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Description from website: "Visual Kei is a very bright pink, with a nearly matte finish. Temporary staining is likely (keep off of fabric). *Reformulated in October 2011: Brighter, more intense colour saturation. * 9/2012: Colour amped up a notch yet again.*"
Color: Intense bright blue-pink, medium-dark, not quite purple enough to be fuchsia. Strawberry pink on steroids? It's not bright enough to be considered neon, but it is definitely a bright, statement lipstick.
Finish: Very pigmented but rather sheer satin finish, no shimmer.
Other notes: Like Glamorous Rebel, it is highly pigmented but on the sheer side, giving a stain effect rather than the look of a heavy lipstick. Surprisingly wearable for a hot pink lipstick.
This is how I spent my New Year's Eve. I was almost through with my other journal, so I decided to start a new one for the new year. I decided to stay in the Time Life series of the "Life World Library". This book is on India. For some reason I never did anything to the covers of my other visual journals. I thought arting up the cover of this one would be a good start to a fresh start. I really like how it turned out.
If you look at the four previous photographs, you'll be able to see how the the framework of notes on the whiteboard, and the drawn images, became this final page of notes. You can read more about this in this entry on my blog at andrewbwatt.wordpress.com
Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
VISUAL magazine 03. Cajamarca - Perú
Foto: Ana García Suarez - Carvallo / Galacia / España.
Edición virtual:
These Power, Passion, and Pride panels depict the achievements made by people with disabilities. They are part of a scroll that when completed will consist of over 1,000 panels measuring 3.75 inches wide and 8.5 inches long. When linked together they will provide over 700 feet of visual history to inspire current and future generations of people with disabilities to reach for the stars as their predecessors have proven are attainable. More resources available at: <a href="http://www.itsourstory.org"
Now part of the Perse School, the inscription over the door identifies this building in Coronation Street in Cambridge as Saint Paul's Parish Institute. In recent times, the building had been the Sixth Form building of the Perse School (an independent girls' school). In 2008 it was turned into the school's arts centres. St Paul's church is on nearby Hills Road.
Re-THINGing Gesture in Contemporary Sculpture Practice displayed at Esplanade Jendela (Visual Art Space).
Glass Palace, Heerlen, Netherlands - reconstruction by Jo Coenen & Wiel Arets
The Glass Palace / Glaspaleis is one of the most important examples of Dutch Modernism, and was designed and built by Fritz Peutz in 1935 as a department store. There was originally a supermarket in the basement, a grand entrance on the ground floor, fashion shops on several floors, a restaurant on the fifth floor, and the client’s penthouse on the top floor, overlooking this mining city in the southern part of the Netherlands. The Heerlen based architect proved to be a true innovator: he ‘packed’ his ‘stacked market’ in glass, with a large transparent glass-coated façade in fine metal profiles. The construction, visible from the outside, consists of beamless floors resting on white mushroom columns. The open and transparent Glaspaleis became the architectural eye-catcher of Heerlen
Threatened with demolition in the 1990s, the building was purchased by the city of Heerlen, after which it was renovated according to the existing drawings. The steel-framed glass curtain wall was reconstructed to match the original, and a new layered façade was added to the south side of the building, where it had originally shared a party-wall with (no longer existing) buildings. ) It has gained new purpose: cultural institutions (cinema, music school, public library and town gallery) and Vitruvianum (centre for architecture in the Euregion Maas-Rhine), provide a varied programme full of music, film, dance, literature, expressive art and architecture.
The freestanding addition of the music school is set away from the Schunck cultural center so as to frame the visual axis of the adjacent church tower. On the interior, the low, detached partitions of the library, cinema, music school, and gallery allow the original reinforced concrete columns to remain exposed as the primary elements structuring the spaces of the building. Both inside and outside, the renovation allows the original qualities of the design to be clearly experienced by new generations of Heerlen residents.
Size: 9.150 m2 - Date of design: 1998-2001 - Date of completion: 2004
The image above along with 6 others are renders from an animation produced as a visual aid to show how basic cam mechanisms work including the circular cam, elliptical cam, egg cam and the snail cam.
Modelling, texturing, animating, rendering, music composition all done by myself.
Please view the animation at vimeo.com/jonathaneyre323/basiccams