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I just saw TRON: Ares in theaters and I was captivated by the new flying vehicles they introduced for the movie! I had a lot of fun designing a “program” Miniland-scale figure to pilot the jetpack, but my favorite part was figuring out how to build its glow-y skeleton. It has a very unique construction and it took me a while to figure out exactly how to make it come together, given the very limited source footage available.
This was also my first time editing in Procreate! I've been learning to use the app for my major, Industrial and Innovative Design, so I decided to try editing my photos with it. The edges are still pretty rough, but I'm happy with the backgrounds as well as the motion blur I was able to add.
I hope you like it, and as always, I’m happy to hear your thoughts and suggestions!
New series I photographed for Audi of their all new Audi e-tron
Full series on my website www.JeremyCliff.com
Audi is trying to keep the market’s interest on their new R8 E-Tron by bringing a near-production model to the 2011 Frankfurt Motor Show. They are calling it the "technology demonstrator" and showing off its four electric motors and a new exterior design. This pre-production model features a new grille, new carbon fiber front and rear bumpers, new rims, LED lights, and, as the most impressive addition, a highly ventilated hood.
Press "L" for a better view ;)
Comments and critism are welcome. :)
© Don't use my pictures without my permission. You would really get troubles ;)
WHY 'TRON'?
In Glasgow, the name 'Trongate' first appeared around 1560. It referred to the “tron”-- the beam with which trading goods were officially weighed when they entered the city walls. For the next three hundred years, this area came to be at the heart of the city’s mercantile and financial activity-- hence Merchant City.
A church was originally built on the site now occupied by the Tron Theatre in 1529. The eye-catching blue-faced clock tower of this structure is still part of the modern Tron building, and one of Glasgow’s most recognizable landmarks.
THE HELLFIRE CLUB & THE DARK SIDE OF GLASGOW
In 1793, Glasgow's notorious Hellfire Club set the Tron building on fire (in an effort to see which members could--literally--stand the heat), destroying it save for the steeple, which was incorporated into a replacement structure by the architects, James and Robert Adam-- still the basis for the Tron as it exists today.
Unfortunately, the destruction of the building was a portent of things to come. The Industrial Revolution of the 19th century did much to change the character of the East End and drove the more monied residents further West, carried by the ever-expanding rail network. In the East of the city, new forms of entertainment established themselves: drinking shops, free-and-easies, dance halls and penny theatre. Known as the 'dark side of Glasgow', a newspaper reported 200 'houses of ill fame' in the area and the Leigh Kirk alone had 20 brothels within its close. The Britannia Panopticon opened nearby, along with a number of other music halls and wax works including the Metropole, once managed by Stan Laurel's father.
TRON RE-BORN
For the next few centuries, the Tron fell into a period of disuse, until the formation of the Glasgow Theatre Club in the late 1970s. In 1980 the Club took over the building at a rent of £1 per annum, and after little more than a year the Tron Theatre was off to a flying start with a full programme of visiting companies and jazz in the bar on Sundays (a tradition we continue right up to the present day!) However, facilities were meagre and development continued side by side with the artistic programme: in 1982 the main auditorium was opened and in 1984 Faynia Williams was appointed the first Artistic Director of the Tron.
In 1992 the building was developed still further and again in 1995, thanks to European Regional Development Funding. Throughout this time, the Tron continued to establish itself as a powerhouse of new writing and dynamic productions. Leading artists to emerge from the Tron around this time included Maureen Beattie, Ewan Bremner, Peter Capaldi, Alan Cumming, Craig Ferguson, Forbes Masson, Peter Mullan, Eddi Reader, Siobhan Redmond and Elaine C Smith. The Tron became known not only for its theatre but also for its lively bar and restaurant which became a regular hangout for the Glasgow art world.
A CULTURAL HUB FOR A NEW GLASGOW
In 1996, when Michael Boyd left to become Associate Director of the Royal Shakespeare Company, Irina Brown took over as the second Artistic Director of the Tron and, with the advent of the National Lottery Fund, staff set to work on a proposal to completely upgrade the Tron. In 1996, £5 million was awarded for the refurbishment and improvement of the entire building. The re-development project was funded by the Scottish Arts Council National Lottery Fund, Strathclyde European Partnership and Glasgow City Council. One year later, the Tron once more became a building site, with performances continuing in the Victorian Bar and, after December 1997, occasionally in the re-opened box office. The new Tron Bar on Chisholm Street opened in November 1998 and finally, in July 1999, building works were nearing completion and the Tron officially re-opened.
Now, the modern re-development brilliantly juxtaposes the historical elements of the Tron building with spectacular new spaces, including the Changing House studio theatre and the refurbished Tron Bar+Kitchen. The new building received the Glasgow Institute of Architect's People's Choice Award 1999, was shortlisted for the Regeneration of Scotland Award 1999, and was also awarded a commendation by the Civic Trust.
[Tron Theatre Website]
My second piece for the day. My first was a memorial for Tron KOA. Rest in Peace Trav...
I chose not to post that piece. Those photos are for the KOA/WD family. They can post them somewhere if they want, but I felt the need to make my tribute something for those guys alone.
This piece was really quick and it shows. Probs 20 mins start to finish, though it may have been longer as I had to fight the paint the whole way... fucking Ironlak. Sorry if it's a bit messy but it really was an afterthought. Not really liking this piece but wanted to post something for my day's work.
Dedication to king Fuzz and all my Freaks At Large.
Putups - Tors, Disk, Fate Kash, Equal, Sur, Skare & Jive.
RFK!
ROF!
4SE!
La salle du Trône a pris place dans l’ancienne chambre du Roi avant la Révolution. Elle était utilisée pour les cérémonies de présentation de serment. Le décor rappelle la première vocation de la salle avec l’emblème et la devise de Louis XIII, ou le chiffre de Louis XV. C’est à l’endroit où était autrefois le lit que le trône de Napoléon Ier fut installé. La draperie rouge et les emblèmes rappellent la Rome antique, et le bleu l’ancien manteau des rois de France. Les abeilles apparaissent comme un symbole nouveau. Enfin, en lieu et place du portrait de Louis XIII, Napoléon avait fait placer son propre portrait.
Another M:Tron Ship used to assist operations in unsecure sectors of space. It embark a small crew and a light armement. It started up as an upgrade of my earlier VS-008 Packetship, it ended as a small spaceship with a role similar to a Vietnam-era "Huey".
Here you can see the details of the engines. The two side pod rotate downward to land.
M-Tron Ionic Walker, dubbed “scorpion”, is a transport vehicle which was designed to carry substantial cargo over long distances and to move in a difficult terrain, inaccessible to other machines (track and wheeled vehicles).
New series I photographed for Audi of their all new Audi e-tron
Full series on my website www.JeremyCliff.com
New series I photographed for Audi of their all new Audi e-tron
Full series on my website www.JeremyCliff.com
"M-Tron 56 to base, It's spreading! :hurried scuffle: What did you have us smuggling?! It's taking over the... Aaahhh..."
This was built for the Startfighter Telephone Game, and for our Iron Builder against the Erickson brothers.
This ship is the evolution, and infection of this:
The 4 Tron movie figures released in the 80's by TOMY. Made of translucent plastic, the print on the bodies was Glow In The Dark to reproduce the effetc seen on the movie.
Because here at M-Tron, we don't do anything by halves.
Let's face it: moons are big. And lost keys are really annoying. Our new LKRR will locate your keys and dig them up. 'Nuff said!
Because here at M-Tron, we don't do anything by halves.
Let's face it: moons are big. And lost keys are really annoying. Our new LKRR will locate your keys and dig them up. 'Nuff said!
planet colonisation. First arrived on the new planet, the M:Tron team has to build the infrastructure for the Futuron. The scientist team will arrive in fex month and there many are facilities to build!
This was my very first diorama. Since i was a boy i always wanted to build a space facility around the megacore magnetizer i had the chance to owned on my 11 birthday. 29 years later, i finally begin my M:TRON base...
It looks like that leak from yesterday is legit because LEGO just shared the following video across their social media channels:
We changed the algorithm on this one…need a Clu? Coming soon! @TronLegacy @LEGOIdeas #LEGOTron #LEGOIdeas #TronLegacy pic.twitter.com/rNrm8GkueJ
— LEGO (@LEGO_Group) M...
www.fbtb.net/lego-ideas/2018/03/15/lego-shares-tron-light...
My first shot at pixel art, please vote!
www.threadless.com/submission/303849/He_fights_for_the_Us...
I'd say M:Tron needs one of these. I thought it would be cool to add a claw attachment that would be stored in the pod. I'll work on that since it would make a lot of sense for picking up something without a magnet.
Part of Sheffield's Megatr0n chambers, which take the River Sheaf and later the Porter Brook, on a culverted route under Sheffield's central railway station to their confluence with the River Don.
This is the dry side of the culvert, there is an identical chamber, mirrored by the centre line of the squat arches, which at the time this photograph was taken, was in full flow.
New series I photographed for Audi of their all new Audi e-tron
Full series on my website www.JeremyCliff.com
This image: © Disney Enterprises, Inc. All Rights Reserved.
This image accompanies the Inventing Interactive article "Interview: GMUNK (TRON: Legacy)" -- about the design of the UI sequences in "TRON: Legacy." The full post is online at www.inventinginteractive.com/2011/03/02/interview-gmunk/