View allAll Photos Tagged visualisation
made slight design changes. lines for "out" designers drop vertically, for better emphasis and legibility. am now calling out keith michael's inimitable demise in episode 4.
view original size for detail.
Molly Knott - track: Tainted
"This piece is inspired by the reality of a tainted girl who has lost herself in the realm of good and evil, spoilt by the materialism of the music industry."
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sip-images-production@orange.fr
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Reportages “Mouvements sociaux et Gilets jaunes” www.flickr.com/photos/sebastienduhamel/collections/721577...
Reportages “Mobilisations pour le Climat” www.flickr.com/photos/sebastienduhamel/collections/721576...
Reportages Politiques www.flickr.com/photos/sebastienduhamel/collections/721576...
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Retraites en France fr.wikipedia.org/wiki/Retraite_en_France
Mouvement social fr.wikipedia.org/wiki/Mouvement_social
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Photographie de Sébastien Duhamel www.sebastien-duhamel.com
Galerie www.flickr.com/photos/sebastienduhamel
Classeurs www.flickr.com/photos/sebastienduhamel/collections
Albums www.flickr.com/photos/sebastienduhamel/sets
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Lovely visualisation via this app: playground.last.fm/demo/tagstube (subscribers only).
Best viewed bigger, obviously (or if that doesn't work for you, see it here: playground.last.fm/demo/tagstube/share?user=meish )
And I can explain about the Joe Jackson/Toto line. Really, I can.
The yacht is 49 metres long, consisting of four levels with an inner atrium. It is an example of the spatial planning skills we have in-house at PDC. It was rendered in V-Ray and is still very much a work in progress.
Visualisation of the sound of a Widelux F7 turret being wound then spinning at 1/250 sec
© Dirk HR Spennemann 2012, All Rights Reserved
This data visualizing work presents the personal data that could be collected by the operation platform from using apps, websites, and other online services.
The colour and size of the light source in the 'light painting' change according to the strength of the electromagnetic field.
Screenshot from an interactive applet that visualises around 27000 series from the collection of the National Archives of Australia. The graph is a kind of stacked histogram; each series is represented as a horizontal line correpsonding to its date span. Series are sorted according to span, then stacked into a pile. Colour is also derived from year span - blue=long, red=short. The interactive simply highlights series whose span includes any given year. Blogged here.
Macrophages (cellules immunitaires visualisées en vert) s’attaquant aux cellules tumorales (visualisées en magenta) dans les secondes suivant l’injection de l’anticorps anti-CD20, visualisés in vivo dans un modèle murin pour le lymphome de type B (un cancer du sang, le type de lymphome non hodgkinien le plus fréquent). La mort des cellules tumorales provoquée par l'injection de ces anticorps spécifiquement développés pour combattre le lymphome B, se traduit par un changement de couleur.
Philippe Bousso & Capucine L. Grandjean/Unité dynamique des réponses immunes - Institut Pasteur/Inserm.licence CC-BY-NC 4.0 international
Image accompagnant le communiqué publié le 19 février 2021 : "Améliorer les immunothérapies des cancers du sang : une exploration en temps-réel au cœur de la tumeur" presse.inserm.fr/ameliorer-les-immunotherapies-des-cancer...
En savoir plus :
Les anticorps monoclonaux font partie de l’arsenal thérapeutique pour détruire les cellules cancéreuses. Certains font appel au système immunitaire pour agir : ils font donc partie des « immunothérapies ». Mais comment ces anticorps fonctionnent-ils au sein de la tumeur ? Et comment peut-on espérer améliorer leur efficacité ? En utilisant des approches d’imageries innovantes in vivo, les chercheurs de l’Institut Pasteur et de l’Inserm ont visionné, en direct et au cœur de la tumeur, le fonctionnement des anticorps anti-CD20, utilisés pour traiter les lymphomes B. Ces résultats ont été publiés dans la revue Science Advances, le 19 février 2021.
An example of a Bifocal display in the ODCSSS 2006 Undergraduate Research internship project in Ireland.
This project is a TableTop: Fisheye View Touch Driven Diamondtouch based tissue micro array collaborative visualisation. See this page for more details: Research in Visualisation.
Alistair will give an overview of the techniques and technologies for visualising graph data, and explain where these work well for different types of problem. Graph databases help you to express the connections in your data. Simply by visualising those connections, you have a simple analysis tool, and a compelling user interface.
See the skillscast (film/code/slides) at skillsmatter.com/skillscasts/5095-seeing-patterns-in-your...
This visualisation was on display during the F1 race. Notice the battery for the KERS. I'm very impressed by this realtime telemetry stuff.
Restarting the capture, after gaffing the camera back in place just before the opening. You can see the gallery-goers loitering in front of the cam, outside Manuka CCAS
Two stills from an animated sequence that show the dash vent mechanism and the rotary gear selector in the Jaguar XF. This animation was shown at the highest level at Ford Motor Company’s headquarters to secure funding for the project.
Still from an animation showing CG combined with filmed footage of people walking around the car. This gives a sense of real world scale which is often hard to judge when the design is viewed in isolation.
method for representing time: After the comments from fellow students i realised that i haven't represented this clearly-I saw time as a measurement of how much i love/.hate spending time doing them. The love / hate scale represents how much i love spending time doing them - for example i love using the computer(represented by a very large square . Where as i hate waking up -represented by a small square.
I also represented location. The colour of the post it note represents its location of that event. Yellow: office Green: outside office.
Technique for expressing attitude: used post it notes because i spend a lot of time in my office and i love post it notes. For my icons i went for a drawing/ painting style that has a sense of energy. I chose this to represents my creativity and sense energy in my life.
Visualisation of the sound of a Widelux F7 turret spinning at 1/250 sec
duration ~0.4 seconds
© Dirk HR Spennemann 2012, All Rights Reserved
Molly Knott - track: Tainted
"This piece is inspired by the reality of a tainted girl who has lost herself in the realm of good and evil, spoilt by the materialism of the music industry."
Detail, Molly Knott - track: Tainted
"This piece is inspired by the reality of a tainted girl who has lost herself in the realm of good and evil, spoilt by the materialism of the music industry."
Client: Gartner
Sector: Criminal Justice system
Deliverables: Rich Picture
Brief: Leading international
management consultants Gartner were briefed by the National Police Improvement Agency (NPIA) to look at the use of DNA evidence in the criminal justice system, in order to highlight possible improvements. But in a busy world, how many people would take the time to read a detailed report, and what impact would it create?
See the video - www.seewhatyoumean.co.uk/gartner
Holly Jade Farmer - track: Dead Body
"This painting was inspired by the idea of being watched, but not being paid any attention to. I tried to combine my love for graphic color and clashing pattern with hallucinogenic imagery."
how the cushion would look like when randomly stacked; then the kid could turn them until all the animals fit (additional entertainment)
A visualisation of the statistical analysis of the HSE Mid-West Expense Claims code that I wrote using the data from 2007-2009 freedom of information disclosure by Gavin Sheridan of TheStory.IE (http://thestory.ie/)
Visualisation of the sound of a Widelux F7 turret spinning at 1/125 sec
duration ~0.9 seconds
© Dirk HR Spennemann 2012, All Rights Reserved
Visualisation (on the left) of Winfried Richter's talk, "Startup-Spirit: Die neue Innovationskultur?"
Photo: Ralph Weinmann
Garston Cultural Village and Artist Michael Trainor worked together to stage an amazing ‘Cultural Revolution’ as the declaration of the Artistic Republic of Garston on 31 May 2008. The Wellington Street School building in the neighbourhood has become The Garston Embassy, complete with palm trees, fountain, sculpture garden and a balcony of waving dignitaries. The official staterooms inside are available to hire for community programming.