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tibi888: #trees #tree #thetrickytree #bns_trees #natureshots #naturelovers #naturefriends #nature_sultans #nature_wizards #ig_nature #rsa_trees #tree_magic #tree_captures #ig_captures_nature #lookingup #natures_hub #naturehippys #nature_uc #inspiring_photography_admired #mik #ig_hun #budapest
believe_la_nina: @tibi888 😊👍nice !!
tibi888: Thanks! :) @believe_la_nina
bli55ing: Flott bilde.🌷 Great pictures 🌷 🌷 🌷
cyncolleen: Awesome pic :)
Abel Rodríguez was born Mogaje Guihu in the Putumayo Department of Colombia and trained as a botanical expert amongst the Nonuya, one of several Amazonian ethnic groups. The works exhibited in the Biennale Arte are characteristic of Rodríguez’s recent production. Sin título (2023) is from a series that focuses on the taxonomical exploration of different varieties of Amazonian trees, capturing their distinct characteristics such as colour, leaf shape, trunk texture, and overall plant architecture. These meticulous depictions correspond to the specimen’s real-life characteristics and serve not only as compelling artistic representations, but also as scientifically accurate portrayals of Amazonian biodiversity. Centro el terreno que nunca se inunda (2022), a cross section of the Amazonian rainforest presented in a flat perspective, is a composition in which several species of flora coexist with animals and elements of the landscape. It speaks of the way that trees and plants, the artist’s specialty, intertwine both biologically as well as cosmologically in the understanding of nature and life amongst the Nonuya and other Indigenous groups. In their worldview, one cannot exist without the other.
This is the first time the work of Abel Rodríguez is presented at Biennale Arte.
Ayutthaya, once the flourishing capital of Siam, is now a revered UNESCO World Heritage site, attracting visitors with its rich history and archaeological wonders. Founded in 1350, Ayutthaya was a regional power for centuries, known for its impressive temples, palaces, and statues, until its destruction by the Burmese army in 1767.
Today, the city's extensive ruins offer a glimpse into its past glory, with sites like Wat Phra Mahthat, where a Buddha's face serenely peers out from the roots of a banyan tree, capturing the imaginations of all who visit.
The beauty of this fallen tree was definitely not captured in this photo. There was a whole forest of these (I believe) dead cedar trees. The one I added where I was laying under the tree captures their beauty better.