View allAll Photos Tagged visually
Quite a visually striking item this, from British Railways Western Region, in 1964 - just about the time the rebranding into the more corporate British Rail took place. The red draws the eye - although the spilling of the green typeface across the logo could have been handled better! I like the pun - "the going is best" by train!
Best Large-A visually stunning sight as night begins to fall is the Canadian tower overlooking the misting Niagara Falls. The tower itself has an eerie outline to it and the colors of sunset add to the dramatics, here in a textured background.
Standing on the Precipice (JHWatkins)
Standing on the precipice-
balanced at junctions,
space and time-
there are no excuses here
no explanations or rhymes.
Locked in lavish rhythm
far beyond the brink-
hid from help or rescue-
on jagged edge distinct.
Weighty voices-
tomorrows bearing-
form forces by the day...
Wound tight
in folds of failure-
by faltering historic foray.
Naked standing truth-
whirl winded and filleted-
open now -
body bleeding-
clean by choice-
ruthless rights parlayed.
Ring round the
restless righteous-
tormented tongues
twisted and advanced.
Weapons trained-
fitting filled-
hopelessness entranced.
New toys
for large little boys-
clicking clocks
in finest fashion.
Positioned perspective-
poisoned possessive power-
from places unimagined.
Whining women-
worn-out white wheezers-
talking days on end-
endless hours
of wasted words-
useless air-
precious spent.
Children torn
apart at seams-
families drugged
and drenched...
Callous toned
nightmares
running wild-
seeds scattered
in the wind.
Lost by generation's
darkened doubt-
aflame
the fearless world-
tossed aside by
hellish schemes-
now rampant-
flags unfurled.
Gone the green
and yearning years-
foundations
fairly laid-
of priceless pearl
in wisdom grown,
crown jewelry
on parade.
But new
the turning earth begins-
choice
once again delayed.
Come cold and calm
courageous men-
run boldly
to your fate.
And stand in
earnest errand bare,
an era
at the end-
now bind yourselves
betrothed and braced-
to finish
without fear. (James watkins 2004)
The most visually striking item on the menu this past Saturday was veggie kebabs. My girlfriend Leslie Anne said she was fixing salmon and green beans for the grill, so I decided not to repeat the asparagus from the weekend before. Eggplant and tomatoes for the grill was an option, but I decided to experiment with veggie kebabs.
My new HEB Grocery store had pre-packaged kebabs with three skewers of mushroom, red and green bell peppers, yellow and zucchini squash, and red onion. With the cutting already done, all I had to do was add olive oil and Montreal Steak Seasoning. Although they grilled just fine, the problem was geometry. Getting enough oil and spices on all the veggies of three skewers was a problem as was cooking them in this colorful manner.
Next time I'll pull out the skewers before dumping the veggies into the plastic bag with oil and spices. That will save me a lot of oil and spices that went to waste. The veggies also cook at different rates. Onion and bell peppers take the most time and should be skewered together. Squash takes an intermediate amount of time on the grill. Mushrooms cook very quickly and should go on last along with some tomato slices that weren't included in the assortment shown here.
I've eaten grilled veggie kebabs before cooked by others, but this was my first attempt. You can also see cornbread, grilled salmon, and grilled green beans. The grilled salmon always works out fine, but the grilled green beans were the best ever. More about those items and my new dress later..
£10.95 at Notcutts Dukeries Garden Centre, Worksop, Nottinghamshire.
Small piece of fish in a fish shape, about 12 chips and the smallest pot of peas I've ever had. Good job I only wanted a light lunch.
Very poor value. Ive had better at almost half that price.
In the seed processing plant at Bidasem, a worker visually examines and manually sifts maize seed on a conveyor belt, picking out material such as damaged or spoiled seed or pieces of cob. After initial cleaning and sorting, all seed that goes through the plant passes through quality control. If a sample from a batch is found to more have more than 2% impurities, they are either separated out by hand like this or using a gravity table. The batch is then resampled to ensure a clean bill of health to continue processing.
Bidasem is a small seed company based in the central Mexican plains region known as the Bajío. It produces approximately 10,000 bags of maize seed a year, each holding 22.5kg, as well as producing wheat and oat seed and marketing seed of other crops. Despite their small size, Bidasem and similar companies play an important role in improving farmers’ livelihoods. “Our aim is to provide farmers with quality seed at accessible prices, that is adapted to the conditions we have here in the Bajío. It’s a great satisfaction, when farmers achieve the yields they need,” says director general María Esther Rivas.
“Without CIMMYT, we couldn’t exist,” says Rivas. She sells four different maize hybrids, all formed from freely-available CIMMYT parent lines. “Really the most important thing is to produce your own hybrids, and for us it wouldn’t be possible if we didn’t have the germplasm from CIMMYT. What we’re currently producing is 100% CIMMYT.” The relationship between Bidasem and CIMMYT is now deepening through participation in the MasAgro initiative, which includes training courses for seed companies and collaborative trials to evaluate the best seed.
Photo credit: X. Fonseca/CIMMYT.
For more on seed production at Bidasem, and CIMMYT's role in providing the best seed, see CIMMYT's 2012 e-news story The seed chain: producing better seed for small farmers, available online at: www.cimmyt.org/en/newsletter/598-2012/1398-the-seed-chain....
Fairly faint and hardly visually spectacular, Messier 71 is one of the nearest globular clusters to us at 13000 LY and is relatively young at about 10 billion years old.
Admiral Smyth described it in 1844 as… “of a very feeble light”.
It lies fairly close to the edge of the Milky Way so the stellar background is quite crowded which reduces contrast.
For many years, astronomers thought it looked more like an small open cluster than a globular until high resolution spectroscopy confirmed it was a globular.
This was my first image since March with my Esprit 120 scope. I had a lot of trouble with it out of the box back then with a faulty mechanical focuser and pinched optics from an overtightened lens unit - it took me most of last season to sort that out.
Given a 68% waning Moon, scudding cloud, a gusty wind and Saharan sand in the atmosphere (!), I thought I should go for something straightforward and its always nice to bag another Messier object!
I'd planned to get 30 x 2 minute subs over an hour but strong gusts of wind and scudding cloud left me with 25 x subs over 2 hours.
I'm just happy that my stars are round instead of hexagonal and the focuser was flawless.
Technical Card
840/120mm f/7 SkyWatcher Esprit 120ED triplet refractor.
SkyWatcher 1.0 x FF with 2 inch IDAS LPS P3 filter
ZWO ASI2600MC; 25 x 120 second subs, Gain 100, Offset 25, Temp = -10c.
EQ6 pro mount with Rowan belt drives. EQMOD control. Pegasus Astro Focus Cube electronic focuser.
Session control; SharpCap 4.0 on laptop with WiFi link to IPad.
Automated plate solving GOTO via ASTAP (4 secs exp at Gain 350)
FWHM multistar focusing - the best FWHM reading I could get was 4.3 - I didn't know it but next morning, the media had lots of pictures of dusty sunsets all over the UK - Saharan sand suspended in the atmosphere.
40 dark frames
60 flat frames (electroluminescent panel, 3000ms exposure at Gain 0).
Post processed in PixInsight 1.8.9.2.
Light Pollution and Weather:
Gusts of wind and scudding cloud. About half of all subs were discarded.
SQM (L) not measured due to waning Moon.
Polar Alignment:
PoleMaster alignment
Error measured by PHD2= 3.1 arc minute.
RA drift + 3.85 arcsec/min
Dec drift + 0.78 arcsec/min
Guiding:
PHD2 guiding with ZWO ASI290mm/Primalucelab
240/60mm guider.
RA RMS error 0.77 arcsec
Dec RMS error 0.74 arcsec
This deteriorated later in the evening as it got windier.
I'm thinking of changing to a 320mm f4 guide scope - I understand guide FL should be about 1/3 of scope FL.
Astrometry:
Focal distance: 862.40 mm
Pixel size: 3.76 um
Resolution: 0.9 arcsec/pxl.
Field of view:55' 34.6" x 34' 45.5"
Image centre: RA: 19 53 44.124 Dec: +18 46 01.89
Tactile paving enables blind and visually impaired people who are white cane users to travel around independently. There are 2 main types of tactile-paving patterns. First, there are the domes (or bumps). The purpose of these is to warn and notify. Here, the domes ran along the edge of the sidewalk, warning me that the sidewalk ends here and the crossing across the road begins. Then, there are the lines. The purpose of these is to lead and show the way. By feeling the lines with my white cane I was able to safely find the spot where the bumps in the ground marked the spot with an audio-signal equipped traffic light on it and I could safely cross the road using a zebra crossing.
Description of the photo:
The black-and-white photo shows the tactile paving on the ground. The tactile paving seen on the photo has bumps and a part of it has lines. The two other patterns are the zebra crossing at the top of the photo and the paving in the lower left corner of the photo.
Keep the comments clean! No banners, awards or invitations, please!
Toute reproduction sur un support imprimé ou publication sur internet devra faire l'objet d'une demande expresse auprès du service communication de la Fédération Française Handisport.
–
Toute utilisation ainsi autorisée devra mentionner le crédit photo (voir nom du fichier ci-dessus : “©…” ou métadonnées de la photo dans sa taille originale).
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Contact : photos [at] handisport.org
One of the visually stunning things a coral reef has to offer are the diverse patterns on corals and other invertebrates.
Check out my really funny blog blog about underwater photography & life and my book about marine life, diving and all things Pacific.
Budgets - Personal Finance Manager to track your spending money visually
itunes.apple.com/us/app/budgets-personal-finance-manager/...
Budgets is a powerful personal finance app that helps to track your expenses in a simple and elegant way. It tells you how much you can spend each day. and, you can export your transactions to Apple Numbers app.
As well, it’s beautiful.
"The visually exposed Empire house from 1818 includes older structures, the stone cellars are probably medieval.
A terraced one-storey house with a basement in a corner position stands on the main square in the centre of the historic centre of the city. It has a rectangular ground plan, a mansard roof with small dormers, two roof ridges run perpendicular to the facade – a hipped roof adjoins the neighbouring house. The roofs are covered with eternit on the outside, and with burnt grooved tiles on the inside. The southern facade to TG Masaryk Square has 5 window axes on the first floor, on the ground floor on the left a window, a glazed entrance to the pharmacy, a window, a passage gate and a glazed display window with an entrance to the shop. The entrance to the passage is vaulted with a compressed arch, flanked by a profiled cornice with a vault and emphasised by half-columns carrying straight entablatures. The other openings on the ground floor are rectangular, flanked by cornices. The ground floor is divided by a bossage, separated from the first floor by a cordon cornice. The floor is divided by fluted pilasters with volute capitals between each window. Under the crown cornice with dentil is a strip with plastic decor, around the windows there are profiled chambranes with ears, window and window sill cornices and plastic decor in the parapet fillings and suprafenestras (festoons, floral curtains, ribbons). The side facade to Pernštýnské Square is designed similarly to the front facade with a bossage on the ground floor and pilasters on the floor, 3 windows on the left side of the facade have a semicircular raised window cornice, 4 windows on the right are distinguished by pilasters on each side of the window (i.e. there are two pilasters between the windows). On the ground floor there is a window on the left and a rectangular entrance to the house, from it to the right there are 4 window axes, windows without chambranes. The narrow courtyard facade is smooth, on the ground floor there is a passage opening vaulted with a compressed arch and a window, on the first floor there are 2 semicircular arched windows. The passage is vaulted with Czech flats into the waists. There are vaults in both shops - mainly barrel vaults, then barrel vaults with sectors, barrel segmental vaults, barrel vaults into traverses and a Prussian vault. A straight staircase vaulted with a compressed barrel vault leads from the passage to the first floor. On the first floor there are flat-ceilinged rooms, some with fabions, the layout has been subsequently modified. The cellars are dissected, barrel vaulted, made of stone, others of brick masonry. The roof is traditional wooden, with hambálky and a standing stool, under the wooden floor of the attic there is a mezzanine that used to be used for storage.
The visually exposed Empire house from 1818 includes older structures, the stone cellars are probably medieval. Apart from the cellars, the most valuable parts are the facade and the vaults on the ground floor." - info from the National Heritage Institute.
"Prostějov (Czech pronunciation: [ˈproscɛjof]; German: Proßnitz, Yiddish: פראסטיץ Prostitz) is a city in the Olomouc Region of the Czech Republic. It has about 44,000 inhabitants. Today the city is known for its fashion industry and AČR special forces unit 601. skss based there. The centre of the town is historically significant and is protected by law as urban monument zone.
The first historical mention of the village Prostějovice is from 1141. By the middle of the 13th century, it had developed into an important market village. At that time, German settlers were invited here, who established a new settlement on the site of today's TG Masaryk Square, to which the rights of the original settlement were transferred. On March 27, 1390, Prostějov was granted the right of the annual market thanks to the lords of Kravaře, which in fact became a town. In the Hussite period, the promising development slowed down as the city suffered delays on both sides; the insufficiently fortified Prostějov became easy prey for the troops of Margrave Albrecht and was burned down in 1431. The prosperity of the city was brought about by the establishment of the Jewish city and especially after a year 1490 more than a century-old government of the Pernštejn families, whose property became the town. In 1495, the city began the construction of stone walls with four gates with bastions. Between 1521 and 1538, the townspeople built a Renaissance town hall.
At the end of the 16th century, the city became the property of the Liechtensteins, which resulted in the stagnation of the city's development. In Prostejov the year 1527 printer Kaspar Aorga printed the first book on Moravia. During the Thirty Years' War, the town was devastated and in 1697 a fire broke out, killing the town hall, the school and the church. Then the city began to acquire a Baroque character. Around the middle of the 17th century, mainly thanks to local Jews, the food, textile and clothing industries developed rapidly, and in 1858 the first Czech ready-to-wear clothing industry was founded in Prostějov - the factory of the Mandla brothers, which attracted new inhabitants. In the 1960s, Prostějov was connected by rail with Brno and Olomouc. The 19th and 20th centuries changed the face of the city in the style of historicism and Art Nouveau. Since the 20s and especially 30s, dominating the construction becoming in Prostejov functionalism.
Moravia (Czech: Morava [ˈmorava]; German: Mähren) is a historical region in the east of the Czech Republic and one of three historical Czech lands, with Bohemia and Czech Silesia.
The medieval and early modern Margraviate of Moravia was a crown land of the Lands of the Bohemian Crown from 1348 to 1918, an imperial state of the Holy Roman Empire from 1004 to 1806, a crown land of the Austrian Empire from 1804 to 1867, and a part of Austria-Hungary from 1867 to 1918. Moravia was one of the five lands of Czechoslovakia founded in 1918. In 1928 it was merged with Czech Silesia, and then dissolved in 1948 during the abolition of the land system following the communist coup d'état.
Its area of 22,623.41 km2 is home to about 3.2 million of the Czech Republic's 10.8 million inhabitants. The people are historically named Moravians, a subgroup of Czechs, the other group being called Bohemians. The land takes its name from the Morava river, which runs from its north to south, being its principal watercourse. Moravia's largest city and historical capital is Brno. Before being sacked by the Swedish army during the Thirty Years' War, Olomouc served as the Moravian capital, and it is still the seat of the Archdiocese of Olomouc. Until the expulsions after 1945, significant parts of Moravia were German speaking." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
...Tea for thee.
This isn't a technically proficient photo, nor is it even visually interesting, but it shows off a little bit of my very limited culinary skills. And it gives you a little peek into a ritual that I've performed for Mrs SmileMoon now for twenty-plus years. It's gotten to the point that I can make her tea for her better than she can now (or so she says). Practice makes perfect, I guess. That and maybe just a little bit of spit. (Shhh - our secret, okay?)
In this week's challenge for the Get Pushed!! group, I was paired with the talented and entertaining Amanda Jaeger . You've got to check out her photos, because she's got a great sense of humor and the fun shows in her pictures. Also, you should totally make a contribution to her grocery fund! Yay, Amanda!
Anyway, Amanda wrote to me: "I've come up with a challenge to you that was inspired by the photo of your wife's foot (with your handwriting). I loved two major things about it. 1) The play on words (sole-soul) and 2) It shows a bit of an intimate part of your lives together. So here's my challenge to you:
I want you to create another photo that shows intimacy. It doesn't have to be embarrassing or show anything that you're not willing to. But, I'd like for it to show something about you and your life that I wouldn't know about looking at your other photos.
I hope Amanda will agree that we now all know a little bit more (than we really wanted to know) about me and Mrs SmileMoon. Anybody else want some tea? :-D
Also seen in 111 pictures in 2011 as my selection for "hot".
5. spicy
9. puddles
10. favourite season
12. sad
15. Holiday/vacation
17. new
18. street
32. steps/stairs
38. big
39. earth
40. wind
42. glass
44. sand
48. spooky
49. lock/key(s)
52. sugar & spice
56. distance
61. body
62. books
66. hobby
76. clothing
77. childrens toy
78. vehicle
81. household appliance
84. straight line
92. celebration
94. seat/bench
98. stranger
99. family
103. in the workplace
105. hot
106. favourite photographic topic/style
110. on the road
Visually, the finished look is one of pure line with few design elements. The atmosphere is one of pure tranquillity during the day; the reflection of sky in the water and very little to distract the eye. At night the lighting scheme creates a magical pathway fading into the distance, and always there is the gentle sound of running water.
Part of a larger scheme, these clients wanted an ultra-simple, minimalist waterfeature on two levels. The main material used was a pale cream Travertine detailed with a dark slate-grey.
At the lower level, a canal runs across the garden. The main steps are accessed by stepping stones across the water.
The upper level features two rills. Water flows away from the house and cascades via two stainless steel waterfalls onto the lower level beyond, aerating and purifying. The paving features LED flush lighting to highlight the edge of the scheme and the steps and all three bodies of water are floodlit discreetly below the water surface.
The only plant material is six ball-shaped box trees, providing a simple, sculptural look to this otherwise angular scheme.
Original Caption: Car Being Checked at an Auto Emission Inspection Station in Norwood, Ohio. The Test Includes a Check of the Exhaust Pipe and Engine Compartment to Visually Look for Smoke. Then the Probe Shown in the Picture Is Inserted Into the Tailpipe. It Carries Exhaust Gases From the Engine to the Analyzer Which Measures Carbon Monoxide and Hydrocarbon Emissions. All Light Duty, Spark Ignition Powered Motor Vehicles in the City Must Be Certified Annually 08/1975
U.S. National Archives’ Local Identifier: 412-DA-15398
Photographer: Eiler, Lyntha Scott, 1946-
Subjects:
Norwood (Hamilton county, Ohio, United States) inhabited place
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=557848
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
The whole world, as we experience it visually, comes to us through the mystic realm of color.
Hans Hofmann
22/365
proberbly not the most visually exciting today but yet again, it was pouring down for most of it.
sooo, when i'm stuck inside and have the day to myself, i use it to learn. be it PS, photography or lighting, i tend to zone out and get very engrossed in some training or other. in fact, lili just had to turn on the light for me cause i'd been sat here in the dark for the last half an hour or so... proberbly best get something to eat.
anyway, one of the things i've been doing today, as i've been sat inside, is practicing making textures. its something i find fascinating but am not great at... yet! practice makes perfect as they say, so expect many not so great textures coming your way ;-)
Feel free to use this for any of your own creations.
Please credit me and link back to this page or my photostream if you do.
You can use my texture commercially but please don't redistribute it or alter it to create
your own stock
Show me what you've done with it by putting a thumbnail or link on this page it'd be great
to see what you've done with it!
ODC- inside (there is an actual shot underneath all of the processing... i promise!)
I visited an art gallery with visually impaired people "Close your eyes, Open your mind" (theme) this Sunday as a volunteer. There I saw this scene, blind girl feeling a painting of a blind girl, at that moment it feels like that they both are feeling each other to me. Amazing feeling.
Toute reproduction sur un support imprimé ou publication sur internet devra faire l'objet d'une demande expresse auprès du service communication de la Fédération Française Handisport.
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Toute utilisation ainsi autorisée devra mentionner le crédit photo (voir nom du fichier ci-dessus : “©…” ou métadonnées de la photo dans sa taille originale).
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Contact : photos [at] handisport.org
Toute reproduction sur un support imprimé ou publication sur internet devra faire l'objet d'une demande expresse auprès du service communication de la Fédération Française Handisport.
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Toute utilisation ainsi autorisée devra mentionner le crédit photo (voir nom du fichier ci-dessus : “©…” ou métadonnées de la photo dans sa taille originale).
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Contact : photos [at] handisport.org
Marilyn Rushton, a well-known Burnaby citizen, is awarded with the province’s newest honour, the Medal of Good Citizenship.
Rushton is honoured for her for inspirational life of service to the visually impaired community, her contributions to families with blind and visually impaired children, and her energetic support for the musical community.
Learn more: news.gov.bc.ca/releases/2016IGR0025-001407
This visually stunning Art Deco enamel badge, promotes the famous tyre brand, Avon Tyres. It bears the company's early 1908, registered trademark which is a stylised Trilithon (Stonehenge) structure, made up of two large vertical stone posts supporting a third stone that lies horizontally across the top. On this badge, the horizontal stone announces the company name, Avon. From 1908, through to the 1930s, the Trilithon was either used as a focal point within advertisements, or as a refined logo within a corner of an advertisement. Beneath the Trilithon trademark the phrase 'Symbols of Endurance' appeared.
Within the early advertisements, before and just after the 1920s, a car and driver, with Avon tyres, would be portrayed passing through a mighty Trilithon. The adoption of this Trilithon trademark was explained by the company as follows: ".......this noble and historical trademark was decided upon in full consciousness of the high standard of excellence which such an emblem implied … because Avon products, in addition to other noble characteristics, possessed in a remarkable degree the two skills of strength and durability."
Of course, another reason for adopting the Trilithon device was linked to the company's location in Wiltshire, the home of Stonehenge. The badge uses the company's distinctive, somewhat spikey, upper case font, and this was first used in the late 1920s through to the 1960s. By the 1970s the signature logotype 'Avon' was changed to a modernist sans serif design with the letter 'o' rendered in solid red.
Avon started making rubber based products as far back as 1885 and by 1890 the business operated entirely from Melksham. At this point the Avon India Rubber Company Ltd was formed and in 1906 Avon car tyres were advertised for the first time along with their already established line in cycle tyres. Throughout WW1, Avon Tyres were used on forces bicycles, motorcycles, cars, trucks, aeroplanes and ambulances. Other Avon rubber products such as tubing and hoses were used to extract water from waterlogged trenches.
By the late 1920s, Avon had a number of tyre distribution centres across Britain and their product range diversified to include carriage and pram tyres, rubber soles and heels for footwear, household bath mats and rubber carpets. In 1933 the Avon 'cooled duo-tread tyre' was chosen by Rolls Royce as a standard feature on their cars. Avon's racing pedigree gained momentum in the 1920s and continued through to the mid-century period, building up strong relationships with international riders and drivers.
Avon maintained a high profile in the rubber based product market and the post WW11 period witnessed rapid growth through a number of acquisitions and further product diversification. Cooper Tire & Rubber Company (Ohio, USA), purchased Avon Tyres in 1997 in an agreement that allowed the company to focus on its core automotive components, technical products and protective equipment. The Avon brand remains within the Cooper Tire & Rubber Company portfolio and the Melksham, Wiltshire plant remains active today.
Photography, layout and design: Argy58
(This image also exists as a high resolution jpeg and tiff - ideal for a
variety of print sizes e.g. A4, A3, A2 and A1. The current uploaded
format is for screen based viewing only: 72pi)
Stadt-Tastmodell der Altstadt von Erfurt in der Altstadt von Erfurt mit Beschriftung vieler Straßen in Brailleschrift für Blinde und Sehbehinderte. Erfurt 2017.
City model of Erfurt to grope for the blind and visually impaired people with braille descriptions. Erfurt 2017.
Visually they looked damp, so the Macro photography was a delight in discovering the almost furry top surface, seen at the edges of these fungi.
These ranged in size up to 15mm diameter.
Visually Impaired - Color Blind
Using LomoChrome film to raise awareness of the visually impaired. RZ67 - turquoise
A visually-impared individual and his guide while waiting for a bus along EDSA during the recently concluded APEC Economic Leaders' Meeting held in Manila.
I have always considered this street be visually unattractive and I do hope that the new hotel have a positive impact on the street and the area in General but I have yet to be convinced.
Fitzwilliam Real Estate Properties are currently undertaking the construction of a 300 room hotel at the corner of Abbey Street and Liffey Street. When completed in 2020, the hotel will be operated by Motel One in its first venture into the Irish market.
Motel One, a budget boutique hotel chain owned by Dieter Müller, was set up in 2000. It now has over 18,000 rooms in 65 hotels across eight mainland European countries and the UK.
A number of objections were filed against the proposed hotel block before it was given the all-clear by the council. Heritage group An Taisce said the new development would be “an obtrusive and ungainly new element in the view from the Ha’penny Bridge” and requested the submitted plans be revised.
Visually, there's not much I can think of to say about this. If you want, you could read about it, though. And then you could say, "Ah, so that is what a super-metal-rich planetary nebula looks like."
Again, two sets of data were three years apart, so if you are a very keen observer you may notice slight color fringing.
Red: hst_08594_03_wfpc2_f656n_pc_sci + hst_06119_94_wfpc2_f814w_pc_sci
Green: hst_06119_94_wfpc2_f555w_pc_02_sci
Blue: hst_08594_03_wfpc2_f502n_pc_sci
North is NOT up.
There are three Ashfords, really. The modern newtown, Swindonesque newbuilds stretching into the countryside; the Victorian railway town, all neat rows of brick buit houses and the station, and then there is the old town, timber-framed houses along narrow lanes, with St Mary standing towering above all but the modern office blocks.
The west end church was given over to a Christmas Fayre, but is also used now as a concert venue, while under the tower westwards is still in use as a church, with many of its ancient features left alone by the Victorians.
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A stately church in a good position set away from the hustle and bustle of this cosmopolitan town. The very narrow tower of 1475 is not visually satisfactory when viewed from a distance but its odd proportions are hardly noticed when standing at its base. The church is very much the product of the families who have been associated with it over the centuries and who are commemorated by monuments within. They include the Fogges and the Smythes. The former is supposed to have wanted to create a college of priests here, but by the late fifteenth century such foundations were going out of fashion and the remodelling of the church undertaken by Sir John Fogge may have just been a philanthropic cause. Unusually, when the church was restored in 1860 the architect Ewan Christian kept the galleries (he usually swept them away), but Christ Church had yet to be built and the population of this growing town would have needed all the accommodation it could get. Even in 1851 1000 people had attended the church in a single sitting. The pulpit, designed by Pearson, was made in 1897.
www.kentchurches.info/church.asp?p=Ashford+1
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THE TOWN AND PARISH OF ASHFORD
LIES the next adjoining to Hothfield eastward. It is called in Domesday both Estefort and Essetesford, and in other antient records, Eshetisford, taking its name from the river, which runs close to it, which, Lambarde says, ought not to be called the Stour, till it has passed this town, but Eshe or Eschet, a name which has been for a great length of time wholly forgotten; this river being known, even from its first rise at Lenham hither, by the name of the Stour only.
A small part only of this parish, on the east, south and west sides of it, containing the borough of Henwood, alias Hewit, lying on the eastern or further side of the river from the town, part of which extends into the parish of Wilsborough, and the whole of it within the liberty of the manor of Wye, and the borough of Rudlow, which adjoins to Kingsnoth and Great Chart, are in this hundred of Chart and Longbridge; such part of the borough of Rudlow as lies adjoining to Kingsnoth, is said to lie in in jugo de Beavor, or the yoke of Beavor, and is divided from the town and liberty by the river, near a place called Pollbay; in which yoke there is both a hamlet and a green or common, of the name of Beavor; the remainder of the parish having been long separated from it, and made a distinct liberty, or jurisdiction of itself, having a constable of its own, and distinguished by the name of the liberty of the town of Ashford.
ASHFORD, at the time of taking the general survey of Domesday, was part of the possessions of Hugo de Montfort, who had accompanied the Conqueror hither, and was afterwards rewarded with this estate, among many others in different counties; in which record it is thus entered, under the general title of his lands:
¶Maigno holds of Hugo (de Montfort) Estefort. Turgisus held it of earl Godwin, and it is taxed at one suling. The arable land is half a carucate. There is nevertheless in demesne one carucate, and two villeins having one carucate. There are two servants, and eight acres of meadow. In the time of king Edward the Confessor, it was worth twenty five shillings; when he received it, twenty shillings; now thirty shilling.
The same Hugo holds Essela. Three tenants held it of king Edward, and could go whither they would with their lands. It was taxed at three yokes. The arable land is one carucate and an half. There are now four villeins, with two borderers having one carucate, and six acres of meadow. The whole, in the reign of king Edward the Confessor, was worth twenty shillings, and afterwards fifteen shillings, now twenty shillings.
Maigno held another Essetisford of the same Hugo. Wirelm held it of king Edward. It was taxed at one suling. The arable land is four carucates. In demesne there are two, and two villeins, with fifteen borderers having three carucates. There is a church, and a priest, and three servants, and two mills of ten shillings and two pence. In the time of king Edward the Confessor it was worth seventy shillings, and afterwards sixty shillings, now one hundred shillings.
Robert de Montfort, grandson of Hugh abovementioned, favouring the title of Robert Curthose, in opposition to king Henry I. to avoid being called in question upon that account, obtained leave to go on a pilgrimage to Jerusalem, leaving his possessions to the king; by which means this manor came into the hands of the crown. Soon after which it seems to have come into the possession of a family, who took their name from it. William de Asshetesford appears by the register of Horton priory to have been lord of it, and to have been succeeded by another of the same name. After which the family of Criol became owners of it, by whom it was held by knight's service of the king, in capite, by ward to Dover castle, and the repair of a tower in that castle, called the Ashford tower. (fn. 1) Simon de Criol, in the 27th and 28th year of Henry III. obtained a charter of free warren for this manor, whose son William de Criol passed it away to Roger de Leyborne, for Stocton, in Huntingdonshire, and Rumford, in Essex. William de Leyborne his son, in the 7th year of king Edward I. claimed and was allowed the privilege of a market here, before the justices itinerant. He died possessed of this manor in the 3d year of Edward II. leaving his grand-daughter Juliana, daughter of Thomas de Leyborne, who died in his father's life-time, heir both to her grandfather and father's possessions, from the greatness of which she was stiled the Infanta of Kent, (fn. 2) though thrice married, yet she died s. p. by either of her husbands, all of whom she survived, and died in the 41st year of Edward III. Upon which this manor, among the rest of her estates, escheated to the crown, and continued there till king Richard II. vested it, among others, in feoffees, for the performance of certain religious bequests by the will of king Edward III. then lately deceased; and they, in compliance with it, soon afterwards, with the king's licence, purchased this manor, with those of Wall, and Esture, of the crown, towards the endowment of St. Stephen's chapel, in the king's palace of Westminster, all which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 7th year, granted to them a fair in this town yearly, on the feast of St. John Port Latin, together with all liberties, and to have a steward to hold the court of it, &c. In which situation they continued till the 1st year of Edward VI. when this collegiate chapel was, with all its possessions, surrendered into the king's hands, where these manors did not continue long; for that king, in his 3d year, granted the manor of Esshetford, with that of Wall, and the manor of Esture, to Sir Anthony Aucher, of Otterden, to hold in capite; and he, in the 2d and 3d of Philip and Mary, sold them to Sir Andrew Judde, of London, whose daughter and at length heir Alice, afterwards carried them in marriage to Thomas Smith, esq. of Westenhanger, commonly called the Customer, who died possessed of them in 1591, and lies buried in the south cross of this church, having had several sons and daughters, of, whom Sir John Smythe, of Ostenhanger, the eldest, succeeded him here, and was sheriff anno 42 Elizabeth. Sir Thomas Smith, the second son, was of Bidborough and Sutton at Hone, and ambassador to Russia, of whom and his descendants, notice has been taken in the former volumes of this history; (fn. 3) and Henry, the third son, was of Corsham, in Wiltshire, whence this family originally descended, and Sir Richard Smith, the fourth, was of Leeds castle. Sir John Smythe, above-mentioned, died in 1609, and lies buried in the same vault as his father in this church, leaving one son Sir Thomas Smythe, of Westenhanger, K. B. who was in 1628 created Viscount Strangford, of Ireland, whose grandson Philip, viscount Strangford, dying about 1709, Henry Roper, lord Teynham, who had married Catherine his eldest daughter, by his will, became possessed of the manors of Ashford, Wall, and Esture. By her, who died in 1711, he had two sons, Philip and Henry, successively lords Teynham; notwithstanding which, having the uncontrolled power in these manors vested in him, he, on his marriage with Anne, second daughter and coheir of Thomas Lennard, earl of Sussex, and widow of Richard Barrett Lennard, esq. afterwards baroness Dacre, settled them on her and her issue by him in tail male. He died in 1623, and left her surviving, and possessed of these manors for her life. She afterwards married the hon. Robert Moore, and died in 1755. She had by lord Teynham two sons, Charles and Richard-Henry, (fn. 4) Charles Roper, the eldest son, died in 1754 intestate, leaving two sons, Trevor-Charles and Henry, who on their mother's death became entitled to these manors, as coheirs in gavelkind, a recovery having been suffered of them, limiting them after her death to Charles Roper their father, in tail male; but being infants, and there being many incumbrances on these estates, a bill was exhibited in chancery, and an act procured anno 29 George II. for the sale of them; and accordingly these manors were sold, under the direction of that court, in 1765, to the Rev. Francis Hender Foote, of Bishopsborne, who in 1768 parted with the manor of Wall, alias Court at Wall, to John Toke, esq. of Great Chart, whose son Nicholas Roundell Toke, is the present possessor of it; but he died possessed of the manors of Ashford and Esture in 1773, and was succeeded in them by his eldest son John Foote, esq. now of Bishopsborne, the present owner of them. There are several copyhold lands held of the manor of Ashford. A court leet and court baron is regularly held for it.
THE TOWN OF ASHFORD stands most pleasant and healthy, on the knoll of a hill, of a gentle ascent on every side, the high road from Hythe to Maidstone passing through it, from which, in the middle of the town, the high road branches off through a pleasant country towards Canterbury. The houses are mostly modern and well-built, and the high-street, which has been lately new paved, is of considerable width. The markethouse stands in the centre of it, and the church and school on the south side of it, the beautiful tower of the former being a conspicuous object to the adjoining country. It is a small, but neat and chearful town, and many of the inhabitants of a genteel rank in life. Near the market place, is the house of the late Dr. Isaac Rutton, a physician of long and extensive practice in these parts, being the eldest son of Matthias Rutton, gent of this town, by Sarah his wife, daughter of Sir N. Toke, of Godinton. He died in 1792, bearing for his arms, Parted per fess, azure, and or, three unicorns heads, couped at the neck, counterchanged; since which, his eldest son, Isaac Rutton, esq. now of Ospringeplace, has sold this house to Mr. John Basil Duckworth, in whom it is now vested. In the midst of it is a large handsome house, built in 1759, by John Mascall, gent. who resided in it, and died possessed of it in 1769, and was buried in Boughton Aluph church, bearing for his arms, Barry of two, or, and azure, three inescutcheons, ermine; and his only son, Robert Mascall, esq. now of Ashford, who married the daughter of Jeremiah Curteis, esq. is the present owner, and resides in it. At the east end of the town is a seat, called Brooke-place, formerly possessed by the family of Woodward, who were always stiled, in antient deeds, gentlemen, and bore for their arms, Argent, a chevron, sable, between three grasshoppers, or; the last of them, Mr. John Woodward, gent. rebuilt this seat, and died possessed of it in 1757; of whose heirs it was purchased by Martha, widow of Moyle Breton, esq. of Kennington, whose two sons, the Rev. Moyle Breton, and Mr. Whitfield Breton, gent. alienated it to Josias Pattenson, esq. the second son of Mr. Josias Pattenson, of Biddenden, by Elizabeth, daughter and coheir of Felix Kadwell, esq. of Rolvenden; he married Mary, daughter of Mr. Henry Dering, gent. of this parish, and widow of Mr. John Mascall above-mentioned, by whom he has no issue, and he is the present owner of this seat, and resides in it. There have been barracks erected lately here, which at present contain 4000 soldiers. The market is held on a Saturday weekly, for the sale of corn, which is now but little used; and a market for the sale of all sorts of fat and lean stock on the first and third Tuesday in every month, which has been of great use to prevent monopolies. Two fairs are annually held now, by the alteration of the stile, on May 17, and Sept. 9, and another on Oct. 24; besides which, there is an annual fair for wool on August 2, not many years since instituted and encouraged by the principal gentry and landholders, which promises to prove of the greatest utility and benefit to the fair sale of it. That branch of the river Stour which rises at Lenham, runs along the southern part of this parish, and having turned a corn mill belonging to the lord of this manor, continues its course close at the east end of the town, where there is a stone bridge of four arches, repaired at the expence of the county, and so on northwards towards Wye and Canterbury. On the south side of the river in this parish, next to Kingsnoth, within the borough of Rudlow, is the yoke of Beavor, with the hamlet and farm of that name, possessed in very early times, as appears by the register of Horton priory, by a family of that name, one of whom, John Beavor, was possessed of it in the reign of Henry II. and was descended from one of the same furname, who attended the Conqueror in his expedition hither. The parish contains about 2000 acres of land, and three hundred and twenty houses, the whole rental of it being 4000l. per annum; the inhabitants are 2000, of which about one hundred are diffenters. The highways throughout it, which not many years ago were exceeding bad, have been by the unanimity of the inhabitants, which has shewn itself remarkable in all their public improvements, a rare instance in parochial undertakings, and by the great attention to the repairs of them, especially in such parts as were near their own houses, are now excellent. The lands round it are much upon a gravelly soil, though towards the east and south there are some rich fertile pastures, intermixed with arable land, and several plantations of hops; but toward the west, the soil is in general sand, having much quarrystone mixed with it, where there is a great deal of coppice wood, quite to Potter's corner, at the boundary of this parish.
The church, which is dedicated to St. Mary, is a large handsome building, consisting of three isles, with a transept, and three chancels, with the tower in the middle, which is losty and well proportioned, having four pinnacles at the top of it. There are eight bells in it, a set of chimes, and a clock. In the high chancel, on the north side, is the college John Fogge, the founder of the college here, who died in 1490, and his two wives, the brasses of their figures gone; but part of the inscription remains. And formerly, in Weever's time, there hung up in this chancel six atchievements, of those of this family whose burials had been attended by the heralds at arms, and with other ceremonies suitable to their degrees. Underneath the chancel is a large vault, full of the remains of the family. On the pavement in the middle, is a very antient curious gravestone, having on it the figure in brass of a woman, holding in her left hand a banner, with the arms of Ferrers, Six masctes, three and three, in pale; which, with a small part of the inscription round the edge, is all that is remaining; but there was formerly in brass, in her right hand, another banner, with the arms of Valoyns; over her head those of France and England quarterly; and under her feet a shield, being a cross, impaling three chevronels, the whole within a bordure, guttee de sang, and round the edge this inscription, Ici gift Elizabeth Comite D' athels la file sign de Ferrers . . . dieu asoil, qe morust le 22 jour d'octob. can de grace MCCCLXXV. Weever says, she was wife to David de Strabolgie, the fourth of that name, earl of Athol, in Scotland, and daughter of Henry, lord Ferrers, of Groby; and being secondly married to John Malmayns, of this county, died here in this town. Though by a pedigree of the family of Brograve, she is said to marry T. Fogge, esq. of Ashford; if so, he might perhaps have been her third husband. Near her is a memorial for William Whitfield, gent. obt. 1739. The north chancel belonged to Repton manor. In the vault underneath lay three of the family of Tuston, sometime since removed to Rainham, and it has been granted to the Husseys; Thomas Hussey, esq. of this town, died in 1779, and was buried in it. In the south chancel are memorials for the Pattensons, Whitfields, and Apsleys, of this place; and one for Henry Dering, gent. of Shelve, obt. 1752, and Hester his wife; arms, A saltier, a crescent for difference, impaling, on a chevron, between three persons, three crosses, formee; and another memorial for Thomasine, wife of John Handfield, obt. 1704. In the north cross are several antient stones, their brasses all gone, excepting a shield, with the arms of Fogge on one. At the end is a monument for John Norwood, gent. and Mary his wife, of this town, who lie with their children in the vault underneath. The south cross is parted off lengthways, for the family of Smith, lords of Ashford manor, who lie in a vault underneath. In it are three superb monuments, which, not many years since, were beautified and restored to their original state, by the late chief baron Smythe, a descendant of this family. One is for Thomas Smith, esq. of Westenhanger, in 1591; the second for Sir John Smythe, of Ostenhanger, his son, and Elizabeth his wife; and the third for Sir Richard Smyth, of Leeds castle, in 1628: all which have been already mentioned before. Their figures, at full length and proportion, are lying on, each of them, with their several coats of arms and quarterings blazoned. In the other part of this cross, is a memorial for Baptist Pigott, A. M. son of Baptist Pigott, of Dartford, and schoolmaster here, obt. 1657, and at the end of it, is the archbishop's consistory court. In the south isle is a memorial for Thomas Curteis, gent. obt. 1718, and Elizabeth his wife; arms, Curteis impaling Carter. Under the tower is one for Samuel Warren, vicar here forty-eight years, obt. 1720. The three isles were new pewed and handsomely paved in 1745. There are five galleries, and an handsome branch for candles in the middled isle; the whole kept in an excellent state of repair and neatness. There was formerly much curtious painted glass in the windows, particularly the figures of one of the family of Valoyns, his two wives and children, with their arms. In the south window of the cross isle, and in other windows, the figures, kneeling, of king Edward III. the black prince, Richard, duke of Gloucester, the lord Hastings. Sir William Haute, the lord Scales, Richard, earl Rivers, and the dutchess of Bedford his wife, Sir John Fogge, Sir John Peche, Richard Horne, Roger Manstone, and—Guildford, most of which were in the great west window, each habited in their surcoats of arms, not the least traces of which, or of any other coloured glass, are remaining throughout this church. Sir John Goldstone, parson of Ivechurch, as appears by his will in 1503, was buried in the choir of this church, and gave several costly ornaments and vestments for the use of it.
There are three Ashfords, really. The modern newtown, Swindonesque newbuilds stretching into the countryside; the Victorian railway town, all neat rows of brick buit houses and the station, and then there is the old town, timber-framed houses along narrow lanes, with St Mary standing towering above all but the modern office blocks.
The west end church was given over to a Christmas Fayre, but is also used now as a concert venue, while under the tower westwards is still in use as a church, with many of its ancient features left alone by the Victorians.
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A stately church in a good position set away from the hustle and bustle of this cosmopolitan town. The very narrow tower of 1475 is not visually satisfactory when viewed from a distance but its odd proportions are hardly noticed when standing at its base. The church is very much the product of the families who have been associated with it over the centuries and who are commemorated by monuments within. They include the Fogges and the Smythes. The former is supposed to have wanted to create a college of priests here, but by the late fifteenth century such foundations were going out of fashion and the remodelling of the church undertaken by Sir John Fogge may have just been a philanthropic cause. Unusually, when the church was restored in 1860 the architect Ewan Christian kept the galleries (he usually swept them away), but Christ Church had yet to be built and the population of this growing town would have needed all the accommodation it could get. Even in 1851 1000 people had attended the church in a single sitting. The pulpit, designed by Pearson, was made in 1897.
www.kentchurches.info/church.asp?p=Ashford+1
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THE TOWN AND PARISH OF ASHFORD
LIES the next adjoining to Hothfield eastward. It is called in Domesday both Estefort and Essetesford, and in other antient records, Eshetisford, taking its name from the river, which runs close to it, which, Lambarde says, ought not to be called the Stour, till it has passed this town, but Eshe or Eschet, a name which has been for a great length of time wholly forgotten; this river being known, even from its first rise at Lenham hither, by the name of the Stour only.
A small part only of this parish, on the east, south and west sides of it, containing the borough of Henwood, alias Hewit, lying on the eastern or further side of the river from the town, part of which extends into the parish of Wilsborough, and the whole of it within the liberty of the manor of Wye, and the borough of Rudlow, which adjoins to Kingsnoth and Great Chart, are in this hundred of Chart and Longbridge; such part of the borough of Rudlow as lies adjoining to Kingsnoth, is said to lie in in jugo de Beavor, or the yoke of Beavor, and is divided from the town and liberty by the river, near a place called Pollbay; in which yoke there is both a hamlet and a green or common, of the name of Beavor; the remainder of the parish having been long separated from it, and made a distinct liberty, or jurisdiction of itself, having a constable of its own, and distinguished by the name of the liberty of the town of Ashford.
ASHFORD, at the time of taking the general survey of Domesday, was part of the possessions of Hugo de Montfort, who had accompanied the Conqueror hither, and was afterwards rewarded with this estate, among many others in different counties; in which record it is thus entered, under the general title of his lands:
¶Maigno holds of Hugo (de Montfort) Estefort. Turgisus held it of earl Godwin, and it is taxed at one suling. The arable land is half a carucate. There is nevertheless in demesne one carucate, and two villeins having one carucate. There are two servants, and eight acres of meadow. In the time of king Edward the Confessor, it was worth twenty five shillings; when he received it, twenty shillings; now thirty shilling.
The same Hugo holds Essela. Three tenants held it of king Edward, and could go whither they would with their lands. It was taxed at three yokes. The arable land is one carucate and an half. There are now four villeins, with two borderers having one carucate, and six acres of meadow. The whole, in the reign of king Edward the Confessor, was worth twenty shillings, and afterwards fifteen shillings, now twenty shillings.
Maigno held another Essetisford of the same Hugo. Wirelm held it of king Edward. It was taxed at one suling. The arable land is four carucates. In demesne there are two, and two villeins, with fifteen borderers having three carucates. There is a church, and a priest, and three servants, and two mills of ten shillings and two pence. In the time of king Edward the Confessor it was worth seventy shillings, and afterwards sixty shillings, now one hundred shillings.
Robert de Montfort, grandson of Hugh abovementioned, favouring the title of Robert Curthose, in opposition to king Henry I. to avoid being called in question upon that account, obtained leave to go on a pilgrimage to Jerusalem, leaving his possessions to the king; by which means this manor came into the hands of the crown. Soon after which it seems to have come into the possession of a family, who took their name from it. William de Asshetesford appears by the register of Horton priory to have been lord of it, and to have been succeeded by another of the same name. After which the family of Criol became owners of it, by whom it was held by knight's service of the king, in capite, by ward to Dover castle, and the repair of a tower in that castle, called the Ashford tower. (fn. 1) Simon de Criol, in the 27th and 28th year of Henry III. obtained a charter of free warren for this manor, whose son William de Criol passed it away to Roger de Leyborne, for Stocton, in Huntingdonshire, and Rumford, in Essex. William de Leyborne his son, in the 7th year of king Edward I. claimed and was allowed the privilege of a market here, before the justices itinerant. He died possessed of this manor in the 3d year of Edward II. leaving his grand-daughter Juliana, daughter of Thomas de Leyborne, who died in his father's life-time, heir both to her grandfather and father's possessions, from the greatness of which she was stiled the Infanta of Kent, (fn. 2) though thrice married, yet she died s. p. by either of her husbands, all of whom she survived, and died in the 41st year of Edward III. Upon which this manor, among the rest of her estates, escheated to the crown, and continued there till king Richard II. vested it, among others, in feoffees, for the performance of certain religious bequests by the will of king Edward III. then lately deceased; and they, in compliance with it, soon afterwards, with the king's licence, purchased this manor, with those of Wall, and Esture, of the crown, towards the endowment of St. Stephen's chapel, in the king's palace of Westminster, all which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 7th year, granted to them a fair in this town yearly, on the feast of St. John Port Latin, together with all liberties, and to have a steward to hold the court of it, &c. In which situation they continued till the 1st year of Edward VI. when this collegiate chapel was, with all its possessions, surrendered into the king's hands, where these manors did not continue long; for that king, in his 3d year, granted the manor of Esshetford, with that of Wall, and the manor of Esture, to Sir Anthony Aucher, of Otterden, to hold in capite; and he, in the 2d and 3d of Philip and Mary, sold them to Sir Andrew Judde, of London, whose daughter and at length heir Alice, afterwards carried them in marriage to Thomas Smith, esq. of Westenhanger, commonly called the Customer, who died possessed of them in 1591, and lies buried in the south cross of this church, having had several sons and daughters, of, whom Sir John Smythe, of Ostenhanger, the eldest, succeeded him here, and was sheriff anno 42 Elizabeth. Sir Thomas Smith, the second son, was of Bidborough and Sutton at Hone, and ambassador to Russia, of whom and his descendants, notice has been taken in the former volumes of this history; (fn. 3) and Henry, the third son, was of Corsham, in Wiltshire, whence this family originally descended, and Sir Richard Smith, the fourth, was of Leeds castle. Sir John Smythe, above-mentioned, died in 1609, and lies buried in the same vault as his father in this church, leaving one son Sir Thomas Smythe, of Westenhanger, K. B. who was in 1628 created Viscount Strangford, of Ireland, whose grandson Philip, viscount Strangford, dying about 1709, Henry Roper, lord Teynham, who had married Catherine his eldest daughter, by his will, became possessed of the manors of Ashford, Wall, and Esture. By her, who died in 1711, he had two sons, Philip and Henry, successively lords Teynham; notwithstanding which, having the uncontrolled power in these manors vested in him, he, on his marriage with Anne, second daughter and coheir of Thomas Lennard, earl of Sussex, and widow of Richard Barrett Lennard, esq. afterwards baroness Dacre, settled them on her and her issue by him in tail male. He died in 1623, and left her surviving, and possessed of these manors for her life. She afterwards married the hon. Robert Moore, and died in 1755. She had by lord Teynham two sons, Charles and Richard-Henry, (fn. 4) Charles Roper, the eldest son, died in 1754 intestate, leaving two sons, Trevor-Charles and Henry, who on their mother's death became entitled to these manors, as coheirs in gavelkind, a recovery having been suffered of them, limiting them after her death to Charles Roper their father, in tail male; but being infants, and there being many incumbrances on these estates, a bill was exhibited in chancery, and an act procured anno 29 George II. for the sale of them; and accordingly these manors were sold, under the direction of that court, in 1765, to the Rev. Francis Hender Foote, of Bishopsborne, who in 1768 parted with the manor of Wall, alias Court at Wall, to John Toke, esq. of Great Chart, whose son Nicholas Roundell Toke, is the present possessor of it; but he died possessed of the manors of Ashford and Esture in 1773, and was succeeded in them by his eldest son John Foote, esq. now of Bishopsborne, the present owner of them. There are several copyhold lands held of the manor of Ashford. A court leet and court baron is regularly held for it.
THE TOWN OF ASHFORD stands most pleasant and healthy, on the knoll of a hill, of a gentle ascent on every side, the high road from Hythe to Maidstone passing through it, from which, in the middle of the town, the high road branches off through a pleasant country towards Canterbury. The houses are mostly modern and well-built, and the high-street, which has been lately new paved, is of considerable width. The markethouse stands in the centre of it, and the church and school on the south side of it, the beautiful tower of the former being a conspicuous object to the adjoining country. It is a small, but neat and chearful town, and many of the inhabitants of a genteel rank in life. Near the market place, is the house of the late Dr. Isaac Rutton, a physician of long and extensive practice in these parts, being the eldest son of Matthias Rutton, gent of this town, by Sarah his wife, daughter of Sir N. Toke, of Godinton. He died in 1792, bearing for his arms, Parted per fess, azure, and or, three unicorns heads, couped at the neck, counterchanged; since which, his eldest son, Isaac Rutton, esq. now of Ospringeplace, has sold this house to Mr. John Basil Duckworth, in whom it is now vested. In the midst of it is a large handsome house, built in 1759, by John Mascall, gent. who resided in it, and died possessed of it in 1769, and was buried in Boughton Aluph church, bearing for his arms, Barry of two, or, and azure, three inescutcheons, ermine; and his only son, Robert Mascall, esq. now of Ashford, who married the daughter of Jeremiah Curteis, esq. is the present owner, and resides in it. At the east end of the town is a seat, called Brooke-place, formerly possessed by the family of Woodward, who were always stiled, in antient deeds, gentlemen, and bore for their arms, Argent, a chevron, sable, between three grasshoppers, or; the last of them, Mr. John Woodward, gent. rebuilt this seat, and died possessed of it in 1757; of whose heirs it was purchased by Martha, widow of Moyle Breton, esq. of Kennington, whose two sons, the Rev. Moyle Breton, and Mr. Whitfield Breton, gent. alienated it to Josias Pattenson, esq. the second son of Mr. Josias Pattenson, of Biddenden, by Elizabeth, daughter and coheir of Felix Kadwell, esq. of Rolvenden; he married Mary, daughter of Mr. Henry Dering, gent. of this parish, and widow of Mr. John Mascall above-mentioned, by whom he has no issue, and he is the present owner of this seat, and resides in it. There have been barracks erected lately here, which at present contain 4000 soldiers. The market is held on a Saturday weekly, for the sale of corn, which is now but little used; and a market for the sale of all sorts of fat and lean stock on the first and third Tuesday in every month, which has been of great use to prevent monopolies. Two fairs are annually held now, by the alteration of the stile, on May 17, and Sept. 9, and another on Oct. 24; besides which, there is an annual fair for wool on August 2, not many years since instituted and encouraged by the principal gentry and landholders, which promises to prove of the greatest utility and benefit to the fair sale of it. That branch of the river Stour which rises at Lenham, runs along the southern part of this parish, and having turned a corn mill belonging to the lord of this manor, continues its course close at the east end of the town, where there is a stone bridge of four arches, repaired at the expence of the county, and so on northwards towards Wye and Canterbury. On the south side of the river in this parish, next to Kingsnoth, within the borough of Rudlow, is the yoke of Beavor, with the hamlet and farm of that name, possessed in very early times, as appears by the register of Horton priory, by a family of that name, one of whom, John Beavor, was possessed of it in the reign of Henry II. and was descended from one of the same furname, who attended the Conqueror in his expedition hither. The parish contains about 2000 acres of land, and three hundred and twenty houses, the whole rental of it being 4000l. per annum; the inhabitants are 2000, of which about one hundred are diffenters. The highways throughout it, which not many years ago were exceeding bad, have been by the unanimity of the inhabitants, which has shewn itself remarkable in all their public improvements, a rare instance in parochial undertakings, and by the great attention to the repairs of them, especially in such parts as were near their own houses, are now excellent. The lands round it are much upon a gravelly soil, though towards the east and south there are some rich fertile pastures, intermixed with arable land, and several plantations of hops; but toward the west, the soil is in general sand, having much quarrystone mixed with it, where there is a great deal of coppice wood, quite to Potter's corner, at the boundary of this parish.
The church, which is dedicated to St. Mary, is a large handsome building, consisting of three isles, with a transept, and three chancels, with the tower in the middle, which is losty and well proportioned, having four pinnacles at the top of it. There are eight bells in it, a set of chimes, and a clock. In the high chancel, on the north side, is the college John Fogge, the founder of the college here, who died in 1490, and his two wives, the brasses of their figures gone; but part of the inscription remains. And formerly, in Weever's time, there hung up in this chancel six atchievements, of those of this family whose burials had been attended by the heralds at arms, and with other ceremonies suitable to their degrees. Underneath the chancel is a large vault, full of the remains of the family. On the pavement in the middle, is a very antient curious gravestone, having on it the figure in brass of a woman, holding in her left hand a banner, with the arms of Ferrers, Six masctes, three and three, in pale; which, with a small part of the inscription round the edge, is all that is remaining; but there was formerly in brass, in her right hand, another banner, with the arms of Valoyns; over her head those of France and England quarterly; and under her feet a shield, being a cross, impaling three chevronels, the whole within a bordure, guttee de sang, and round the edge this inscription, Ici gift Elizabeth Comite D' athels la file sign de Ferrers . . . dieu asoil, qe morust le 22 jour d'octob. can de grace MCCCLXXV. Weever says, she was wife to David de Strabolgie, the fourth of that name, earl of Athol, in Scotland, and daughter of Henry, lord Ferrers, of Groby; and being secondly married to John Malmayns, of this county, died here in this town. Though by a pedigree of the family of Brograve, she is said to marry T. Fogge, esq. of Ashford; if so, he might perhaps have been her third husband. Near her is a memorial for William Whitfield, gent. obt. 1739. The north chancel belonged to Repton manor. In the vault underneath lay three of the family of Tuston, sometime since removed to Rainham, and it has been granted to the Husseys; Thomas Hussey, esq. of this town, died in 1779, and was buried in it. In the south chancel are memorials for the Pattensons, Whitfields, and Apsleys, of this place; and one for Henry Dering, gent. of Shelve, obt. 1752, and Hester his wife; arms, A saltier, a crescent for difference, impaling, on a chevron, between three persons, three crosses, formee; and another memorial for Thomasine, wife of John Handfield, obt. 1704. In the north cross are several antient stones, their brasses all gone, excepting a shield, with the arms of Fogge on one. At the end is a monument for John Norwood, gent. and Mary his wife, of this town, who lie with their children in the vault underneath. The south cross is parted off lengthways, for the family of Smith, lords of Ashford manor, who lie in a vault underneath. In it are three superb monuments, which, not many years since, were beautified and restored to their original state, by the late chief baron Smythe, a descendant of this family. One is for Thomas Smith, esq. of Westenhanger, in 1591; the second for Sir John Smythe, of Ostenhanger, his son, and Elizabeth his wife; and the third for Sir Richard Smyth, of Leeds castle, in 1628: all which have been already mentioned before. Their figures, at full length and proportion, are lying on, each of them, with their several coats of arms and quarterings blazoned. In the other part of this cross, is a memorial for Baptist Pigott, A. M. son of Baptist Pigott, of Dartford, and schoolmaster here, obt. 1657, and at the end of it, is the archbishop's consistory court. In the south isle is a memorial for Thomas Curteis, gent. obt. 1718, and Elizabeth his wife; arms, Curteis impaling Carter. Under the tower is one for Samuel Warren, vicar here forty-eight years, obt. 1720. The three isles were new pewed and handsomely paved in 1745. There are five galleries, and an handsome branch for candles in the middled isle; the whole kept in an excellent state of repair and neatness. There was formerly much curtious painted glass in the windows, particularly the figures of one of the family of Valoyns, his two wives and children, with their arms. In the south window of the cross isle, and in other windows, the figures, kneeling, of king Edward III. the black prince, Richard, duke of Gloucester, the lord Hastings. Sir William Haute, the lord Scales, Richard, earl Rivers, and the dutchess of Bedford his wife, Sir John Fogge, Sir John Peche, Richard Horne, Roger Manstone, and—Guildford, most of which were in the great west window, each habited in their surcoats of arms, not the least traces of which, or of any other coloured glass, are remaining throughout this church. Sir John Goldstone, parson of Ivechurch, as appears by his will in 1503, was buried in the choir of this church, and gave several costly ornaments and vestments for the use of it.
Newsmap is an application that visually reflects the constantly changing landscape of the Google News news aggregator. A treemap visualization algorithm helps display the enormous amount of information gathered by the aggregator. Treemaps are traditionally space-constrained visualizations of information. Newsmap's objective takes that goal a step further and provides a tool to divide information into quickly recognizable bands which, when presented together, reveal underlying patterns in news reporting across cultures and within news segments in constant change around the globe.
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There are three Ashfords, really. The modern newtown, Swindonesque newbuilds stretching into the countryside; the Victorian railway town, all neat rows of brick buit houses and the station, and then there is the old town, timber-framed houses along narrow lanes, with St Mary standing towering above all but the modern office blocks.
The west end church was given over to a Christmas Fayre, but is also used now as a concert venue, while under the tower westwards is still in use as a church, with many of its ancient features left alone by the Victorians.
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A stately church in a good position set away from the hustle and bustle of this cosmopolitan town. The very narrow tower of 1475 is not visually satisfactory when viewed from a distance but its odd proportions are hardly noticed when standing at its base. The church is very much the product of the families who have been associated with it over the centuries and who are commemorated by monuments within. They include the Fogges and the Smythes. The former is supposed to have wanted to create a college of priests here, but by the late fifteenth century such foundations were going out of fashion and the remodelling of the church undertaken by Sir John Fogge may have just been a philanthropic cause. Unusually, when the church was restored in 1860 the architect Ewan Christian kept the galleries (he usually swept them away), but Christ Church had yet to be built and the population of this growing town would have needed all the accommodation it could get. Even in 1851 1000 people had attended the church in a single sitting. The pulpit, designed by Pearson, was made in 1897.
www.kentchurches.info/church.asp?p=Ashford+1
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THE TOWN AND PARISH OF ASHFORD
LIES the next adjoining to Hothfield eastward. It is called in Domesday both Estefort and Essetesford, and in other antient records, Eshetisford, taking its name from the river, which runs close to it, which, Lambarde says, ought not to be called the Stour, till it has passed this town, but Eshe or Eschet, a name which has been for a great length of time wholly forgotten; this river being known, even from its first rise at Lenham hither, by the name of the Stour only.
A small part only of this parish, on the east, south and west sides of it, containing the borough of Henwood, alias Hewit, lying on the eastern or further side of the river from the town, part of which extends into the parish of Wilsborough, and the whole of it within the liberty of the manor of Wye, and the borough of Rudlow, which adjoins to Kingsnoth and Great Chart, are in this hundred of Chart and Longbridge; such part of the borough of Rudlow as lies adjoining to Kingsnoth, is said to lie in in jugo de Beavor, or the yoke of Beavor, and is divided from the town and liberty by the river, near a place called Pollbay; in which yoke there is both a hamlet and a green or common, of the name of Beavor; the remainder of the parish having been long separated from it, and made a distinct liberty, or jurisdiction of itself, having a constable of its own, and distinguished by the name of the liberty of the town of Ashford.
ASHFORD, at the time of taking the general survey of Domesday, was part of the possessions of Hugo de Montfort, who had accompanied the Conqueror hither, and was afterwards rewarded with this estate, among many others in different counties; in which record it is thus entered, under the general title of his lands:
¶Maigno holds of Hugo (de Montfort) Estefort. Turgisus held it of earl Godwin, and it is taxed at one suling. The arable land is half a carucate. There is nevertheless in demesne one carucate, and two villeins having one carucate. There are two servants, and eight acres of meadow. In the time of king Edward the Confessor, it was worth twenty five shillings; when he received it, twenty shillings; now thirty shilling.
The same Hugo holds Essela. Three tenants held it of king Edward, and could go whither they would with their lands. It was taxed at three yokes. The arable land is one carucate and an half. There are now four villeins, with two borderers having one carucate, and six acres of meadow. The whole, in the reign of king Edward the Confessor, was worth twenty shillings, and afterwards fifteen shillings, now twenty shillings.
Maigno held another Essetisford of the same Hugo. Wirelm held it of king Edward. It was taxed at one suling. The arable land is four carucates. In demesne there are two, and two villeins, with fifteen borderers having three carucates. There is a church, and a priest, and three servants, and two mills of ten shillings and two pence. In the time of king Edward the Confessor it was worth seventy shillings, and afterwards sixty shillings, now one hundred shillings.
Robert de Montfort, grandson of Hugh abovementioned, favouring the title of Robert Curthose, in opposition to king Henry I. to avoid being called in question upon that account, obtained leave to go on a pilgrimage to Jerusalem, leaving his possessions to the king; by which means this manor came into the hands of the crown. Soon after which it seems to have come into the possession of a family, who took their name from it. William de Asshetesford appears by the register of Horton priory to have been lord of it, and to have been succeeded by another of the same name. After which the family of Criol became owners of it, by whom it was held by knight's service of the king, in capite, by ward to Dover castle, and the repair of a tower in that castle, called the Ashford tower. (fn. 1) Simon de Criol, in the 27th and 28th year of Henry III. obtained a charter of free warren for this manor, whose son William de Criol passed it away to Roger de Leyborne, for Stocton, in Huntingdonshire, and Rumford, in Essex. William de Leyborne his son, in the 7th year of king Edward I. claimed and was allowed the privilege of a market here, before the justices itinerant. He died possessed of this manor in the 3d year of Edward II. leaving his grand-daughter Juliana, daughter of Thomas de Leyborne, who died in his father's life-time, heir both to her grandfather and father's possessions, from the greatness of which she was stiled the Infanta of Kent, (fn. 2) though thrice married, yet she died s. p. by either of her husbands, all of whom she survived, and died in the 41st year of Edward III. Upon which this manor, among the rest of her estates, escheated to the crown, and continued there till king Richard II. vested it, among others, in feoffees, for the performance of certain religious bequests by the will of king Edward III. then lately deceased; and they, in compliance with it, soon afterwards, with the king's licence, purchased this manor, with those of Wall, and Esture, of the crown, towards the endowment of St. Stephen's chapel, in the king's palace of Westminster, all which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 7th year, granted to them a fair in this town yearly, on the feast of St. John Port Latin, together with all liberties, and to have a steward to hold the court of it, &c. In which situation they continued till the 1st year of Edward VI. when this collegiate chapel was, with all its possessions, surrendered into the king's hands, where these manors did not continue long; for that king, in his 3d year, granted the manor of Esshetford, with that of Wall, and the manor of Esture, to Sir Anthony Aucher, of Otterden, to hold in capite; and he, in the 2d and 3d of Philip and Mary, sold them to Sir Andrew Judde, of London, whose daughter and at length heir Alice, afterwards carried them in marriage to Thomas Smith, esq. of Westenhanger, commonly called the Customer, who died possessed of them in 1591, and lies buried in the south cross of this church, having had several sons and daughters, of, whom Sir John Smythe, of Ostenhanger, the eldest, succeeded him here, and was sheriff anno 42 Elizabeth. Sir Thomas Smith, the second son, was of Bidborough and Sutton at Hone, and ambassador to Russia, of whom and his descendants, notice has been taken in the former volumes of this history; (fn. 3) and Henry, the third son, was of Corsham, in Wiltshire, whence this family originally descended, and Sir Richard Smith, the fourth, was of Leeds castle. Sir John Smythe, above-mentioned, died in 1609, and lies buried in the same vault as his father in this church, leaving one son Sir Thomas Smythe, of Westenhanger, K. B. who was in 1628 created Viscount Strangford, of Ireland, whose grandson Philip, viscount Strangford, dying about 1709, Henry Roper, lord Teynham, who had married Catherine his eldest daughter, by his will, became possessed of the manors of Ashford, Wall, and Esture. By her, who died in 1711, he had two sons, Philip and Henry, successively lords Teynham; notwithstanding which, having the uncontrolled power in these manors vested in him, he, on his marriage with Anne, second daughter and coheir of Thomas Lennard, earl of Sussex, and widow of Richard Barrett Lennard, esq. afterwards baroness Dacre, settled them on her and her issue by him in tail male. He died in 1623, and left her surviving, and possessed of these manors for her life. She afterwards married the hon. Robert Moore, and died in 1755. She had by lord Teynham two sons, Charles and Richard-Henry, (fn. 4) Charles Roper, the eldest son, died in 1754 intestate, leaving two sons, Trevor-Charles and Henry, who on their mother's death became entitled to these manors, as coheirs in gavelkind, a recovery having been suffered of them, limiting them after her death to Charles Roper their father, in tail male; but being infants, and there being many incumbrances on these estates, a bill was exhibited in chancery, and an act procured anno 29 George II. for the sale of them; and accordingly these manors were sold, under the direction of that court, in 1765, to the Rev. Francis Hender Foote, of Bishopsborne, who in 1768 parted with the manor of Wall, alias Court at Wall, to John Toke, esq. of Great Chart, whose son Nicholas Roundell Toke, is the present possessor of it; but he died possessed of the manors of Ashford and Esture in 1773, and was succeeded in them by his eldest son John Foote, esq. now of Bishopsborne, the present owner of them. There are several copyhold lands held of the manor of Ashford. A court leet and court baron is regularly held for it.
THE TOWN OF ASHFORD stands most pleasant and healthy, on the knoll of a hill, of a gentle ascent on every side, the high road from Hythe to Maidstone passing through it, from which, in the middle of the town, the high road branches off through a pleasant country towards Canterbury. The houses are mostly modern and well-built, and the high-street, which has been lately new paved, is of considerable width. The markethouse stands in the centre of it, and the church and school on the south side of it, the beautiful tower of the former being a conspicuous object to the adjoining country. It is a small, but neat and chearful town, and many of the inhabitants of a genteel rank in life. Near the market place, is the house of the late Dr. Isaac Rutton, a physician of long and extensive practice in these parts, being the eldest son of Matthias Rutton, gent of this town, by Sarah his wife, daughter of Sir N. Toke, of Godinton. He died in 1792, bearing for his arms, Parted per fess, azure, and or, three unicorns heads, couped at the neck, counterchanged; since which, his eldest son, Isaac Rutton, esq. now of Ospringeplace, has sold this house to Mr. John Basil Duckworth, in whom it is now vested. In the midst of it is a large handsome house, built in 1759, by John Mascall, gent. who resided in it, and died possessed of it in 1769, and was buried in Boughton Aluph church, bearing for his arms, Barry of two, or, and azure, three inescutcheons, ermine; and his only son, Robert Mascall, esq. now of Ashford, who married the daughter of Jeremiah Curteis, esq. is the present owner, and resides in it. At the east end of the town is a seat, called Brooke-place, formerly possessed by the family of Woodward, who were always stiled, in antient deeds, gentlemen, and bore for their arms, Argent, a chevron, sable, between three grasshoppers, or; the last of them, Mr. John Woodward, gent. rebuilt this seat, and died possessed of it in 1757; of whose heirs it was purchased by Martha, widow of Moyle Breton, esq. of Kennington, whose two sons, the Rev. Moyle Breton, and Mr. Whitfield Breton, gent. alienated it to Josias Pattenson, esq. the second son of Mr. Josias Pattenson, of Biddenden, by Elizabeth, daughter and coheir of Felix Kadwell, esq. of Rolvenden; he married Mary, daughter of Mr. Henry Dering, gent. of this parish, and widow of Mr. John Mascall above-mentioned, by whom he has no issue, and he is the present owner of this seat, and resides in it. There have been barracks erected lately here, which at present contain 4000 soldiers. The market is held on a Saturday weekly, for the sale of corn, which is now but little used; and a market for the sale of all sorts of fat and lean stock on the first and third Tuesday in every month, which has been of great use to prevent monopolies. Two fairs are annually held now, by the alteration of the stile, on May 17, and Sept. 9, and another on Oct. 24; besides which, there is an annual fair for wool on August 2, not many years since instituted and encouraged by the principal gentry and landholders, which promises to prove of the greatest utility and benefit to the fair sale of it. That branch of the river Stour which rises at Lenham, runs along the southern part of this parish, and having turned a corn mill belonging to the lord of this manor, continues its course close at the east end of the town, where there is a stone bridge of four arches, repaired at the expence of the county, and so on northwards towards Wye and Canterbury. On the south side of the river in this parish, next to Kingsnoth, within the borough of Rudlow, is the yoke of Beavor, with the hamlet and farm of that name, possessed in very early times, as appears by the register of Horton priory, by a family of that name, one of whom, John Beavor, was possessed of it in the reign of Henry II. and was descended from one of the same furname, who attended the Conqueror in his expedition hither. The parish contains about 2000 acres of land, and three hundred and twenty houses, the whole rental of it being 4000l. per annum; the inhabitants are 2000, of which about one hundred are diffenters. The highways throughout it, which not many years ago were exceeding bad, have been by the unanimity of the inhabitants, which has shewn itself remarkable in all their public improvements, a rare instance in parochial undertakings, and by the great attention to the repairs of them, especially in such parts as were near their own houses, are now excellent. The lands round it are much upon a gravelly soil, though towards the east and south there are some rich fertile pastures, intermixed with arable land, and several plantations of hops; but toward the west, the soil is in general sand, having much quarrystone mixed with it, where there is a great deal of coppice wood, quite to Potter's corner, at the boundary of this parish.
The church, which is dedicated to St. Mary, is a large handsome building, consisting of three isles, with a transept, and three chancels, with the tower in the middle, which is losty and well proportioned, having four pinnacles at the top of it. There are eight bells in it, a set of chimes, and a clock. In the high chancel, on the north side, is the college John Fogge, the founder of the college here, who died in 1490, and his two wives, the brasses of their figures gone; but part of the inscription remains. And formerly, in Weever's time, there hung up in this chancel six atchievements, of those of this family whose burials had been attended by the heralds at arms, and with other ceremonies suitable to their degrees. Underneath the chancel is a large vault, full of the remains of the family. On the pavement in the middle, is a very antient curious gravestone, having on it the figure in brass of a woman, holding in her left hand a banner, with the arms of Ferrers, Six masctes, three and three, in pale; which, with a small part of the inscription round the edge, is all that is remaining; but there was formerly in brass, in her right hand, another banner, with the arms of Valoyns; over her head those of France and England quarterly; and under her feet a shield, being a cross, impaling three chevronels, the whole within a bordure, guttee de sang, and round the edge this inscription, Ici gift Elizabeth Comite D' athels la file sign de Ferrers . . . dieu asoil, qe morust le 22 jour d'octob. can de grace MCCCLXXV. Weever says, she was wife to David de Strabolgie, the fourth of that name, earl of Athol, in Scotland, and daughter of Henry, lord Ferrers, of Groby; and being secondly married to John Malmayns, of this county, died here in this town. Though by a pedigree of the family of Brograve, she is said to marry T. Fogge, esq. of Ashford; if so, he might perhaps have been her third husband. Near her is a memorial for William Whitfield, gent. obt. 1739. The north chancel belonged to Repton manor. In the vault underneath lay three of the family of Tuston, sometime since removed to Rainham, and it has been granted to the Husseys; Thomas Hussey, esq. of this town, died in 1779, and was buried in it. In the south chancel are memorials for the Pattensons, Whitfields, and Apsleys, of this place; and one for Henry Dering, gent. of Shelve, obt. 1752, and Hester his wife; arms, A saltier, a crescent for difference, impaling, on a chevron, between three persons, three crosses, formee; and another memorial for Thomasine, wife of John Handfield, obt. 1704. In the north cross are several antient stones, their brasses all gone, excepting a shield, with the arms of Fogge on one. At the end is a monument for John Norwood, gent. and Mary his wife, of this town, who lie with their children in the vault underneath. The south cross is parted off lengthways, for the family of Smith, lords of Ashford manor, who lie in a vault underneath. In it are three superb monuments, which, not many years since, were beautified and restored to their original state, by the late chief baron Smythe, a descendant of this family. One is for Thomas Smith, esq. of Westenhanger, in 1591; the second for Sir John Smythe, of Ostenhanger, his son, and Elizabeth his wife; and the third for Sir Richard Smyth, of Leeds castle, in 1628: all which have been already mentioned before. Their figures, at full length and proportion, are lying on, each of them, with their several coats of arms and quarterings blazoned. In the other part of this cross, is a memorial for Baptist Pigott, A. M. son of Baptist Pigott, of Dartford, and schoolmaster here, obt. 1657, and at the end of it, is the archbishop's consistory court. In the south isle is a memorial for Thomas Curteis, gent. obt. 1718, and Elizabeth his wife; arms, Curteis impaling Carter. Under the tower is one for Samuel Warren, vicar here forty-eight years, obt. 1720. The three isles were new pewed and handsomely paved in 1745. There are five galleries, and an handsome branch for candles in the middled isle; the whole kept in an excellent state of repair and neatness. There was formerly much curtious painted glass in the windows, particularly the figures of one of the family of Valoyns, his two wives and children, with their arms. In the south window of the cross isle, and in other windows, the figures, kneeling, of king Edward III. the black prince, Richard, duke of Gloucester, the lord Hastings. Sir William Haute, the lord Scales, Richard, earl Rivers, and the dutchess of Bedford his wife, Sir John Fogge, Sir John Peche, Richard Horne, Roger Manstone, and—Guildford, most of which were in the great west window, each habited in their surcoats of arms, not the least traces of which, or of any other coloured glass, are remaining throughout this church. Sir John Goldstone, parson of Ivechurch, as appears by his will in 1503, was buried in the choir of this church, and gave several costly ornaments and vestments for the use of it.
Visually, NGC 6891 seems fairly simple. I can only see some very small knots of H-alpha. One of them is easy to spot. It's a very small, red dot near the left edge of the outer halo of material. I almost cleaned it up, thinking it was a cosmic ray.
Red: hst_08390_09_wfpc2_f658n_pc_sci
Green: hst_08390_09_wfpc2_f555w_pc_sci
Blue: hst_08390_09_wfpc2_f502n_pc_sci
North is NOT up.
From "Postcards for the visually illiterate" / "Ansichtkaarten voor visueel ongeletterden"
Learning to see things as they are.
Zuster/Sister
Duif/Dove
Visually dominated by a type of infrastructure that was installed over the Blue Mountains primarily for an expected upsurge in coal traffic in the 1950s, three AC-traction 93 class power over a short rise at Werrington with a long rake of empty coal wagons the like of which in terms of train length and tonnage capacity were unthinkable at the time of Western line electrification six decades ago this year (2017).
080356 9 Aug 2017
what the thing does (image returned by word search) | a drawing of a thing | visually similar (image returned by image search)
Visually Oregon City seems either too dark or to bright, e.g. here the new lights on the bridge made the river seem very dark visually, but photographically it balanced out very nicely, only masked/brushed in some shorter exposures bits of the brightest bridge lights to get it to balance out. From a fun night in Oregon City with the PDXNightowls. NB18360-62
Last night, we went to Juarez. We parked in El Paso to walk across the border, because getting your car into Mexico is easy, but getting it back out is something else again.
South El Paso, right by the border crossing, is an incredibly visually stimulating place. The streets are lined with shops that have garage doors instead of regular doors. When the garage doors are open, clothes on racks spill out onto the sidewalks, toys hang from the open garage roofs, people are everywhere peddling and shopping. The prices are very cheap. The number of shoe stores was astounding. The shoes were available to try on, in El Paso.
Crossing into Mexico, we queued up at the bridge over the Rio Grande with thousands of people, all of them Hispanic (we stuck out like sore thumbs). We walked along the road next to a high brick wall with barbed and razor wire on the top of it, shredded plastic bags caught up in the wire and fluttering in the night breeze against the purple sunset. To get into Mexico, we had to pay thirty-five cents to one of the women working the windows on the right. To the left, hundreds and hundreds of cars were lined up waiting to get into the U.S. The line moved so slowly that many women were able to work selling things to the people in the cars--they carried food and flowers, candy and gum around in the snarling traffic mess, trying to convince the drivers of the cars to purchase what they had.
At the bridge's apex, I looked down at the Rio, which is partially walled with concrete at about a 20-degree angle. The sun had gone down behind the mountains to the south of Juarez and the sky was purple and orange; the muddy river reflected the lights and colors of the sky. Graffiti covered the concrete on the Mexico side, all in Spanish, which I don't know a lot of, but the messages were clear enough--Osama isn't the criminal, Bush is, stop bombing the world, fuck Bush, etc. Some of the artwork was quite elaborate--a ten-foot-tall graphic of Che Guevara caught my eye as particularly well done.
Along the river, a man caring a hat looked up at the thousands of people crossing the bridge, calling out in a cracked voice and holding up his hat. I couldn’t make out what he said, but got the gist of it well enough.
In Juarez, many of the first stores we came to were pharmacies--the kind of pharmacies where you could buy medicines you need a prescription for in the U.S. In addition to the pharmacies were a number of CD stores and--*more* shoe stores. Only the shoe stores in Juarez had the shoes locked up, all on display in glass cabinets, as if the shoes were works of art to be looked at, not useful accoutrements for the feet. There were *so many* of them. Despite the fact that there were people everywhere, I only saw two or three people inside the shoe stores, looking at the shoes.
We kept walking. The sidewalks were rough and uneven, and full of people. So many different smells came wafting out of the different kinds of buildings we passed, all dedicated to commercialism; I looked for it, but I didn’t see any kind of housing, only endless fluorescent-lit stores and restaurants. Smells of bleach and food, of piss and garbage, of animals and Windex and rot.
We walked past a young man sitting on the curb behind a beat-up SUV, his head in his hands, an older woman patting his back and arguing with a man. We walked past shoe store after shoe store after shoe store. We came to a plaza, with a park. Signs in Spanish admonished people to stay off the green areas, which were fenced in. People sat around the park on the walls that lined the small green spaces, many of the people alone, not talking to anyone else, sitting with their hands in their laps, faces down.
At the top of the plaza was a big church. The doors were open. Inside, people sat in the pews, some looking at the minister, some simply seemingly happy to have a quiet place to sit down. I leaned in to the edge of the doorframe to try to see in without disrupting anything. A teenage male came up to the doors as I was doing so, stopped and crossed himself, and went into the church.
On the way walking out of Juarez, we passed several homeless women holding up cups and begging. We passed five cats prowling the base of a trash can, four of them kittens. We passed a dog who had recently given birth. We passed two cops on bikes. At the border crossing back into the U.S., we had to show our identification, say why we were in Mexico, and explain what was in our bags.
Once we'd gone through that, we started back across the bridge. A woman with three children sat against the wall of the bridge, trying to sell candy. One of her children, a girl who couldn't yet have been three, followed people, holding out her hands. She followed people a lot longer than I would have thought. I put my hand on her tiny head and she turned around and walked back to the woman.
The same man who had been walking under the bridge with his hat was still there, his voice hoarser, calling up to people on the bridge.
Back in El Paso, all the stores were closed, the garage doors shut, everything a stark, dark contrast to how it had looked when we were crossing over just a few short hours earlier. The sidewalks seemed so easy to walk on; you didn't have to look at them. They didn't fall off in unexpected places.
We went to the National Leprechaun Museum yesterday and was so surprised at how visually stunning it was!!!! totally unexpected :) www.leprechaunmuseum.ie
I think I may have mentioned this before, but the big joke in my most intimate crowd of friends is "Oh that's Karen... she sees things VISUALLY". (beat) (beat) (beat) Duh-uh!
It's my own fault. I think it mighta been at the Thanksgiving table a few years ago when I- without adequate aforethought- blurted out in the middle of a conversation "Well that's because I see everything visually". Meaning that I'm more highly attuned to visual stimuli than to anything else in a given situation. If the light's too bright- in my opinion- in a room I will have a hard time concentrating on what is being said until I adjust it. Certain colors- or color combinations- will make my teeth clench. I can remember minute details of the rooms of houses I was in years ago even when I can't call to mind the name of the host. And visual chaos, other than of course my own clutter, will render me incapable of productivity... and even my own visually cacophonous environment will get to me when it reaches a certain point. Didn't have my camera with me on my walk home today from my nutritionist appointment, so of course I saw two dozen imaginary oblong frames over perfect photo ops through my built-in organic viewfinder in the course of two miles.
I'm sure the visual bunch around here can relate!
For some reason this penchant of mine seems particularly acute near the holidays. In both good and bad ways. I love, for instance, how illumination can be used so beautifully to set mood for the "dark of winter" holidays that hover around the solstice. And I have a healthy appreciation for some good old fashioned kitsch... good thing in my neighborhood! But I have no tolerance for the "over the top" sensibilities of the "bigger is better" crowd. Last night when I was over at Matt's for the weekly viewing of my favorite show "Pushing Daisies"- beloved by me mostly for it's fabulous visual sense, but also it's slightly absurd point of view- I hit my limit of bad holiday advertising visuals in less than three hours. A new record I believe. Luckily, I have a significant counterbalance in memories of holidays past.
Last week when I was making pies the day before the holiday, with a buncha friends and family laughing and talking at a table across the room, just the act of looking down into the bowl at the pastry blender mixing fat and flour conjured up a breathtaking remembrance of the barren front yard and manual water pump of my Indiana grandmother. As a very young child I would sit on her ramshackle sagging porch staring out at that pump while we waited impatiently for the pie-day treat she always made us... little individual piecrusts to eat plain and salty and warm from the oven. And then, as always happens when that visual comes to mind, I remembered too how her kitchen looked when my grandad would take a bath in the galvanized tub, with water from the pump heated in kettles on the stove while she was baking the pies. If I was paid to I don't believe I could recall the timbre of my grandfather's voice, or what kind of fillings grandma put in the full-sized piecrusts.... but I could paint you an accurate picture of that front yard, and can draw a groundplan of that kitchen with its farmhouse table and well-used butter churn and the hole in one of the sagging floorboards that you had to avoid. It's not that I didn't love them.... it's that my visual memories overwhelm most of the others.
There's another visual memory I was trying to describe to Matt recently. Much harder to describe. One Christmas Eve when I was maybe 8 or 9 or 10 years old, and we lived in a happy but crowded small duplex, I escaped to the tiny bathroom- the only room with a lock on the door- to elude the party downstairs and the inevitable festive chaos for a few minutes. It had snowed that day, which prompted some of the celebration below, and in there, with the lights turned off, the quality of the light that came through the venetian blinds- reflected off the cold white untrammeled-as-yet snow twenty feet below- had a serenity and a magical quality to it that I've never forgotten. Almost blue, but feeling both warm and cool at the same time. Bright enough that there must have been a full moon, though I don't recall seeing it. The din belowstairs seemed far away for a moment, and there was a feeling of promise to it that I know had to do with anticipation of Christmas, but that felt- in that moment- something more portentous than that.
I bring this one up because, over the many years since that night, maybe once every few years, I will be in a dark room somewhere and the quality of the light will immediately transport me back to that moment.... and I'll see it again as if I'm a child sitting in that tiny bathroom, just hours before Santa's anticipated arrival by sleigh. It's a very happy feeling.
Not all of the visual memories are holiday related, of course. Seeing lavendar growing anywhere near silver artemesia will bring to mind herbalist Adelma Simmons- now long dead- bending over a row of her plants in her signature capelette and skullcap tackling an unwanted weed. Any image hereabouts of a straight highway through a desert will recall to me precisely the way New Mexico looked over the dashboard of our rental car when Matt introduced me to the beauty of that part of the country via route 40. My friend Zen Granny posted a photograph from a mountaintop in Switzerland recently that brought back a memory of sitting on a misty mountaintop high above lake Lucerne so vivid and clear that I swear I could feel the chill in the air that I felt there 34 years ago. I've been known to miss my bus stop when someone on the route reminds me of my mother, and I get lost in a photorealistic picture in my head of a day she was across from me on the Newington to Hartford bus explaining to a newcomer where the best bargains were to be found in the area. I was a sullen teenager at the time too embarrassed to sit next to my mom, but not so jaded that I don't remember the exact way the late afternoon sun sat on her shoulder, or the grateful smile of the mousy blond woman in the incongruous black fishnet stockings who- though she didn't know it at the time- was being inducted into the exclusive cabal of my mother's G Fox & Company cronies.
Oh, you know I could go on and on, but I'll spare you the tedium. Sometimes this acute visual memory feels like a curse, but most of the time I'm grateful for it. Would I trade it for some of the memories that are less developed in me? ...names. ...dates. ...how to make money reliably. Those would be tempting ones to have. But not if I'd have to give this one up. Even if my friends do make fun of me for it.
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Perhaps the most visually compelling element in the Over mansion is this exquisitely detailed Classical inspired porch pediment. It combines lines from Classical Antiquity with Georgian era details reinterpreted though early 20th century eyes and tastes. Although merely part of an architectural statement, I view this as a genuine artistic statement worthy of careful study to fully appreciate the Old World workmanship from this era over a century ago. The stylized symmetrical Georgian Revival window at the center of the pediment was missing for a while but an exact replica was made for a previous restorer. Over 20 years of careful restoration work has gone into this mansion and continues.
Midtown, Manhattan, New York City, New York, United States
The Windermere, constructed in 1880-81, is significant as the oldest-known large apartment complex remaining in an area that was one of Manhattan's first apartment-house districts. With its exuberant display of textured, corbelled, and polychromatic brickwork, the Windermere complex is a visually compelling, imposing, eclectic, and unified group of three buildings anchoring the southwest corner of Ninth Avenue and West 57th Street. Adding to its significance is the Windermere's role in the history of women's housing in New York City. In the late 1890s, in an era in which housing options for single, self-supporting women were relatively limited, the Windermere was recognized as a remarkable home for a substantial population of these so-called "New Women." As such, it appears to have anticipated later residential projects in the city catering specifically to bachelor women.
Upon its completion, the Windermere, which is attributed to architect Theophilus G. Smith, stood within an area that had been sparsely settled only ten years before. By the mid-1880s, this area was home to several prominent examples of the apartment house, which was then a new and evolving residential building type. Today, the Windermere and the later, 1883-85 Osborne (a designated New York City Landmark) are the only- known large apartment houses or large apartment complexes dating from this district's early years.
The seven-story Windermere buildings are of impressive scale, topped by story-high cornices, and crowned, at No. 400 West 57th Street, by a high, false pediment with an inset, blind brick arch. Although they vary in width, the three Windermere buildings are united by common materials, decorative elements, and design into an asymmetrical group combining features of the Queen Anne style with brick polychromy and horizontal banding typical of the High Victorian Gothic, and with Romanesque elements including round- arched windows and the round arches of the Windermere's massive, machicolated cornices.
Among the Windermere's most notable features are the three-story bowed oriels at No. 400 West 57th Street; the segmental arches used as a framing device on both the 57th Street and Ninth Avenue facades; the use of contrasting Ohio stone trim; and the robust, channeled brick pilasters, which corbel upon reaching the cornices. Changes to the buildings over the years have included the addition of windows at the cornice level on the Ninth Avenue façade, and alterations to the ground floor of No. 400, including the removal of the original paired entrance portico and stoop, and the resurfacing of the façade with stone veneer. The Windermere's primary facades, which remain substantially intact after nearly 125 years, are among the features that distinguish the Windermere as an outstanding example of a large apartment complex of its time.
DESCRIPTION AND ANALYSIS
The Early New York Apartment House
Although merchants in Colonial New York lived "over the store" with their families, servants, and apprentices, by the early nineteenth century, new residential neighborhoods were developing away from Lower Manhattan's business district. By the 1830s, with the weakening of the apprentice system, New York's wage- earners found lodging in boarding houses, rented rooms, or the early tenement buildings, while artists and merchants typically lived in private three- or four-story rowhouses. But by 1860, New York's skyrocketing population - which increased from 33,171 in 1790 to more than half a million in 1850 - had pushed private- house prices out of the reach of most members of the middle class. By 1866, those who could not afford their own houses included "professional men, clergymen, shopkeepers, artists, college professors, and upper-level mechanics." Some middle-class families adapted by moving into boarding houses, but living with other families in a subdivided former rowhouse conflicted with the era's middle-class values, which stressed the "individual private house as the protector of family privacy, morality, and identity." In the years following the Civil War, new types of multiple dwellings emerged to cater to those of greater means than the poor or working-class, who remained largely confined to the tenement or rooming house.
Among New York's first apartment houses were two designed by Richard Morris Hunt: the Stuyvesant Apartments (1869-70, demolished) at 142 East 18th Street, and Stevens House (1870-72, demolished), on the south side of 27th Street between Fifth Avenue and Broadway. Buildings such as these led one observer to write in 1874 that "the successful establishment of a few elegant apartment houses for the rich demonstrated to those of moderate means the possibility of multiple tenancy without the risk of social debasement."
Although the Panic of 1873 slowed the construction of flats buildings in New York, construction took off, with an improving economy, after 1876. (As opposed to tenements, in which residents shared bathing facilities and toilets, both flats buildings and apartment houses had self-contained suites of rooms; the latter term generally referred to the more luxurious buildings, particularly those with elevators.) Between 1875 and 1879, approximately 700 new flats buildings were erected in New York; 516 were built in 1880 alone. By 1880, "the French flat, catering to the middle class, was a fixture of the city's architecture." Relatively few of these new buildings were architecturally distinguished; nevertheless, a "revolution in living," as the New York Times deemed it in 1878, was occurring, and by the mid-1880s, more New Yorkers lived in multiple dwellings than in rowhouses.
Most of the early flats buildings were located on the Upper East Side, east of Third Avenue. But as the city's architects moved, in the late 1870s, toward the creation of the "mammoth apartment house," much of the new apartment house construction occurred in the Ladies' Mile district and in "the new apartment district west of the luxury quarter." This area in the West 50s and low West 60s, largely undeveloped in the early 1870s, was bordered on the east by Fifth Avenue, then the city's poshest residential street; it was above the infamous Tenderloin, and east of the Lower West End, a working-class neighborhood between Tenth and Eleventh Avenues that would later become known as San Juan Hill. The extension of the Sixth Avenue Elevated to West 58th Street, and of the Ninth Avenue Elevated through the Upper West Side in the late 1870s, sparked the area's growth, particularly along West 59th Street; the pioneering apartment house there was the Bradley (John G. Prague, 1877, demolished), a luxury building at 30 West 59th. Nearby, directly on Fifth Avenue between West 52nd and West 53rd Streets, was a slightly earlier luxury building, the first Osborne (Duggin & Crossman, 1876, demolished), which was considered at the time to be "the finest apartment house in New York."
Despite their importance as early luxury apartment houses, both the six-story, six-bay-wide Bradley, and the five-story, seven-bay-wide Osborne, were relatively modest in scale. By the late 1870s, numerous medium-sized and larger apartment houses would fill the blocks of this rapidly developing area. To these were added the 80-foot-high, seven-story Windermere, in 1881.
The early 1880s would see a huge leap in apartment-house scale and sophistication, epitomized by such massive structures as the eleven-story new Osborne (James E. Ware, 1883-85, a designated New York City Landmark) at Seventh Avenue and West 57th Street; and by the Central Park Apartments, or "Spanish Flats" (Hubert, Pirsson & Co., 1883, 1885, demolished), a complex of eight, ten-story buildings located east of Seventh Avenue between West 58th and West 59th Streets. Farther uptown, on Eighth Avenue between West 72nd and West 73rd Streets, Edward Clark would build the Dakota (Henry J. Hardenburgh, 1882-84, a designated New York City Landmark), the first major residential building on the Upper West Side. Construction of such large apartment buildings was halted soon afterwards, however, as the 1885 passage of the Daly Law limited dwelling houses to 80 feet in height on the avenues, and 70 feet on side streets. These height restrictions would remain in effect until 1901.
During its early years, the apartment house remained "an experiment," as "what constituted the best or the most convenient or the most luxurious flat had to be subjected to constant revision, for there was no body of experience or literature to guide either architects or architectural critics." Architects drew upon various styles, often mixing them together. Developers and architects sought to strike a balance between communal living and the privacy of the rowhouse, in a climate in which the apartment house's long-term success was not a foregone conclusion. In 1877, with large numbers of vacancies in the Albany and Osborne, the Real Estate Record concluded that apartment houses were failing to draw the "better class of people" from private houses; by the mid-1880s, with the Dakota half-vacant, the Spanish Flats a financial failure, and numerous examples existing of unprofitable apartment-house ventures, some concluded that "the majority of upper- middle- and upper-class people still preferred houses over apartments."
By 1885, during the early years of the New York apartment house, the "new apartment district" west of Fifth Avenue had seen the construction of a diverse array of medium and large apartment houses, from the early luxury Bradley building, to numerous five- and six-story buildings like the Albany and Sonoma, to massive, towering apartment houses and apartment complexes like the 1883-85 Osborne and the Central Park Apartments. The Windermere, with its imposing bulk - its massive, story-high cornice and false pediment making it appear even larger than its seven-story height - is distinguished from the modestly scaled, pre-1885 residential buildings remaining in the area. Older than the Osborne Apartments to its east, the Windermere constitutes the oldest-known large apartment house or large apartment complex remaining in this district. With the exception of the Manhattan (Charles W. Clinton, 1879-80) at Second Avenue and East 86th Street, the Windermere may be the oldest large apartment house or large apartment complex remaining in New York City today.
Construction and Early History
Located at the southwest corner of Ninth Avenue and West 57th Street, the Windermere is comprised of three separate buildings - a corner building and two narrower buildings to its west - all of which are faced with red Philadelphia brick and trimmed with tan and black Philadelphia brick, stone, and tile. Although these buildings vary in width and have distinctive facades, the use of the same materials on all facades and the display of common decorative features - such as horizontal banding elements that extend across the Ninth Avenue façade and carry over to the West 57th Street facades of all three buildings - endow the Windermere with the appearance of a unified group. Press accounts from the early years of the Windermere often implied that it was a single building, or reinforced the conception of the three buildings as part of a common complex by using the Windermere name to refer to separate individual buildings. The 1899 G.W. Bromley map showed the complex as a single large building labeled "Windemere."
While in 1867, the lots between 55th and 59th Streets, and between Eighth and Tenth Avenues, held only a few scattered buildings, by 1879, the area had begun to fill in with structures. Still, at the end of the 1870s, the Windermere site, which was valued at $22,500 in 1880, had not been built upon.
Construction on all three buildings proceeded concurrently, with work on the corner building beginning on July 26, 1880, and the other two started on August 17, 1880. The three buildings would vary in size, with the corner building, extending for 115 feet along Ninth Avenue and 50 feet along West 57th Street, being the largest. It would house three families on each of its upper floors and two on the first floor, or a total of 20 families, and would also have two ground-floor stores. The center building would be only 20 feet wide, and would house one family on each of the first five floors; the upper two stories were "to be used as drying rooms or by families on [the] top stories of [the] adjoining house." The 30-foot-wide, westernmost building would house a total of 14 families - two on each floor. In total, the Windermere would contain 39 units.
All three buildings were completed on August 30, 1881. William E. Stewart was listed as their owner, and Theophilus George Smith as their architect. An attorney, Nathaniel A. McBride, was also involved with the project; all three men, at the time of the Windermere's construction, were listed as being at the same address, 152 Broadway.
Little information has been found on other building projects that McBride, Stewart, and Smith may have been involved with in New York City. McBride was born around 1842, and although a lawyer by profession, he was listed as a "real estate speculator" in the early 1900s. Stewart, a New York City native, was also a lawyer. Smith, listed only once in city directories as an architect, and at other times as a surveyor or civil engineer, designed a handful of tenements and rowhouses on the Upper West Side between 1877 and 1881.
In April 1881, several months before its completion, the Windermere was profiled in a New York Times article on "the growing West Side." It was described, along with several other new buildings, as representative of the high-quality construction occurring in the area west of Fifth Avenue and north of 42nd Street, which was then undergoing rapid urbanization. In addition to the completion of new elevated railroad lines, additional factors spurring apartment house construction in the area, according to the Times, were that "times are good, money is plentiful and cheap, and capitalists and owners of property are encouraged by these circumstances to improve their real estate." As described in the article, each Windermere apartment of seven to nine rooms would be
"furnished with a buffet, sideboard, and pier glass. For the convenience of tenants who do not wish to cook in their own apartments, large kitchens are situated in the basement. Three hydraulic elevators, which are to run day and night, will be provided. The building will be heated with steam throughout, and a telephone connecting with all parts of the City will be placed at the disposal of all tenants. Electric bells in all the suites communicate with the janitor's rooms, and an automatic electric fire-indicator will notify the janitor of the breaking out of a fire in any part of the building, even if the tenants of the burning apartment are out."
The article also mentioned the provision of automatic fire-gongs in the inner courtyard and the suites, "abundant" fire escapes, and a rear passageway allowing for deliveries, as well as the presence of uniformed "hall boys" who were "to be on duty day and night."
It is unclear whether the Windermere was conceived of as a luxury apartment complex. According to a second-story floor plan filed near its time of construction, only two elevators were provided - in the corner and westernmost buildings - making the middle building a walk-up and its suites, technically, flats. Despite this, the middle building's flats were spacious, consisting of eight rooms each, including front and back parlors, a sitting room, and three bedrooms, as well as two fireplaces. The apartments in the westernmost building lacked the middle building's sitting room, extra parlor, and second fireplace, but had an additional bedroom. There were slight variations among the corner building's apartments, each of which had seven rooms.
The Times article gave the impression of the Windermere as a high-class apartment complex, mentioning its $350,000 cost and including it among buildings that were "to be first class in every particular." The promised amenity of telephone service likely would have been considered a luxury feature, as it was new at the time. In 1882, Real Estate Record called the "Windmere" (sic) a "magnificent apartment house" in telling of its sale by Nathaniel McBride; one year later, it included apartments there among a "list of first-class apartments unrented" in "most of the principal apartment houses in the city." The prices listed for the Windermere's available apartments, however, were considerably lower than for those in buildings like the Berkshire, Gramercy, or Palermo; seven- and nine-room suites at the Gramercy, for example, rented for $2,000 to $3,000 annually, while the Windermere's rooms were listed at between $600 and $1,100.
It seems likely that the presence of the noisy and sooty Ninth Avenue elevated train only a few feet from the Windermere's east façade would preclude the Windermere from achieving luxury status; the Windermere was also well west of most of the luxury apartment houses of the time, such as the Bradley and the Vancorlear (Henry J. Hardenburgh, 1879, demolished), which were located two blocks or more to the east. Finally, the promise of the owners, before construction was completed, to "furnish coal to the tenants at summer prices all the year round," implies a cost-consciousness among prospective tenants that would presumably be out of place in a true luxury apartment complex.
The Windermere, in its early years, attracted tenants that, if not wealthy, could be considered comfortably middle class. Among those living in the corner building (No. 400 West 57th Street) in 1890 were the superintendent, Henry Sterling Goodale; a druggist; an artist; three brokers; and a lawyer. Those living in the center building included Charles H. Harvey, who served as a delegate to the New York State Democratic Convention in 1894. Among the residents of the westernmost building (No. 406) were a company president, a trunk merchant, and a minister. Also living at the Windermere in its early years were the superintendent of the Protestant Episcopal City Mission (in 1887), and the president of the city's board of health (also in 1887).
By the end of the decade, the Windermere would attract attention as an unusual residential complex catering to the "New Woman."
The Post-Goodale Windermere
Henry Sterling Goodale left New York in 1900, apparently moving to Amherst Massachusetts, where he died in 1906. Although Goodale's reasons for leaving are unclear, he may have been driven away, at least in part, by a fire that occurred at the Windermere in 1899. Although the fire did not spread far, "the observatory and the greater part of Goodsell's (sic) apartments were destroyed," the New York Times reported.
With Goodale's departure, changes appear to have occurred at the Windermere. The building may have been undergoing renovations in 1900: the U.S. Census of that year shows only four families living in the 400 building, none in No. 404, and four families in No. 406. The families in No. 400 included a doctor, his wife, and son; a male head of household with two daughters and one female boarder; a civil engineer, who lived with his wife and daughter, and a servant; and a druggist who had been present in the building in 1890 and who lived with his wife and a servant. The families in No. 406 included a doctor, his wife, and two daughters; a minister who had been in the building in 1890, and who was there in 1900 with his four daughters; a male doctor, living alone; and an engineer, his wife and daughter, and their male boarder, who was a doctor.
Fires plagued the Windermere during the first decade of the twentieth century. After a major fire in 1907, the Times reported that the tenants of the Windermere were "mostly women."
By 1910, the area that the Windermere was in - north of 44th Street and west of Eighth Avenue - was losing population, as the new subways spurred the development of, and drew tenants to, attractive new apartment houses in Harlem and other areas of northern Manhattan. In 1912 Real Estate Record and Guide characterized the area between Seventh and Tenth Avenues and between 14th and 70th Streets as a "tenement and dwelling" district, distinguishing it from areas of "high class dwellings and apartments" north of 70th Street on the West Side and along the eastern side of Central Park.
The 1910 census gives the first clear picture of the building's tenant make-up following Goodale's departure. No. 400, the corner building, had approximately 40 residents, about 38 of them boarders. About 25 of the boarders were single women; typical occupations included stenographer, telephone operator, cashier, nurse, dressmaker, and saleslady. There were also three models; one of them, Amelia Rose, was profiled in a 1905 New York Times article on the "Evolution of the New York Artist's Model." Rose, who had posed for Charles Dana Gibson when she was eight years old, was "one of the best-known models in New York," modeling for, among others, Mary Lawrence Tonetti, Augustus Saint-Gaudens, and Daniel Chester French. Three of the male boarders were actors.
In 1910, the middle building, No. 404, apparently continued to be vacant. No. 406 appears to have remained almost entirely as individual flats, with 12 of the 14 flats occupied. Ten of the 12 families had boarders living under a male or female head of household; four of the families with boarders had at least one child. Of those households with boarders, seven had at least one female and at least one male boarder. The female boarders of No. 406 included two stenographers and two clerks, a nurse, a dressmaker, and a wax master; the male boarders included a railroad conductor, several chauffeurs and waiters, and two medical students, as well as a museum clerk, detective, hotel worker, plumber, doctor, and a driver for a milk company.
Between 1910 and 1920, the population of the Windermere exploded to approximately 225 residents. About 150 people were living at No. 400, within about 15 households; almost all of these households included "roomers," with one having ten, and another fifteen. Of No. 406's approximately 12 households, eight were headed by a husband and wife, and only one of them took in roomers. The 1920 Census showed a precipitous decline in the number of single women at the Windermere; only about 18 self-supporting women, with occupations including shopper, clerk, nurse, saleslady, laundress, and cashier, were living in all three buildings in that year. This trend in occupancy held in 1930, as relatively few women who were working outside the home lived at the Windermere. The occupations of the approximately 22 single working women included waitress, jeweler at the Tiffany store, general work at a hospital, waitress, operator at a factory, department store clerk, actress, and nurse.
The presence of a wax master and three actors in the Windermere in 1910 indicates that the building retained some artistic flavor into the 20th century. In 1905, Lillie Spencer, an artist and the daughter of the English-born painter Lilly Martin Spencer (1822-1902) was reported to be living there. Later residents would include Quinto Magnani (1897-1974), who composed the Pulitzer Prize-winning opera "The Argonauts" and who lived in the Windermere in 1929; and writer, painter, photographer, and sculptor May Mott-Smith (1879-1952), who lived at the Windermere from 1944 until her death. From to 1954 to 1958, the corner building was the home of Alonzo Hanagan (1911-1999), better known as Lon of New York, and his photography studio. Lon, known for his pioneering photographs of the male physique - which were both taboo and illegal in the 1940s and '50s - "created iconic images that both glorified the physiques of some of the most well-known bodybuilders of the time and documented the golden era of the sport," according to Reed Massengill. Lon moved to the Windermere, where he set up his studio in a large first-floor apartment, on the recommendation of Lou Elson, who also lived in the building and published the physique magazine Tomorrow's Man. Lon and Elson, working together, would launch four new physique magazines between 1954 and 1957. Later residents of the Windermere would include the actor Yaphet Kotto (1937- ) and silver screen icon Steve McQueen (1930-1980).
The Windermere was in the news in the 1980s when the building's agent, manager, and superintendent were convicted as part of a conspiracy to harass tenants into leaving the building. In 1998, the Times reported that the Windermere, at that time, had 165 single-room occupancy units and eight apartments; in 2002, it reported that only about a half-dozen tenants remained.
Design
With its seven-story Ninth Avenue and 57th Street facades topped by story-high cornices and crowned, on the 57th Street façade of the corner building by a one-story-high false pediment, the Windermere is notable, in part, for its impressive scale. This quality, along with its display of Queen Anne-, High Victorian Gothic-, and Romanesque Revival-style elements, and the exuberant corbelled, textured, and polychromatic brickwork of
both primary facades, make the Windermere a visually compelling, imposing, and eclectic architectural complex.
The Windermere's eclecticism is typical of large, 1880s apartment buildings. According to Elizabeth Cromley, in that decade, architects of large apartment houses sought "an individualism of style" to "mark out a large apartment block from nearby buildings.... Architects of the 1880s apartment houses favored eclectic styles ... which in turn served as identifying markers for apartment buildings." It was common for these new buildings, as does the Windermere with its segmented and complexly ornamented and textured facades, to exhibit "disjunctiveness," with "architectural details creat[ing] variety and disrupting] a single unified image.
The Windermere is comprised of three adjoining seven-story buildings. The functional independence of these buildings is made clear on their 57th Street facades, where they are separated from each other by brick pilasters. The presence, at each building, of a separate entrance portico and stoop - portions of which remain today, at Nos. 404 and 406 - also distinguishes the buildings from each other, as does the individualized handling of their window openings and window types. No. 400, the large corner building, is the only one to have three-story oriel windows; like No. 406, it also features square-headed windows paired below segmental arches. Both of these buildings differ in fenestration not only from each other but from the middle building, No. 404, which has neither the oriels nor the paired, square-headed windows.
Although each building features a massive brick cornice with corbelled brick arches, crowned by a heavy stone cymatium, the differing sizes and spacing of the arches, the projection of the middle building's roofline above the two other rooflines, and the prominent false pediment atop No. 400, also set off each building from the others. Each of the 57th Street facades is essentially symmetrical, except in the off-center placement of No. 404's entryway, but the three facades vary in width, with No. 400 the widest at 50 feet, No. 406 next at 30 feet, and No. 404, the middle building, the narrowest at 20 feet. Together, these three symmetrical facades combine to create, on 57th Street, a distinctive and picturesque, asymmetrical composition that is unified by common massing, materials, and design elements, but that communicates each building's independence. The Ninth Avenue elevation is similar to that of 57th Street in the manner in which shared ornament, features, and fenestration are brought together to create an expansive, asymmetrical, but unified façade.
The asymmetrical massing of the Windermere is representative of the Queen Anne style, as is the building's picturesque roof silhouette. The most distinctive feature of the roofline, which varies in height on both the Ninth Avenue and 57th Street elevations, is the false pediment on top of the 57th Street façade of the corner building. This pediment, which mimics the gables typically found on Queen Anne buildings, features the often-seen Queen Anne motif of a contrasting, inset arch, which is realized here in tan-colored brick. The oriel windows on the 57th Street façade are also representative Queen Anne-style features; semicircular in plan and supported by stone ancons, they recall, in simplified form, the oriel of Bruce Price's 1878 flats building at 21 East 21st Street. Other features consistent with the Queen Anne include the Windermere's red, Philadelphia-brick body and contrasting stone trim, the channeling on the chimney near the north end of the Ninth Avenue façade, and the manner in which the chimney corbels outward near its peak.
The chimney shares this channeling and corbelling with the Windermere's robust brick pilasters, which break down the 57th Street and Ninth Avenue facades into divisions of two and three bays. The channeling, also present on the body of the building, and the pilasters themselves, which are also consistent with the Queen Anne style, provide depth to the façade; they also provide surface texture, as does dogtoothed brick laid in horizontal and soldier courses, in panels below selected windows, and as infill between segmental arches and the square- headed window heads below. (The grouping of square-headed windows below a segmental arch, as at the fourth floor on the 57th Street façade, is another often-seen Queen Anne motif.)
Typical of the Romanesque Revival style, which was often combined with the Queen Anne on New York City rowhouses, are the Windermere's round-headed windows. At the fourth floor on both the 57th Street and Ninth Avenue facades, the extrados of these arches are trimmed with stone. Also typical of the Romanesque Revival are the round arches of the primary facades' monumental, machicolated cornices.
In designing the Windermere, Smith also drew upon the then-waning High Victorian Gothic style. The most representative High Victorian Gothic features of the Windermere are its bold constructional polychromy and its horizontal banding, achieved chiefly through the use of tan- and black-colored, and dogtoothed brick courses, and Ohio stone belt courses, that contrast with the facades' red brick, and tan-colored decorative brickwork in diamond-, cross-, and zigzag-shaped motifs below the fifth floor on both primary facades. Additional color is provided by a band of diamond-patterned, blue-and-white tile on the 57th Street façade. These High Victorian features are complemented by more generic Gothic Revival elements, including the quatrefoils present on the extant entrance porticos of Nos. 404 and 406, and the label moldings that are implied in stone at the fifth floor on the 57th Street façades of Nos. 400 and 406, and at the fifth-floor windows on the Ninth Avenue façade.
Smith's decision to use pilasters to break up both facades, including the 115-foot expanse of the Ninth Avenue façade, into the two- and three-bay divisions typical of rowhouses, may have represented a conscious effort to appeal to and comfort prospective tenants. In 1880, the large middle-class apartment house was still a new phenomenon, and as historian Elizabeth Cromley points out, designing one for prospective tenants who saw the rowhouse as the norm presented special challenges. "Since the private house had been the only kind of architecture that provided mid-century New Yorkers with the image of home," she writes, "designers of apartments were faced with serious problems. How were they to make larger-than-house-size multiple dwellings fit that image?" It was not unusual, into the 1880s, for new apartment houses and apartment complexes, including the Central Park Apartments, to have multiple entrances; by using these entrances to, in effect, break down large buildings or complexes into smaller components, architects may have been seeking to assuage tenants who were used to smaller-scale residences.
In these early years of the flats and apartment house, architects also drew upon rowhouse imagery, as in the 1878 flats building at 21 East 21st Street, which "rested comfortably within the image of a house." An unrealized 1874 proposal by Henry Hudson Holly for a "family hotel" similarly included seven separate entrances, all with high stoops, "to create the impression of a row of houses, comforting to families made uneasy by multiple dwellings." In this climate, in which architects were finding their way towards a new vocabulary for the large apartment house, and in which the rowhouse was the chief symbol of home for middle-class New Yorkers, it may well have made sense for Smith to draw upon rowhouse imagery to attract prospective tenants. With its Ninth Avenue and 57th Street facades broken down into two- and three-bay divisions, its multiple entrances - off-center at No. 404, and originally paired at No. 400, possibly to give the impression of two entrances to adjoining, three-bay houses - and its stoops, the Windermere appears to exhibit a tension between the rowhouse and the emerging large apartment house that would be appropriate for a new apartment house of its time.
Differentiating the three buildings from each other may have assisted the Windermere's owners in targeting each one to different clienteles. This appears not to have been an uncommon practice at the time: at the Florence, completed in 1878 at Fourth Avenue and 18th Street, three different classes of residents were expected to occupy its 42 suites, including bachelors, families, and young married couples. The presence of oriel windows at the corner building of the Windermere, for example, may have represented an effort to make that building more attractive to higher-paying tenants and to distinguish them from those living in the adjoining walk-up flats building.
Description
Ninth Avenue
The Windermere's asymmetrical, 115-foot long Ninth Avenue façade is divided into five large bays. Each of these bays is essentially symmetrical, except for the second-northernmost bay; there, the two windows per floor are slightly off center. Each of the five bays is defined by channeled brick pilasters. The northernmost three of these pilasters appear to have been removed below the second floor's sill level; the other three pilasters run from below the second story's stone sill course to the top of the Ninth Avenue cornice. The northernmost bay of the Ninth Avenue façade is split by a chimney, which projects from the façade and features channeling, dogtoothed brick panels and courses, and recessed brick panels. The chimney extends from a point that is horizontally in line with the springlines of the second-story's round window arches to the top of the cornice, where it has six channels and corbels outward, ultimately piercing the cymatium. The other pilasters on the Ninth Avenue façade, except for the second-southernmost, engage the cymatium rather than piercing it. The central bay's roofline rises slightly above the rooflines of the other bays.
The window openings on the Ninth Avenue façade are horizontally and vertically aligned, and are grouped in a pattern, from south to north, of 3-2-3-2-2. Round-arched window openings with brick voussoirs and stone springers and keystones, are present at the second and sixth floors. Round-arched window openings with brick voussoirs, without keystones, and with stone extrados trim, are present in the southernmost, central, and second-northernmost bays at the fourth floor. At the second floor, these window openings are above a stone sill course; the round-headed openings at the fourth floor are above a stone ledge; and the windows at the sixth floor have stone sills. Square-headed window openings with stone lintels are present at the third, fifth, and seventh floors, and at the fourth floor, where they are placed below segmental arches with stone springers in the second-southernmost and northernmost bays. At the third and seventh floors, these windows have stone sills; at the fifth floor, they are above a stone ledge located at sill level. At the square-headed window openings, two additional courses of stone - one just below lintel level, and other just above sill level - are present in between and flanking the windows. At the fifth floor windows, a stone course is present just above sill level, in between and flanking the windows; stone blocks wrap the window heads in a form recalling that of a label molding.
The second floor of the Ninth Avenue façade is similar in design and use of materials to the corresponding floor of the 57th Street façades. Three single courses of tan brick, interrupted by the façade's windows and pilasters, run horizontally between the sills and lintels. A stone sill course also runs the length of the façade, pierced by its pilasters.
At the third floor, in all of the bays except the northernmost, brick channeling is present between the windows. Zigzag, cross-shaped, diamond-shaped, and other decorative elements in tan brick flank, and are located between, the window openings in the three central bays. Cross-shaped elements in tan brick flank are located between the outer window openings and their flanking pilasters in the southernmost bay. A single course of tan brick runs across the façade at the third floor, interrupted by the window openings, pilasters, channeling, and chimney. Running across each of the bays below the third-floor windows' sills is a single soldier course of dogtoothed brick.
At the fourth floor, in the northernmost and second-southernmost bays, the Ninth Avenue façade features square-headed window openings, each of which is located below a segmental arch. The area between the windows' lintels and the arches above is filled with dogtoothed brickwork. In the second-southernmost bay, the window openings are not centered below their arches, and three single courses of tan brick run horizontally between the window openings and between the openings and their flanking pilasters. In the northernmost bay, each window opening is centered below its arch; two single courses of tan brick run horizontally between the openings, as does a course of stone, which is horizontally aligned with the stone springers of the fourth floor's round-headed windows. A diamond-shaped element in tan brick is present between the two northernmost window openings. A stone ledge runs across the fourth floor, pierced by every pilaster and by the chimney. Below this ledge, beneath each window, is a dogtoothed brick panel. In the southernmost, third-southernmost, and second-northernmost bays, round-headed window openings similar to those on the corresponding floor of No. 404 West 57th Street are present. The arches feature stone springers with brick voussoirs and are without keystones. Their extrados are trimmed with stone. Triangular decorative elements in tan brick are present above the window openings, horizontally placed between the openings and abutting the pilasters.
At the fifth floor, channeling is present between, and flanking, the window openings. A stone ledge runs the length of the façade, pierced by the southernmost and third-northernmost pilasters.
The sixth floor is similar in design and use of materials to the corresponding floor of the 57th Street façade, with five dogtoothed brick courses abutting the seventh-floor window sills above. A single stretcher course of tan brick runs directly below the dogtoothing. Two pairs of tan-brick courses run horizontally between the sill and lintel levels, sandwiching two rows of brick dogtoothed soldier courses.
The seventh floor is similar in design and use of materials to the corresponding floor of the 57th Street facade, with alternating rows of stretchers and brick dogtoothed courses above the lintels, and four single courses of tan-brick banding, and channeling between the sills and lintels.
The Ninth Avenue facade is crowned by a broad stone and brick cornice, which is topped by a large cymatium. It is pierced by four window or door openings, one in each of the four southernmost bays. At the central bay, corbelled brickwork supports a stone belt course, from which ten arches with brick voussoirs spring. These arches' extrados are trimmed with stone. The cornice at the southernmost bay has ten round arches with stone springers; below the two northernmost arches are circular openings. The cornice at the second-southernmost bay has eight round arches with stone springers; below all except the northernmost arch are circular openings. The cornice at the second-northernmost bay has nine round arches with stone springers; the cornice at the northernmost bay has eight round arches with stone springers; below all of these arches are circular openings.
All of the window openings in the northernmost bay have been bricked up. All of the window openings in the four southernmost bays at the second, third, and fifth floors have been covered over. Ten windows - six one-over-ones, two one-over-twos, and two two-over-twos - are present at the fourth floor. Seven windows - five one-over-ones, one two-over-one, and one two-over-two - are present at the sixth floor. Three windows - one two-over-two and two one-over-ones - are present at the seventh floor. Windows or doors are present in two of the four openings at the cornice level.
A metal fire escape is attached to the facade in the second-southernmost bay. It extends from the second floor to the cornice level, where a metal platform runs the length of the three central bays. Graffiti has been written on the facade at the second through seventh floors in the second-southernmost bay, and below the second-floor sill level.
No original material appears to remain at the ground floor on the Ninth Avenue facade. The setback entrance to the upper floors of No. 400 is located there, and is surrounded by metal panels. There are two storefronts, both currently vacant; one is metal, and the other is covered with stone veneer. Stone or brick veneer, or metal, cover most of the ground floor facade.
No. 400 West 57th Street- South Facade
On the partially visible, secondary south facade of 400 West 57th Street, four window openings are present at each of the second through seventh floors. Most of these window openings have been covered over. Three window openings are present at the cornice level, including one tripartite window. These openings do not appear to be original to the building and may indicate the existence of a rooftop addition behind them.
- From the 2005 NYCLPC Landmark Designation Report
Visually, the finished look is one of pure line with few design elements. The atmosphere is one of pure tranquillity during the day; the reflection of sky in the water and very little to distract the eye. At night the lighting scheme creates a magical pathway fading into the distance, and always there is the gentle sound of running water.
Part of a larger scheme, these clients wanted an ultra-simple, minimalist waterfeature on two levels. The main material used was a pale cream Travertine detailed with a dark slate-grey.
At the lower level, a canal runs across the garden. The main steps are accessed by stepping stones across the water.
The upper level features two rills. Water flows away from the house and cascades via two stainless steel waterfalls onto the lower level beyond, aerating and purifying. The paving features LED flush lighting to highlight the edge of the scheme and the steps and all three bodies of water are floodlit discreetly below the water surface.
The only plant material is six ball-shaped box trees, providing a simple, sculptural look to this otherwise angular scheme.