View allAll Photos Tagged values

Polaroid 250 Land Camera

Benched in Southern Ontario.

value

unity

basic edit

shallow

west

This is one of my favorite photos because of the object pictured. The teddy bear was my mother's from when she was a child. It has obviously been worn out and used by her. She passed away last year and I value this teddy bear because it was with her for her entire life.

   

The UK household satellite accounts found that the value of informal childcare in 2010 was £343 billion – equivalent to 23% of GDP

 

value drawing -hatching

drawing by lisa beerntsen

The dominant element of art is Value because of the dark values of the trees, fence, pole and powerlines and the light value of the sun. The principle is movement because my eye is drawn toward the sun and then moves to the trees on the left then to the bottom to the fence and pole.

  

If you are a friend or contact, and you normally like my photos, or some of them, anyway,, please ignore all these banners. They are not to annoy you. They're only to make sure the front page of my photos on the photo thieves' pages are covered with them. Please go back and maybe try to guess what the mystery green thing is, or enjoy some fences, dogs, cats or sunsets, etc.

 

"Add another one to the list of crooks~ Binton, binscorner ~ Can you crooks say Attorney General?"

 

One company I wrote to said I couldn't leave a message without joining. I hadn't gotten that reply yet; but I did not join. The next day, they had signed me up anyway, which they had no right to do, and had the audacity to give me a Karma rating of Zero. I'm giving them a low-life cheaters' rating of 47 billion.

Value as target. Investing in the future.

8th of June 11:00AM-12:30PM

 

Concept of values and its meaning for life of societies, organizations and individuals; values as the very core of human decision‐making. How do we know our values? Transformation of values in today’s world. Interaction of different value systems: how to deal with values of the Other? Values of Ukrainian society vs European values: implications for everyday decisions. Role of state in nurturing values.

 

Moderator: Denis Poltavets - Director of Program Development. Civil Society Development Expert: Since 2016, Program Development Director at the Aspen Institute Kyiv; since 2007, cooperated with the Aspen Ukraine Initiative as a moderator; Program Development Manager of the International Renaissance Foundation, an expert and project coordinator of the UN Development Program in Ukraine; Degree in psychiatry.

 

Pascal Gelien - Professor of sociology of art and politics at the Antwerp Research Institute for the Arts (Antwerp University - Belgium) where he leads the Culture Commons Quest Office (CCQO).

 

Nataliia Zabolotna - the founder of the Forum UKRAINIAN ID, the President of the Foundation for Humanitarian Development of Ukraine

 

Yevhen Hlibovitsky - Expert on long-term strategies. He is engaged in research on values and is a participant in the Nestor Expert Group (Visa for Ukraine in 2025), the Univsk Expert Group (Visa for Lviv in 2025), Dnipropetrovsk Group DYB (Strategy 2030), initiator and expert in the strategy group for Kyrgyzstan. Member of the Supervisory Board of the National Public Broadcasting Company of Ukraine.

 

Vakhtang Kebuladze - philosopher

 

Benched in Minneapolis, MN.

Body is the most precious possession.. Please dont abuse it.

Live Healthy..

youtu.be/Khc7d9y3l4E

no added artificial preservatives, flavors or colors

 

nitrate free meat

real cheddar cheese

organic wheat crackers

 

Feel free to use this picture. Please credit it to Fresh & Easy

Value as target. Investing in the future.

8th of June 11:00AM-12:30PM

 

Concept of values and its meaning for life of societies, organizations and individuals; values as the very core of human decision‐making. How do we know our values? Transformation of values in today’s world. Interaction of different value systems: how to deal with values of the Other? Values of Ukrainian society vs European values: implications for everyday decisions. Role of state in nurturing values.

 

Moderator: Denis Poltavets - Director of Program Development. Civil Society Development Expert: Since 2016, Program Development Director at the Aspen Institute Kyiv; since 2007, cooperated with the Aspen Ukraine Initiative as a moderator; Program Development Manager of the International Renaissance Foundation, an expert and project coordinator of the UN Development Program in Ukraine; Degree in psychiatry.

 

Pascal Gelien - Professor of sociology of art and politics at the Antwerp Research Institute for the Arts (Antwerp University - Belgium) where he leads the Culture Commons Quest Office (CCQO).

 

Nataliia Zabolotna - the founder of the Forum UKRAINIAN ID, the President of the Foundation for Humanitarian Development of Ukraine

 

Yevhen Hlibovitsky - Expert on long-term strategies. He is engaged in research on values and is a participant in the Nestor Expert Group (Visa for Ukraine in 2025), the Univsk Expert Group (Visa for Lviv in 2025), Dnipropetrovsk Group DYB (Strategy 2030), initiator and expert in the strategy group for Kyrgyzstan. Member of the Supervisory Board of the National Public Broadcasting Company of Ukraine.

 

Vakhtang Kebuladze - philosopher

 

Screen capture of banner top-of-page graphic on FOX Nation as of 4/21 at 8:00 pm. Link to current version below:

 

www.thefoxnation.com/

 

Is this FOX family values? Speculating who is a bitch on a public website? Would ABC, CBS, NBC sites publish that headline?

a 367-foot (112 m), 33-story hotel in Los Angeles, California, constructed between 1974 and 1976.[6] It was designed by architect John C. Portman Jr.. The top floor has a revolving restaurant and bar. It was originally owned by investors that included a subsidiary of Japanese conglomerate Mitsubishi Corporation and John Portman & Associates. The building is managed by Aimbridge Hospitality (IHR), and is valued at $200 million.

 

The hotel and its architect John Portman have been the subject of several documentaries and academic analyses.[7][8]

 

Fredric Jameson discusses the hotel in his 1984 essay, "Postmodernism, or, the Cultural Logic of Late Capitalism," and in his 1991 book by the same name.[9][10] He writes that

 

the Bonaventura aspires to being a total space, a complete world, a kind of miniature city (and I would want to add that to this new total space corresponds a new collective practice, a new mode in which individuals move and congregate, something like the practice of a new and historically original kind of hyper-crowd).[11]

In his book Postmodern Geographies: The Reassertion of Space in Critical Social Theory (1989), Edward Soja describes the hotel as

 

a concentrated representation of the restructured spatiality of the late capitalist city: fragmented and fragmenting, homogeneous and homogenizing, divertingly packaged yet curiously incomprehensible, seemingly open in presenting itself to view but constantly pressing to enclose, to compartmentalize, to circumscribe, to incarcerate. Everything imaginable appears to be available in this micro-urb but real places are difficult to find, its spaces confuse an effective cognitive mapping, its pastiche of superficial reflections bewilder co-ordination and encourage submission instead. Entry by land is forbidding to those who carelessly walk but entrance is nevertheless encouraged at many different levels. Once inside, however, it becomes daunting to get out again without bureaucratic assistance. In so many ways, its architecture recapitulates and reflects the sprawling manufactured spaces of Los Angeles.[12]

 

The hotel is a 33-story building, with no floors numbered "7" or "13"; the top floor is therefore numbered "35". The four elevator banks (each containing three cars for a total of 12) are named by colors and symbols: Red Circle (the only one that goes to "35"; the other three only go to "32"), Yellow Diamond, Green Square, and Blue Triangle. The color-coded system of directions was a later addition, as visitors found the space confusing and hard to navigate.[13]

 

Several bronze plaques commemorate elevator scenes from three major films:

 

In the Line of Fire,[14][15] September 1993, "Green Square" elevator

True Lies,[15] September 1993, "Red Circle" and "Yellow Diamond" elevators

Forget Paris,[15] November 1994, "Yellow Diamond" elevator

It has been featured in many movies and television series over the years, including Interstellar,[16] Strange Days, Buck Rogers in the 25th Century (as part of the city of New Chicago), Wonder Woman,[17] Blue Thunder, It's a Living,[18] Starsky & Hutch, L.A. Law, The A-Team, Breathless, Matlock, This Is Spinal Tap, Nick of Time,[19] Rain Man,[19][20] Ruthless People,[19] Logan's Run,[19] My Fellow Americans,[19] Midnight Madness, Moonlighting (TV series), Showtime, Hard to Kill, The Lincoln Lawyer, Chuck, Heaven Can Wait, Xanadu, The New Dragnet, Time After Time, Moby Dick,[21] Zoolander,[22] Lethal Weapon 2,[19] The Fantastic Journey[23][24] and was destroyed (via special effects) in Escape from LA, Epicenter and San Andreas. The front of the hotel was also featured in the British children’s television series Tots Tv ‘American Adventure’ special where Tilly, Tom and Tiny went to explore a different country and were observing tall buildings and went onto the roof of the hotel to observe the view of Los Angeles.[25] You can see it under construction in the 1975 film The Wilderness Family (released a year before the hotel opened). In cartoon form, the building can be seen in the first shot of Jem in the episode "The Beginning", and in the anime Steins;Gate. In November 1979, the ABC soap opera General Hospital videotaped some on location scenes there dealing with Luke Spencer, played by Anthony Geary who was hired to assassinate Senator Mitch Williams. In 1999, Power Rangers Lost Galaxy used the building as the administration building of the space colony Terra Venture, with Red Ranger Leo falling from the building after a battle with main villain Trakeena.

 

In 2002, the hotel was the location for a Fear Factor stunt which involved crossing a bridge of plexiglass discs on cables suspended on the lobby's fifth floor.[26] The television series It's a Living was set in a restaurant atop the Bonaventure. The hotel is also showcased in episodes of CSI and its exterior can be seen in Americathon, Mission: Impossible III, Almighty Thor, Hancock, and at the beginning of the Lionel Richie "Dancing on the Ceiling" music video. The building made appearances in the 1991 Kylie Minogue music video Step Back in Time, the 1985 Survivor music video "The Search Is Over", the 2004 video game Grand Theft Auto: San Andreas, the 2012 video game Call of Duty: Black Ops II (in the "Aftermath" multiplayer map) and in the 2013 video game Grand Theft Auto V with the name "Arcadius Business Center" (having three towers instead of four towers and featuring glass elevator animations).

 

The hotel was also used as a setting for R&B singer Usher's music video for the 2002 hit single, "U Don't Have to Call". A pivotal scene in the season four (2005) episode "Another Mister Sloane" of the espionage drama Alias took place in the Bonaventure Hotel as well, while it was also featured in season one (2017), episode five of another espionage drama, Counterpart. In 2021, Rihanna's "Savage x Fenty Show Vol. 3" was filmed entirely on location at the hotel.[27][28] The hotel also hosted the first task for the final leg of The Amazing Race 33, which aired in 2022.[26]

The pop of yellow alongside the grey, eerie background is a great portrayal of value, and makes a very visually interesting photo.

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