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for use with prefolds or fitteds
Read my diaper reviews, product reviews, and tips/suggestions for cloth diapering, here:
dazed81.blogspot.com/2008/02/all-about-cloth-diapers-revi...
Using a carving tool, pencil, or exacto knife, draw a line for the portal that you will be pouring your metal into. Make sure you make it big enough to pour into--otherwise your metal will cool too much while trying to make it's way into the hollow space inside.
XV Patrick Blackett (X01) is an experimental ship used by the Royal Navy as a testbed for new technologies, including unmanned underwater vehicles and unmanned surface vehicles.
Her namesake is Patrick Blackett, a Royal Navy veteran and Nobel Prize-winning British physicist.
The Ship has her own QR Code
Pictured here returning to Portsmouth Naval Base, where the ship is currently based
Southsea War memorial is on the left of the image
Corner-sited four-storey medieval tower house, built c.1500, now in use as bank, having two-bay elevation to Abbeygate Street Upper and front, south-east, Shop Street, elevation having three-storey second and third floors, two-bay first floor and multiple-bay ground floor, with single-storey extension to rear. Flat roof, having dressed limestone chimneystacks and parapet, latter with cut limestone coping, and concealed rainwater goods, with dressed eaves course to main elevations incorporating carved limestone gargoyle spouts and octagonal-profile spouts, one octagonal spout bearing merchant's mark. Dressed coursed limestone walls having rougher quoins to north corner, with arrow-loops to east corner, and corbel suppports of machicolation to side street elevation. Garderobe chute to north-east elevation. Carved round limestone panels to front and side elevation, between middle floors, that to front having Lynch coat of arms with carved lion below having human face, with black letter script beneath. Similarly carved Fitzgerald coat of arms to side elevation with similarly carved lion below and with black letter inscription to stonework below lion. Carved panel to first floor of front elevation having decoratively carved chamfered frame, with shields to inner chamfer, and bearing royal coat of arms of Henry VII (1485-1509), accompanied by Latin inscription in Gothic letters reading 'Long live the King of England, France and Lord of Ireland', frame being surmounted by carved finial, and having carving of ape below holding child in its paws. Main elevations of building may have been completely refaced, and many of the square-headed window openings reposition or their lower halves remodelled, with evidence for only two original openings to side elevation. Blocked incomplete two-over-two light mullioned and transomed window between top floors of front elevation, with cusped ogee heads, decorated spandrels, moulded mullion and surrounds, moulded label with decoratively carved soffit and decoratively carved stops having vegetal panels below. Blocked single-light window to side elevation with cusped ogee head, decorated spandrels, moulded chamfered surround and moulded label. Other original window openings have similar labels and decoratively carved stops. Two windows to second floor of front elevation have coats of arms below stops and one to first floor has coats of arms carved into stops. Tooled limestone sills and replacement timber sliding sash windows, four-over-four pane windows to middle floors of side elevation and to two second floor front windows, six-over-six pane elsewhere to middle floors of front elevation, and with replacement timber casement windows to top floor. Cut limestone arcade-like treatment to ground floor inserted 1933, comprising two round-headed doorways, main having block-and-start surround, enhaged columns with decoratively carved bands, ornately carved capitals, hood-moulding with with carved stops depicting human faces, and round-headed windows, single openings flanking main door and triple window to south-west side of other door, all windows having chamfered sills and fixed timber frames, and second door and windows having chamfered surrounds and voussoirs. Window to ground floor of side elevation of similar detailing to those of front. Square-headed door opening to side elevation having chamfered block-and-start surround, ornately carved limestone lintel and double-leaf battened timber door. Scar in north-west gable marks former presence of two or three-storey building. Single-storey extension to side elevation has blank limestone walling comprising broken-coursed snecked rock-faced work.
Stagecoach London Alexander Dennis Dart 34366 LV52HGC Seen After Just Arriving At Bromley Bus Garage TB Running Number Seen Parked Up Outside Ready For Use On The Staff Bus Service
I work at a daycare and my lead teacher had been painting with the kids earlier in the day and after nap we saw that the white paint had been knocked over and decided that it would make a cool photo. This is my fist real attempt at using a texture on a photo.
The first of three suspension bridges over the Thredbo River. Only a short walk from Thredbo Village along the Thredbo Valley Track.
Photo: Rob Naisby
Read more:
I used a Yongnuo YN560-III flash unit triggered by a YN603C. The flash had a small soft box over it.
I believe the aperture of the lens was set to 5.6-ish
Used postcard
Dated August 7, 2018
"Greetings from Birmingham, Alabama", modified from a classic 1940's postcard
The nuns used to have us balance books on our heads for proper posture - I was always the kid retrieving the book off of the floor or walking in some seriously deformed manner to keep the book steady.
Can you image the mess I would be cleaning up if I tried this? lol
Mike used to be my barista when he owned a neighborhood coffee shop. The shop is gone. Our friendship soldiers on. Mike got a little carried away with the clippers while giving himself a haircut. I like it.
Fomapan 400, HC110, 20C, 14 min, 3 inversions every minute.
Flickr ☆ If you would like to use this photo, contact
www.sebastien-duhamel.com/contact/
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Reportage | Déplacement d’un pont pour accéder à la cité Judiciaire
ZAC Clichy Batignolles, Paris 17ème | Février 2016 www.flickr.com/photos/sebastienduhamel/albums/72157664251...
Reportages | ZAC Clichy Batignolles, Paris 17e | 2013/19 www.flickr.com/photos/sebastienduhamel/collections/721576...
Projets/Reportages à Paris www.flickr.com/photos/sebastienduhamel/collections/721576...
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Déplacement d’un pont pour accéder à la cité judiciaire
ZAC Clichy Batignolles Février 2016 - Paris 17ème
Maître d’Ouvrage - PARIS BATIGNOLLE AMENAGEMENT
www.paris-batignolles-amenagement.fr/pba/
fr.wikipedia.org/wiki/Grand_Paris_Aménagement
Visionnez l'intégralité de l'opération de lancement du pont grâce à la video time lapse réalisée par Paris Batignolles Aménagement.
www.youtube.com/watch?v=jO5OnbQ7SUc
www.youtube.com/watch?time_continue=15&v=h9U7nd9IzVE
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Maître d’œuvre - OGI www.ogi2.fr/catalogue/genie-civil/pont-berthier-paris.htm...
Architecte mandataire - Francois Grether www.darchitectures.com
Paysagiste - Jacqueline OSTY & Associés www.osty.fr
Bureau d’études Structure - CITE France
Coordination SPS - BTP Consultants www.btp-consultants.fr
Pilote de ZAC - MÉTHODE & PILOTAGE pilotage.methodes.com
Entreprise mandataire - TPI
Entreprise Co Traitante - EIFFAGE TP www.eiffageinfrastructures.com
Entreprise Co Traitante - SOLETANCHE BACHY www.soletanche-bachy.com
Levage de charges lourdes - SARENS www.europages.fr/SARENS/BEL083556-00101.html
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Photographie de Sébastien Duhamel, professionnel de l’image
www.sebastien-duhamel.com/présentation-références/
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NB] Fichier d'impression 5610x3740Px-300dpi
_☆_dans la base Flickr 700x467Px. Pour une visualisation optimale d’un album, placez la souris sur le bouton du centre en haut à droite de la fenêtre Flickr, puis cliquez sur le bouton
Pour une visualisation pleine écran cliquez sur la photo et flèches de direction du clavier
Retour à la navigation | Déplacement d’un pont pour accéder à la cité Judiciaire | ZAC Clichy Batignolles, Paris 17ème www.flickr.com/photos/sebastienduhamel/albums/72157664251...
Reportages | ZAC Clichy Batignolles | 2013/19
www.flickr.com/photos/sebastienduhamel/collections/721576...
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Tous droits réservés sans la permission de l’auteur
All Right reserved without permission from the author
I use all natural gems when making my handmade jewelry.
If you like this piece and would like to see more, or perhaps have one of your own, you can find my entire collection on Etsy.
Just search for "Delezhen"
Using my Makro-Planar 4/120 lens on my daughters Nikon D7000 house, trying to catch some birds. This combination is 1.6 kilo lighter than using the Tele 5.6/350 on my 503CW, so almost manageable to do in-flight manual focus. Will need plenty more exercise to get it right.
Use Supreme Easy Plait to help produce perfect plaits every time and keep plaits looking neat and pristine, even when plaiting up the night before. Equally good on wet or dry manes and tails.
Groom the mane, then section for a plait, spray Easy Plait directly on to the mane, this will help hold in plaits but also make handling easier during the plaiting process.
I used an Olympus AM-100 35mm film camera. Specification - 35mm/F3.5 lens with zone focusing with fixed focus in its normal position. It has an electronic shutter - 1/45-1/400 sec. DX film decoding, built-in motor, Auto Flash which recharges in two seconds. On my camera the motor failed after about 50 films! It is a small camera ideal for mountain climbing and walking.
Do not use without permission!
Disney Twitter: twitter.com/ThatDisneyLover
Photography Twitter: twitter.com/LJK_Photography
Youtube: www.youtube.com/user/PixelPixie123
Personal Instagram: www.instagram.com/thatdisneylover/
Photography Instagram: www.instagram.com/ljknightonphotography/
If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.
Taken using flash with Holga 120FN on long time expired (cca 1972) ORWO NP15 film.
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Developed in Foma Fomadon R09 (Agfa Rodinal Equivalent), 1+45 for 27 min.
Scanner: Epson Perfection V3
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Taken in Brno, Czech Republic
The Annual Young Forest Researchers Meeting is an activity designed for networking and ideas exchange between students and professors from different masters (scientific, professional and MEDfOR) and doctorate studies on Conservation and Sustainable Use of Forest Systems at University of Valladolid (Campus of Palencia). Over two days, all our students presented and discussed their ideas and findings in a congress format entirely organized by the students.
Palencia (Spain)
24-25th June 2021
Photo by Pilar Valbuena/iuFOR
More information on iuFOR, please visit sostenible.palencia.uva.es
More information on Máster en Gestión Forestal Basada en Ciencia de Datos, please visit sostenible.palencia.uva.es/content/master-en-gestion-fore...
More information on MEDfor, please visit www.medfor.eu
If you use one of our photos, please credit it accordingly and let us know.
You can reach us through our Flickr account or at: instituto@forest.uva.es.
@ The Horn, St. Albans 20/08/2013
Never tried using slow shutter speeds with live music but it turned out pretty cool!
The Postcard
A postally unused carte postale published by H. David of Béthune.
German gunners used to target churches and cathedrals in France and Belgium, partly out of boredom, partly to practise their skills, but mainly because the height of such ecclesiastical buildings made them ideal observation posts for the Allies.
These buildings, along with châteaux and other large secular edifices, were literally sitting targets - they couldn't be moved or made smaller or camouflaged, hence the appalling damage that many of these beautiful buildings sustained from enemy artillery - they just had to sit there and take it.
Shells aimed at churches which just missed their target tended to fall in the churchyards, throwing up gravestones, coffins and corpses.
Vermelles
Vermelles is a village that was just behind the British lines on the Western Front. The château was used as an Advanced Dressing Station during the Battle of Loos which took place from the 25th. September to the 8th. October 1915.
The Use of Chlorine Gas
The battle represented the largest British attack of 1915, and was the first time that the British used poison gas. Prior to the attack, about 140 tons (140,000 kg) of chlorine was released with mixed success - in places the gas was blown back into British trenches (Friendly Gas - a ghastly variation of the term Friendly Fire).
Due to the inefficiency of the available gas masks, many British soldiers removed them as they could not see through the fogged-up eyepieces or could barely breathe with them on. This led to many casualties when the gas blew back.
'Reconciliation'
Siegfried Sassoon wrote a poem called 'Reconciliation'. Here it is:
'When you are standing at your hero’s grave,
Or near some homeless village where he died,
Remember, through your heart’s rekindling pride,
The German soldiers who were loyal and brave.
Men fought like brutes; and hideous things were done;
And you have nourished hatred, harsh and blind.
But in that Golgotha perhaps you’ll find
The mothers of the men who killed your son'.
The Use of Artillery in the Great War
Artillery was very heavily used by both sides during the Great War. The British fired over 170 million artillery rounds of all types, weighing more than 5 million tons - that's an average of around 70 pounds (32 kilos) per shell.
If the 170m rounds were on average two feet long, and if they were laid end to end, they would stretch for 64,394 miles (103,632 kilometres); the line would go round the equator over two and a half times. If the artillery of the Central Powers of Germany and its allies is factored in, the figure can be doubled to 5 encirclements of the planet.
During the first two weeks of the Third Battle of Ypres, over 4 million rounds were fired at a cost of over £22,000,000 - a huge sum of money, especially over a century ago.
Artillery was the killer and maimer of the war of attrition.
According to Dennis Winter's book 'Death's Men' three quarters of battle casualties were caused by artillery rounds. According to John Keegan ('The Face of Battle') casualties were:
- Bayonets - less than 1%
- Bullets - 30%
- Artillery and Bombs - 70%
Keegan suggests however that the ratio changed during advances, when massed men walking line-abreast with little protection across no-man's land were no match for for rifles and fortified machine gun emplacements.
Many artillery shells fired during the Great War failed to explode. Drake Goodman provides the following information on Flickr:
"During World War I, an estimated one tonne of explosives was fired for every square metre of territory on the Western front. As many as one in every three shells fired did not detonate. In the Ypres Salient alone, an estimated 300 million projectiles that the British and the German forces fired at each other were "duds", and most of them have not been recovered."
To this day, large quantities of Great War matériel are discovered on a regular basis. Many shells from the Great War were left buried in the mud, and often come to the surface during ploughing and land development.
For example, on the Somme battlefields in 2009 there were 1,025 interventions, unearthing over 6,000 pieces of ammunition weighing 44 tons.
Artillery shells may or may not still be live with explosive or gas, so the bomb disposal squad, of the Civilian Security of the Somme, dispose of them.
A huge mine under the German lines did not explode during the battle of Messines in 1917. The mine, containing several tons of ammonal and gun cotton, was triggered by lightning in 1955, creating an enormous crater.
The precise location of a second mine which also did not explode is unknown. Searches for it are not planned, as they would be too expensive and dangerous. For more on this, please search for "Cotehele Chapel"
The Somme Times
From 'The Somme Times', Monday, 31 July, 1916:
'There was a young girl of the Somme,
Who sat on a number five bomb,
She thought 'twas a dud 'un,
But it went off sudden -
Her exit she made with aplomb!'
Using the original file: www.morguefile.com/archive/display/88975 I sketched the Gorilla, added a gradient map and then used Topaz Labs Simplify and ReStyle do help get the tones.
Cremones are surface-mount security bolts which are used to securely lock windows or doors. Similar in function to contemporary multi-point locks, these slide bolts lock both the top and bottom of a door/window into place by easily turning the knob. Cremones are easily installed directly onto the surface and can certainly add more character to a door,/window or even larger armoires or cabinets. Please see specifications as follows:
Cremone with Lever Handle:
Dimensions (overall): 7' 10"h x 1¾"w
Dimensions (lock-body): 1¾"w x 6"h
Dimensions: (lower-rod): 39"h x 11⁄16"w x 5⁄16"d
Dimensions: (upper-rod): 51"h x 11⁄16"w x 5⁄16"d
Custom Lengths: available upon request
Material: cast-brass
Cremone with Knob Handle:
Dimensions (overall): 7' 10"h x 1¾"w
Dimensions (lock-body): 1¾"w x 6"h
Dimensions: (lower-rod): 39"h x 11⁄16"w x 5⁄16"d
Dimensions: (upper-rod): 51"h x 11⁄16"w x 5⁄16"d
Custom Lengths: available upon request
Material: cast-brass
Please contact us for current availability (prices subject to change).
Use the Secret SnapChat Code and get 500+ followers in 24 hours. Use the Snapcode feature to scan the photo.
All about moving and moving boxes. More information at adamsmovingbox.com and storify.com/seattlemoving/eco-friendly-relocation-with-mo....
Inspection, using a flashlight, of ACME's coflow burner which was removed for cleaning where tests for the Electric-Field Effects on Laminar Diffusion Flames (E-FIELD Flames) experiment led to soot deposits on the burner. This occurred when tests were conducted under sooty conditions with a positive electric field forcing the flame toward the burner. An insulated wire can be seen protruding from the burner's inner tube (from which the fuel normally flows). It was used to clean the burner along with a toothbrush, vacuum sweeper, and dust mask.
This lamp used to sit by my bedside from when I can remember - so a long, long time ago, kids. Its ceramic, with no maker name but is a pre-Disney depiction of the inside of Wol's house. They're all there, the original main characters from House at Pooh Corner ... except for Wol, who must be out. :)