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༻ CREDITS ༺
༻ [TNK x TRV] - CERBERUS GRAVE - (FATPACK) ༺
• EXCLUSIVE - TOKYO ZERO - OPEN ▌CLOSED: 10th 2:00 PM SLT ~ 25th 2:00 PM SLT •
• COMES WITH:
•2 Cerberus Fire Mode
-Rapid Fire
-Overclock + Eletric FX
•20+ SFX & VFX
•Sit Action
•3 Ultimate Skills
-Demolition Shot
-Storm Barrage
-Raging Tornado
•5 Wrapping Textures
-Full Black
-Gold & Black
-Black & White
-Cosmic (Fatpack)
-Industrial(Fatpack)
•30+ Bento Animations
Featuring- [TNK x TRV] - SODA GRANADE 8 original animations 10+
SFX& VFX , Flip Animations, Throwable & Corrosive, 2 Thrown Force
Avatar Interactive VFX, Multi Color Explosions, 10+ Soda Flavours
• Flickr-Perfil:
www.flickr.com/photos/tanakastore
• Flickr-Group:
www.flickr.com/groups/14599542@N25
• Facebook-Perfil:
www.facebook.com/tanaka.sutoa.5
• Facebook-Page:
www.facebook.com/TANAKAsecondlife
TREVOR - Marketplace-
marketplace.secondlife.com/stores/57608
TREVOR - Mainstore - maps.secondlife.com/secondlife/TOKYO%20ZERO/173/128/3186
TANAKA - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/128/128/3186
• TREVOR - LINKTREE: linktr.ee/trevorios
• TANAKA - LINKTREE: linktr.ee/TANAKASL
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Pose-[..::CuCa Designs::..] Male Pose Pack #1 - Wall Leans Posestand
Backdrop-.PALETO.Backdrop:. kTX Studio (MATERIAL)(PHYSICS)(LIGHT)
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Hand- [TNK x TRV] - SODA GRANADE
Tattoo-.:CORAZON:. Tattoo BARBARY Light :
Hat- //Ascend// Josh Baseball Cap (Fliped)
Featuring - [TNK x TRV] - SANCTUM PUNISHER - (SPECIAL EDITION)
Comes with 3 Punisher Fir Mode Rapid Fire,Energy Ball and Laser Blast 20 + SFX & VFX Sit action 4 Wrapping Textures +30 Bento Animations Automatically adjusts to your avatar size
TREVOR - Marketplace- marketplace.secondlife.com/stores/57608
TREVOR - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/173/128/3186
TANAKA - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/128/128/3186
• TREVOR - LINKTREE: linktr.ee/trevorios
• TANAKA - LINKTREE: linktr.ee/TANAKASL
__________________________
Backdrop-Synnergy// Wasteland Backdrop
__________________________
Wearing
Top-::GB:: IGNITE vest (Legacy_A) Black
Gloves-::GB:: IGNITE Gloves (Legacy)
Pants- ::GB::Leather boots in pants / long (Legacy) Bicolor
I was out shooting a couple of VFX plates for a project by this eerie farm. I took this photo as the lighting crew set up a couple of huge lamps.
These are builds and photos I did for the LEGO Adventure Book Volume 2. Many thanks to Megan Rothrock for inviting me to be involved and to Pete Reid for loaning a few select pieces.
this one is all me, but Pete Reid's influence is clearly seen in my midi scale NCS Galaxy Explorer
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♦ TANAKA x TREVOR ♦
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✱ COMES WITH:
• Cross in White Color
• 4 Wrapping Textures
- Full Black
- Gold & Black
- Black & White
- White & Gold
• 3 Punisher Fire Mode
- Rapid Fire
- Energy Ball
- Laser Blast
• Sit Action
• 20+ SFX & VFX
• 30 Bento Animations Automatically Adjusts To Your Avatar Size
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✱ TKCL - group
secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about
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♦ TANAKA x TREVOR ♦
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✱ COMES WITH:
• Cross in White Color
• 4 Wrapping Textures
- Full Black
- Gold & Black
- Black & White
- White & Gold
• 3 Punisher Fire Mode
- Rapid Fire
- Energy Ball
- Laser Blast
• Sit Action
• 20+ SFX & VFX
• 30 Bento Animations Automatically Adjusts To Your Avatar Size
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
► THE BEST SACRED WAY TO EXORCISE ◄
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✱ TKCL - group
secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about
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I did some weeks of on-set VFX supervision in Jordan early 2019. The drone ( DJI Inspire ) footage that was shot here would later be added in post to the windows inside an army plane.
Generated By Midjourney V6
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**🎬 Prompt cinématographique hyperréaliste (version Joconde)**
La **Joconde**, visage iconique et énigmatique, émerge lentement d’un vortex monumental de peinture vivante. Son sourire subtil, presque imperceptible, reste intact malgré le chaos tourbillonnant qui l’enveloppe. Son regard, à la fois doux et troublant, fixe la caméra avec une intensité silencieuse, comme si elle était consciente de traverser les siècles.
Autour d’elle, la matière picturale se déchaîne : des flux d’huile épaisse, aux teintes dorées, vert émeraude et bleu profond, s’enroulent en spirale, recréant et détruisant sans cesse des fragments de paysages renaissants — collines brumeuses, ciels tourmentés, horizons flous. Les textures rappellent directement les coups de pinceau de Leonardo da Vinci, mais animés avec une fluidité surnaturelle.
La caméra débute par un **gros plan sur son visage**, révélant une peau d’un réalisme troublant, puis recule lentement en travelling arrière, dévoilant que son corps semble à moitié dissous dans cette tempête de pigments. Une de ses mains repose calmement, presque immobile, contrastant avec l’énergie chaotique autour.
Les pigments se comportent comme une entité vivante, formant une spirale hypnotique qui semble manipuler le temps lui-même — chaque rotation évoque des siècles qui passent, des œuvres qui naissent et disparaissent.
L’éclairage est **cinématographique et doux**, avec une lumière diffuse qui sculpte son visage, créant un contraste entre sérénité éternelle et chaos dynamique. Des particules fines flottent dans l’air, capturant la lumière comme de la poussière d’étoiles.
Le rendu est **ultra détaillé, hyperréaliste**, mélangeant peinture classique et simulation physique avancée (fluides, textures organiques), avec une profondeur de champ immersive et un léger grain filmique.
**Style visuel :** Renaissance + VFX modernes, peinture à l’huile animée, réalisme extrême
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**🎬 Ultra-detailed cinematic prompt (Mona Lisa version, in English):**
The **Mona Lisa**, timeless and enigmatic, emerges from the heart of a swirling vortex of living paint. Her iconic, subtle smile remains unchanged, calm and inscrutable, even as the world around her dissolves into motion. Her gaze, soft yet piercing, locks onto the camera with an almost conscious awareness, as if she knows she is being watched across centuries.
A massive spiral of liquid pigment surrounds her — molten golds, deep emerald greens, and stormy blues — churning like a cosmic ocean. The textures resemble thick oil paint in motion, each stroke alive, folding into itself in a hypnotic, fluid dance. The vortex feels both artistic and apocalyptic, like creation and destruction happening at once.
The camera begins with an **extreme close-up of her face**, capturing hyperreal skin detail, delicate shadows, and the faint ambiguity of her expression. It slowly pulls back in a smooth cinematic dolly-out, revealing that her body is partially dissolving into the swirling paint, as if she is both subject and source of the storm.
Fragments of Renaissance landscapes flicker in and out within the vortex — distant mountains, hazy horizons, fragments of sky — forming and collapsing like memories being rewritten in real time.
Her hair flows gently, suspended as if underwater, untouched by the violence around her. One hand remains visible and still, grounded and human, contrasting with the chaotic motion engulfing everything else.
Lighting is **soft, diffused, and painterly**, subtly illuminating her face while allowing the surrounding vortex to glow with internal, almost molten light. Fine particles drift through the air, catching highlights like dust suspended in a dream.
The overall rendering is **ultra-detailed, hyperrealistic**, blending classical oil painting aesthetics with cutting-edge fluid simulation and cinematic depth of field. The image feels like a living masterpiece caught between time periods.
**Visual style:** Renaissance oil painting fused with modern VFX, fluid dynamics simulation, extreme realism, cinematic grading
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--ar 16:9 --v 6 --style raw --q 2 --s 750 --chaos 15 --seed 1234
This photo is to commemorate my time working at home on an animated series in 2020.
In the early stages of production, it is essential to be on-set or in the Motion Capture Studio to capture the performance of the actors. After these initial stages of an animated series or film, it is easy to work from home for the remainder of a project.
All of this is made possible by working with a core team of competent responsible people with the same vision, and a good Producer to keep the communication flowing. There are some challenges, but I don't miss rush hour traffic. All the extra hours that you gain, actually leads to increased productivity.
By sharing project recourses in the cloud, and being able to log in to the render farms and servers when needed, finally allows one to work remotely.
A compilation featuring snippets of the projects done remotely:
vimeo.com/mheigan/mocap-reel-2020
The dogs also approve when I spend more time at home!
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]
This is from a series of photo I am doing with the help oof an AI called Dream by WOMBO. The AI takes as suggestions of Keywords along with a piece of art that I have created from the virtual world Second Life as a reference. In the photo the Key words were "Fairy" and the artwork was called "Fairies" In this one I used the VFX v2 filter as well.
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
Chris invited me to also come out to shoot while he was at Vasquez Rocks.. so I did! He didn't say -what- I should..could.. shoot.. (so that's him). He's done all sorts of commercial and feature work at the park over the years, but today he was just out taking stills.
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► AVAILABLE ON MARKETPLACE ◄
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► WEAPONS OF THE BEGINNING AND END OF TIMES ◄
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✱ COMES WITH:
• Cross in Gold Color
• 4 Wrapping Textures
- Fortune
- Crimson
- Marine
- Pink
• Cross in Cosmic Color
• 4 Wrapping Textures
- Cosmic
- Indigo
- Jade
- Halloween
• 3 Punisher Fire Mode
- Rapid Fire
- Energy Ball
- Laser Blast
• Sit Action
• 20+ SFX & VFX
• 30 Bento Animations Automatically Adjusts To Your Avatar Size
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✱ TKCL - group
secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about
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Check out this large scale panoramic photography suitable for large scale printing for office foyers or boardrooms, advertising billboards or visual effects and backdrops.
Coruja das Torres I Tyto alba
VFX, Portugal
Do báu... com saudades de ter um bocadinho de tempo para esta vida.
A Narrowband HOO Palette image of the faint emission nebula Sharpless 308 (also cataloged as Sh2-308, RCW 11, and LBN 1052), or simply referred to as the Dolphin Nebula.
Sh2-308 is an emission nebula and HII region located near the center of the constellation Canis Major, composed of ionised Hydrogen. It is about 8 degrees south of Sirius, the brightest star in the night sky. The nebula is bubble-like, surrounding a Wolf-Rayet star named EZ Canis Majoris. This star is in the brief, pre-supernova phase of its stellar evolution.
About this image:
This image is the result of photographing over several nights from the Southern Hemisphere (from dark rural skies, to my Pier at home). Deep Sky Objects like this is a challenge, as it pushes the limits of my modest Telescope gear.
Technical Info:
24 x 600 sec. 7nm Hydrogen-Alpha (Ha).
24 x 600 sec. 6.5nm Doubly Ionized Oxygen (OIII).
William Optics Star 71mm f/4.9 Imaging APO Refractor.
Sensor cooled to -15°C on my QHY163M.
Calibration frames: Bias, Darks and Flats.
SGP Mosaic and Framing Wizard.
Astrometry.net ANSVR Solver via SGP.
Pre-Processing and Linear workflow in PixInsight,
and finished in Photoshop.
Astrometry Info:
Center RA, Dec: 103.602, -23.925
Center RA, hms: 06h 54m 24.409s
Center Dec, dms: -23° 55' 29.074"
Size: 1.48 x 1.11 deg
Radius: 0.925 deg
Pixel scale: 3.33 arcsec/pixel
Orientation: Up is 113 degrees E of N
View an Annotated Sky Chart for this image.
View this image in the WorldWideTelescope.
&creditsUrl=&ra=103.471069&dec=-24.191961&x=1014.6&y=829.3&rotation=66.75&thumb=http://nova.astrometry.net/image/5838916){kind=link}
Nr. 1 in Flickr Explore:
Top 25 Photos on Flickr in 2019:
www.flickr.com/photos/flickr/galleries
blog.flickr.net/en/2019/12/19/top-25-photos-on-flickr
APOD GrAG on 2020/01/01:
apod.grag.org/2020/01/01/sharpless-308-the-dolphin-nebula
The Art of Astrophotography:
Also visit my Flickr Group: The Art of Astrophotography, that features the work of Astrophotographers from around the world.
This image is part of the Legacy Series.
Download mh_Astro_Tools Suite:
(or from GitHub)
Also see:
Photo usage and Copyright:
Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.
Martin P. Heigan
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[Website] [Photography Showcase] [eBook] [Facebook]
‘GOLDEN STAR’
VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!
Filmando en el ex aeropuerto de Cerrillos en Santiago. Tomando referencias de luz para los 3D, con un atardecer de aquellos.
A Stereographic Panorama of the Motion Capture Studio setup for one of my large Mocap projects.
Setting up the Studio for a large multi-character Mocap shoot:
Mocap set-up time-lapse video.
Mocap Technical Direction and Supervision:
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]