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(Aroma Visual)
XII Feria del Comercio Medieval \_|_/ Medieval Fair XII - Elda 2011 \_|_/
* Elda - Alicante - Comunidad Valenciana - Pais Valencià - Spain *
Cada vez mais somos atraídos pelo "conteúdo visual" on-line. A oportunidade que isso oferece para os negócios é enorme. Que tal conhecer alguns conceitos e estratégias e aproveitar o poder desta mudança?
Quer mais conteúdo?
Programação visual para o combo de produtores musicais do RN e PB (criada há um ano) que congrega atividades de música autoral, produção, DJ Set focado em música dançante com beats eletrônicos, rap e fusões regionais.
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Conceito Visual: Anderson Foca e Caio Vitoriano.
Design: Caio Vitoriano.
Video: Larinha Dantas e Caio Vitoriano.
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This is the first challenge in a while that I actually took time to sketch out some ideas for. Most of mine were visual puns and this was the easiest one so I did it first.
One of them I actually laughed out loud while I was sketching it out. I hope it turns out as funny as I think it is :-D
Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
Pages done for Decorated Page Workshop, Lesson 4 Cutouts and Addons plus Patterns and Motifs, also Lesson 3 stamped background.
My big Roman numeral ten is both a cutout and an add on. I got to use my new embossing gun here. The silver was done with a rubber stamp that I made by just cutting an eraser with a serrated knife.
The X's/Roman numeral 10 serve as both motif and pattern. The hand carved stamp that I stamped with my new Versamark inkpad is also patterning. I love the Versamark! I'm going to get a lot of use out of that one.
Competition Karlsruhe Kunsthalle Extension
photographed by
Frank Dinger
BECOMING - office for visual communication
www.instagram.com/frank.dinger
architecture photography movie by Frank Dinger:
model: karoliina saatpalu
mua: emilia elizabeth kruusmann
style&wardrobe: diana kull
location: patarei prison (tallinn, estonia)
The need to facilitate orientation and communication through visual organization principles, was the starting point for the design of the uniforms of official personnel during the Olympic Games.
A contest judge had to look different from a ticket controller, a health worker from a technician. All told 88 groups of persons needed special uniforms. To make this multitude clearly understandable the personnel was categorized in superordinate groups under the aspect of related functions:
Personnel of the Organizing Committee
Contest judges
Technical services
Hostesses
Doctors and health personnel
Security guards
Sport site personnel
Cleaning personnel