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In dreams, I see shapes and colors like these and I hear music as the shapes and colors change. It seems perfect to imagine those feelings and sensations with fractals.
The work presents an abstract and dynamic visual effect.
The work is primarily black and white, creating a strong contrast. The lines formed by light and the artwork appear abstract, devoid of concrete objects, drawing the viewer's attention to form and structure.
The white lines in the work appear to flow and curve, resembling the trajectory of liquid or energy, creating a sense of dynamic rhythm.
The contrast between the dark background and the luminous lines creates a mysterious and profound atmosphere, sparking the viewer's curiosity about the underlying meaning and process of its creation.
🌸作品呈現出抽象而動感的視覺效果，作品以黑白為主色調，對比強烈。
光線與作品本身形成的線條顯得抽象，將觀者的注意力引向形式與結構。
作品中的白色線條流動彎曲，如同液體或能量的軌跡，營造出動態的韻律感。
深色背景與明亮線條的對比營造出一種神秘深邃的氛圍，引發觀者對其創作背後的意義和過程的好奇。
Sometimes, there is visual hunger, a need to see beauty and then, when it happens, a kind of euphoric wave is pulsating through my veins - and I must try to keep this moment and not let it get away. I don't know what this beautiful plant is and whether it actually is genuine to Cyprus, but feeding my visual hunger it is. Fuji X100F.
AB FAV for today…
www.facebook.com/groups/1148438991917313/
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core. Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability. The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
Visual Magick’s Igneous mods for the Kobold are beautiful beyond words! I’m wearing Lava, and its definitely HOT! I had a lot of fun playing with particle fire to take the last 2 photos. :)
Here is my first attempt at architecture. I admire people who can just take those photos that are perfectly aligned or even know how to edit them so they are straight.
Well I dont know either but I do know that to see all these shapes in one place at a time aligned with the light and shadow is utter magic.
Here is a special thank you to my friend who brought me there. And saw me freaking out at this sight (:
some of my long time flickr friends may "get"
this more readily , knowing that most often i
can be found in a garden , either whenever
the seasonal maintenance & climate allows
OR
-- those regions of my mind may propel --
ps: HFF and happy positive resolutions 😃
"Losing someone is like when the sun comes through a window, moving across the room with each hour, until night falls and all you can do is try to remember the soothing shapes it made.” Stewart Lewis
Much of my time these days is spent on work and family and photography has totally taken a backseat for many months now. In fact, my impatient 9 year old daughter was waiting and whining behind me as I was making this shot. I had to find ways to resuscitate my lost creativity nowadays and continue my visual journey...
My apologies for the very rare visits to your streams nowadays.
IR Modified Canon EOS 50D ı Canon EF-S10-22mm f/3.5-4.5 USM ı 10mm ı 1/40s ı f/8 ı ISO 200
©Rik Amar 2014. All Rights Reserved
Tacoma waterfront is a great place to vision moody, dramatic waterscape scenes. Soft pastel skies and smooth water work well together.
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All rights reserved © Louis Ruth Photography 2023
Photomanipulation created for Challenges Community Group Visual Poems from 21 of April to 31 of May of 2018
1951 HITS ARCHIVE: I Taut I Taw A Puddy Tat - Mel Blanc
www.youtube.com/watch?v=46ZCJ0Sf5hg
I am a little, tiny, bird. My name is Tweety Pie
I live inside my bird cage, a-hanging way up high
I like to swing upon my perch and sing my little song
But there's a tat that's after me and won't let me alone
I taut I taw a puddy tat a creepin' up on me
I did! I taw a puddy tat as plain as he could be!
I am that great big bad old cat, Sylvester is my name
I only have one aim in life and that is very plain
I want to catch that little bird and eat him right away
But just as I get close to him, this is what he'll say
I taut I taw a puddy tat a creepin' up on me
You bet he taw a puddy tat, that puddy tat is me!
That puddy tat is very bad, he sneaks up from behind
I don't think I would like it if I knew what's on his mind
I have a strong suspicion that his plans for me aren't good
I am inclined to think that he would eat me if he could
I'd like to eat that sweetie pie when he leaves his cage
But I can never catch him, It throws me in a rage
You bet I'd eat that little bird if I could just get near
But every time that I approach, this is all I hear
I taut I taw a puddy tat a creepin' up on me
I did! I taw a puddy tat as plain as he could be!
And when I sing that little song, my mistress knows he's back
She grabs her broom and brings it down upon Sylvester's back
So listen you bad puddy tat, let's both be friends and see
My mistress will not chase you if you sing this song with me
Come on now, like a good cat
Oh, all right. Sufferin' Succotash!
I taut I taw a puddy tat a creepin' up on me
I did! I taw a puddy tat as plain as he could be!
Written by: Billy Alan May Livingston Sung by: Danny Kaye
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
I don't know what Marbled Hot Springs Rd. would be without the American Bitterns! While we were there the reeds hadn't had a chance to grow very tall so the Bitterns were pretty easy to spot. Raising their heads up generally in position with the vertical reeds I'm sure they are imagening they are hidden from sight...I didn't realize until this picture what an incredible 'visual perspective' they have of everything around them in this position!
i was walking back from dinner. not far from plaça catalunya. he stood in the middle of the crowd. motionless. behind the mask, no expression. on his laptop, two pigs in a metal cage. nothing moved, except the traffic. i stayed.
Photographer - Visual Distress MM#510136
Model - Myself - Red Rhapsody MM#375616
Hair/MU/Wardrobe - Myself
Location - Primal Stare Studios
FYR
Client: Franki Val
New Visual Identity ♥
If you wanna a redesign for your shop/ event./ Club
Please, contact krnxilla resident
inworld or Fb
karithop007 #1979 - Discord
linktr.ee/krnxilla
A highly Nocturnal species breaking all rules and appearing in open that too in day time , we are amazing that few birds come very close to this and not even attack it .
Nocturnality is an animal behavior characterized by activity during the night and sleeping during the day. The common adjective is "nocturnal".
Nocturnal creatures generally have highly developed senses of hearing, smell, and specially adapted eyesight. Such traits can help animals such as the Helicoverpa zea moths avoid predators. Some animals, such as cats and ferrets, have eyes that can adapt to both lowlevel and bright day levels of illumination (see metaturnal). Others, such as bushbabies and (some) bats, can function only at night. Many nocturnal creatures including tarsiers and some owls have large eyes in comparison to their body size to compensate for the lower light levels at night. More specifically, they have been found to have a larger cornea relative to their eye size than diurnal creatures to increase their visual sensitivity in the low-light conditions. Nocturnality helps wasps, such as Apoica flavissima, avoid hunting in intense sunlight.
haha. We totally look like we're in a visual kei band. I'm the lead guitarist and Severine is the dark, tortured singer.
These photographs document the platform area at Starnberg station, not the main station building. The visible structure consists primarily of historic iron columns and beams that remain in active use but show clear signs of aging: corrosion, flaking paint, and uneven maintenance. What was once a coherent architectural system has become a fragmented, utilitarian framework.
The original platform roofs are completely gone. In their place, the iron skeleton stands exposed to weather and light. Rather than being restored, the structure has been stabilized through added construction: scaffolding, bracing elements, and protective netting that cut across the original geometry. This creates a layered visual language of old infrastructure and temporary reinforcement.
A newer canopy appears only in selected areas, mainly above stair access points. This roof is made of corrugated sheet metal (Wellblech) and serves a purely functional role. It offers basic protection but no architectural continuity with the historic structure. Large sections of the platforms remain open.
The site reflects the character of a “lost place” in operation. It is neither fully preserved nor abandoned. Ongoing disputes between heritage protection (Denkmalschutz), ownership responsibilities, and questions of funding for repair and upkeep have left the platforms in a state of visual and structural limbo. The result is an environment where historical fabric survives, but without clear restoration strategy.
Access is partially restricted through fenced zones and controlled pathways. This affects circulation and accessibility, including limited or indirect wheelchair access. The station continues to function, yet the platform space feels provisional — maintained just enough to operate, but not enough to recover its former architectural identity.
From a photographic perspective, the focus lies on the exposed iron framework, the absence of the original roof, and the contrast between historic construction and pragmatic modern additions. The images document a transitional state: a working railway platform that visually reads as a relic.