View allAll Photos Tagged triangular
My new model, a simple origamo box with 2 triangular prism lids. The boxes can be used as units to make modular origami, and to create structures and kusudamas. I show a big kusudama I made with them in the begining of the video tutorial for the box: youtu.be/SL751yJKYFU
An elegant fitted fashion tank top that draws the shape of the silhouette with natural rendda and gentle cut. At the back is decorated with crisscross open back that is adjustable and comfortable to lay down and do some yoga practice as well as shavasana.
The soft cotton feels good against the skin and allows it to breathe.
So versatile, you can wear them to yoga class, to dance or out to dinner, it is very comfortable. The tank top is secure with a drawnstring at the back, so you can adjust the size and shape directly to your one body . The tank top is easily combined with various pants and leggings from our collection.
Our clothing is produce with Love in Bali.
Size :
White : S,M, L
Maroon : S
Price : 35€ + shipping cost
Thank you for visiting the site 🙏
Blessings and love ❤
My Brother Terry Nelson Spent a tour in South Vietnam in 1971-72. I got ahold of some of his slides from his tour, unfortunately he is no longer around to ask
Furniture
Central nave and altar
The oldest piece of furniture that can be found in the church today is the Classicist high altar by the Tyrolean sculptor Josef Stumpf. The altar structure consists essentially of two pillars standing on pedestals with Ionic capitals bearing a triangular pediment. Directly below the gable is an ornamental decorative frieze with floral motifs and angel heads. The gable itself carries in its center the Baroque symbol of God: a triangle with an eye in the middle, surrounded by a halo. The altar is flanked by two statues of apostles, probably by the Kufstein sculptor Kaspar Bichler (19th century). From the altar on the right, there is Peter, recognizable by the keys in his hand, and on the left, Paul, identified with the sword and gospel in his hands.
The altarpiece stems from the Tyrolean artist Josef Arnold the Elder (1788-1879) and shows the patron saint of the church (St. Vitus) as a martyr before Mary and Christ. As a martyr, besides the laurel wreath above his head, he also displays one of his attributes - the kettle of boiling hot oil. Arnold's style is a mixture of Classical and Romantic elements: the clothes, posture, facial expressions and gestures of the figures are reminiscent of Heinrich Friedrich Füger, while the coloring is reminiscent of the Nazarenes. In addition to the altarpiece, St. Vitus also houses two other paintings by Josef Arnold the Elder. On the one hand a representation of the Madonna with St. Barbara and St. Catherine of Alexandria on the left side altar, on the other a painting of St. Sebastian, whose wounds are being cared for by the widow of the martyr Kastulus, on the right side altar. All three paintings are from around 1840.
From the wall paintings of the artist Rudolf Stolz from the year 1929 in the vault were those from the first to the third yoke in the nave, two in the gallery and one below the gallery in the entrance area. The first yoke of the nave shows four Old Testament prophets: Daniel, David, Jeremiah, and Isaiah. Each of the prophets holds a banner in his hand, on it quotes from the Bible.
Daniel: "Seventy annual weeks are fixed"
David: "Let us rejoice the Lord our Savior"
Jeremiah: "O ye all ye that pass by, see if a sorrow is equal to my sorrow"
Isaiah: "Behold the maiden shall conceive and give birth to a son, his name shall be Emanuel"
The second yoke shows the four evangelists on the basis of their assigned symbols and inscriptions. In addition, there are various representations about it. In the center of this yoke, embedded in a hole, there is a Holy Spirit dove, surrounded by a golden radiant wreath. Saint John the Baptist is found above the evangelist Mark (Leo), opposite him - above the evangelist Luke (Taurus) - his father, Zacharias. About the evangelist Matthew (winged man) one recognizes Mary at the cradle of Christ, backed by the Bethlehemite star and last, opposite her, above the evangelist John (eagle) Christ with an open book in his hand, on which the Greek letters Alpha and Omega are read. The Greek letters refer to a biblical verse after Revelation 22:13: "I am the Alpha and the Omega, the first and the last, the beginning and the end".
Finally, in the vault of the third yoke of the nave, there is a ciphered representation of the Four Last Things. An emaciated figure, wrapped in a death-line, who seems to float away from a grave, stands for death. A trumpet-blowing angel refers to the Last Judgment (see Rev 8: 6-11,19). The risen Christ with the flag of victory in his hand represents heaven. The Archangel Michael, who is just overcoming the dragon, the symbol of Lucifer and all evil, refers to hell. On the shield of the archangel are written the words, "Who is like God" - the meaning of his original Hebrew name.
The vault of the organ loft also contains the depiction of a harp-playing angel playing a violin. Below the violin playing angel is in a banner "Praise the Lord you angels of the Lord" (Dan 3,59 EU) and below the harp playing angel "Glory to God in the high" (Lk, 14 EU, see also Vulgate, Luke 2:14: "Gloria in excelsis Deo"). The last mural of Rudolf Stolz can be found in the area of the main entrance of the church, below the gallery. It shows Christ surrounded by two mothers and seven children.
Otherwise, there are two medieval grave slabs within the church of St. Vitus with relief depictions of the deceased and their coats of arms on it.
Ausstattung
Mittelschiff und Altar
Das älteste Mobiliarstück, welches heute in der Kirche zu finden ist, stellt der klassizistische Hochaltar des Tiroler Bildhauers Josef Stumpf dar. Dar Altaraufbau besteht im Wesentlichen aus zwei auf Postamenten stehenden Säulen mit ionischen Kapitellen, welchen einen Dreiecksgiebel tragen. Direkt unterhalb des Giebels findet sich ein ornamentaler Zierfries mit floralen Motiven und Engelsköpfen. Der Giebel selbst trägt in seinem Zentrum das aus dem Barock stammende Symbol für Gott: ein Dreieck mit einem Auge in der Mitte, umgeben von einem Strahlenkranz. Flankiert wird der Altar von zwei Apostelstatuen, welche vermutlich vom Kufsteiner Bildhauer Kaspar Bichler (19. Jahrhundert) stammen. Vom Altar aus gesehen rechts findet sich Petrus, erkennbar an den Schlüsseln in seiner Hand, und links Paulus, zu identifizieren anhand des Schwertes und des Evangeliums in seinen Händen.
Das Altargemälde stammt vom Tiroler Künstler Josef Arnold dem Älteren (1788–1879) und zeigt den Titelheiligen der Kirche (Hl. Vitus) als Märtyrer vor Maria und Christus. Als Märtyrer weist ihn neben dem Lorbeerkranz über seinem Haupt auch eines seiner Attribute aus – der Kessel mit siedend heißem Öl. Arnolds Stil ist eine Mischung aus klassizistischen und romantischen Elementen: Kleidung, Haltung, Mimik und Gestik der Figuren erinnern an Heinrich Friedrich Füger, das Kolorit hingegen an die Nazarener. St. Vitus beherbergt neben dem Altarbild noch zwei weitere Gemälde Josef Arnolds d. Ä. Zum einen eine Darstellung der Madonna mit der Heiligen Barbara und der Heiligen Katharina von Alexandrien am linken Seitenaltar, zum anderen ein Gemälde des Heiligen Sebastian, dessen Wunden gerade von der Witwe des Märtyrers Kastulus gepflegt werden, am rechten Seitenaltar. Alle drei Gemälde stammen aus der Zeit um 1840.
Von den Wandmalereien des Künstlers Rudolf Stolz aus dem Jahr 1929 im Gewölbe erhielten sich jene vom ersten bis zum dritten Joch im Mittelschiff, zwei in der Empore und eine unterhalb der Empore im Eingangsbereich. Das erste Joch des Mittelschiffes zeigt vier alttestamentliche Propheten: Daniel, David, Jeremia und Jesaja. Jeder der Propheten hält ein Spruchband in Händen, darauf Zitate aus der Bibel.
Daniel: „Siebzig Jahreswochen sind festgesetzt“
David: „Kommet lasset uns frohlocken dem Herrn unserem Heiland“
Jeremia: „O ihr alle die ihr vorübergehet, schauet, ob ein Schmerz gleich sei meinem Schmerze“
Jesaja: „Siehe die Jungfrau wird empfangen und einen Sohn gebären, sein Name wird sein Emanuel“
Das zweite Joch zeigt die vier Evangelisten anhand den ihnen zugeordneten Symbolen und namentlicher Inschriften. Zudem finden sich darüber verschiedene Darstellungen. Im Zentrum dieses Joches, eingelassen in ein Loch, findet sich eine Heiliggeist-Taube, umgeben von einem goldenen Strahlenkranz. Über dem Evangelisten Markus (Löwe) findet sich der Heilige Johannes der Täufer, ihm gegenüber – oberhalb des Evangelisten Lukas (Stier) – sein Vater, Zacharias. Über dem Evangelisten Matthäus (geflügelter Mensch) erkennt man Maria an der Wiege Christi, hinterfangen vom bethlehemitischen Stern und als Letztes, ihr gegenüber, oberhalb des Evangelisten Johannes (Adler) Christus mit einem offenen Buch in der Hand, auf welchem die griechischen Buchstaben Alpha und Omega zu lesen sind. Die griechischen Buchstaben beziehen sich auf einen biblischen Vers nach Off. 22,13: „Ich bin das Alpha und das Omega, der Erste und der Letzte, der Anfang und das Ende“.
Im Gewölbe des dritten Joches des Mittelschiffes schließlich findet sich eine chiffrierte Darstellung der Vier letzten Dinge. Eine ausgemergelte, in ein Totenlinnen gehüllte Gestalt, die einem Grab zu entschweben scheint, steht für den Tod. Ein Posaune blasender Engel verweist auf das Jüngste Gericht (s. Off. 8,6–11,19). Der auferstande Christus mit der Siegesflagge in der Hand repräsentiert den Himmel. Der Erzengel Michael, welcher gerade den Drachen, Sinnbild Luzifers und alles Bösen, überwindet, verweist auf die Hölle. Auf dem Schild des Erzengels stehen die Worte „Wer ist wie Gott“ geschrieben – die Bedeutung seines ursprünglich hebräischen Namens.
Im Gewölbe der Orgelempore finden sich weiters die Darstellung eines Harfe spielenden und eines Geige spielenden Engels. Unterhalb des Geige spielenden Engels steht in einem Spruchband „Preiset den Herrn ihr Engel des Herrn“ (Dan 3,59 EU) und unterhalb des Harfe spielenden Engels „Ehre sei Gott in der Höhe“ (Lk ,14 EU; s. auch Vulgata, Lk 2,14: „Gloria in excelsis Deo“). Das letzte Wandgemälde des Rudolf Stolz findet sich im Bereich des Haupteingangs der Kirche, unterhalb der Empore. Es zeigt Christus umgeben von zwei Müttern und sieben Kindern.
Ansonsten finden sich innerhalb der Kirche St. Vitus noch zwei mittelalterliche Grabplatten mit Reliefdarstellungen der Verstorbenen und ihrer Wappen darauf.
This office reception makes a good use of a perfectly equilateral triangle space. The goal was, as always, to make it maximum stylish.
This man looks a bit like my grandfather. The same strict mouth, the same dry hard working peasant lines. And this man is also an engineer, precise and very experienced. I miss my grandfather so much and look for his face everywhere. For 11 years.
One of the County's most curious buildings, it sits down a narrow lane close to the village of Rushton and not far from Rushton Hall. It was the idea of Sir Thomas Tresham who also built nearby Lyveden New Bield and has 3 floors with 2 sides all topped by 3 gables. It's today a popular attraction for Northamptonshire and is in care of the English Heritage.
Today's Daily Shoot was to capture something in triangular composition. I took a picture of the base of one of my crystal vases.
Portrait of interesting flat triangular pencil-ruler from Japan. On one side it has markings in inches 4 and 5/8, below - in centimeters, probably 12, don't have tape measure in cm. On the other side it has few little stars and says Peace. If I will need to measure something suddenly, while drawing, this would be very useful. Lets say for rendering in scale. I love metal pencils, seems reliable.
Triangular Ring tessellation
Several views for my new tessellation and more (box, omiyage)
- Tessellation: EH paper, hexagon from 30x030 cm square, 64 division grid, rhombus and triangle twists. Different views, front and back, backlit with and without flash.
- Box: same design, hexagon from 20x20 cm square.
- Omiyage: sandwich paper, hexagon from 15x15 cm. 32 division grid, final size when closed 4.5 cm.
- CP and folding test for one molecule.
Studio 26 -- I -- Triangles
I'd been thinking about triangles, & remembering how lyrically Larry Fink wrote about them: "You can ... put a triangle inside a square, oh so beautifully, & create 3 or 4 triangles while doing so Nothing stops the triangle from building... But if I went out into the world & just thought in terms of triangles, I wouldn't be able to make a picture."
So I was excited when my eye fell upon these triangles,
Veja uma aula completa sobre esse assunto acessando nosso site : www.centroapoio.com/ca.php/servico/nome/video-aula-geomet...
Necklaces are made from vintage knitting needles. The chain and findings were salvaged from my Uncle's jewellery business.
Triangular Ring tessellation
Several views for my new tessellation and more (box, omiyage)
- Tessellation: EH paper, hexagon from 30x030 cm square, 64 division grid, rhombus and triangle twists. Different views, front and back, backlit with and without flash.
- Box: same design, hexagon from 20x20 cm square.
- Omiyage: sandwich paper, hexagon from 15x15 cm. 32 division grid, final size when closed 4.5 cm.
- CP and folding test for one molecule.
My third Triangle Petal Card, from the Mirkwood Designs website. this is with pale blue card, some quilled white roses (that look pink here), dark green leaves, Yellow flowers and leaves, and some blue ones with a swirly stem.
I used the spring 2013 release of memory Box Dies. Card featured at the French Blog for MB. For construction and background techniques explained at my blog: stampingwithbibiana.blogspot.com/2013/05/triangular-diora...