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Love the translucent colours of the larger tunicates. The smaller green one may be Atriolum robustum. Anybody knows, what's the white something on the translucent tunicate ?
Yesterday dawned as a rare reprieve from a stretch of tempests and crystalline frosts—a day translucent, as if rinsed by the hand of some patient god. With the early light, I ventured from the upper parking lot of Ordino-Arcalis, in the rugged arms of Andorra. Above me, the mountains loomed, each ridge swathed in fresh, unsullied snow that caught the morning's tentative beams with a shimmer almost shy in its purity. The peaks rose, enshrouded in fog—wisps and veils of vapor that moved with a ghostly grace, casting a spell both solemn and stirring.
I made my way toward the tranquil banks of the Tristaina lakes, where each still surface mirrored the dawn like glass unbroken by the day’s demands. The quiet here felt absolute, a silence rich with its own language. Then, taking a southward path up the slope, I ascended towards the pass lying just left of Pic de Tristaina. As I reached this threshold, I gazed northward and encountered a stark transformation: the slope beyond, angled steeply into the spine of rock, was sheathed in a solid armor of ice—a relic left by the storms. Overhead, clouds surged, borne from France on the back of a frigid northern wind, casting a bruised light over the landscape.
Without crampons, each step down the northern face became a deliberate, cautious act, like a conversation with the earth, uttered in whispers. I chose each foothold along the sharpest edges of rock, the brittle ice beneath me snapping and shattering in a fine, crystalline murmur. The fog hung heavy, so dense that I moved nearly blind, my senses tethered more to sound and feel than sight. Downward I crept, forty minutes of descent through mist thick enough to taste, slipping two hundred meters into the mountain's grasp until, by slow degrees, the veil of fog began to thin, dissolving like a retreating tide.
And then, unveiled before me, Lake Étang Fourcat appeared—a vision draped in hues beyond naming, a pool of liquid green-blue ensconced in the clasp of snow-draped peaks. Despite the chill that clung to the world, the lake lay unbound, fluid in its frozen frame, each ripple untouched by the frost’s bite. I pressed on toward the lake, an hour-long pilgrimage down rough terrain, until I reached its shore and then climbed a craggy outcrop to the west, rising seventy meters above the water’s surface.
Perched on the cliff above the lake, I beheld a scene brimming with a quiet, almost uncanny vitality. The lake lay beneath me, its surface shifting in hues of deep turquoise and aged malachite, like stones worn smooth over countless eons, set delicately in the hollow of the mountains. Veils of fog, thin yet persistent, crept over the water in unpredictable paths, drawn and dispersed by an invisible hand, allowing slender beams of sunlight to break through. Each beam traced lines across the lake, igniting it briefly in ripples of color, as though the water itself bore a pulse, a quiet yet relentless life force.
The fog wove between the ridges with an almost sentient grace, cloaking and revealing at whim, caught up in a dance with the sharp northern wind. As it passed, the fog cast shifting patterns across the lake, its shapes elusive, continuously altered by unseen currents. Occasionally, the wind’s hand lifted a patch of mist just enough to uncover a glint of snowbound peaks in the distance, a glimpse both bright and transient. The fog moved on, reassembling the view, always leaving some element hidden, a landscape ever-changing, never content to settle.
In the quiet above, time seemed both fixed and fluid, each moment as singular as it was fleeting. Below, the lake responded to the sky’s restless breath, the interplay of shadow and light feeling like an exchange, a shared language between the waters and the clouds, an understanding far beyond words. The air was charged with a clarity that seemed to carry a deeper stillness, as though the mountains and lake held within them a secret, a truth too expansive and quiet for speech.
But then, with an abrupt shift, a great, low cloud surged from the north, thick and laden, swallowing the lake and the mountains in one sweeping movement. The air grew sharp and chill, the warmth that had graced the lake now swiftly overtaken by this mass of cold fog. What had just been a vision of color and light transformed instantly into a shrouded world, its hues washed away, leaving only shadows and a biting cold that pressed close around me. I wrapped myself tighter in my down jacket, pulled on gloves against the growing cold, and took up my journey once more, the trail ahead cloaked in this dense, frosty obscurity that stretched on for hours.
In that shrouded, spectral walk, it was as if I moved through a land both known and unknowable, each step a meditation on the strange beauty of a world balanced so precariously between warmth and cold, light and shadow. And in that vast and quiet solitude, my mind stilled, a quiet joy swelling within me—the kind only found in the presence of something grander than oneself, vast and unspeaking, yet filled with a life that defies naming.
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Find out more beautiful landscapes of untouched wilderness in my photos, stories and films on the website www.coronaviking.com
IMG_8618 50 flickr friday translucent I saw the theme a thousand times a day, but I couldn't capture it on film. It was so frustrating. In the end these shots of two glasses and a cup came the closest.
Backlit light painting and focal stack. Not sure the PhotoShop auto-blending worked very well. Don't miss the detail in this one! www.flickr.com/photos/kerrinjon/50246649971/sizes/6k/
With so much rain and not a chance to go outside...I focused on what was inside.
As flowers are some of my favourite things I try to 'shoot' them whenever I can. I find the inside of flowers often more interesting than the outside...here is the proof in the next three images
Kansas, USA. This was the evening a cold front was moving through the area. Unusual wind and wind directions. Think these types of clouds produced the false sun in the previous pictures. The bright spot on this photos is the real sun.
Post-larval convict tang spend just a few days in this translucent phase after finding a home, assuming normal coloration soon after.
When this weeks theme was proposed I set out with the intention of taking an image of backlit leaves. Though when walking through the woods during the last hour of sunlight it struck me that the forest itself is translucent. It allows some light to pass through down to the forest floor but not all light. Some is obscured by dense canopy above. So here is an image of a translucent fern lit by the sun through a translucent forest.
An "x-ray" of a tree's leaves in Central Park :)
Um "raio-x" das folhas de uma árvore do Central Park :)
Apologies to anyone who isn't fond of bugs..
The trap is shaped like a little red apple - approx. 2.25" diameter - and seems fairly effective. I used the supplied liquid in one but followed a hunch based on the smell (later backed up by a little online searching) and put apple cider vinegar - with a few drops of dish detergent to break the surface tension - in the other. My homemade liquid seems to work just about as well as the commercial one, so I'll just keep using the containers. We have a whole bottle of apple cider vinegar... :)
The liquid that came with the kits says it's enough for 90 days - the instructions say to use half the bottle in each apple, and that's supposed to last for 45 days. BUT...it's evaporating very quickly. I've nearly used up the bottle keeping ONE trap supplied for a week.