View allAll Photos Tagged uv

Снято с объективом Olympus OM-System Zuiko Auto-Macro 50mm f/3.5 и светофильтром ZWB3 (аналог UG5 и УФС-1)

Magnification 2 X using a 105 mm macro lens and 3 extension tubes. Lighting using a UV torch (flashlight) in darkened room.

Playing with UV in total darkness.

♥ SHOP LINK IN PROFILE ABOUT

 

:: PomPom Store :: Gift scribbled face Pose Bento (ToddleeDoo - Baby)

For ToddleeDoo - Baby / SL UV mapping.

 

Copy / Mod / No Transfer.

 

INCLUDED Pencil and Scribbled Face Tattoo

NO APPLICATORS FOR THIS ITEM

- SYSTEM BAKES ON MESH (BOM)

 

Kisses.♔

  

To buy just click ABOUT on the profile and go to our store link... 💛 ♥ Thankss ♥💛

This shot captures comet C/2024 G3 Atlas on the only night I had decent conditions—no clouds, no moon… just cyclonic winds.

Originally, I set up close to the ocean in Guilderton, but with the sea spray threatening my gear, I relocated to this spot—still with a clear horizon but a much safer setup.

The sky is a stack of 29 x 30s exposures, while the foreground is a single shot. A challenge to capture, but absolutely worth it!

  

Nikon D5200, D5500 (Modded) - 50mm f/1.8

Star Adventurer 2i

Hoya UV/IR Cut

Ritterstern

bot.Hippeastrum

An obliging 8 year old grandaughter modeling for a first attempt using UV paint and a UV torch.

Capturing this image was no walk in the park! Cape Leeuwin, famously the most south-westerly mainland point of Australia, is where the Southern Ocean and Indian Ocean are said to meet. With no landmass to the south, the fierce southern winds batter this area relentlessly—this night was no exception, with gusts hitting around 70 km/h. Even the sturdiest rig would struggle, and the foreground caught a touch of motion blur from the chaos...especially the grass.

 

Adding to the challenge, the lighthouse is surrounded by fencing far from the structure, and it closes at 5 PM, leaving no chance to get closer after hours. It is lso left unattended, so, my plan to snag permission for a post-5 PM shoot was dashed.

 

I hunkered down behind some rocks for a bit of relief from the wind and lucked upon some wildflowers in the foreground. The lighthouse may look tiny from this distance and angle, but I promise—it’s there! 😉

 

The final image is a 4x6 vertical panorama, and while it wasn’t easy, the effort was worth it to capture this wild and beautiful spot.

  

EXIF

Nikon D5500 (fullpectrum mod) - Nikon D5200 - 24mm f/1.4

Sky: 12 RGB x 90s at f/2.8 - 20 halpha x 60s, f/1.8

Ground: 12 shots at f/10

Ornithogalum

 

Dati: 110 x 300 sec ( 9,16 ore) gain 5 @ -15° c + 55 dark + 30 flat e darkflat

Filtro: Astronomik UV/IR Block L2

Montatura: EQ6 pro

Ottica: Takahashi FSQ106

Sensore: QHY168C

Cam guida e tele: asi120mm su Scopos 62/520

Software acquisizione: nina e phd2

Software sviluppo: AstroPixelProcessor e Photoshop

Temperatura esterna: 2 ° C - Umidità 55%

 

naturfarbener Gummidruck auf Aquarellpapier

Camera: Polaroid Automatic 100

Film: Polaroid ID-UV (2008-02)

Polaroid Pathfinder 110A + ID-UV (expired 02-2008)

about 2cm of twig here

 

assume fluorescing cemical is parietin - en.wikipedia.org/wiki/Parietin

 

my lichen photos by genus - www.flickr.com/photos/29750062@N06/collections/7215762439...

 

my photos arranged by subject, e.g. mountains - www.flickr.com/photos/29750062@N06/collections

195/ID-UV

Peruanischer Blaustern

Polaroid ID UV expired 2003

Silberbaumgewächse

Wednesday’s forecast promised crystal-clear skies, and I couldn’t resist the call of this magical spot. As soon as I saw it, I jumped into action, pulling together a last-minute plan for a return visit.

Even with an early start, rush hour traffic had other ideas, and I arrived later than planned. Scouting quickly became a race against time, but thankfully, my previous visit gave me a solid head start. After exploring a bit, I found a couple of spots perfect for capturing the #milkyway rising verticalling and framed against the southern horizon.

This shot is a 5x5 35mm pano, capturing one of the smaller ponds around #lakeninan—a serene reminder of how patience and planning can lead to magic.

 

Gear: Nikon D5500 (modded) - 35mm f/1.8 - Star Adventurer 2i Pro - Hoya UV/IR cut - Optolong H-alpha 7nm

Coffee toned cyanotype.

 

Exposure 30 minutes under UV lamp.

Water colour cold pressed 300gsm.

Bleached for 6-8 seconds and three hours in ground coffee.

 

1 3 4 5 6 7 ••• 79 80