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༻ CREDITS ༺
༻ [TNK x TRV] - CERBERUS GRAVE - (FATPACK) ༺
• EXCLUSIVE - TOKYO ZERO - OPEN ▌CLOSED: 10th 2:00 PM SLT ~ 25th 2:00 PM SLT •
• COMES WITH:
•2 Cerberus Fire Mode
-Rapid Fire
-Overclock + Eletric FX
•20+ SFX & VFX
•Sit Action
•3 Ultimate Skills
-Demolition Shot
-Storm Barrage
-Raging Tornado
•5 Wrapping Textures
-Full Black
-Gold & Black
-Black & White
-Cosmic (Fatpack)
-Industrial(Fatpack)
•30+ Bento Animations
Generated By Midjourney V6
---
**🎬 Prompt (FR) :**
Une scène hyperréaliste en macro-cinéma représentant une baleine biomécanique futuriste flottant à l’intérieur d’une goutte d’eau parfaitement sphérique en suspension dans l’air. La goutte agit comme un micro-écosystème autonome, avec un fond marin miniature composé de roches, de végétation aquatique luxuriante et de micro-organismes lumineux.
La baleine, massive et majestueuse, possède une peau mêlant textures organiques réalistes et structures mécaniques avancées : plaques métalliques finement intégrées, circuits lumineux bleutés pulsants, cœur énergétique circulaire irradiant une lumière cyan intense depuis son flanc. Ses yeux émettent une lueur douce et intelligente. Des détails microscopiques révèlent des joints, câbles et nanostructures fusionnés avec des tissus biologiques.
Autour d’elle, de petits poissons nagent en bancs, capturés avec un flou de mouvement subtil. L’eau dans la goutte présente une surface interne avec tension de surface visible, légèrement ondulée, captant et réfractant la lumière.
**Éclairage :**
Lumière volumétrique froide et cinématographique, dominante bleu/teal, avec des reflets spéculaires réalistes sur la surface de la goutte. Halo lumineux doux autour de la sphère. Effet de caustiques aquatiques projetées à l’intérieur. Particules flottantes visibles dans l’air et dans l’eau.
**Ambiance :**
Silencieuse, contemplative, légèrement futuriste et onirique, mélange de nature et de technologie. Sensation d’un monde encapsulé, fragile et précieux.
**Caméra :**
Plan rapproché en légère contre-plongée, profondeur de champ faible (bokeh cinématographique), focus ultra net sur la baleine et le cœur lumineux. Lent effet de travelling avant.
**Qualité visuelle :**
Ultra haute définition, photoréalisme extrême, rendu 8K, textures détaillées, ray tracing, global illumination, HDR, rendu type film de science-fiction haut de gamme.
**Style :**
Fusion entre nature océanique et science-fiction avancée, esthétique proche de concept art AAA, inspiration studios VFX (cinéma haut budget).
---
**🎬 Prompt (EN):**
An ultra-realistic macro-cinematic scene depicting a futuristic biomechanical whale suspended inside a perfectly spherical droplet of water floating in mid-air. The droplet functions as a self-contained micro-ecosystem, featuring a miniature ocean floor with textured rocks, lush aquatic vegetation, and faintly glowing microorganisms.
The whale is massive and majestic, its body seamlessly blending organic realism with advanced mechanical design. Its skin reveals intricate metallic plating, embedded circuitry, and softly pulsing bioluminescent lines in shades of cyan and electric blue. A radiant circular energy core glows intensely from within its side, casting subtle light through semi-translucent layers. Its eyes emit a calm, intelligent glow. Microscopic details expose joints, cables, and nanostructures fused with biological tissue.
Surrounding the whale, small fish swim in delicate schools, captured with subtle motion blur. The inner surface of the droplet shows visible surface tension, gently warping reflections and refracting light in complex ways.
**Lighting:**
Cool-toned cinematic volumetric lighting dominated by blue and teal hues. Realistic specular highlights shimmer across the droplet’s surface. Soft halo glow envelops the sphere. Dynamic underwater caustics ripple within. Fine floating particles drift both inside the water and in the surrounding air.
**Mood & Atmosphere:**
Silent, contemplative, slightly futuristic and dreamlike. A poetic fusion of nature and technology. The scene evokes the feeling of a fragile, self-contained world suspended in time.
**Camera:**
Close-up shot with a subtle low-angle perspective. Shallow depth of field with cinematic bokeh. Razor-sharp focus on the whale and its glowing energy core. Gentle forward dolly movement.
**Visual Quality:**
Extreme photorealism, ultra-high definition, 8K resolution, highly detailed textures, ray tracing, global illumination, HDR rendering. Premium sci-fi film aesthetic.
**Style:**
A fusion of oceanic naturalism and advanced science fiction. High-end concept art style inspired by AAA VFX studios and blockbuster cinema.
---
--ar 1:1 --v 6 --style raw --q 2 --s 750 --chaos 12 --weird 50 --uplight
Created with Dream Wombo
Prompts: Steampunk elf clock treehouse, intricate details
Style: VFX v2
Input: www.flickr.com/photos/debful/52724240841/in/album-7215764...
Spring ahead Saturday! Have a wonderful weekend.
THE WAREHOUSE SALE EVENT: 23.06.23 - 18.07.23
PALETO: CITY HB43 BACKDROP
ONEDAYs: EVERMORE UNIFORM - Davis, Gianni, Jake, Legacy
TANAKA x TREVOR: WIZARD WAND FATPACK - 20 Unique Spells, 4 Standard Spells, 4 Disabling Spells (Fatpack), 4 Manipulation Spells (Fatpack), 4 Impact Spells (Fatpack), 4 Curse Spells (Fatpack), 3 Wand Woods, Spiral (Fatpack), Voice Actors Male/Female, Special Interactions, Dash Spell FX, 5 Handles Variations (Fatpack), 3 Wand Handles, Noble, Handleless, Armilar (Fatpack), Totally Costumizable (Fatpack), RLV Special Effects, 18 Original Animations, ,20+ SFX & VFX, 5 Wood Types (Fatpack), AND MORE
B102 FATPACK w/ STYLING & TEXTURE HUD @ DURA MAINSTORE
****Check out my BLOG in profile for Full SLURLs****
Featuring- [TNK x TRV] - SODA GRANADE 8 original animations 10+
SFX& VFX , Flip Animations, Throwable & Corrosive, 2 Thrown Force
Avatar Interactive VFX, Multi Color Explosions, 10+ Soda Flavours
• Flickr-Perfil:
www.flickr.com/photos/tanakastore
• Flickr-Group:
www.flickr.com/groups/14599542@N25
• Facebook-Perfil:
www.facebook.com/tanaka.sutoa.5
• Facebook-Page:
www.facebook.com/TANAKAsecondlife
TREVOR - Marketplace-
marketplace.secondlife.com/stores/57608
TREVOR - Mainstore - maps.secondlife.com/secondlife/TOKYO%20ZERO/173/128/3186
TANAKA - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/128/128/3186
• TREVOR - LINKTREE: linktr.ee/trevorios
• TANAKA - LINKTREE: linktr.ee/TANAKASL
------------------------------
Pose-[..::CuCa Designs::..] Male Pose Pack #1 - Wall Leans Posestand
Backdrop-.PALETO.Backdrop:. kTX Studio (MATERIAL)(PHYSICS)(LIGHT)
-----------------------------
Hand- [TNK x TRV] - SODA GRANADE
Tattoo-.:CORAZON:. Tattoo BARBARY Light :
Hat- //Ascend// Josh Baseball Cap (Fliped)
Featuring - [TNK x TRV] - SANCTUM PUNISHER - (SPECIAL EDITION)
Comes with 3 Punisher Fir Mode Rapid Fire,Energy Ball and Laser Blast 20 + SFX & VFX Sit action 4 Wrapping Textures +30 Bento Animations Automatically adjusts to your avatar size
TREVOR - Marketplace- marketplace.secondlife.com/stores/57608
TREVOR - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/173/128/3186
TANAKA - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/128/128/3186
• TREVOR - LINKTREE: linktr.ee/trevorios
• TANAKA - LINKTREE: linktr.ee/TANAKASL
__________________________
Backdrop-Synnergy// Wasteland Backdrop
__________________________
Wearing
Top-::GB:: IGNITE vest (Legacy_A) Black
Gloves-::GB:: IGNITE Gloves (Legacy)
Pants- ::GB::Leather boots in pants / long (Legacy) Bicolor
These are builds and photos I did for the LEGO Adventure Book Volume 2. Many thanks to Megan Rothrock for inviting me to be involved and to Pete Reid for loaning a few select pieces.
this one is all me, but Pete Reid's influence is clearly seen in my midi scale NCS Galaxy Explorer
Generated By Midjourney V6
---
**🎬 Prompt cinématographique hyperréaliste (version Joconde)**
La **Joconde**, visage iconique et énigmatique, émerge lentement d’un vortex monumental de peinture vivante. Son sourire subtil, presque imperceptible, reste intact malgré le chaos tourbillonnant qui l’enveloppe. Son regard, à la fois doux et troublant, fixe la caméra avec une intensité silencieuse, comme si elle était consciente de traverser les siècles.
Autour d’elle, la matière picturale se déchaîne : des flux d’huile épaisse, aux teintes dorées, vert émeraude et bleu profond, s’enroulent en spirale, recréant et détruisant sans cesse des fragments de paysages renaissants — collines brumeuses, ciels tourmentés, horizons flous. Les textures rappellent directement les coups de pinceau de Leonardo da Vinci, mais animés avec une fluidité surnaturelle.
La caméra débute par un **gros plan sur son visage**, révélant une peau d’un réalisme troublant, puis recule lentement en travelling arrière, dévoilant que son corps semble à moitié dissous dans cette tempête de pigments. Une de ses mains repose calmement, presque immobile, contrastant avec l’énergie chaotique autour.
Les pigments se comportent comme une entité vivante, formant une spirale hypnotique qui semble manipuler le temps lui-même — chaque rotation évoque des siècles qui passent, des œuvres qui naissent et disparaissent.
L’éclairage est **cinématographique et doux**, avec une lumière diffuse qui sculpte son visage, créant un contraste entre sérénité éternelle et chaos dynamique. Des particules fines flottent dans l’air, capturant la lumière comme de la poussière d’étoiles.
Le rendu est **ultra détaillé, hyperréaliste**, mélangeant peinture classique et simulation physique avancée (fluides, textures organiques), avec une profondeur de champ immersive et un léger grain filmique.
**Style visuel :** Renaissance + VFX modernes, peinture à l’huile animée, réalisme extrême
---
**🎬 Ultra-detailed cinematic prompt (Mona Lisa version, in English):**
The **Mona Lisa**, timeless and enigmatic, emerges from the heart of a swirling vortex of living paint. Her iconic, subtle smile remains unchanged, calm and inscrutable, even as the world around her dissolves into motion. Her gaze, soft yet piercing, locks onto the camera with an almost conscious awareness, as if she knows she is being watched across centuries.
A massive spiral of liquid pigment surrounds her — molten golds, deep emerald greens, and stormy blues — churning like a cosmic ocean. The textures resemble thick oil paint in motion, each stroke alive, folding into itself in a hypnotic, fluid dance. The vortex feels both artistic and apocalyptic, like creation and destruction happening at once.
The camera begins with an **extreme close-up of her face**, capturing hyperreal skin detail, delicate shadows, and the faint ambiguity of her expression. It slowly pulls back in a smooth cinematic dolly-out, revealing that her body is partially dissolving into the swirling paint, as if she is both subject and source of the storm.
Fragments of Renaissance landscapes flicker in and out within the vortex — distant mountains, hazy horizons, fragments of sky — forming and collapsing like memories being rewritten in real time.
Her hair flows gently, suspended as if underwater, untouched by the violence around her. One hand remains visible and still, grounded and human, contrasting with the chaotic motion engulfing everything else.
Lighting is **soft, diffused, and painterly**, subtly illuminating her face while allowing the surrounding vortex to glow with internal, almost molten light. Fine particles drift through the air, catching highlights like dust suspended in a dream.
The overall rendering is **ultra-detailed, hyperrealistic**, blending classical oil painting aesthetics with cutting-edge fluid simulation and cinematic depth of field. The image feels like a living masterpiece caught between time periods.
**Visual style:** Renaissance oil painting fused with modern VFX, fluid dynamics simulation, extreme realism, cinematic grading
---
--ar 16:9 --v 6 --style raw --q 2 --s 750 --chaos 15 --seed 1234
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✱ COMES WITH:
• Cross in White Color
• 4 Wrapping Textures
- Full Black
- Gold & Black
- Black & White
- White & Gold
• 3 Punisher Fire Mode
- Rapid Fire
- Energy Ball
- Laser Blast
• Sit Action
• 20+ SFX & VFX
• 30 Bento Animations Automatically Adjusts To Your Avatar Size
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✱ COMES WITH:
• Cross in White Color
• 4 Wrapping Textures
- Full Black
- Gold & Black
- Black & White
- White & Gold
• 3 Punisher Fire Mode
- Rapid Fire
- Energy Ball
- Laser Blast
• Sit Action
• 20+ SFX & VFX
• 30 Bento Animations Automatically Adjusts To Your Avatar Size
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I did some weeks of on-set VFX supervision in Jordan early 2019. The drone ( DJI Inspire ) footage that was shot here would later be added in post to the windows inside an army plane.
This is from a series of photo I am doing with the help oof an AI called Dream by WOMBO. The AI takes as suggestions of Keywords along with a piece of art that I have created from the virtual world Second Life as a reference. In the photo the Key words were "Fairy" and the artwork was called "Fairies" In this one I used the VFX v2 filter as well.
This photo is to commemorate my time working at home on an animated series in 2020.
In the early stages of production, it is essential to be on-set or in the Motion Capture Studio to capture the performance of the actors. After these initial stages of an animated series or film, it is easy to work from home for the remainder of a project.
All of this is made possible by working with a core team of competent responsible people with the same vision, and a good Producer to keep the communication flowing. There are some challenges, but I don't miss rush hour traffic. All the extra hours that you gain, actually leads to increased productivity.
By sharing project recourses in the cloud, and being able to log in to the render farms and servers when needed, finally allows one to work remotely.
A compilation featuring snippets of the projects done remotely:
vimeo.com/mheigan/mocap-reel-2020
The dogs also approve when I spend more time at home!
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
Chris invited me to also come out to shoot while he was at Vasquez Rocks.. so I did! He didn't say -what- I should..could.. shoot.. (so that's him). He's done all sorts of commercial and feature work at the park over the years, but today he was just out taking stills.
Check out this large scale panoramic photography suitable for large scale printing for office foyers or boardrooms, advertising billboards or visual effects and backdrops.
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✱ COMES WITH:
• Cross in Gold Color
• 4 Wrapping Textures
- Fortune
- Crimson
- Marine
- Pink
• Cross in Cosmic Color
• 4 Wrapping Textures
- Cosmic
- Indigo
- Jade
- Halloween
• 3 Punisher Fire Mode
- Rapid Fire
- Energy Ball
- Laser Blast
• Sit Action
• 20+ SFX & VFX
• 30 Bento Animations Automatically Adjusts To Your Avatar Size
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secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about
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✧･ﾟ:*Post 410*:･ﾟ✧
-Credits-
-Outfit: Odd Doll. Magical Girl
♡ Legacy
♡ Maitreya
♡ Reborn // Waifu
-Pet: .Tardfish. Mentor Mascot
♡ Pink
♡ White
-Wand: [TNK x TRV] - WIZARD WAND -
♡ Voice Actors Male // Female
♡ Special Interactions
♡ Dash Spell FX
♡ 5 Handles Variations {Fatpack Only}
♡ 3 Wand Handles
♡ Totally Costumizable {Fatpack Only}
♡ RLV Special Effects
♡ 18 Original Animations
♡ 20+ SFX & VFX
♡ 5 Wood Types {Fatpack Only}
-Broom: [TNK x TRV] - WIZARD BROOM -
♡ Real Flying System
♡ 4 Flying Speed
♡ 6 Interactive Addons
♡ Special Interactions
♡ 20+ Original Animations
♡ 10+ SFX & VFX
♡ 3 Broom Metal Styles
♡ Totally Customizable
♡ 6 Wood Types {Fatpack Only}
♡ Golden Metal {Fatpack Only}
♡ Flaming Metal {Fatpack Only}
♡ And much more
✧･ﾟ:*Furniture section*:･ﾟ✧
-Chair, Table and props: Moon. - The Witch Set -
♡ Table // Chair
♡ Book
♡ Crystal ball
♡ Crystals
♡ Ritual Table
♡ Skull Candle
♡ Tarot cards
♡ Witch Cauldron
♡ Witch hat
-Cauldron { Hot Tub}: [Kres] Hexxed Hot Tub -
♡ PG or Adult version
♡ Bento Animations
♡ Texture HUD with 18 colors
♡ 8 special to mix and match
♡ Compatible with Aeros // Physics Cook // V
♡ Its not mine // Lovebridge integration allowing conecction to Lovense Toys
Coruja das Torres I Tyto alba
VFX, Portugal
Do báu... com saudades de ter um bocadinho de tempo para esta vida.
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
A widefield DSLR Lens Astrophotography test of the large beautiful Rho Ophiuchi Cloud Complex with the wispy Blue Horsehead Nebula (IC 4592) visible in the top left (using a standard unmodified Nikon D750 and Nikon 105mm Lens without any filters).
The Rho Ophiuchi Cloud Complex:
Rho Ophiuchi is a dark nebula of gas and dust that is located 1° south of the star ρ Ophiuchi of the constellation Ophiuchus (close to the red Supergiant star Antares).
About the Interstellar Cloud Colors:
Fine dust illuminated from the front by starlight produces blue reflection nebulae. The atoms of gaseous clouds that are excited by ultraviolet starlight produce reddish emission nebulae. Back-lit dust clouds block light and appear dark. Antares (a red Super-giant star, and one of the brighter stars in the night sky), lights up the yellow-red dust clouds. Rho Ophiuchi lies at the center of the blue nebula. Interstellar clouds are even more colorful than we can see in visible light, emitting light across a large portion of the electromagnetic spectrum.
About this image:
While I was imaging a closer view of the Cloud Complex with my Telescope, I literally just pointed the D750 at the red Supergiant star Antares, and set the Intervalometer to shoot 3 minute exposures at ISO 1600. I used my Nikkor-Micro 105mm f2.8 Lens (stopped down from f/2.8 to f/4).
A BIG thank you to Nikon South Africa for letting me test their D750 for my latest Astrophotography events in Southern Africa.
Gear:
Nikon D750 DSLR.
Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED (N Series) Lens.
Hahnel Giga T Pro II 2.4GHz Wireless Remote for Nikon.
Orion StarShoot Autoguider (with PHD Guiding).
Orion Mini 50mm Guide Scope.
Celestron SkySync GPS Accessory.
Celestron AVX Mount.
Celestron StarSense.
QHYCCD PoleMaster.
Lights/Subs:
35 x 180 sec. ISO 1600 RAW (NEF) exposures.
Calibration Frames:
30 x Bias
20 x Darks
Processing:
Pre-Processing and Linear workflow in PixInsight,
and finished in Photoshop.
Astrometry Info:
Center RA, Dec: 247.865, -23.181
Center RA, hms: 16h 31m 27.671s
Center Dec, dms: -23° 10' 52.726"
Size: 14.1 x 10.9 deg
Radius: 8.922 deg
Pixel scale: 31.8 arcsec/pixel
Orientation: Up is 90.8 degrees E of N
View an Aannotated Sky Chart for this image.
View this image in the World Wide Telescope.
&creditsUrl=&ra=246.467103&dec=-27.551071&x=1293.6&y=767.8&rotation=89.21&thumb=http://nova.astrometry.net/image/4953943){kind=link}
Download mh_Astro_Tools Suite:
(or from GitHub)
Also see:
Photo usage and Copyright:
Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.
Martin
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[Home Page] [Photography Showcase] [eBook] [Twitter]
Filmando en el ex aeropuerto de Cerrillos en Santiago. Tomando referencias de luz para los 3D, con un atardecer de aquellos.
A Stereographic Panorama of the Motion Capture Studio setup for one of my large Mocap projects.
Setting up the Studio for a large multi-character Mocap shoot:
Mocap set-up time-lapse video.
Mocap Technical Direction and Supervision:
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]