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Third Thursday--Body Art
Thursday, June 16, 2011
6 – 9 p.m.
Museum-wide
FLAUNT YOUR TATTOOS and other bodily bling at this Third Thursday, co-hosted by Uptown Tattoo.
CHECK OUT LOCAL BODY ART in MetroMix's photo gallery, then show up at Third Thursday for a chance to win a great prize in our tattoo contest.
PICK UP a pocket guide to body art in the MIA's collection.
TRY IT FIRST Let Uptown Tattoo's finest paint you a temporary version of the real thing. Or get a henna mehndi tattoo by Angela of Ancient Traditions.
WATCH A DEMO of tattoo art in the flesh.
GET THE SCOOP on the current MAEP exhibitions with MAEP Special Guests: Cheryl Olman, Andy Sturdevant, and Marc Swackhamer.
Photos: Lacey Criswell
Learn about upcoming Third Thursday events.
Join the Third Thursday Group Pool and upload your own images from the event.
Third Thursday--Body Art
Thursday, June 16, 2011
6 – 9 p.m.
Museum-wide
FLAUNT YOUR TATTOOS and other bodily bling at this Third Thursday, co-hosted by Uptown Tattoo.
CHECK OUT LOCAL BODY ART in MetroMix's photo gallery, then show up at Third Thursday for a chance to win a great prize in our tattoo contest.
PICK UP a pocket guide to body art in the MIA's collection.
TRY IT FIRST Let Uptown Tattoo's finest paint you a temporary version of the real thing. Or get a henna mehndi tattoo by Angela of Ancient Traditions.
WATCH A DEMO of tattoo art in the flesh.
GET THE SCOOP on the current MAEP exhibitions with MAEP Special Guests: Cheryl Olman, Andy Sturdevant, and Marc Swackhamer.
Photos: Lacey Criswell
Learn about upcoming Third Thursday events.
Join the Third Thursday Group Pool and upload your own images from the event.
Got some 35mm film scanned recently...this was shot with my Petri 7s rangefinder. Only a few minor level and contrast adjustments were made...this little camera makes very nice images!
Here's an RJ Corman freight train about to cross Third Street in Lexington, KY.
Developed and scanned by Dwayne's Photo, Parsons, KS.
Third Place Cocktail from the 2nd Annual Chopin Vodka Mixology Masters Competition of the SBIFF: The Rising Star from Elements.
Top row~ Todd Bice, Robb Bortel, Jim McLean, Paul Ganyard, Karen Carson, Soni Knowles, Cindy Biswell
Middle row~ Anne Randolph, Barbara Wilson, Pam Gilkerson, Laurie Smith, Beth Frakes, Vicki Bourn, Mrs. Post
Bottom row~Bruce Smith, Chan Bartels, ____?, Olie Fosdyck, Harold Gamage, Rick Webster
Crazy Tuesday: Answer to "Guess what it is" challenge
"Third Hand" or "Helping Hand" tools hold things like circuit boards for people who have to do very small-scale repairs. I got one for Christmas and it's great for holding up lightweight items, or backgrounds, for photography!
© All rights reserved
eurasian coot ~ fulica atra
The coot is on the RSPB Green status list.
Waterbird challenge 2012
Finally after having to constantly rebuild it's nest because of the rising water levels this coot now has at least four chicks in it. This is the third attempt after the first two nests were washed away. As well as feeding itself it is continuously taking weed back to it's family.
UPDATE: 27 July 2012 There are 5 tiny Coot chicks and both parents are feeding them on the water under the cover of overhanging trees.
The photos in this album are from my third and most extensive visit to China. China's natural wonders, delicious food, and rich cultural heritage make it a fascinating place to explore.
The rise of translation apps, booking services, and other tools also make it vastly more easy and less daunting to explore than - perhaps - it was a dozen years or so ago for those who don't speak Chinese. For many, I think they've built up visiting China into something far more difficult than it is.
The bigger challenge is actually navigating the crowds. Especially in the country's spectacular national parks. Which is why I've aimed my trips for the depths of off season. Many of these parks are designed to handle tens of thousands of visitors per day - on Mount Huangshan, I heard there were around 1,300 of us in the park compared to 35,000 at peak season. The result was a near complete absence of western tourists, and the opportunity to explore the parks without crowds and with very few other people.
The trip involved around two weeks in China with stops in Shanghai, Huangshan National Park, Xiapu, Tianmen Mountain, and Zhangjiajie National Forest Park.
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and the EM1 got it. But i must admit it missed (auto focus) a play at the plate later. we'll call it operator error.
Looking north from Marion. Item 77330, City Light Photographic Negatives (Record Series 1204-01), Seattle Municipal Archives.
WASHINGTON, DC -- 2/9/23 -- Reception for Colgate University’s Campaign for the Third Century. President Brian W. Casey is the keynote speaker.…by André Chung #_AC23053
British postcard by Cinema. Image: French affiche by Filmsonor for The Third Man (Carol Reed, 1949) with Orson Welles. The French titel is Le troisième homme.
The Third Man (1949) is a classic Film Noir directed by Sir Carol Reed and written by Graham Greene. The British film stars Joseph Cotten, Alida Valli, Trevor Howard, and Orson Welles as Harry Lime. The atmospheric use of black-and-white expressionist cinematography by Robert Krasker, harsh lighting, and subtle ‘Dutch angle’ camera technique are major features of The Third Man. The zither music by Anton Karas topped the international music charts in 1950 and brought international fame to the previously unknown performer.
Before writing the screenplay for The Third Man (Carol Reed, 1949), Graham Greene worked out the atmosphere, characterisation, and mood of the story by writing a novella as a treatment for the film script. He did not intend it to be read by the general public, although the novella was later published under the same name as the film. He set the film in post-war, bombed-out Vienna. In 1948, he met Elizabeth Montagu in Vienna. She gave him tours of the city, its sewers, and some of its less reputable nightclubs. She also introduced Greene to Peter Smolka, the central European correspondent for The Times of London. Smolka gave Greene stories about the black market in Vienna. In The Third Man an American, Holly Martins (Joseph Cotton) arrives in shadowy Vienna divided into French, American, British and Russian zones, each with its cadre of suspicious officials. A shortage of supplies has led to a flourishing black market. Martins is an out-of-work pulp fiction novelist, Holly Martins, who was invited by an ex-school friend, Harry Lime (Orson Welles), who has offered him a job. He soon discovers that Lime has recently died in a peculiar traffic accident. At Lime's funeral, Martins meets two British Royal Military Police: Sergeant Paine (Bernard Lee), a fan of Martins' books, and Major Calloway (Trevor Howard). Calloway bluntly says Lime was an evil man, and advises Holly to take the next train home. Afterwards, Martins is asked by Mr Crabbin (Wilfrid Hyde-White) to lecture at a book club a few days later. He then meets a friend of Lime's, ‘Baron" Kurtz (Ernst Deutsch), who tells Martins that he and another friend, Popescu (Siegfried Breuer), carried Lime to the side of the street after the accident, and that, before he died, Lime asked them to take care of Martins and Lime's girlfriend, actress Anna Schmidt (Alida Valli). As Martins and Anna investigate Lime's death, they realise that accounts differ as to whether Lime was able to speak before his death, and whether two men carried away the body, or three. The porter at Lime's apartment (Paul Hörbiger) tells them that he saw a third man helping carry away the body. Later, the porter offers to give Martins more information, but he is murdered before Martins can talk to him again. Martins decides to stay in Vienna and investigate what happened to Harry Lime and who was the third man. Graham Greene, who not only wrote about spies but occasionally acted as one, based the character of Harry Lime on British double agent Kim Philby. He was Greene's superior in the British Secret Intelligence Service.
It was producer Alexander Korda who paired Graham Greene with director Carol Reed. The year before the two had made the thriller The Fallen Idol (1948), scored a notable success. Korda was very keen to replicate the pairing. The Third Man was meant to be the first of a series of collaborations between Korda and another mega-producer, David O. Selznick. The collaboration did not go smoothly. Reed and Selznick fought over every detail of the film. Selznick wanted to shoot on sets and cast Noel Coward as Harry Lime. He was resistant to Reed's idea of casting Orson Welles in the role since Selznick had labelled Welles as ‘box office poison’. Selznick was initially also cautious about Anton Karas' music and wanted an upbeat score. During the meetings between Greene and Reed with Selznick, Greene was less than impressed with Selznick. Greene later mocked Selznick's dependency, at that stage, on the drug Benzedrine, better known as ‘speed’. Reed defied convention by shooting entirely on location in Vienna, where mountains of rubble stood next to gaping bomb craters, and the ruins of the empire supported a desperate black market economy. And he insisted on Orson Welles. Reed had worked for the British Army's wartime documentary unit and preferred real locations and real local people as extras, attempting the neo-realistic style that Italian directors like Vittorio De Sica, Luchino Visconti and Roberto Rossellini were made popular at the time. In capturing the atmosphere of the beleaguered city in his film, Reed was helped along by city officials and inhabitants. On nights when rain was unavailable to give the cobblestone streets the appropriate glistening sheen, the city would provide a fire brigade to wet things down. Reed used many residents as extras such as the often glimpsed balloon seller. For the grand final of the film, the Vienna Police had a special unit to patrol the city's sewer system, as its network of interlocking tunnels made great hiding places for criminals and stolen property. The police officers in the film were off-duty members of that unit. The final scene was also the subject of a dispute between David O. Selznick, who wanted the happy ending of the novella, and Reed, who stubbornly refused to end the film on what he felt was an artificially happy note. Graham Greene later wrote: "One of the very few major disputes between Carol Reed and myself concerned the ending, and he has been proved triumphantly right." The Third Man ends as it begins, in a cemetery, and then Calloway gives Holly a ride back to town. They pass Anna walking on the roadside. Holly asks to be let out of the jeep. He stands under a tree, waiting for her. She walks toward him, past him, and then out of frame, never looking. After a long pause, Holly lights a cigarette and wearily throws away the match. Reed kept the camera running, making it an unusual and perfect long shot.
Carol Reed had three separate film units working most days of production: a daytime unit, a nighttime unit and a sewer unit. Reed insisted upon directing each unit, resulting in him working 20-hour days. Orson Welles worked for one week on the film and is on screen for only about five minutes. Once he finally arrived in Vienna, Welles refused to film various scenes in the sewers. Due to his protests, various sets replicating the Vienna sewers had to be constructed by Alexander Korda on sound stages back in England. It has long been rumoured that Orson Welles wrote all of Harry Lime's dialogue and even that he took over the direction of his scenes. In a 1967 interview with Peter Bogdanovich, Welles said that his involvement was minimal: "It was Carol's picture". That Welles wrote most of Lime's dialogue was also a fabrication. Welles' contributions were Lime's grumbling about his stomach problems which were improvisations and the famous cuckoo clock spiel at the end of the Ferris wheel scene. Welles famously says: “You know what the fellow said—in Italy, for 30 years under the Borgias, they had warfare, terror, murder and bloodshed; but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love; they had 500 years of democracy and peace—and what did that produce? The cuckoo clock!” The cuckoo clock remark has later been traced back to the essayist Walter Pate and when the picture came out, the Swiss very nicely pointed out to Welles that they've never made any cuckoo clocks, as the clocks are native to the German Black Forest. Since Welles refused to be filmed in Vienna's sewers, his close-ups were shot in London Film Studios, while a body double was used for the wide shots. The resulting footage is said to be about 85% Vienna, and 15% London. In the Vienna sewer location scenes Harry's breath is visible (it was cold down there), but in the sewer scenes shot in London his breaths are not visible. The scene showing the waning moments of Lime's life in which he extends his fingers futilely towards freedom from below through a grill in a street was suggested by Welles. While he was not in Vienna at the time, the hand belonged to Carol Reed. As the production grew difficult, Alexander Korda and David O’. Selznick decided to take it one film at a time. Ironically, due to the success of the film, since both producers were at each other's throats for the credit for the film, they never collaborated again.
Roger Ebert in his review of The Third Man (Carol Reed, 1949): “Reed and his Academy Award-winning cinematographer, Robert Krasker, devised a reckless, unforgettable visual style. More shots, I suspect, are tilted than are held straight; they suggest a world out of joint. There are fantastic oblique angles. Wide-angle lenses distort faces and locations. And the bizarre lighting makes the city into an expressionist nightmare.” Another asset of the film is the score. There are apocryphal stories abound Reed discovering musician Anton Karas while scouring Vienna bars and nightclubs. Reed heard Karas playing at a production party and insisted the Austrian zither player come to his hotel room and record some songs to use for the film. Later in production, Reed realised he wanted to use Karas' music for the whole film and flew Karas out to London to record the score. Additional music for the film was written by the Australian-born composer Hubert Clifford under the pseudonym of Michael Sarsfield. From 1944 until 1950 Clifford was Musical Director for Korda at London Film Productions. By the time producer David Selznick released the film in the U.S., in February 1950, Karas’s ‘ Harry Lime Theme was already an international sensation. O’Selznick capitalised on this by including the tagline, "Featuring the Famous Zither Score by Anton Karas... He’ll have in you a dither with his zither!" in the American ad campaign and trailers. Karas became a top-selling musician thanks to the film and opened a nightclub called ‘The Third Man’ in Vienna, which he ran to the end of his days. The Third Man was the most popular film in the UK in 1949. The British version featured an introductory voice-over by Carol Reed. The voice-over was necessary to explain the very unusual status of Vienna in the aftermath of World War II. However, when the film was initially distributed in America, David O. Selznick had replaced Reed’s narration with a narration read by Joseph Cotten, in character as Holly Martins. Nearly eleven minutes of film Selznick's version, to give the film a tighter pace. He also cut all references to Holly Martins being an implied alcoholic and anything else that portrayed him as a less-than-heroic figure. The British version runs 104 minutes and the American version 93 minutes. Both versions have been released on video., but the most common is the longer British cut. Joseph Cotten reprised his role as Holly Martins in the one-hour Theatre Guild on the Air radio adaptation in 1951. Orson Welles starred in the British radio series ‘The Adventures of Harry Lime‘ (1951-1952) created as a prequel to the film. The series was also broadcast in the United States as ‘The Lives of Harry Lime’. Later followed a television spin-off, the series, The Third Man ( 1959–1965). In the 1949 film, Harry is a charming, totally amoral character. In the 1951 radio series, he is a charming adventurer of dubious reputation who is not as immoral as people think he is. In the TV show, as played by Michael Rennie, he's a rather conservative businessman whose reputation seems to have been a case of mistaken identity. Today, you can do a canal tour in Vienna called ‘Der Dritte Man -Tour’. It visits the places where the scenes of Harry Lime being chased by the police were shot. The tunnels featured in the film are part of the Wienkanal, which channels the Wien River through central Vienna out to the Danube River. The main tunnel is the huge arched structure through which the river flows a distance of about 1.6km. The gated side passages are connections to a wet-weather sewer overflow, and the chamber with the balconies is the overflow point. The spiral staircase is one of 6 exits from the main culvert. Events are occasionally held down the tunnels in commemoration of The Third Man and its characters.
Sources: Roger Ebert (RogerEbert.com), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
We'll be celebrating Yúcale's third birthday in Second Life.
Three years with loads of fun, music, literature, exhibitions, charity and much more!
Thanks to all of you who are part of this project! :)
Suzen Juel, Aminius Writer and Jaynine Scarborough will be performing live. Alexa Lazai wil be streaming live on YouTube!
El tercer día (sábado al mediodía) nos fuimos a ver otra cascada más cercana :)
This was the third day of our trip, we went to see another waterfall :)
Oh, and no HDR
5D II + 17-35
Another picture from that lighthouse in England. hope you'll like it.
It was taken with my 350d and the Kit lense.
I came across this pic awhile ago on the internet.Its Kim Raver as Kim Zambrano on NBC's Third Watch.I used to watch Third Watch.Good programing.
Third Garden is a web-based exhibition space that experiments with new art appreciation based on the cultural environment of Korean society where digital media penetrates deeply. Since the 20th century, the development of interactive media has made the creation of art in a new climate a hot issue, especially in 2020, due to COVID-19 Pandemic, we have earned a sudden mission to create and view art in a new way. To respond to this task, Third Garden was constructed to collect artists' concerns, research processes, and experiments. As an augmented reality exhibition based on mobile, it allows the audience to choose and view each artist's work at the exhibition through 3D AR objects, which is overlapped with the real space seen by the mobile camera. Audiences accessed into the Third Garden via QR code or link are invited as potential gardeners.
Third Garden(www.thirdgarden.space) is one of the main programs of Ars Electronica Garden SEOUL: Garden of Third Life(www.artcollider.kr/en).
THIRD REEL Event at the Velvet
with Lux Chiantelle & Paradox Messmer
ByrneDarkly as Wanda Woodward(Cry Baby)
Dox Messmer as Rubin Farr (Rubin & Ed)
JS as the Creature from the Black Lagoon
Enigma Bombay as Mia Wallace (Pulp Fiction)