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Cheryl suggested removing the post on the left, removing it made the composition unbalanced (imho). Did a 40x30 crop because I'm thinking of having it printed in that size.
A bunch of shots from Kefalonia, last summer. I decided my flikr home and the pulverantilists needed some colour, must be something to do with winter! All shot with my olympus pen D and kodak ektar. They may not be on here for that long so enjoy lol.!
BODY
Manufactured by Ihagee Kamerawerk Steenbergen & Co, Dresden, East Germany
Model: 1961, Version 1.6, (A&R: 6, Hummel: 050), (produced between 1960-62, quantity 58400)
Special features of Version 6: rectangular shape of the front plate; name plate with Exa metallic white on painted black background.
Version, manufacturing year, body and lens info are as to Andrzej Wrotniak
The original Exa is known as Exa 0 also
All Exa 0 produced between 1951-62
35mm film SLR camera
Engraving on the front plate: Ihagee Dresden
Lens release: via a lever on the left of the lens flange
Focusing: via Fresnel matte screen, ring and dial on the lens, w/DOF scale
Shutter: Mirror acts like a curtain as a part of the shutter, vertical moving, due to this maximum speed is limited to 1/150, speeds: 1/25-1/150 +B
setting : via a lever and scale on the right of the top plate
Shutter release: a knob, on front of the body, left side of the lens,
w/ a safety locking cap, and cable release socket, it can be pressed with the plunger on the lenses, w/ cable release socket also
Cocking knob: also winds the film, on the right of the top plate
Frame counter: window on the right of the top plate, additive type, manual reset by a thumb ring on front of it
Viewfinder: Waist level finder, w/ magnifier and sport finder with a lid, opens by a knob on the back side, interchangeable with SLR pentaprism finder
Finder release: via a knob beneath the Exa logo
Mirror: Stays up after exposure, so viewfinder is dark, cocking the shutter returns the mirror to normal position
Re-wind knob: on the left of the top plate
Re-wind release: a button just beside the cocking knob
Flash PC socket: two, on the right front side of the camera, F and X
Self-timer. none
Back cover: Hinged, removable, opens by a latch on the left side of the camera
Special take up spool
Tripod socket: 1/4''
Strap lugs
Body: metallic, Weight: 588g (wo/ the lens)
serial no. 573828 (inside the camera)
LENS:
aus Jena Pancolar 50mm f/2 (Zebra), 6 elements, auto-diaphragm type, (no internal aperture coupling, diaphragm always in open position, pressing the plunger on the lens closes the aperture to the pre-set f number then the shutter releases),
Exakta bayonet mount, interchangeable with Exakta Varex lenses,
filter thread: 49mm, serial no.8459679 (introduced 1964)
Aperture: f/2-f/22 setting: ring and scale on the lens
Focus range: 0.5-15m +inf
+SLR pentaprism finder, w/split image rangefinder, Ihagee, Dresden
Ihagee Kamerawerk Steenbergen & Co, in Dresden, which was the largest independent camera manufacturer in Germany and was founded in 1912 by Johan Steenbergen.
The true Exaktas and Exas are ones made by Ihagee in Dresden.
Although Exa is much simpler than the professional Exakta cameras, the workmanship is equally good, finish similar, and the family resemblance obvious. With its lower price, Exa cameras are addressed to the amateur photographers.
During the 25th year of production of the 35mm Exaktas, Ihagee introduced the black and white labels as for Exacta IIa as for the Exa.
Ihagee did not produce their own lenses. Instead, they relied on many of the major optical firms of their day to each produce a series of lenses for their cameras, eg. Carl Zeiss Jena, Meyer-Optik Görlitz and Schneider-Kreuznach. The lenses from these three makers, in terms of the number and variations of lenses produced, are the most plentiful and in most cases the easiest for collectors and users to acquire. Maybe, over 80% of the Exaktas offered for sale are equipped with normal focal length lenses from these three firms.
The East German Zeiss lenses made for export, were marked from 1954 with different engravings. The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.
Notes about Exa/Exakta classification
I use the Exa/Exakta classification of Andrzej Wrotniak. As to me, it is the best.
Some opinions of a serious Exa/Exakta collector, F W Tappe :
Andrzej Wrotniak uses a very sensible classification, listed on his website, which I personally like the best. It is multi dimensional in setup, without being complicated!
Richard Hummel's 1995 book lists an "one dimensional" classification, which is incomplete, but many sources still refer to this.
Aguila and Rouah (A&R) in their 2003 edition of "Exakta cameras 1933 - 1978", come to an improved classification. They built on their previous 1987 edition classification, which was the leading standard among collectors.
Klaus Wichmann, prolific writer of books about Exakta - and Exa cameras, published his classifications earliest.
More info Captain Jack, Maurizio Frizziero, F W Tappe, Exa Original in Camerapedia
Made a version of Josh's shield drone.
I loved the idea and the execution.
I though about what would be possible with a squad of these. Definitely effective for riot control or creating a defensive perimeter when synchronized and deployed in large numbers.
BODY
Manufactured by Ihagee Kamerawerk Steenbergen & Co, Dresden, East Germany
Model: 1961, Version 1.6, (A&R: 6, Hummel: 050), (produced between 1960-62, quantity 58400)
Special features of Version 6: rectangular shape of the front plate; name plate with Exa metallic white on painted black background.
Version, manufacturing year, body and lens info are as to Andrzej Wrotniak
The original Exa is known as Exa 0 also
All Exa 0 produced between 1951-62
35mm film SLR camera
Engraving on the front plate: Ihagee Dresden
Lens release: via a lever on the left of the lens flange
Focusing: via Fresnel matte screen, ring and dial on the lens, w/DOF scale
Shutter: Mirror acts like a curtain as a part of the shutter, vertical moving, due to this maximum speed is limited to 1/150, speeds: 1/25-1/150 +B
setting : via a lever and scale on the right of the top plate
Shutter release: a knob, on front of the body, left side of the lens,
w/ a safety locking cap, and cable release socket, it can be pressed with the plunger on the lenses, w/ cable release socket also
Cocking knob: also winds the film, on the right of the top plate
Frame counter: window on the right of the top plate, additive type, manual reset by a thumb ring on front of it
Viewfinder: Waist level finder, w/ magnifier and sport finder with a lid, opens by a knob on the back side, interchangeable with SLR pentaprism finder
Finder release: via a knob beneath the Exa logo
Mirror: Stays up after exposure, so viewfinder is dark, cocking the shutter returns the mirror to normal position
Re-wind knob: on the left of the top plate
Re-wind release: a button just beside the cocking knob
Flash PC socket: two, on the right front side of the camera, F and X
Self-timer. none
Back cover: Hinged, removable, opens by a latch on the left side of the camera
Special take up spool
Tripod socket: 1/4''
Strap lugs
Body: metallic, Weight: 588g (wo/ the lens)
serial no. 573828 (inside the camera)
LENS:
aus Jena Pancolar 50mm f/2 (Zebra), 6 elements, auto-diaphragm type, (no internal aperture coupling, diaphragm always in open position, pressing the plunger on the lens closes the aperture to the pre-set f number then the shutter releases),
Exakta bayonet mount, interchangeable with Exakta Varex lenses,
filter thread: 49mm, serial no.8459679 (introduced 1964)
Aperture: f/2-f/22 setting: ring and scale on the lens
Focus range: 0.5-15m +inf
+SLR pentaprism finder, w/split image rangefinder, Ihagee, Dresden
Ihagee Kamerawerk Steenbergen & Co, in Dresden, which was the largest independent camera manufacturer in Germany and was founded in 1912 by Johan Steenbergen.
The true Exaktas and Exas are ones made by Ihagee in Dresden.
Although Exa is much simpler than the professional Exakta cameras, the workmanship is equally good, finish similar, and the family resemblance obvious. With its lower price, Exa cameras are addressed to the amateur photographers.
During the 25th year of production of the 35mm Exaktas, Ihagee introduced the black and white labels as for Exacta IIa as for the Exa.
Ihagee did not produce their own lenses. Instead, they relied on many of the major optical firms of their day to each produce a series of lenses for their cameras, eg. Carl Zeiss Jena, Meyer-Optik Görlitz and Schneider-Kreuznach. The lenses from these three makers, in terms of the number and variations of lenses produced, are the most plentiful and in most cases the easiest for collectors and users to acquire. Maybe, over 80% of the Exaktas offered for sale are equipped with normal focal length lenses from these three firms.
The East German Zeiss lenses made for export, were marked from 1954 with different engravings. The brand name Carl Zeiss Jena is replaced by C.Z. Jena or Jena or aus Jena.
Notes about Exa/Exakta classification
I use the Exa/Exakta classification of Andrzej Wrotniak. As to me, it is the best.
Some opinions of a serious Exa/Exakta collector, F W Tappe :
Andrzej Wrotniak uses a very sensible classification, listed on his website, which I personally like the best. It is multi dimensional in setup, without being complicated!
Richard Hummel's 1995 book lists an "one dimensional" classification, which is incomplete, but many sources still refer to this.
Aguila and Rouah (A&R) in their 2003 edition of "Exakta cameras 1933 - 1978", come to an improved classification. They built on their previous 1987 edition classification, which was the leading standard among collectors.
Klaus Wichmann, prolific writer of books about Exakta - and Exa cameras, published his classifications earliest.
More info Captain Jack, Maurizio Frizziero, F W Tappe, Exa Original in Camerapedia
Foward Air Control Amed Version KA-1 Woongbee
/ Demo Flight
/ Photo by ROKAF (2006)
í•œêµí•ê³µìš°ì£¼ì‚°ì—…
El Roldán, 4 de Septiembre de 2012. Con la ayuda de albertobv.
Para ver la anterior versión.
Gracias a este magnÃfico tutorial.
Advanced trainer T-50 Golden Eagle T-X version (America)
/ T-50 Mock-up for T-X Program
/ Photo by KAI (2014)
Fort Sumner. Museo de Billy the kid. New Mexico. USA. Press L
Para los amantes de la historia
Dead or alive...
Description, Fra' Filippo Lippi, Madonna and Child with Two Angels
Madonna and Child with Two Angels
Filippo Lippi (Firenze 1406 ca. – Spoleto 1469)
1460-1465 ca.
The Uffizi
Tempera on wood
Size 95 x 62 cm
This is Filippo Lippi’s most famous piece and features an extraordinary spontaneity in its portrayal. The Virgin is seated on a throne, of which it is possible to glimpse only the soft, embroidered cushion and the carved arm. She is intently gazing at her son, turning towards him with hands clasped in prayer. Her expression is gentle and indulgent, almost melancholy, as if she can foresee the painful destiny that awaits her son. The young Jesus, covered only in swaddling, looks back at Mary, holding both arms out to her, supported by two angels. The angel in the foreground is smiling and looking outwards, as if to bring the onlooker into the scene.
The close-up style, with the group painted as little more than half figures, placed in a small space and bordered by a Serena stone frame, make this composition similar to numerous relief sculptures made by the Florentine sculptors of the same period. The window opens out onto a vast, varied landscape, overlooking the sea, with rocks, vegetation, and buildings.
The holy image has been translated with a deep sense of humanity, both through the expression of affections and in the choice of clothes and hairstyles, which have been inspired by the fashions of the same period. The Virgin is dressed most elegantly, with a crown of pearls and veils woven into her hair, in the same way as Florentine noblewomen from the late 15th century. The halos are barely hinted at: fine crowns and rays of light that do not cover the landscape behind. As yet there is nothing to confirm the idea that the Virgin’s face is none other than that of Lucrezia Buti, the young nun from Prato, who went on to become Lippi’s wife.
The composition was a success from the start, and used as a model by many artists, including the young Botticelli, a pupil of the artist. We do not know, however, the original destination of this holy image; the first information dates back to the late 18th century, when it was in the Medici Villa of Poggio Imperiale in Florence.
Lippi had a colorful life, described in more detail from sources in Wikipedia, including the accoun that when Lippi arrived in Florence in 1432, his paintings had become popular, warranting the support of the Medici family, who commissioned the painting, the Annunciation and the Seven Saints. Cosimo de' Medici had to lock him up in order to compel him to work, and even then the painter escaped by a rope made of his sheets. His escapades threw him into financial difficulties. His life included many similar tales of lawsuits, complaints, broken promises, and scandal. Regardless, his work inspired some of the best painters of the Renaissance.
The unedited version from the photo shoot for the clothing store. The tattoo isn't real. At least, that's what I tell my mom. She's real believing. The soft focus was intentional.