View allAll Photos Tagged vfx

༻ CREDITS ༺

 

༻ [TNK x TRV] - CERBERUS GRAVE - (FATPACK) ༺

 

• EXCLUSIVE - TOKYO ZERO - OPEN ▌CLOSED: 10th 2:00 PM SLT ~ 25th 2:00 PM SLT •

 

• COMES WITH:

 

•2 Cerberus Fire Mode

-Rapid Fire

-Overclock + Eletric FX

•20+ SFX & VFX

•Sit Action

•3 Ultimate Skills

-Demolition Shot

-Storm Barrage

-Raging Tornado

•5 Wrapping Textures

-Full Black

-Gold & Black

-Black & White

-Cosmic (Fatpack)

-Industrial(Fatpack)

•30+ Bento Animations

   

Generated By Midjourney V6

 

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**🎬 Prompt (FR) :**

 

Une scène hyperréaliste en macro-cinéma représentant une baleine biomécanique futuriste flottant à l’intérieur d’une goutte d’eau parfaitement sphérique en suspension dans l’air. La goutte agit comme un micro-écosystème autonome, avec un fond marin miniature composé de roches, de végétation aquatique luxuriante et de micro-organismes lumineux.

 

La baleine, massive et majestueuse, possède une peau mêlant textures organiques réalistes et structures mécaniques avancées : plaques métalliques finement intégrées, circuits lumineux bleutés pulsants, cœur énergétique circulaire irradiant une lumière cyan intense depuis son flanc. Ses yeux émettent une lueur douce et intelligente. Des détails microscopiques révèlent des joints, câbles et nanostructures fusionnés avec des tissus biologiques.

 

Autour d’elle, de petits poissons nagent en bancs, capturés avec un flou de mouvement subtil. L’eau dans la goutte présente une surface interne avec tension de surface visible, légèrement ondulée, captant et réfractant la lumière.

 

**Éclairage :**

Lumière volumétrique froide et cinématographique, dominante bleu/teal, avec des reflets spéculaires réalistes sur la surface de la goutte. Halo lumineux doux autour de la sphère. Effet de caustiques aquatiques projetées à l’intérieur. Particules flottantes visibles dans l’air et dans l’eau.

 

**Ambiance :**

Silencieuse, contemplative, légèrement futuriste et onirique, mélange de nature et de technologie. Sensation d’un monde encapsulé, fragile et précieux.

 

**Caméra :**

Plan rapproché en légère contre-plongée, profondeur de champ faible (bokeh cinématographique), focus ultra net sur la baleine et le cœur lumineux. Lent effet de travelling avant.

 

**Qualité visuelle :**

Ultra haute définition, photoréalisme extrême, rendu 8K, textures détaillées, ray tracing, global illumination, HDR, rendu type film de science-fiction haut de gamme.

 

**Style :**

Fusion entre nature océanique et science-fiction avancée, esthétique proche de concept art AAA, inspiration studios VFX (cinéma haut budget).

 

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**🎬 Prompt (EN):**

 

An ultra-realistic macro-cinematic scene depicting a futuristic biomechanical whale suspended inside a perfectly spherical droplet of water floating in mid-air. The droplet functions as a self-contained micro-ecosystem, featuring a miniature ocean floor with textured rocks, lush aquatic vegetation, and faintly glowing microorganisms.

 

The whale is massive and majestic, its body seamlessly blending organic realism with advanced mechanical design. Its skin reveals intricate metallic plating, embedded circuitry, and softly pulsing bioluminescent lines in shades of cyan and electric blue. A radiant circular energy core glows intensely from within its side, casting subtle light through semi-translucent layers. Its eyes emit a calm, intelligent glow. Microscopic details expose joints, cables, and nanostructures fused with biological tissue.

 

Surrounding the whale, small fish swim in delicate schools, captured with subtle motion blur. The inner surface of the droplet shows visible surface tension, gently warping reflections and refracting light in complex ways.

 

**Lighting:**

Cool-toned cinematic volumetric lighting dominated by blue and teal hues. Realistic specular highlights shimmer across the droplet’s surface. Soft halo glow envelops the sphere. Dynamic underwater caustics ripple within. Fine floating particles drift both inside the water and in the surrounding air.

 

**Mood & Atmosphere:**

Silent, contemplative, slightly futuristic and dreamlike. A poetic fusion of nature and technology. The scene evokes the feeling of a fragile, self-contained world suspended in time.

 

**Camera:**

Close-up shot with a subtle low-angle perspective. Shallow depth of field with cinematic bokeh. Razor-sharp focus on the whale and its glowing energy core. Gentle forward dolly movement.

 

**Visual Quality:**

Extreme photorealism, ultra-high definition, 8K resolution, highly detailed textures, ray tracing, global illumination, HDR rendering. Premium sci-fi film aesthetic.

 

**Style:**

A fusion of oceanic naturalism and advanced science fiction. High-end concept art style inspired by AAA VFX studios and blockbuster cinema.

 

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--ar 1:1 --v 6 --style raw --q 2 --s 750 --chaos 12 --weird 50 --uplight

   

Created with Dream Wombo

Prompts: Old rusty sports car in abandoned barn

Style: VFX v2

 

I always appreciate that you took the time look closer!

Featuring - [TNK x TRV] - SANCTUM PUNISHER - (SPECIAL EDITION)

Comes with 3 Punisher Fir Mode Rapid Fire,Energy Ball and Laser Blast 20 + SFX & VFX Sit action 4 Wrapping Textures +30 Bento Animations Automatically adjusts to your avatar size

 

TREVOR - Marketplace- marketplace.secondlife.com/stores/57608

 

TREVOR - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/173/128/3186

 

TANAKA - Mainstore- maps.secondlife.com/secondlife/TOKYO%20ZERO/128/128/3186

 

• TREVOR - LINKTREE: linktr.ee/trevorios

• TANAKA - LINKTREE: linktr.ee/TANAKASL

__________________________

Backdrop-Synnergy// Wasteland Backdrop

__________________________

Wearing

 

Top-::GB:: IGNITE vest (Legacy_A) Black

Gloves-::GB:: IGNITE Gloves (Legacy)

Pants- ::GB::Leather boots in pants / long (Legacy) Bicolor

 

Peneireiro-cinzento (Elanus caeruleus)

VFX, Portugal

 

Sempre em grande companhia nestas trips. :)

Mercedes Benz 0530G AB49T

 

Oxford Circus in London carrying Oyster Card promotion livery in 2004.

Created with Dream Wombo

Prompt: Old rusty sports car in an abandoned barn

Style: VFX v2

  

VH-VFX as "JETSTAR 778" arrives on Runway 05 from Melbourne-Tullamarine (MEL/YMML).

VH-VFX as "JETSTAR 778" arrives on Runway 05 from Melbourne-Tullamarine (MEL/YMML).

A wide-field 2 panel mosaic, of the cosmic dust clouds that cross the rich field of stars of Corona Australis (Latin for the Southern Crown).

 

Gear:

William Optics Star 71mm f/4.9 Imaging APO Refractor Telescope.

QHY163M Camera Sensor cooled to -30°C.

 

Technical Card:

Integration Time: 18 hours total (9 hours per panel).

L = 9 hours total (Binning 1x1).

R = 3 hours total (Binning 2x2).

G = 3 hours total (Binning 2x2).

B = 3 hours total (Binning 2x2).

Calibration frames:

Bias, Darks & Flats.

 

Image Acquisition:

Guiding in Open PHD.

Image acquisition in Sequence Generator Pro.

Plate Solving in Platesolve 2 via SGP Framing & Mosaic Wizzard.

 

Processing:

Pre-Processing and Linear workflow in PixInsight,

star separation with StarNet++ Pi Plug-in,

and finished in Photoshop.

 

Astrometry Info:

Center (RA, Dec): 285.970, -37.530

Center (RA, hms): 19h 03m 52.739s

Center (Dec, dms): -37° 31' 46.701"

Size: 3.63 x 2.86 deg.

Radius: 2.312 deg.

Pixel scale: 8.17 arcsec/pixel.

Orientation: Up is 162.5 degrees E of N.

View an Annotated Sky Chart of this image.

View image in the WorldWideTelescope.

 

This image is part of the Legacy Series.

 

Flickr Explore:

2022-12-21

 

Download mh_Astro_Tools Suite:

anti-matter-3d.com/tools

(or from GitHub)

GitHub Release Page

Also see:

Astro_Weather_Widget

 

Photo usage and Copyright:

Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.

 

Martin

-

[Website] [Photography Showcase] [eBook] [Facebook]

[3D VFX & Mocap] [Science & Physics] [Python Coding]

These are builds and photos I did for the LEGO Adventure Book Volume 2. Many thanks to Megan Rothrock for inviting me to be involved and to Pete Reid for loaning a few select pieces.

 

this one is all me, but Pete Reid's influence is clearly seen in my midi scale NCS Galaxy Explorer

Black-winged kite I Peneireiro-cinzento I Elanus caeruleus

VFX, Portugal

 

A bracketed HDR image of the Lunar Eclipse on 27 July 2018, photographed from my backyard with a Nikon D750 and my 200-500mm Lens with a 2x Teleconverter (1000mm).

 

The Camera was tracking the Moon on my Celestron AVX Telescope Mount.

 

Lunar Eclipse Time-Lapse:

View the Time-Lapse movie of the longest Lunar Eclipse of the Century. This video shows the most dramatic part of the Eclipse, when the Umbra (the darkest part of Earth's shadow) moves over the Moon. Only the long wavelengths of light (towards the red side of the Electromagnetic Spectrum) manage to illuminate the Moon, resulting in the red color.

 

Why is Earth's shadow round on the Moon during an Eclipse?

Notice Earth's spherical shadow on the Moon. Yes, just like all the other Planets in the Universe, the Earth is also not Flat!

 

"Nature can not be fooled." - Richard P. Feynman.

 

This image is part of the Legacy Series.

 

Flickr Explore:

2018-07-28

 

Photo usage and Copyright:

Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.

 

Martin

-

[Home Page] [Photography Showcase] [eBook] [Twitter]

[Facebook] [3D VFX & Mocap] [Science & Physics Page]

 

IC 434 is a bright emission nebula in the constellation Orion. The Horsehead Nebula (also known as Barnard 33) is a dark nebula silhouetted against IC 434.

 

The red glow originates from Hydrogen gas predominantly behind the nebula, ionized by the nearby bright star Sigma Orionis. Magnetic fields channel the gases leaving the nebula into streams, shown as streaks in the background glow. A glowing strip of hydrogen gas marks the edge of the massive cloud.

 

The nebula is located just to the south of the star Alnitak, which is farthest east on Orion's Belt, and is part of the much larger Orion Molecular Cloud Complex. The Horsehead Nebula is approximately 1,500 light-years from Earth. The darkness of the Horsehead is caused mostly by thick dust blocking the light of stars behind it. This stellar nursery contains organic and inorganic gas and dust, including complex organic molecules.

 

The bright blue stars are still surrounded by nebulosity (gas and dust that they form out of), as they are still "young" energetic hot stars. You will notice that star colors differ from blue to yellow, orange and red. This is an indication of the temperature of a star's Nuclear Fusion process. This is determined by the size and mass of the star, and the stage of its life cycle. In short, the blue stars are hotter, and the red stars are cooler.

 

The nebula in the bottom left corner is called the Flame Nebula (NGC 2024).

 

Gear:

William Optics Star 71mm f/4.9 Imaging APO Refractor.

William Optics 50mm Finder Scope.

Celestron SkySync GPS Accessory.

Orion Mini 50mm Guide Scope.

Orion StarShoot Autoguider.

Celestron AVX Mount.

QHYCCD PoleMaster.

Celestron StarSense.

Canon 60Da DSLR.

Astronomik Clip-In CLS Light Pollution Filter.

 

Tech:

Guiding in Open PHD 2.6.2.

Image acquisition in Sequence Generator Pro.

Lights/Subs:

24 x 180 sec. ISO 3200 RGB (CLA FITS)

Calibration Frames:

40 x Bias/Offset.

25 x Darks.

20 x Flats & Dark Flats.

Pre-Processing and Linear workflow in PixInsight,

and finished in Photoshop.

 

Astrometry Info:

View the Annotated Sky Chart for this image.

RA, Dec: 85.182, -2.419

RA, hms: 05h 40m 43.606s

Dec, dms: -02° 25' 07.910"

Size: 2.91 x 2.05 deg

Radius: 1.780 deg

Pixel scale: 6.55 arcsec/pixel

Orientation: Up is 94 degrees E of N

 

In Flickr Explore:

Explore-2017-01-24.

 

Photo usage and Copyright:

Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.

 

Martin

-

[Home Page] [Photography Showcase] [eBook] [Twitter]

[Facebook] [3D VFX & Mocap] [Science & Physics Page]

 

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• Cross in White Color

• 4 Wrapping Textures

- Full Black

- Gold & Black

- Black & White

- White & Gold

 

• 3 Punisher Fire Mode

- Rapid Fire

- Energy Ball

- Laser Blast

 

• Sit Action

• 20+ SFX & VFX

• 30 Bento Animations Automatically Adjusts To Your Avatar Size

 

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✱ TREVOR- store

 

✱ TANAKA - store

 

✱ TKCL - land

 

✱ TKCL - group

secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about

 

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Credits: bluemoodstyle.blogspot.com/2023/10/d-u-girl.html

  

෴✿෴ ෴✿෴෴✿෴ ෴✿෴

▶ ⲊⲢⲞⲚⲊⲞⲄ: [TNK x TRV] - EXECUTOR BLADE TREVOR - [TKCL - ANIME & COMICS]

& TANAKA & NEO JAPAN EVENT

✿

COMES WITH:

✿✿Special Skills ✿✿HEAVENSWORD ✿✿APOCALIPSE

✿✿FLASHSTRIKE ✿✿7 Combo Animations ✿✿HUE Color Picker

✿✿Yokai Mask Accessory ✿✿Flame & Lightning

✿✿18 Original Animations ✿✿20+ SFX & VFX

✿✿3 Idle Poses ✿✿Size Adjustment

✿✿Overclock Mode ✿✿+AND MORE

⁀➷ TREVOR - [TKCL - ANIME & COMICS]

⁀➷ TANAKA

⁀➷ NEO JAPAN EVENT

  

෴✿෴ ෴✿෴෴✿෴ ෴✿෴

▶ ⲊⲢⲞⲚⲊⲞⲄ: Diaboli Design - Cordelia Shoes DIABOLI DESIGN & KINKY EVENT

✿✿GENX /CURVY ✿✿KUPRA ✿✿LEGACY ✿✿MAITREYA ✿✿REBORN

✿✿2 DIFERENT SPECIAL HALLOWEEN TEXTURE SET ✿✿

✿✿75 DIFERENTS TEXTURE✿✿

✿✿HIDE / SHOW ✿✿NOSE ✿✿PLATE CHAIN ✿✿LACES

⁀➷ DIABOLI DESIGN

⁀➷ KINKY EVENT

  

෴✿෴ ෴✿෴෴✿෴ ෴✿෴

▶ ⲊⲢⲞⲚⲊⲞⲄ: REKT_Mitsuki Kimono REKT & Warehouse Sales

✿✿LEGACY ✿✿MAITREYA ✿✿REBORN

⁀➷ REKT

⁀➷ Warehouse Sales

  

෴✿෴ ෴✿෴෴✿෴ ෴✿෴

✿ Sintiklia - Hair Etsuko

✿ LELUTKA HEAD

✿ EBODY REBORN

✿ .: CORAZON:. Tattoo KRYTON :.

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♦ TANAKA x TREVOR ♦

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

 

✱ COMES WITH:

 

• Cross in White Color

• 4 Wrapping Textures

- Full Black

- Gold & Black

- Black & White

- White & Gold

 

• 3 Punisher Fire Mode

- Rapid Fire

- Energy Ball

- Laser Blast

 

• Sit Action

• 20+ SFX & VFX

• 30 Bento Animations Automatically Adjusts To Your Avatar Size

 

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

► THE BEST SACRED WAY TO EXORCISE ◄

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

 

✱ BUY HERE

 

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

✱ YOUTUBE - VIDEO

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

 

✱ TREVOR- store

 

✱ TANAKA - store

 

✱ TKCL - land

 

✱ TKCL - group

secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about

 

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

Apps:

VFX Studio

SuperImpose

Gridditor

Snapseed

Distressed FX

‎Mehvan Kurdish

photography Art color & VFX motion graphic

copyright © 2011

www.facebook.com/mehvankurdish

Apps:

VFX Studio

Superimpose

Tangled FX

Image Blender

Snapseed

Faint dust and gas of the Dark Nebula LDN122 (Lynds' Catalog of Dark Nebulae) in the constellation Ophiuchus.

 

About this image:

Imaged in LRGB over several nights in rural dark skies of Southern Africa.

 

Technical Info:

William Optics Star 71mm f/4.9 Imaging APO Refractor.

Sensor cooled to -25°C on my QHY163M.

Integration Time: 14 hours

L = 8 hours (Binning 1x1)

R = 2 hours (Binning 2x2)

G = 2 hours (Binning 2x2)

B = 2 hours (Binning 2x2)

Calibration frames:

Bias, Darks and Flats.

 

Astrometry Plate Solving:

SGP Mosaic and Framing Wizard.

PlaneWave PlateSolve 2 via SGP.

Pre-Processing and Linear workflow in PixInsight,

and finished in Photoshop.

 

Astrometry Info:

Center RA, Dec: 253.987, -16.200

Center RA, hms: 16h 55m 56.791s

Center Dec, dms: -16° 12' 01.644"

Size: 1.6 x 1.07 deg

Radius:0.962 deg

Pixel scale: 3.6 arcsec/pixel

Orientation: Up is 273 degrees E of N

View an Annotated Sky Chart for this image.

 

This image is part of the Legacy Series.

 

APOD GrAG:

apod.grag.org/2019/06/05/the-stardust-of-ldn122

 

Download mh_Astro_Tools Suite:

anti-matter-3d.com/tools

(or from GitHub)

GitHub Release Page

Also see:

Astro_Weather_Widget

 

Photo usage and Copyright:

Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.

 

Martin

-

[Website] [Photography Showcase] [eBook] [Facebook]

[3D VFX & Mocap] [Science & Physics] [Python Coding]

VH-VFX as "JETSTAR 778" arrives on Runway 05 from Melbourne-Tullamarine (MEL/YMML).

I did some weeks of on-set VFX supervision in Jordan early 2019. The drone ( DJI Inspire ) footage that was shot here would later be added in post to the windows inside an army plane.

This photo is to commemorate my time working at home on an animated series in 2020.

 

In the early stages of production, it is essential to be on-set or in the Motion Capture Studio to capture the performance of the actors. After these initial stages of an animated series or film, it is easy to work from home for the remainder of a project.

 

All of this is made possible by working with a core team of competent responsible people with the same vision, and a good Producer to keep the communication flowing. There are some challenges, but I don't miss rush hour traffic. All the extra hours that you gain, actually leads to increased productivity.

 

By sharing project recourses in the cloud, and being able to log in to the render farms and servers when needed, finally allows one to work remotely.

 

A compilation featuring snippets of the projects done remotely:

vimeo.com/mheigan/mocap-reel-2020

 

The dogs also approve when I spend more time at home!

 

Martin

-

[Website] [Photography Showcase] [eBook] [Facebook]

[3D VFX & Mocap] [Science & Physics] [Python Coding]

This is from a series of photo I am doing with the help oof an AI called Dream by WOMBO. The AI takes as suggestions of Keywords along with a piece of art that I have created from the virtual world Second Life as a reference. In the photo the Key words were "Fairy" and the artwork was called "Fairies" In this one I used the VFX v2 filter as well.

Garça-branca-pequena (Egretta garzetta)

VFX, Portugal

 

VH-VFX as "JETSTAR 778" arrives on Runway 05 from Melbourne-Tullamarine (MEL/YMML).

‘GOLDEN STAR’

 

VH-VFX as JQ221 to Queenstown (ZQN/NZQN) from 16R Sydney Airport (SYD/YSSY) in some of the most spectacular lighting I have seen in some time…. Sadly, it didn’t last terribly long!!

In the background my old Miltech weapons platform

 

Here are links to all my socials.

Give them a look ! Links

 

A little explanation take from the description in the video on youtube for people who have never seen:

"In a not too distant future, societies of all countries come to rely on an intricate network of artificial intelligence devices designed to bring efficacy to man's life. Yet, man continues to devour himself in useless wars. A strong political hierarchy now divides all powers into three factions, and A. I. devices rapidly gain ground as efficiency becomes a priority.

As social revolts grow worse everyday, authorities seek ways to control their citizens. They decide to carry out a series of tests that will determine not only whether some crucial powers can be transferred to non human entities, but also whether man is ready to yield those powers.

The world has become a cell for all man and women, who withstand and endure their lives, rather than living them. Machines might have found a solution.

From now on, you are set free..."

 

Link to Big Lazy Robot website

Generated By Midjourney V6

 

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**🎬 Prompt cinématographique hyperréaliste (version Joconde)**

 

La **Joconde**, visage iconique et énigmatique, émerge lentement d’un vortex monumental de peinture vivante. Son sourire subtil, presque imperceptible, reste intact malgré le chaos tourbillonnant qui l’enveloppe. Son regard, à la fois doux et troublant, fixe la caméra avec une intensité silencieuse, comme si elle était consciente de traverser les siècles.

 

Autour d’elle, la matière picturale se déchaîne : des flux d’huile épaisse, aux teintes dorées, vert émeraude et bleu profond, s’enroulent en spirale, recréant et détruisant sans cesse des fragments de paysages renaissants — collines brumeuses, ciels tourmentés, horizons flous. Les textures rappellent directement les coups de pinceau de Leonardo da Vinci, mais animés avec une fluidité surnaturelle.

 

La caméra débute par un **gros plan sur son visage**, révélant une peau d’un réalisme troublant, puis recule lentement en travelling arrière, dévoilant que son corps semble à moitié dissous dans cette tempête de pigments. Une de ses mains repose calmement, presque immobile, contrastant avec l’énergie chaotique autour.

 

Les pigments se comportent comme une entité vivante, formant une spirale hypnotique qui semble manipuler le temps lui-même — chaque rotation évoque des siècles qui passent, des œuvres qui naissent et disparaissent.

 

L’éclairage est **cinématographique et doux**, avec une lumière diffuse qui sculpte son visage, créant un contraste entre sérénité éternelle et chaos dynamique. Des particules fines flottent dans l’air, capturant la lumière comme de la poussière d’étoiles.

 

Le rendu est **ultra détaillé, hyperréaliste**, mélangeant peinture classique et simulation physique avancée (fluides, textures organiques), avec une profondeur de champ immersive et un léger grain filmique.

 

**Style visuel :** Renaissance + VFX modernes, peinture à l’huile animée, réalisme extrême

  

---

  

**🎬 Ultra-detailed cinematic prompt (Mona Lisa version, in English):**

 

The **Mona Lisa**, timeless and enigmatic, emerges from the heart of a swirling vortex of living paint. Her iconic, subtle smile remains unchanged, calm and inscrutable, even as the world around her dissolves into motion. Her gaze, soft yet piercing, locks onto the camera with an almost conscious awareness, as if she knows she is being watched across centuries.

 

A massive spiral of liquid pigment surrounds her — molten golds, deep emerald greens, and stormy blues — churning like a cosmic ocean. The textures resemble thick oil paint in motion, each stroke alive, folding into itself in a hypnotic, fluid dance. The vortex feels both artistic and apocalyptic, like creation and destruction happening at once.

 

The camera begins with an **extreme close-up of her face**, capturing hyperreal skin detail, delicate shadows, and the faint ambiguity of her expression. It slowly pulls back in a smooth cinematic dolly-out, revealing that her body is partially dissolving into the swirling paint, as if she is both subject and source of the storm.

 

Fragments of Renaissance landscapes flicker in and out within the vortex — distant mountains, hazy horizons, fragments of sky — forming and collapsing like memories being rewritten in real time.

 

Her hair flows gently, suspended as if underwater, untouched by the violence around her. One hand remains visible and still, grounded and human, contrasting with the chaotic motion engulfing everything else.

 

Lighting is **soft, diffused, and painterly**, subtly illuminating her face while allowing the surrounding vortex to glow with internal, almost molten light. Fine particles drift through the air, catching highlights like dust suspended in a dream.

 

The overall rendering is **ultra-detailed, hyperrealistic**, blending classical oil painting aesthetics with cutting-edge fluid simulation and cinematic depth of field. The image feels like a living masterpiece caught between time periods.

 

**Visual style:** Renaissance oil painting fused with modern VFX, fluid dynamics simulation, extreme realism, cinematic grading

 

---

 

--ar 16:9 --v 6 --style raw --q 2 --s 750 --chaos 15 --seed 1234

  

Chris invited me to also come out to shoot while he was at Vasquez Rocks.. so I did! He didn't say -what- I should..could.. shoot.. (so that's him). He's done all sorts of commercial and feature work at the park over the years, but today he was just out taking stills.

Draw corners close from far

Unknown thing known to all

Take what's without within me

And transmutate my heart

Oh, make me precious

Cast circles, round me out

Burn till I purify, baby

Till there is only love

  

Rise for me

Come and alchemi-mise me

Take hold as you rush in the gold

Come and alchemi-mise me

Rise for me

Come and alchemi-mise me

Take hold as you rush in the gold

Come and alchemi-mise me

-Alchemise, Kerli

 

~~~~

 

Name: Rhiannon

Species: Golden Light dragon

Alignment: Lawful Good

Relationships: Shadow Dragon

No current lore for this dragon

Photo Shows them more youthful.

 

Playlist: open.spotify.com/playlist/29FwLCOed5o7xYMHQTu7ME?si=befb3...

  

Sponsored stores:

 

Vae Victis

 

Primfeed: www.primfeed.com/vae-victis

Flickr: www.flickr.com/photos/vaevictissl/

Discord: discord.gg/f4xwH7hgxq

Mainstore Taxi: maps.secondlife.com/secondlife/Eldritch/65/166/1015

 

/Vae Victis\ - "Andromeda" - Royal Crest

(Modable)

 

“At our base level... we are all human, all made from the same stars.

Coming to the Androgyny event, which opens May 5th.

linktr.ee/androgynyevent

the options are 3 metal, 8 branch and 7 gem colours, with 6 emissive colours for PBR only. Comes in PBR+Fallback and standard only variants.”

 

Official post: www.flickr.com/photos/vaevictissl/54492611445/in/dateposted/

  

Seydr

Primfeed: www.primfeed.com/seydr

Flickr: www.flickr.com/photos/yukio_ida/

Mainstore Taxi: maps.secondlife.com/secondlife/Botanica%20Magika/31/82/1503

 

Alata Eyes

Official post:

www.primfeed.com/seydr/posts/9b4d78c3-9aa2-49db-a353-37a0...

 

Gossamer Cuff

(Modable)

Official post:

www.primfeed.com/seydr/posts/92159aac-34cb-49be-a548-acab...

  

AERITH

 

Primfeed: www.primfeed.com/aerth

Flickr: flickr.com/photos/144691864@N03/

Discord:

Maintstore Taxi: maps.secondlife.com/secondlife/Aii%20and%20Ego/125/212/1525

 

[AERTH] Dehumanize horns Golden

(Modable to an extent)

Official post:

www.flickr.com/photos/144691864@N03/51131549746/in/photol...

 

Sunscale Naga Scales

Official post:

flic.kr/p/2qYkrpa

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Body:

+ Ancient Wings (size XL) *WINGS* + {Aii&Ego}

..: VARALI :.. BOM Mesh Eye

Usagi Society - Claire Hair (Ponytail style)

Sintiklia - Carter M Fitted (Side Part)

[AERTH] Ashalas Tail Bento/BOM LEGACY TEXTURES

REBORN Hud v1.69.6

/ HEAD / lel EvoX RAVEN 3.1

/Vae Victis\ - "Kaine" - Hunter's Cross Necklace Light

REBORN by eBODY v1.69.6

  

BOM/Tattoo/Makeup

[Salal] Dragonling Scales Gold

/Vae Victis\ - "Dragos" - Dragon Back Tattoo

{GHOSTED} CALYPSO'S CALL

SOMEONE - Goddess Body - Reborn - Curvy Tummy - Hera

SOMEONE - Evelyn Skin – Hera

+ Demonic Touch - bom/all parts (Ebody Reborn) + {Aii}

..: VARALI :.. Dragonai Gold

  

Clothes:

REKT_Necro knight Arms Golden [Ebody/Reborn]

REKT_Necro knight Belt Golden [Ebody/Reborn]

REKT_Necro knight chest Golden [Ebody/reborn]

REKT_Necro knight Shoulder L Golden [Unrigged]

REKT_Necro knight Shoulder R Golden [Unrigged]

+ { Kingslayer Boots (Reborn) } + {aii}

Extras:

/Vae Victis\ - "Vladimir" - Nobleman Animation Override

 

Void & Musgrave - Asteria Aura

[Cynful] Stripper Dust - eBody Reborn

[Cynful] Stripper Dust - eBody Reborn

[TREVOR] - ELECTROKINESIS - ORANGE - (HUD)

[TREVOR] - ELECTROKINESIS VFX - ORANGE - (RIGHT)

  

Pose:

Mysteria – Light in the dark

 

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✱ BUY HERE

 

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✱ COMES WITH:

 

• Cross in Gold Color

• 4 Wrapping Textures

- Fortune

- Crimson

- Marine

- Pink

 

• Cross in Cosmic Color

• 4 Wrapping Textures

- Cosmic

- Indigo

- Jade

- Halloween

 

• 3 Punisher Fire Mode

- Rapid Fire

- Energy Ball

- Laser Blast

 

• Sit Action

• 20+ SFX & VFX

• 30 Bento Animations Automatically Adjusts To Your Avatar Size

 

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✱ TREVOR- store

 

✱ TANAKA - store

 

✱ TKCL - land

 

✱ TKCL - group

secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about

 

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Coruja do nabal (Asios flammeus)

VFX,PORTUGAL

Abibe IVanellus vanellus

VFX, PORTUGAL

 

Fuinha-dos-juncos (Cisticola juncidis)

VFX, Portugal

Coruja das Torres I Tyto alba

VFX, Portugal

 

Filmando en el ex aeropuerto de Cerrillos en Santiago. Tomando referencias de luz para los 3D, con un atardecer de aquellos.

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