upon this scene reflecting pools of gratitude and blessing.
The full moon out in full brightness at blue hour took away any blues I could have felt. The gradations of blues, from the sky to the sea to the marina, interspersed only by the green weeds and brown pilings, made it a moment of gratitude. The solo (black, not blue) bird kept an eye on me while it too savored the scene. You can see its reflection in the water too.
This was taken with an iPhone 6 on August 15, 2016 (which was also my younger brother's birthday). I had it among my 36,000 pictures in the "To Post" album so thought I should share it today. LOL
© 2016-2021 IMRAN™
About the most visually impressive locomotive consist you could ask for, (maybe not so much if you’re not a fan of the Canadian Pacific or GE locomotives), a four unit set of freshly rebuilt AC4400CWM’s, the 8163, 8162, 8168 and 8173 lead a morning transfer from BNSF’s Argentine Yard to Kansas City Southern’s Knoche Yard in northeast Kansas City. April 3, 2021
Just a mile and a half from the previous location, the four CP AC4400CWM’s are barely squeezing by the low light shadows at Old Union Depot Interlocking where Kansas City’s original Union Station, operated between 1878-1914 once stood, (in the open space above and behind the first three locomotives). At this point, the transfer is roughly half way between BNSF’s Argentine Yard and KCS’s Knoche Yard.
This was an awesome day. We left Egilsstadir early for the drive to Myvatn. We passed a number of waterfalls (with no pullouts or names) until we came to Rjukandafoss - a beautiful waterfall with several sections. When hiked as the trail and had some great views. Nice start to the day. Back on the road to cover what is known as the Big Sky Country of Iceland - pretty much a lot of nothing. We were headed for Dettifoss - a major waterfall on my Bucket List. It exceeded expectations. Absolutely stunning visually and auditory - it is massive. I tried some long exposure with a tripod but it felt like the ground was shaking. Heather let me check out another waterfall about a mile away - Selfoss. If Dettifoss wasn't around, this would be a major destination by itself. Very different than Dettifoss but awesome on its own. I stayed for a bit and just ogled everything. Simply wow. I returned to the car and Heather dragged me off to another trail with very cool canyon views. We heard there was a third waterfall very close by so naturally we went. It was amazing. There were about 2-3 other people at Hafragilsfoss. Good God Almighty - this waterfall was spectacular - and the guidebook said this was difficult to reach with a 4x4 and best skipped. I'm glad we ignored this (the road was actually a piece of cake). Side note - the area around here looked like Martian landscape. We were in Heaven! We reluctantly headed to Myvatn - the Icelandic equivalent of Yellowstone. It was nice but we must be jaded since we live so close to Yellowstone. All in all, a very nice day, and I definitely want to go back to Dettifoss and the other falls.
I took these photos in mid-September 2021.
Klappudden. Visually the mixture of boats, huts, crappy jetties and trees makes me think of a slummy backwater in Thailand or Brazil, but without the overbearing stench of sewage and pollution. It is untidy but I find there is a charm to this older part of Hanko harbour.
I don't know why, but every single waterfront hut I can ever remember seeing in Finland, has always been painted that reddish brown colour with white frames. I must have seen a thousand or more. Always, always, always the same colour.
Not that I can add anything visually compared to Michał's picture from the same location, but as the saying goes repetition is the mother of learning, so here is a bit of metro trivia from Sofia.
Opened in 1998, the Sofijsko Metro is among the youngest rapid transport systems in Europe. Currently, it consists of 4 lines spanning 52 km length, served by a total of 72 vehicles.
The first types to appear on the tracks were of course the iconic 81-717/714 units built by Metrowagonmash, which were interestingly delivered 8 years before the opening of the first section.
From the original 48 carriages, only 3 sets are still in service untouched: similarly to Budapest's units, the city got a deal with the manufacturer to modernise them.
And the parallelism to Hungary does not end here, as the metro cars are being transported through the country on their long journey to rebirth.
These pens have served me very well over the past decade. It's also satisfying to know that the production of these pens had provided work opportunity for the visually impaired.
Charleston is hosting an amazing after-dark exhibition visually transforming ordinary street trees into sculptural works of art. As if by magic, large-scale digitized projections make the trees come alive with the faces of individuals whose work in the local community have made the city a better place to live. As advertised, the “result is a powerful, haunting blend of human portraiture and nature, inviting viewers to see both in a new light.”
This image and the next honor the life-long dedication of Diane Hamilton, a Charleston native and retired educator. The projections are the work of Craig Walsh, a visual artist based in Brisbane, Australia. Over the last 30 years, he has become widely known for his pioneering works, including innovative approaches to projection mapping in unconventional sites.
Charleston, South Carolina
The Marina City Towers, affectionately known as "The Corn Cobs" are two of Chicago's most visually unique buildings.
Visually reminiscent of the Age of Rail, which had a positive impact on the economy of Hillsboro, the Katy Depot stands today in close proximity to the Missouri-Kansas-Texas Railroad lines as well as the Hill County Courthouse (National Register, 6/21/71), the focal point of the downtown commercial district. Hillsboro was established in 1853 to serve as the governmental seat and trade center for a basically agrarian county, cotton the primary crop. The completion of the MKT Railroad through Hillsboro in 1881 increased the commercial activity of the city and broadened its economic base. With locally raised funds, the citizens of Hillsboro purchased the right of way and property needed for a depot. Functional requirements dictated the size and massing of the structure which reflects architectural and decorative styles popular at the turn of the century, reminiscent of the Prairie style of architecture.
The Missouri-Kansas-Texas Railroad, commonly known as the Katy, was the first rail line to reach Hillsboro. Passenger service on the line, which connected Fort Worth and Temple, began on April 26, 1881, with four daily trains and a sleeper through to Chicago. The Katy Railroad brought a surge of economic activity to this agricultural region, becoming a major means of exporting cotton and livestock. As the economic base broadened, so did the population, which facilitated both residential and commercial expansion. Building materials were brought in by train and used to construct then contemporary structures. With the completion of the railroad several Katy buildings were constructed including: a frame station consisting of a waiting room, office, and a freight room; a cotton platform; and a section house. In 1894, Katy built division shops and a roundhouse in Hillsboro. The original station was converted to a freight house in 1902 and the present depot (seen in the photograph above) was erected on the land purchased by the city of Hillsboro. Throughout its operating years, the depot served as an integral part of the Hillsboro community. Among those visiting Hillsboro via the Katy were railroad tycoon Jay Gould, and Presidents Woodrow Wilson, William H. Taft, Calvin Coolidge, and Harry Truman. And, the depot served as the departure and arrival point for World War I and II soldiers serving their country.
On December 19, 1979, the Katy Depot (aka the Missouri-Kansas-Texas Company Railroad Depot) was added to the National Register of Historic Places (NRHP) for its architecture, history, and being the location of historic events as described above. All of the information above was found on the original documents submitted for listing consideration which can be viewed here:
catalog.archives.gov/id/40972599
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
Week 3 | Deep Depth of Field
Focus was to capture the catamaran in the mid-ground while ensuring both the foreground and background also remained visually clear. Due to the sunset hiding behind the snow-clouds, I needed underexpose the foreground to preserve the sky colours. I increased the shadows in Lightroom so that the snow wasn't so dark. Post editing is a new process I'm learning and exploring which I hope I can better grasp over the course of this challenge.
2020Jan14DiscoveryPark7SoBluffEd
This film was visually stunning.
Join my Group which celebrates 'Queen Elizabeth I' and all she represents at:
This is (yet another) shot from one of the most visually stunning shows that I have ever seen. It features two members of 'Kataklo', an athletic dance group from Italy, composed entirely of former Olympic gymnasts.
I became friendly with the show's producer (Angella Kwon) this year, having met (and become friendly with) her sister Boram (who currently studies at my old university in Stirling) last year. Both are South Korean and Angella was producing two South Korean shows at this year's Edinburgh Fringe...and also Kataklo.
We were having lunch, the day before the last Kataklo show (I had only seen them perform on the Royal Mile) when Angella kindly invited me along and asked me to take photographs. I could not have taken this shot with my old camera. This (and several others like this) were taken at 3200 ISO, hand held with a shutter speed of 1/20th of a second (I just love image stabilisation) and relying on autofocus. I love my Canon EOS-5D!
Just to prove I know a number of talented people, my friend Ken Campbell has a progressive rock group called 'Crooked Mouth'. At the moment, he is preparing their second album ('Hold in the Sun') for release. I will be providing photographs for the CD, the idea being to produce a photo that represents each different song. However, one of these shots is a candidate for the CD cover. You can find out more about Crooked Mouth and hear some samples (and even order their first CD!) here: Crooked Mouth
You can find my other pics of this amazing group (Kataklo...not Crooked Mouth...not that Crooked Mouth aren't amazing in their own way!) in these locations:
- R.I.P. -
"Derweil hat die Zukunft längst begonnen – und das rasant im Vergleich zum üblichen Tempo bei der Reaktivierung einer Industriebrache. Ende 2014 hatte Opel die Autoproduktion in Bochum beendet, im Spätsommer war die Lackiererei abgerissen, waren sämtliche Maschinen entfernt worden."
Visually stunning, colourful, and awe-inspiring, the Chihuly artworks on display at Kew reflect the Seattle-based artist’s prestigious 50-year career.
Visually eye-catching to me. That was what led me to photograph this before my sister told me the meaning of the Chinese writing. I can't remember it now.
Paging my Personal Translator. You are much needed here.
@ an old residential area
Trip to Malacca, 30 April - 1 May 2006
Photo by Liyin, April / May 2006
© Copyrights Reserved
The Shiny Prizes that are the reward of finding those rare Shiny Cupids, and squishing them, are exclusive to the MadPea Cupid Catastrophe will be gone forever after February 15th! Collect them before the end of the hunt!
Delicious and visually appealing, the MadPea Chocolate Covered Strawberries are the perfect treat for any Cupid Hunter on the go! Pamper yourself before heading out to squish, squash and smoosh those stupid Cupids!
[ EXPLORED : 201! ]
Another shot from my Leesylvania Park trip - I really like the combination of the long fishing pier and the rising sun - especially in the cloud formations in the water.
I'm not too sure about the bit of beach on the bottom of the photo; it's there, but it's really not exposed enough to add any significant texture, but not dark enough to be a part of the silhouette of the pier - so I'm not sure how it fits into the whole image.
If anyone has any thoughts on whether or not this needs a crop or re-framing for a better and more visually pleasing composition, I am more than happy to hear it.
Thanks for viewing!
SN/NC: Rhipsalis Micrantha, Cactaceae Family
Syn: R Kirbergii, R Rauhiorum, R Roseana, R Tonduzii, R. Wercklei, R Baccifera
The Rhipsalis genus comprises over 60 species native to South America. Most are epiphytic (live in trees). Many have hanging stems making them excellent hanging basket specimens. Most prefer shade and some humidity. They are nice looking and can grow for quite some length. They are popularly called Cactus Spaghetti since visually it resembles spaghetti.
Rhipsalis do best in partial shade in a fertile soil mix. Keep reasonable moist throughout the year, a little less so in winter. They enjoy humidity and so benefit from spraying. Careful with eventual thorns, somehow invisible. Worth the care taken since they look great up in the trees.
O gênero Rhipsalis compreende mais de 60 espécies nativas da América do Sul. A maioria é epífita (vive em árvores). Muitos têm hastes suspensas, o que os torna excelentes espécimes para cestos suspensos. A maioria prefere sombra e um pouco de umidade. Eles parecem bons e podem ser bastante longos. Eles são popularmente chamados de cacto macarrão, pela semelhança.
Rhipsalis se dá melhor em sombra parcial em uma mistura de solo fértil. Mantenha-o suficientemente úmido durante todo o ano, um pouco menos no inverno. Eles gostam de umidade e, portanto, se beneficiam da pulverização. Cuidado com quaisquer espinhos, de alguma forma invisíveis. Vale a pena prestar atenção, pois eles ficam incríveis nas árvores.
El género Rhipsalis comprende más de 60 especies nativas de América del Sur. La mayoría son epífitas (viven en árboles). Muchos tienen tallos colgantes, lo que los convierte en excelentes ejemplares para cestas colgantes. La mayoría prefiere sombra y algo de humedad. Se ven bien y pueden alargarse bastante. Se les llama popularmente espaguetis de cactus porque parecen espaguetis.
Rhipsalis se desarrolla mejor en sombra parcial en una mezcla de suelo fértil. Manténgalo suficientemente húmedo durante todo el año, un poco menos en invierno. Disfrutan de la humedad y, por lo tanto, se benefician de la pulverización. Cuidado con las espinas, de alguna manera invisibles. Vale la pena prestar atención ya que se ven increíbles en los árboles.
Le genre Rhipsalis comprend plus de 60 espèces originaires d'Amérique du Sud. La plupart sont épiphytes (vivent dans les arbres). Beaucoup ont des tiges suspendues, ce qui en fait d'excellents spécimens pour les paniers suspendus. La plupart préfèrent l'ombre et un peu d'humidité. Ils ont l'air bien et peuvent être assez longs. Ils sont communément appelés spaghettis de cactus car ils ressemblent à des spaghettis.
Rhipsalis fait mieux à l'ombre partielle dans un mélange de sol fertile. Gardez-le suffisamment humide toute l'année, un peu moins en hiver. Ils apprécient l'humidité et bénéficient donc de la pulvérisation. Méfiez-vous des épines, en quelque sorte invisibles. Cela vaut la peine de prêter attention car ils ont l'air incroyables dans les arbres.
Il genere Rhipsalis comprende oltre 60 specie originarie del Sud America. La maggior parte sono epifite (vivono sugli alberi). Molti hanno steli pendenti che li rendono eccellenti esemplari di cesti appesi. La maggior parte preferisce l'ombra e un po' di umidità. Sono belli da vedere e possono crescere per parecchio tempo. Sono popolarmente chiamati Cactus Spaghetti poiché visivamente ricordano gli spaghetti.
Rhipsalis fa meglio in ombra parziale in un mix di terreno fertile. Mantieni un'umidità ragionevole durante tutto l'anno, un po' meno in inverno. Godono dell'umidità e quindi beneficiano della spruzzatura. Attento alle eventuali spine, in qualche modo invisibile. Vale la cura perché stanno benissimo sugli alberi.
Het geslacht Rhipsalis omvat meer dan 60 soorten die inheems zijn in Zuid-Amerika. De meeste zijn epifytisch (leven in bomen). Velen hebben hangende stelen waardoor ze uitstekende exemplaren van hangende mandjes zijn. De meeste geven de voorkeur aan schaduw en wat vochtigheid. Ze zien er mooi uit en kunnen behoorlijk lang worden. Ze worden in de volksmond Cactus Spaghetti genoemd omdat het visueel op spaghetti lijkt.
Rhipsalis doet het het beste in halfschaduw in een vruchtbare grondmix. Houd het hele jaar door redelijk vochtig, in de winter iets minder. Ze houden van vocht en hebben dus baat bij sproeien. Voorzichtig met eventuele doornen, op de een of andere manier onzichtbaar. De zorg waard, want ze zien er geweldig uit in de bomen.
Die Gattung Rhipsalis umfasst über 60 in Südamerika heimische Arten. Die meisten sind epiphytisch (leben in Bäumen). Viele haben hängende Stängel, was sie zu ausgezeichneten Exemplaren für hängende Körbe macht. Die meisten bevorzugen Schatten und etwas Feuchtigkeit. Sie sehen gut aus und können ziemlich lang werden. Sie werden im Volksmund Kaktus-Spaghetti genannt, da sie optisch an Spaghetti erinnern.
Rhipsalis gedeiht am besten im Halbschatten in einer fruchtbaren Bodenmischung. Halten Sie das ganze Jahr über ausreichend feucht, im Winter etwas weniger. Sie genießen Feuchtigkeit und profitieren daher vom Sprühen. Vorsicht bei eventuellen Dornen, irgendwie unsichtbar. Es lohnt sich, aufzupassen, da sie in den Bäumen toll aussehen.
يضم جنس Rhipsalis أكثر من 60 نوعًا موطنًا لأمريكا الجنوبية. معظمها نباتية (تعيش في الأشجار). العديد منها لها سيقان معلقة ، مما يجعلها عينات ممتازة لتعليق السلال. يفضل معظمهم الظل وبعض الرطوبة. تبدو جيدة ويمكن أن تستغرق وقتا طويلا. يطلق عليهم شعبيا سباغيتي الصبار لأنها تشبه السباغيتي.
يعمل Rhipsalis بشكل أفضل في الظل الجزئي في خليط التربة الخصبة. اجعله رطبًا بدرجة كافية طوال العام ، وأقل قليلاً في الشتاء. يتمتعون بالرطوبة وبالتالي يستفيدون من الرش. احذر من أي أشواك ، غير مرئية إلى حد ما. تستحق الاهتمام لأنها تبدو رائعة في الأشجار.
This is the visually stunning Beauty Isle sim as seen through the virtual eyes of an AI simulator.
Disclaimer - These are photographs I took in Second Life and processed them through AI.
A Torre do Galo, cúpula da Catedral Velha de Salamanca (séc. XII), marca o cruzamento entre soluções românicas e referências bizantinas na arquitetura peninsular medieval. O conjunto assenta num tambor cilíndrico ritmado por janelas em arco e colunelos, que iluminam e aliviam a massa da estrutura, articulando-se com volumes anexos e arcarias de moldura austera. Sobre este tambor ergue-se o lanternim, com cobertura cónica em pedra, caracterizada pela “cúpula em escama”: fiadas de pequenas peças imbricadas que funcionam como proteção e acabamento, reforçando a leitura geométrica do corpo central. Nos ângulos, pequenas torres e ressaltos verticais sublinham a transição entre planos e estabilizam visualmente a elevação. O nome “Galo” deriva do catavento em forma de galo no topo, elemento funcional e simbólico associado à orientação e à vigilância.
The Galo Tower, the dome of the Old Cathedral of Salamanca (12th century), exemplifies the fusion of Romanesque elements and Byzantine influences in medieval Iberian architecture. The complex is based on a cylindrical drum punctuated by arched windows and small columns, which illuminate and lighten the mass of the structure, articulating with adjoining volumes and arcades featuring austere moldings. Above this drum rises the lantern, with a conical stone roof characterized by a “scaled dome”: rows of small, interlocking pieces that serve as both protection and finish, reinforcing the geometric composition of the central body. At the corners, small towers and vertical projections emphasize the transition between planes and visually stabilize the elevation. The name “Galo” derives from the rooster-shaped weather vane at the top, a functional and symbolic element associated with orientation and vigilance.
There is a whole new vocabulary being developed now, through trends, youth, social media and evolving technology.
Finesse is one such new word and it means: To perfect or smooth things out, both visually and emotionally. Also when someone carries themselves with extreme elegance and style.
The cyclamen commonly sold by florists is Cyclamen persicum, which is frost-tender.
Selected cyclamen cultivars can have white, bright pink, red or purple flowers. While flowering, florists' cyclamens should be kept below 20 °C (68 °F), with the night time temperatures preferably between 6.5 °C to 15 °C (44 °F to 59 °F).
Temperatures above 20 °C (68 °F) may induce the plant to go dormant.
I tried a ‘different’ composition.
Cyclamen are native to the Mediterranean region from Spain east to Iran, and also in northeast Africa south to Somalia.
Have a good day and thanks for your visit, so very much appreciated, Magda, (*_*)
For more of my other work or if you want to purchase, visit here: www.indigo2photography.com
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About the most visually impressive locomotive consist you could ask for, (maybe not so much if you’re not a fan of the Canadian Pacific or GE locomotives), a four unit set of freshly rebuilt AC4400CWM’s, the 8163, 8162, 8168 and 8173 lead a morning transfer from BNSF’s Argentine Yard to Kansas City Southern’s Knoche Yard in northeast Kansas City. April 3, 2021
With the sun now higher, the eastbound transfer has reached Kansas City Southern rails and is shown at Milepost 2.0, the Olive Street Crossing roughly a mile west of KCS’s Knoche Yard. This location has long been a favorite among Kansas City rail photographers for the ability to incorporate K.C.’s city skyline in the background, the favorable morning lighting and it’s ease of access.