View allAll Photos Tagged visualisation
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sip-images-production@orange.fr
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Pour une visualisation d’une page galerie, placez la souris sur le bouton en haut à gauche de la fenêtre flickr www.flickr.com/photos/sebastienduhamel/51062227232/in/pho...
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Reportages “Mouvements sociaux et Gilets jaunes” www.flickr.com/photos/sebastienduhamel/collections/721577...
Reportages “Mobilisations pour le Climat” www.flickr.com/photos/sebastienduhamel/collections/721576...
Reportages Politiques www.flickr.com/photos/sebastienduhamel/collections/721576...
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Pour une visualisation optimale d’une page d’album, placez la souris sur le bouton du centre en haut à droite de la fenêtre flickr, puis cliquez sur le bouton.
Pour une visualisation pleine écran cliquez sur la photo et flèches de direction du clavier.
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Retraites en France fr.wikipedia.org/wiki/Retraite_en_France
Mouvement social fr.wikipedia.org/wiki/Mouvement_social
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Photographie de Sébastien Duhamel www.sebastien-duhamel.com
Galerie www.flickr.com/photos/sebastienduhamel
Classeurs www.flickr.com/photos/sebastienduhamel/collections
Albums www.flickr.com/photos/sebastienduhamel/sets
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從今天的街道去想像從前的城市。在大型的電器電玩動漫店來臨之前，秋葉原在80年代的日本，最初只是在專心賣家電遊戲機等的驛站，現在它好像變成了大家通往虛擬世界的閘心。
Taken by Nikon F3T with NIKON AIS 50mm F1.2
Film: Kodak Portra400
Location: Akihabara, Tokyo, Japan
Client: 3HPA / Draw Architects
3D Visualization Artist: 8 YOLK DESIGN STUDIO
Scope: 3D Modelling, Realistic Rendering, Photoshop-enhancing,
visit us: www.8yolkstudio.com
The largest component of a rather different kind of a "political" map that i put together using data from relevant Greek Wikipedia articles.
This part of the map depicts about 200 years of political history...unfortunately, mostly frought with troubles.
Every node is (or was at some point in history) a political party in Greece, while every link indicates that people (either the leader or other members) differentiated themselves from the original party (for whatever reason) and created a new entity.
The map is best viewed at its full resolution which is available in this version.
A bit more information is available from here
The map is composed of 7 components, the rest of which you can obtain from this link
Photoshop visualisation of Dulux colour schemes for a residential exterior repaint project. I captured the photograph with my Nikon D3100 DSLR camera and post processed the imagery with Adobe Photoshop CS6. As you can see with the original image there was a lot of tidying up of the house's substrates before new colour schemes could be applied. The paint contractor is a New Zealand Master Painter.
*VISUALISATION OF UNIVERSAL SOUND, Meta_Signal Sonar System*
RECEPTILIUM is a Hi-Tech audio-visual interactive project and performance act in which the human body and emotions are used as a communication medium, or a musical instrument that produces audio content – music when performing an analogue visual artwork, drawing visualisation of universal sound. Visitors have the opportunity to experience and attend to the creation of a visual artwork while listening to audio content as a result of the creation process. During the production of an analogue visual artwork, brain waves followed by EEG and physical motion data from hands are transmitted and converted into sounds that together form an ambient audio record connected to real-time generative visual projected on the wall. The purpose of this act is, to present the oldest language of our existence – the blueprint of the stardust; to seduce the audience with meditative movements and sounds that poetically reflects the surface of the Moon.
First demo version of the performance RECEPTILIUM lasted 4 hours at Sounded Bodies Festival on 12th October 2018. The presentation concept is in development and will be setup differently for upcoming events.
Project concept: MOON Martina Zelenika
Music and sound concept: MOON Martina Zelenika
Technology lead and development: Ivan Vican
Technology advisor: Slavko Radman
Music consultant: Lovro Livajić
Sound designer: Mihael Vrbanić
Generative visual: MOON Martina Zelenika
Production and funding: MOON Studio, 2018
Co-production: Sounded Bodies Festival / Domino Project
Supports: NAGON interdiscipliary laboratory of arts & Zagreb Dance Center
3D Visualisation Studio specialising in photorealsitic 3D visualisation for products, Interactive product viewers and creative CG imagery.
It's falling into the big elliptical galaxy in the middle. Some gas columns in the background. This shows gas density in the simulation.
Photoshop visualisation of a series of Dulux colour schemes proposed for a Kelburn, Wellington New Zealand residential townhouse complex exterior repaint project by Programmed Property Services. The imagery was post processed with Adobe Photoshop CS6.
Now a feature in Integrity 3.7.2 - I added colour before releasing the new version (the colour indicates distance from home)
So my previous counts were a bit off as they counted all tweets not just those in the bounding area.
Alistair will give an overview of the techniques and technologies for visualising graph data, and explain where these work well for different types of problem. Graph databases help you to express the connections in your data. Simply by visualising those connections, you have a simple analysis tool, and a compelling user interface.
See the skillscast (film/code/slides) at skillsmatter.com/skillscasts/5095-seeing-patterns-in-your...
Analyses A Quiet Place to identify the key narrative elements of how the film uses silence, sound effects and music.
A Quiet Place (2018), Director: John Krasinski
The "Ars Electronica Futurelab's" (AT) visualisation of Joseph Haydn's Symphony No. 94 in G major "Surprise" takes the audience on a journey through an abstract 3-D world.
credit: Ars Electronica Futurelab
One of the leading classical dancers of India, Madhave Mudgal was born into a family devoted to Indian classical music, and is credite with bringing a greatly refined sensibility to her art form. She has received repeated acclaim int he major cities and dance festivals that have featured her throughout the world.
Apart from establishing a niche in the international dance scene as a soloist, she has also received accolades for her choreographic works. Her commitement to the continuation and augmentation of her chosen art form hs seen her as one of the foremost teachers in her generation, at the Gandharva Mahavidhyalaya, New Delhi
Numerous Awards and honours have come her way, including the sanskriti award, the Padma Shri, the orissa state and central sangeeta natak akademi award, Grande Medaille de la villa by the city of Paris, the Delhi state Parishad Samman, and the Nitya Choodamani. She has also been awarded the Chevalier de l'orde des arts et des lettres by the Govt of France.
Parkaya
Literally, 'The Body of Another' this festival features cross-currents in classical dance. It attempts to expand the boundaries of our performing arts as well as augment existing repertoires meaningfully. Whilst adhering to certain rules and formats, each style also absorbs and imbibes from others, though retaining its essence. In Parkaya, three exemplary dancers work with each other and collaboratively use elements of each other's forms that are visualised by one and executed by another.
It is hoped that this endeavour goes some way in sensitizing one dance form to another and benefitting from this interaction, since there is so much that is shared in the Indian art aesthetic.
Three signature pieces taken from each style form the basis of this festival's repertoire: the Varnam from Bharatanatyam, the Pallavi from Odissi and the Thumri from Kathak.
An attempt for a three dimensional visualisation based on the Economist's Intelligence Unit (EIU) Data that stemmed out of the EIU best city contest 2012.
What is shown here is the "path distance" of each city from the city of Vancouver that happened to achieve the top score in the proposed ranking.
The concept of the visualisation is that societies struggle (or should be trying) to push their cities towards a more improved state (as this is expressed through the EIU data in this case).
I felt that the 3D aspect required a bit more work so that every element contributes to the subject and i decided to hold back on them and keep refining them. The little figure, or the ball marker could be scaled according to the GDP for example, to try and convey even more information rather than being ornamental
More information is available at BuzzData
Leftovers for the book fair in Leipzig. It was intended to create posters for every course of the basic studies at fh anhalt.
This one is a 100% ripoff... forgot the name of the artist.
Photoshop visualisation of a series of Dulux colour schemes proposed for a Kelburn, Wellington New Zealand residential townhouse complex exterior repaint project by Programmed Property Services. The imagery was post processed with Adobe Photoshop CS6.
RELEASE DATE: 21st May 2019
PRESS RELEASE
Dare to Dream: New ‘Craftivism’ project
announced by Heritage Open Days
13th-22nd September 2019
This year, England’s largest festival of culture and heritage will celebrate its 25th anniversary, with a new arts commission focusing on those who have affected positive change and the power of gentle protest.
In 2019, Heritage Open Days will celebrate its anniversary with 25 Years of People Power. Against a backdrop of Brexit - a time of unprecedented social division and uncertainty - hundreds of events across the country will celebrate change-makers; those whose visions and dreams have brought positive developments to our society, both large and small.
Alongside festival walks, talks and openings, the Dare to Dream project will explore the power of positive visualisation in effecting change and finding solutions to the problems that surround us. Through a series of ‘craftivism workshops’ designed by Sarah Corbett, founder of the global Craftivist Collective, participants will have an opportunity to think about the issues that matter to them, and how to be an active part of bringing positive change, both locally and globally. The commission is the third in Heritage Open Days’ Unsung Stories strand, made possible by support from players of People’s Postcode Lottery with the aim of exploring lesser-known histories in new and innovative ways.
Participants will hand-stitch their positive visions for the future onto fabric ‘dream clouds’, share their creations on social media, and display them in meaningful locations to encourage us all to be solution-seekers and change-makers. “We’re thrilled to be working with Sarah, who embodies the gentle form of People Power that is at the heart of Heritage Open Days,” says HODs National Manager, Annabelle Thorpe.
“Throughout history, real change has come from those who have thought differently, dreamed big and believed solutions are there to be found. Dare to Dream offers a chance for everyone to think about how we can all positively shape the future, and make our dreams for a fairer, happier society become reality.”
Across the Heritage Open Days festival, Sarah will lead four free workshops, launching at
Dartington Hall in Totnes, where the concept for the NHS was established in the 1940s. Moving to Norwich, Manchester and Durham, each session will take inspiration from local dream-makers whose historic ideas helped to shape a new reality. Downloadable instruction packs will also enable organisers to run their own Dare to Dream workshops, enabling nationwide participation. After the festival, insights drawn from the workshops will create a picture of our dreams and hopes for society in the next 25 years.
"By having a vision rather than just fixating on a problem, our brains start finding ways to turn
those visions into reality” says campaigner, Sarah Corbett. “Join us and craft your creation, whilst you think deeply about what your dream for a better world will look like, and how you can be part of making it. Stitch by soothing stitch, we can help become change-makers."
Yesterday’s dreams shaped today’s reality. This September, join Heritage Open Days and the
Craftivist Collective to create individual dreams for a positive future.
- - -
For more information and photographs:
Laura Davey, Press and Communications Officer
020 3097 1977 | laura.davey@heritageopendays.org.uk
More details about Dare to Dream can be found at
www.heritageopendays.org.uk/visiting/unsung-stories/dare-...
NOTES TO EDITORS
About Heritage Open Days
• Heritage Open Days (13th-22nd September 2019) is England’s largest festival of history and
culture; in 2018, over 5,500 events welcomed more than three million visitors across the
country.
• All events are free, including access to many sites that usually charge for admission.
• Heritage Open Days is coordinated and promoted nationally by the National Trust with
support from players of People’s Postcode Lottery, and run locally by a large range of
organisations (including civic societies, heritage organisations, and local councils,
community champions and thousands of enthusiastic volunteers).
• Heritage Open Days is England’s contribution to European Heritage Days, taking place
across 50 countries. Other events in the UK are Doors Open Days in Scotland
(www.doorsopendays.org.uk); Open Doors Days in Wales
(www.cadw.wales.gov.uk/opendoors); European Heritage Open Days in Northern Ireland
(www.communities-ni.gov.uk/articles/european-heritage-open...); Open House London
• For further details, visit www.heritageopendays.org.uk, follow on Twitter
@HeritageOpenDay, or subscribe to the newsletter.
About People Power and Unsung Stories
• People Power is Heritage Open Days’ theme for 2019, celebrating the 25th anniversary of
the festival, and highlighting the ability of local communities, groups and individuals to evoke change. For more information, visit www.heritageopendays.org.uk/organising/people-
power
• The Unsung Stories programme is annual arts-based strand of Heritage Open Days,
commissioning artists to work with local organisers, bringing to life stories, and reflecting
HODs’ belief that history belongs to all of us. For more information, visit
www.heritageopendays.org.uk/visiting/unsung-stories
About the Craftivist Collective and Sarah Corbett
• Sarah Corbett is an award-winning campaigner, author of How to be a Craftivist: The Art of
Gentle Protest, and founder and Creative Director of the global Craftivist Collective. She
grew up in a low-income area of Liverpool and was born into an activist family. Her TED
talk ‘Activism Needs Introverts’ has been viewed over 1 million times.
• The Craftivist Collective is a social enterprise providing products and services to help
individuals, groups and organisations around the world learn and take part in ‘a gentle
protest’ approach to craftivism (craft + activism), and transform the way people practice
activism in more emotionally intelligent, creative and kind and effective ways.
• Previous craftivism projects have addressed mental health, living wage and climate change
amongst other issues. Their projects have helped change laws and policies, as well as hearts
and minds.
• They have worked with Save the Children, Unicef and Mind, have helped create the new
Girlguiding craftivism badge, as well as collaborating with Secret Cinema and V&A, amongst
others.
• Sarah is experienced as an interviewee for print, online, live or prerecorded audio,
television and vlogs.
• For further details, visit www.craftivist-collective.com or follow on Twitter and Instagram
@Craftivists.
About People’s Postcode Lottery
• People’s Postcode Lottery manages multiple society lotteries promoted by different
charities and good causes. People play with their chosen postcodes for a chance to win
cash prizes. A minimum of 32% from each subscription goes directly to charities and good
causes across Great Britain and internationally -- players have raised £416 million so far.
For details of the charities and good causes which are promoting and benefitting from the
lottery draws, please visit www.postcodelottery.co.uk/good-causes/draw-calendar
• It costs £10 a month to play and winning postcodes are announced every day. The
maximum amount a single ticket can win is 10% of the draw proceed. For details, please
visitwww.postcodelottery.co.uk/prizes
• New players can sign up to pay using direct debit by calling 0808 10 9 8 7 6 5. New players
who sign up online at www.postcodelottery.co.uk can pay using direct debit, debit card or
PayPal.
• Postcode Lottery Limited is regulated by the Gambling Commission under licence
numbers: 000-000829-N-102511 and 000-000829-R-102513. Registered office: Titchfield
House, 69/85 Tabernacle Street, London, EC2A 4BD
• Follow us @PostcodePress
Photoshop visualisation of a series of Dulux colour schemes proposed for a Kelburn, Wellington New Zealand residential townhouse complex exterior repaint project by Programmed Property Services. The imagery was post processed with Adobe Photoshop CS6.
Visualising time harmonic (e.g. p * exp(-i * omega * t)) results in Paraview can be a pain. As far as I know, Paraview does not actually support it, but using a trick with calculator and an animation feature it is possible. To introduce a time variable to the visualization pipeline, do the following:
1) Create a calculator unit. Put “time” as result array name, and 1/0 as the function and let the checkbox “replace invalid results” stay active.
2) Go to the animation view and create a new widget for the above mentioned calculator unit. Select variable “replacement value” and modify it to your liking. Ramp is a good bet usually.
Now if you have e.g. a simulated pressure field over a 3d domain, you can select the calculator unit returning the time variable and the pressure data unit and use the “append attributes” filter to put these two together.
Finally, write the harmonic function in the calculator applied to the attribute-appended data. Just put Re p * cos(-omega * time) + Im p * sin(-omega * time) and there you go.