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Third Eye... A kid coloured and decorated like goddess Kali on the occasion on Mahashivarathri also known as Mayana Kollai in Krishnagiri District of Tamilnadu , after visiting various temples they visit burial grounds and perform rituals.

Triskelion Brains, Third Season Credits, Clapperboard by birdofthegalaxy

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This scan is from a 35mm clip of the closing credits from a third season episode (not sure which one). Third season had the blue lettering as opposed to the yellow used in the first and second season. What is interesting - the shot shows the overhead view of the three Triskelion brains from the second season episode Gamesters of Triskelion, but also shows the scene clapper in the upper center of the shot. I have yet to find this actual shot in the third season credits, but I assume it is from a broadcast version (though maybe the clapper is outside of the television safe zone and it did not show anyway). Bob Justman selected the shots to be used for the closing credits and likely enjoyed the inside joke of showing the clapper (there was a make-up removal blooper used several times as well) or maybe just liked the shot or maybe the clapper did not show on the television screen...... Whatever the case the perspective is a unique one.

Third baton by In Memoriam: myopixia

And that's the third baton winging its way from the girl up to the juggler

Third of July by afka_bob

Happy Independence Day! Third of July fireworks.

Manchester, New Hampshire

July 2018

Oympus Pen E-P3

M.Zuiko Digital 14-42mm f/3.5-5.6 R II MSC

Rule of Thirds by kcvensel

These 3 seals were very interested in my camera, I knew Pentax was making a comeback. You can see another seal's head popping up on the right hand side. Off of Fidalgo Island in the San Juans, August 29, 2015.

Rule of Thirds 3 by Susan Gibbs

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Third Hour by R Pahre

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Morning in the Old Cathedral, St. Louis.

WDW2010 - third day by Ducati Motor

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Third Man Records by prettywar-stl

Third Beach by Monty VanderBilt

Third Beach group shot

Third Avenue 3 by NewYorkShitty

www.newyorkshitty.com/sunset-park/98408

Third one by Keith McGovern Collection.

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Finally the third Engineers in 16 minutes passes Niddrie West Junction, heading to Millerhill.

66554 is seen with 6K03, Shieldmuir - Millerhill at 1122 on the 2nd April 2017. Again Arthur Seat dominates the background

Every Third Saturday by David Gunnarsson

Charlie Lindgren, Washington Capitals, 2022

TMF_TRI_USAT_CollegiateChamps_All_Copyrighted-1287 by TommyT.Photo

Third Party Candidate by Patrick

Imperial Double Pale Lager

Clown Shoes

Ipswich, MA United States

Third-eye-shiva- by stuartwildeblog.com

Krepcik posted a great Shiva article at my blog with a cool animation (sw)

www.stuartwildeblog.com/khris-krepcik/2009/6/13/christ-sh...

The Sherry-Netherland by Richard Johnson

The Sherry-Netherland

781 Fifth Avenue

New York, NY 10022

The hotels first four floors are travertine marble with three two-story monumental arched windows facing Fifth Avenue. The cornice and balustrade sit over the third floor.

------------------------

The Early Years

The hotel site at the corner of Fifth Avenue and East 59th Street in Manhattan had been occupied by the New Netherland, built by William Waldorf Astor. The chateau like apartment tower facing Fifth Avenue was designed by William H. Hume. Its name came from New Netherland - the name given to a portion of the East Coast of North America by the Dutch Republic. The New Netherland's provincial capital was New Amsterdam which was located at the southern tip of the island of Manhattan.

The New Netherland was completed in 1892. The neo-Romanesque steel-framed building was 17 stories (234 feet) and claimed to be the "tallest hotel structure in the world" when it opened.

Developer Samuel Keller Jacobs began demolition of the New Netherland in 1926. Replacing it was a new tower apartment hotel occupying the same footprint and frontage on Fifth Avenue. Jacobs contracted with the architect firm Schultze & Weaver to work with high-rise specialist Buchman & Kahn.

Originally it was to be a 36-story transient hotel to have the same name - New Netherland. The Grand Army Plaza area was becoming a fashionable area. The Fifth Avenue mansions were giving way to high rise apartment hotels. It was decided to have Schultze & Weaver design a building to insure the wealthy residents of the area could continue their grand life style - but in a high rise apartment. During the construction Jacobs sold the hotel to Louis Sherry, Inc., a subsidiary of Boomer-duPont Properties Corporation. Lucius Boomer was a noted hotel operator and was also affiliated with the Waldorf=Astoria Hotel. Boomer was one of the early endowers to the Cornell Hotel School who made its establishment possible.

Louis Sherry (1855-1926) owned Sherry's an extremely successful and regaled restaurant and caterer located at Forty Third Street and Fifth Avenue. Sherry thought it best to close his restaurant business due to prohibition (which commenced in 1920) and what Sherry described as "war-born Bolshevism". The NY Times quoted Sherry "I am not at the point where I cannot increase my staff of waiters without admitting Bolsheviki, but I will not submit my patrons to have their food thrown at them."

Sherry and Lucius M. Boomer formed a new corporation (Louis Sherry, Inc.) with the intent to continue the ice cream, candy and catering business and also provide catering services for the Waldorf Astoria Hotel. Boomer was the chairman of the board for the original Waldorf-Astoria at Fifth Avenue and was also the original owner of Boston's Lenox Hotel.

Lucius Boomer renamed the hotel - The Sherry-Netherland - in anticipation of cashing in on the Sherry name known for its high standards of food and service. Louis Sherry died shortly before his name became associated with the new venture. An early brochure for the hotel states: "The Sherry tradition of perfection is drilled into every member of the personnel."

Also taking its name from Louis Sherry is the Sherry-Lehmann Wine and Spirits company. Their first store was in the Louis Sherry Building on Madison at 62nd. The store took its name from the name of the building - not the fortified wine of Spain.

During construction the hotel's upper floors suffered a fire that was visible from as far away as Long Island. The $10 million 165 apartment hotel was finished in 1927 and at 38-storys was known for a while as the tallest apartment hotel in New York City and the world.

At the time of the hotel's construction, the Vanderbilt mansion on Fifth Avenue (now the site of Bergdorf Goodman) was being demolished. Two limestone reliefs from that mansion were installed in the Sherry's entrance vestibule. The ornamental friezes by sculptor Karl Bitter depict a group of girls.

Because of Prohibition, the Sherry was designed with smaller public restaurant square footage than other pre-War hotels. Its lobby also designed small - which allowed for maximum street side store rentals. It was reported by the NY Times that a single apartment in 1927 at the Sherry-Netherland rented for a low of $1,600 per month and up to $6,500 per month.

The Architects: Schultz & Weaver together with Buchman and Kahn

Schultz & Weaver were best known for design work on hotels, including the Hotel Lexington, Hotel Pierre and the Waldorf-Astoria Hotel. The firm’s first completed hotel was the Los Angeles Biltmore now known as the Millennium Biltmore Hotel Los Angeles.

The hotel's design is noted for its high peaked roof topped with an elaborate Gothic minaret, or fleche. The spire top houses the water tank and even has an observation balcony. Gargoyles protrude from its crown.

According to the 1981 Upper East Side Historic District Designation Report the architecture style contains elements of neo-Romanesque and neo-Gothic styles. It is a 38-story hotel with stone and dark brown brick facing. The first four floors are travertine marble with three two-story monumental arched windows facing Fifth Avenue. The cornice and balustrade sit over the third floor. The building setbacks begin on the seventeenth leading to a slender tower crowned with a fleche. The setbacks allowed for spacious outdoor private terraces beginning on the eighteenth floor. Single apartments occupied the entire floors from the 24th floor to the 37th floor.

The minaret distinguishes the building as one of the most recognized hotel profiles in New York City.

Little of the building's architecture has changed since the Sherry-Netherland opened its doors in 1927. The canopy entrance, adorned with the hotel's famous landmark clock and four Italianate lanterns, is guarded by gargoyles on the 37-story Baroque tower. The recently restored vaulted lobby was modeled after the Vatican library. Striking features include sculptured panels from the Vanderbilt Mansion, Louis XV chairs, lavish chandeliers and elaborately designed marble floors with French carpets.

The Sherry Netherland’s frontage is elegant, adorned with griffins holding four hanging lanterns on the façade and a sidewalk clock that is gilded in genuine gold leaf.

Two Big Hotel Hold-ups - 1974 and 1977

On December 9, 1974 a team of five bandits took over the Sherry Netherland hotel for two hours and looted safety deposit boxes of more than $900,000 in cash and valuables. The robbers entered the hotel at 3.25AM and handcuffed 11 employees and 2 hotel guests. General Manager Philip Landau described the heist as "a gentlemen's robbery". The robbers used crowbars and screwdrivers to force open about 40 safe deposit boxes. The police reported the robbers seemed to know which drawers would contain the most bounty.

On October 10, 1977 four men walked into the Sherry Netherland's lobby, pulled guns, handcuffed four employees and made off with cash and gems (some belonging to super star Diana Ross) from the hotel' vaults. The haul could have been worth up to $1 million. The robbery was the second in less than three years at the Sherry Netherland.

No one was injured in the holdup before dawn Monday at the Fifth Avenue hotel, which was the scene of a similar stickup in 1974 that netted some $900,000 from the safe deposit boxes containing valuables of the hotel's wealthy clientele.

According to police reports the hotel lobby was empty when the four heavyset men, dressed in business suits and wearing wigs and false mustaches, entered about 4:30 a.m. They walked up to the desk, pulled handguns and herded night manager Robert Clancey and three other employees into a storage room where they were handcuffed and left inside. As the night security man was "making his rounds on the upper floors, the bandits spent the next 45 minutes prying open more than 100 of the 154 small safety deposit boxes in the vault room.

Hotel general manager Philip Landau said after the robbers finished, they went back to the storage room where Clancey, bellman Steve McPartland, night auditor William Farragher and porter Jay Morton were handcuffed and told them not to move for 10 minutes.

Professional burglars Samuel Nalo and Robert Comfort were the significant ring leaders for several New York City hotel heists in the 1970's.

The Later Years

In 1949 The Sherry Netherland was offered to two financiers, Floyd Odlum and Boyd Hatch at an attractive price. They named Serge Obolensky president of the holding company, hiring him away from Hilton which operated the Plaza across the street at that time.

During the early 1950's Serge Obolensky focused on the Sherry's profitability and the Carnaval Room- the hotel's supper club. As the talent buyer he contracted with night club performers such as Helene Francis and James Symington (a future U.S Senator from Missouri).

Childs Restaurants acquired 90% of the stock in Louis Sherry, Inc. (but not the hotel) from Mrs. Lucius M. Boomer in 1950 for more than $2,000,000.

In 1954 the Sherry Netherland's 165 apartments were converted to cooperatives. Today the hotel has approximately 97 co-op residences and 53 hotel room/suites. Co-op owners have the option of putting their apartment in the hotel rental pool while not in use or, “opt out” and use as full-time home. According to hausfitzgerald.com residents of the Sherry-Netherland over the years include Jack Warner, the head of Warner Brothers, Claire Boothe Luce, Diana Ross, Francis Ford Coppola and more recently Judith Sheindlin (Judge Judy).

The Sherry Netherland shares the block with the luxury cooperative apartment building, Park V at 785 Fifth Avenue. Usually called the Park Cinq, the eighteen-story building was constructed by the Fisher Brothers developers in 1960.

From 1965 to 1972 Jerry Brody (Club Caterers) operated the L’Etoile and the Cafe Bar at the Sherry-Netherland. Jerry Brody was Restaurant Associates founding president and recruited Joe Baum in 1953 to work the Newarker, the white table cloth restaurant at the Newark Airport.

In October 1968, the exclusive disco Raffles opened in the basement of the Sherry-Netherland. Jerry Brody was the club's owner and Earl Blackwell managed the membership. Raffles occupied the space known as the Carnaval Room where Sere Obolensky had presided.

In 1975 real estate developer Joe Norban (a co-op owner) took over the nightclub hidden away in the belly of the Sherry-Netherland hotel. He named it Doubles and envisioned a private club - with backgammon games, dining and dancing. Daughter Wendy Carduner took over in 1982 and has sustained her father’s vision and grown the non-profit private club to 2,500 members. Doubles' longevity is attributed to being consistent, never being snobbish, and having all kinds of members. Doubles' Executive Chef is Steven Mellina who previously served at The Manhattan Ocean Club and The Helmsley Palace Hotel.

In 1985, Lord Charles Forte, with Trusthouse Forte wanted to open a restaurant on the ground floor of New York’s Sherry-Netherland Hotel. Forte and his son, Rocco, thought a Harry’s Bar–style restaurant in the building would persuade the owners to let their company, Trusthouse Forte, take over the management of the hotel. The Fortes flew Arrigo Cipriani to New York to check out the Fifth Avenue location. As soon as Arrigo saw the existing restaurant, called Le Petit Café, with its windows facing Central Park, he knew it was the perfect spot for what would be called Harry Cipriani.

So, at the former site of Le Petit Cafe, Giuseppe Cipriani, who founded Harry's Bar in Venice in 1931, opened the street side Harry's Bar at the Sherry Netherland in 1985. Following a brief eviction the family returned to the hotel in 1987 with the restaurant - Harry Cipriani. This restaurant is almost an exact duplicate of the original Harry's Bar in Venice. It’s the sky-high prices that keep this jet setter’s restaurant so exclusive. In 2011 its house drink, The Bellini, costs $19.95. In 2007 the NY Times food critic Frank Bruni said the only thing compelling about Harry Cipriani's is the prices.

Philip Landau was the general manager of the Sherry Netherland for 35 years - 1957 to 1982.

Louis N. Ventresca was the Executive Vice President and Chief Operating Officer of the Sherry Netherland for over 20 years. He died at the age of 58 in 2003. He joined the Sherry Netherland Hotel in 1980 following stints at with PKF and Princess Hotels International.

In February, 2004 Michael Littler was appointed Executive Vice President and Chief Operating Officer at the Sherry-Netherland. Littler was the General Manager of the Four Seasons Philadelphia and for eleven year the general manager at the Millennium Broadway.

Michael Ullman was appointed Executive Vice President and Chief Operating Officer of the Sherry Netherland Hotel in April, 2010. Previously he was the Managing Director of the La Valencia Hotel in La Jolla, California from 1995 to 2008. Ullman has served as General Manager at the Ihilani in Hawaii and the Beverly Hills Hotel.

Theresa Nocerino has been the Sherry Netherland's Managing Director and Licensed Real Estate Agent from 1985 to present.

Text and photos compiled by Dick Johnson

December 2011

richardlloydjohnson@hotmail.com

Sunday Third service by Restoration church masoro

ERC Masoro pictures

Third Ave., Seattle by verkstad :: art at the speed of life :: seattle, wa

www.verkstad.com

7. Rule of thirds by Marlena Grzesiak

Processed with VSCO with c1 preset

TMF_TRI_USAT_CollegiateChamps_All_Copyrighted-1077 by TommyT.Photo

Third Day by Axon Imagery

Third of July by afka_bob

Happy Independence Day! Third of July fireworks.

Manchester, New Hampshire

July 2018

Oympus Pen E-P3

M.Zuiko Digital 14-42mm f/3.5-5.6 R II MSC

Rule of Thirds by Savannah Lewis

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ScavChal June 2011 (25 - Rule of Thirds)

Rule of thirds by Rich Levine

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Just having fun with a Great Blue Heron and a rule of thumb with an eye

AcroDome Third Floor by North Carolina Museum of Natural Sciences

Third of July by afka_bob

Happy Independence Day! Third of July fireworks.

Manchester, New Hampshire

July 2018

Oympus Pen E-P3

M.Zuiko Digital 14-42mm f/3.5-5.6 R II MSC

1309 20120909_6375 by Dave Clarke

To the top left is the pin about which the bogie rotates. Below it is the dynamo with the vacuum reservoir to the right of the underframe. Behind them are the battery boxes

TMF_TRI_USAT_CollegiateChamps_All_Copyrighted-1240 by TommyT.Photo

7.22.2016 Third Ward Plenair by Kristine Hinrichs

India - Kerala - Fort Cochin - Kathakali Dancer - 4d by Manfred Sommer

Kathakali (Malayalam: കഥകളി, kathakaḷi; Sanskrit: कथाकळिः, kathākaḷiḥ) is a stylized classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. It originated in the country's present day state of Kerala during the 17th century and has developed over the years with improved looks, refined gestures and added themes besides more ornate singing and precise drumming.

HISTORY

Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called 'Manipravaalam'), has also helped the literature of Kathakali sound more transparent for the average audience.

As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.

Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to Nritham, Nrithyam and Natyam.

KATHAKALI PLAYS

Traditionally there are 101 classical Kathakali stories, though the commonly staged among them these days total less than one-third that number. Almost all of them were initially composed to last a whole night. Nowadays, there is increasing popularity for concise, or oftener select, versions of stories so as the performance lasts not more than three to four hours from evening. Thus, many stories find stage presentation in parts rather than totality. And the selection is based on criteria like choreographical beauty, thematic relevance/popularity or their melodramatic elements. Kathakali is a classical art form, but it can be appreciated also by novices—all contributed by the elegant looks of its character, their abstract movement and its synchronisation with the musical notes and rhythmic beats. And, in any case, the folk elements too continue to exist. For better appreciation, perhaps, it is still good to have an idea of the story being enacted.

The most popular stories enacted are Nalacharitham (a story from the Mahabharata), Duryodhana Vadham (focusing on the Mahabharata war after profiling the build-up to it), Kalyanasougandhikam, (the story of Bhima going to get flowers for his wife Panchali), Keechakavadham (another story of Bhima and Panchali, but this time during their stint in disguise), Kiratham (Arjuna and Lord Shiva's fight, from the Mahabharata), Karnashapatham (another story from the Mahabharata), Nizhalkuthu and Bhadrakalivijayam authored by Pannisseri Nanu Pillai. Also staged frequently include stories like Kuchelavrittam, Santanagopalam, Balivijayam, Dakshayagam, Rugminiswayamvaram, Kalakeyavadham, Kirmeeravadham, Bakavadham, Poothanamoksham, Subhadraharanam, Balivadham, Rugmangadacharitam, Ravanolbhavam, Narakasuravadham, Uttaraswayamvaram, Harishchandracharitam, Kacha-Devayani and Kamsavadham.

Recently, as part of attempts to further popularise the art, stories from other cultures and mythologies, such as those of Mary Magdalene from the Bible, Homer's Iliad, and William Shakespeare's King Lear and Julius Caesar besides Goethe's Faust too have been adapted into Kathakali scripts and on to its stage. Synopsis of 37 kathakali stories are available in kathakalinews.com.

MUSIC

The language of the songs used for Kathakali is Manipravalam. Though most of the songs are set in ragas based on the microtone-heavy Carnatic music, there is a distinct style of plain-note rendition, which is known as the Sopanam style. This typically Kerala style of rendition takes its roots from the temple songs which used to be sung (continues even now at several temples) at the time when Kathakali was born.

As with the acting style, Kathakali music also has singers from the northern and southern schools. The northern style has largely been groomed by Kerala Kalamandalam in the 20th century. Kalamandalam Neelakantan Nambisan, an overarching Kathakali musician of those times, was a product of the institute. His prominent disciples include Kalamandalam Unnikrishna Kurup, Kalamandalam Gangadharan, Kalamandalam P.G. Radhakrishnan, Rama Varrier, Madambi Subramanian Namboodiri, Tirur Nambissan, Kalamandalam Sankaran Embranthiri, Kalamandalam Hyderali, Kalamandalam Haridas, Subramanian, Kalanilayam Unnikrishnan and Kalamandalam Bhavadasan. The other prominent musicians of the north feature Kottakkal Vasu Nedungadi, Kottakkal Parameswaran Namboodiri, Kottakkal P.D. Narayanan Namboodiri, Kottakkal Narayanan, Kalamandalam Anantha NarayananKalamandalam Sreekumar Palanad Divakaran, Kalanilayam Rajendran, Kolathappilli Narayanan Namboodiri, Kalamandalam Narayanan Embranthiri, Kottakkal Madhu, Kalamandalam Babu Namboodiri, Kalamandalam Harish and Kalamandalam Vinod. In the south, some of whom are equally popular in the north these days, include Pathiyur Sankarankutty. Southerner musicians of the older generation include Cherthala Thankappa Panikker, Thakazhi Kuttan Pillai, Cherthala Kuttappa Kurup, Thanneermukkam Viswambharan and Mudakkal Gopinathan.

PERFORMANCE

Traditionally, a Kathakali performance is usually conducted at night and ends in early morning. Nowadays it isn't difficult to see performances as short as three hours or fewer. Kathakali is usually performed in front of the huge Kalivilakku (kali meaning dance; vilakku meaning lamp) with its thick wick sunk till the neck in coconut oil. Traditionally, this lamp used to provide sole light when the plays used to be performed inside temples, palaces or abodes houses of nobles and aristocrats. Enactment of a play by actors takes place to the accompaniment of music (geetha) and instruments (vadya). The percussion instruments used are chenda, maddalam (both of which underwent revolutionary changes in their aesthetics with the contributions of Kalamandalam Krishnankutty Poduval and Kalamandalam Appukutty Poduval) and, at times, edakka. In addition, the singers (the lead singer is called “ponnani” and his follower is called “singidi”) use chengila (gong made of bell metal, which can be struck with a wooden stick) and ilathalam (a pair of cymbals). The lead singer in some sense uses the Chengala to conduct the Vadyam and Geetha components, just as a conductor uses his wand in western classical music. A distinguishing characteristic of this art form is that the actors never speak but use hand gestures, expressions and rhythmic dancing instead of dialogue (but for a couple of rare characters).

ACTING

A Kathakali actor uses immense concentration, skill and physical stamina, gained from regimented training based on Kalaripayattu, the ancient martial art of Kerala, to prepare for his demanding role. The training can often last for 8–10 years, and is intensive. In Kathakali, the story is enacted purely by the movements of the hands (called mudras or hand gestures) and by facial expressions (rasas) and bodily movements. The expressions are derived from Natyashastra (the tome that deals with the science of expressions) and are classified into nine as in most Indian classical art forms. Dancers also undergo special practice sessions to learn control of their eye movements.

There are 24 basic mudras—the permutation and combination of which would add up a chunk of the hand gestures in vogue today. Each can again can be classified into 'Samaana-mudras'(one mudra symbolising two entities) or misra-mudras (both the hands are used to show these mudras). The mudras are a form of sign language used to tell the story.

The main facial expressions of a Kathakali artist are the 'navarasams' (Navarasas in anglicised form) (literal translation: Nine Tastes, but more loosely translated as nine feelings or expressions) which are Sringaram (amour), Hasyam (ridicule, humour), Bhayanakam (fear), Karunam (pathos), Roudram (anger, wrath), Veeram (valour), Beebhatsam (disgust), Adbhutam (wonder, amazement), Shantam (tranquility, peace). The link at the end of the page gives more details on Navarasas.

One of the most interesting aspects of Kathakali is its elaborate make-up code. Most often, the make-up can be classified into five basic sets namely Pachcha, Kathi, Kari, Thaadi, and Minukku. The differences between these sets lie in the predominant colours that are applied on the face. Pachcha (meaning green) has green as the dominant colour and is used to portray noble male characters who are said to have a mixture of "Satvik" (pious) and "Rajasik" (dark; Rajas = darkness) nature. Rajasik characters having an evil streak ("tamasic"= evil) -- all the same they are anti-heroes in the play (such as the demon king Ravana) -- and portrayed with streaks of red in a green-painted face. Excessively evil characters such as demons (totally tamasic) have a predominantly red make-up and a red beard. They are called Red Beard (Red Beard). Tamasic characters such as uncivilised hunters and woodsmen are represented with a predominantly black make-up base and a black beard and are called black beard (meaning black beard). Women and ascetics have lustrous, yellowish faces and this semi-realistic category forms the fifth class. In addition, there are modifications of the five basic sets described above such as Vella Thadi (white beard) used to depict Hanuman (the Monkey-God) and Pazhuppu, which is majorly used for Lord Shiva and Balabhadra.

NOTABLE TRAINING CENTRES & MASTERS

Kathakali artistes need assiduous grooming for almost a decade's time, and most masters are products of accomplished institutions that give a minimum training course of half-a-dozen years. The leading Kathakali schools (some of them started during the pre-Independent era India) are Kerala Kalamandalam (located in Cheruthuruthy near Shoranur), PSV Natya Sangham (located in Kottakal near Kozhikode), Sadanam Kathakali and Classical Arts Academy (or Gandhi Seva Sadan located in Perur near Ottappalam in Palakkad), Unnayi Varier Smaraka Kalanilayam (located in Irinjalakuda south of Thrissur), Margi in Thiruvananthapuram, Muthappan Kaliyogam at Parassinikkadavu in Kannur district and RLV School at Tripunithura off Kochi and Kalabharathi at Pakalkkuri near Kottarakkara in Kollam district, Sandarshan Kathakali Kendram in Ambalapuzha and Vellinazhi Nanu Nair Smaraka Kalakendra in Kuruvattor. Outside Kerala, Kathakali is being taught at the International Centre for Kathakali in New Delhi, Santiniketan at Visva-Bharati University in West Bengal, Kalakshetra in Chennai and Darpana Academy in Ahmedabad among others. PadmaSree Guru Chengannur Raman Pillai mostly known as 'Guru Chengannur'was running a traditional Gurukula Style approach to propagate Kathakali.

‘Guru Chengannur” is ever renowned as the Sovereign Guru of Kathakali. His precision in using symbols, gestures and steps were highest in the field of Kathakali. Guru Chegannur's kaththi vesham, especially the portrayal of Duryodhana enthralled the audience every time he performed. A master of the art, he found immense happiness and satisfaction in the success and recognition of his disciples.

Senior Kathakali exponents of today include Padma Bhushan Kalamandalam Ramankutty Nair, Padma Shri Kalamandalam Gopi, Madavoor Vasudevan Nair, Chemancheri Kunhiraman Nair, Kottakkal Krishnankutty Nair, Mankompu Sivasankara Pillai, Sadanam Krishnankutty, Nelliyode Vasudevan Namboodiri, Kalamandalam Vasu Pisharody, FACT Padmanabhan, Kottakkal Chandrasekharan, Margi Vijayakumar, Kottakkal Nandakumaran Nair, Vazhenkada Vijayan, Inchakkattu Ramachandran Pillai, Kalamandalam Kuttan, Mayyanad Kesavan Namboodiri, Mathur Govindan Kutty, Narippatta Narayanan Namboodiri, Chavara Parukutty, Thonnakkal Peethambaran, Sadanam Balakrishnan, Kalanilayam Gopalakrishnan, Chirakkara Madhavankutty, Sadanam K. Harikumaran, Thalavadi Aravindan, Kalanilayam Balakrishnan, Pariyanampatta Divakaran, Kottakkal Kesavan, Kalanilayam Gopi and Kudamaloor Muralikrishnan. The late titan actor-dancers of Kathakali's modern age (say, since the 1930s) include Pattikkamthodi Ravunni Menon, Chenganoor Raman Pillai, Chandu Panicker, Thakazhi Guru Kunchu Kurup, Padma Shri Kalamandalam Krishnan Nair, Padma Shri Vazhenkada Kunchu Nair, Kavalappara Narayanan Nair, Kurichi Kunhan Panikkar, Thekkinkattil Ramunni Nair, Padma Shri Keezhpadam Kumaran Nair, Kalamandalam Padmanabhan Nair, Mankulam Vishnu Namboodiri, Oyur Kochu Govinda Pillai, Vellinezhi Nanu Nair, Padma Shri Kavungal Chathunni Panikkar, Kudamaloor Karunakaran Nair, Kottakkal Sivaraman, Kannan Pattali, Pallippuram Gopalan Nair, Haripad Ramakrishna Pillai, Champakkulam Pachu Pillai, Chennithala Chellappan Pillai, Guru Mampuzha Madhava Panicker, and Vaikkom Karunakaran.

Kathakali is still hugely a male domain but, since the 1970s, females too have made entry into the art form on a recognisable scale. The central Kerala temple town of Tripunithura has, in fact, a ladies troupe (with members belonging to several part of the state) that performs Kathakali, by and large in Travancore.

KATHAKALI STYLES

Known as Sampradäyaṃ(Malayalam: സമ്പ്രദായം); these are leading Kathakali styles that differ from each other in subtleties like choreographic profile, position of hand gestures and stress on dance than drama and vice versa. Some of the major original kathakali styles included:

Vettathu Sampradayam

Kalladikkodan Sampradyam

Kaplingadu Sampradayam

Of late, these have narrowed down to the northern (Kalluvazhi) and southern (Thekkan) styles. It was largely developed by the legendary Pattikkamthodi Ravunni Menon (1881-1949) that is implemented in Kerala Kalamandalam (though it has also a department that teaches the southern style), Sadanam, RLV and Kottakkal. Margi has its training largely based on the Thekkan style, known for its stress on drama and part-realistic techniques. Kalanilayam, effectively, churns out students with a mix of both styles.

OTHER FORMS OD DANCE & OFFSHOOTS

Kerala Natanam is a kind of dance form, partly based on Kathakali techniques and aesthetics, developed and stylised by the late dancer Guru Gopinath in the mid-20th century. Kathakali also finds portrayal in Malayalam feature films like Vanaprastham, Parinayam, Marattam, and Rangam. Besides documentary films have also been shot on Kathakali artistes like Chenganoor Raman Pillai, Kalamandalam Krishnan Nair, Keezhpadam Kumaran Nair, Kalamandalam Ramankutty Nair, Kalamandalam Gopi and Kottakkal Sivaraman.

As for fictional literature, Kathakali finds mention in several Malayalam short stories like Karmen (by N.S. Madhavan) and novels like Keshabharam (by P.V. Sreevalsan). Even the Indo-Anglian work like Arundhati Roy's Booker prize-winning The God of Small Things has a chapter on Kathakali, while, of late, Anita Nair's novel, Mistress, is entirely wrapped in the ethos of Kathakali.

Similar musical theater is popular in Kasaragod and the coastal and Malenadu regions of Karnataka, viz. Yakshagana. Though Yakshagana resembles Kathakali in terms of its costume and makeup to an extent, Yakshagana is markedly different from Kathakali as it involves dialogues and method acting also the narration is in Kannada, wherein philosophical debates are also possible within framework of the character. As per records the art form of Yakshagana was already rooted and well established at the time of Sri Manavedan Raja. There is possibilities of its significant influence in formation of Kathakkali as the troupe of performers of "Krishnanattam" designed the basic costume of the art form already established in other parts of south India including Males playing the female roles (until more recently).

Kottayam thamburan's way of presenting kathakali was later known as Kalladikkoden sambradayam. Chathu Paniker,the introducer of Kallikkoden Sambrathayam, stayed in Kottayam for five years with Kottayam Thamburan's residence and practiced Kalladikkoden Sambrathayam. Then he returned to his home place. After a short period Chathu Paniker reached Pulapatta as instructed by Kuthiravattath nair. That was around the year ME 865. Many deciples from Kadathanadu, Kurumbra nadu, Vettathu nadu, Palakkadu and Perumpadappu studied kathakali(Kalladikkoden Sambrathayam ) By that time Chathu Paniker was an old man. Some years later he died from Pulapatta.

NOTED KATHAKALI VILLAGES & BELTS

There are certain pockets in Kerala that have given birth to many Kathakali artistes over the years. If they can be called Kathakali villages (or some of them, these days, towns), here are some of them: Vellinezhi, Kuruvattoor, Karalmanna, Cherpulassery, Kothachira, peringode, sreekrishnapuram Kongad and Ottapalam in Palakkad district, Vazhenkada in Malappuram district, Thichur or Tichoor, Guruvayur, Thiruvilwamala and Irinjalakuda in Thrissur district, Tripunithura, Edappally, Thekkan Chittoor in Ernakulam district and Kuttanad, Harippad belt in Alappuzha district besides places in and around Thiruvanathapuram in south Travancore and Payyannur in north Malabar.

AWARDS FOR KATHAKALI ARTISTS

Sangeet Natak Akademi Awardees - Kathakali (1956–2005)

Nambeesan Smaraka Awards—For artistic performances related kathakali{1992-2008}

KATHAKALI ATTAMS (ELAKI ATTAMS)

Attams or more specifically "elaki attams" are sequences of acting within a story acted out with the help of mudras without support from vocal music. The actor has the freedom to change the script to suit his own individual preferences. The actor will be supported ably by Chenda, Maddalam, and Elathalam (compulsory), Chengila (not very compulsory).

The following are only some examples. 'Kailasa Udharanam' and 'Tapas Attam' are very important attams and these are described at the end. Two of the many references are Kathakali Prakaram, pages 95 to 142 by Pannisheri Nanu Pillai and Kathakaliyile Manodharmangal by Chavara Appukuttan Pillai.

VANA VARNANA: BHIMA IN KALYANA SAUGANDHIKA

Modern man looks at the forest, indeed the birthplace of primates, with a certain wonder and a certain respect. Kathakali characters are no exception.

When Pandavas were living in the forest, one day, a flower, not seen before, wafted by the wind, comes and falls at the feet of Panchali. Exhilarated by its beauty and smell, Panchali asks Bhima to bring her more such flowers. To her pleasure Bhima is ready to go at once. But Panchali asks him what he shall do for food and drink on the way. Bhima thinks and says "Food and Drink! Oh, this side glance (look) of yours. This look of longing. This look of anticipation. The very thought fills me up. I don't need any food and drink at all. Let me go." He takes his mace and off he goes. Ulsaham (enthusiasm) is his Sdhayi Bhavam (permanent feature).

"Let me go at once in search of this flower," says Bhima. "The scented wind is blowing from the southern side. Let me go that way." After walking some distance he sees a huge mountain called Gandhamadana and three ways. He decides to take the middle one which goes over the mountain. After going further "The forest is getting thicker. Big trees, big branches in all directions. The forest looks like a huge dark vessel into which even light can not penetrate. This is my (Bhima's) way. Nothing can hinder me." So saying he pulls down many trees. Sometimes he shatters the trees with his mace. Suddenly he sees an elephant. "Oh! Elephant." He describes it. Its trunk. Sharp ears.

The itching sensation in the body. It takes some mud and throws on the body. Oh good. Then it sucks water and throws on the body. Somewhat better. Slowly it starts dosing even though alert at times. A very huge python is approaching steadily. Suddenly it catches hold of the elephant's hind leg. The elephant wakes up and tries to disengage the python. The python pulls to one side. The elephant kicks and drags to the other side. This goes on for some time. Bhima looks to the other side where a hungry lion is looking for food. It comes running and strikes the elephants head and eats part of the brain and goes off. The python completes the rest. "Oh my god, how ruthless!" says Bhima and proceeds on his way.

UDYANA VARNANA: NALA IN NALACHARITHAM SECOND DAY

Descriptions of gardens are found in most dance forms of India and abroad. These are also common in Kathakali.

Newly married Nala and Damayanthi are walking in the garden. When Nala was lovingly looking at Damayanthi a flower falls on her. Nala is overjoyed and thinks that this is a kindness nature has shown on his wife. Nala says "On seeing the arrival of their queen, the trees and climbers are showing happiness by dropping flowers on you." He tells her, "See that tree. When I used to be alone the tree used to hug the climber and seemingly laugh at my condition." Then he looks at the tree and says, "Dear Tree, look at me now. See how fortunate I am with my beautiful wife."

Both wander about. A bumblebee flies towards Damayanthi. Immediately Nala protects her face with a kerchief. He looks at the bee and then at Damayanthi. He says, "On seeing your face the bee thought it was a flower and came to drink the nectar." Nala and Damayanthi listen to the sounds coming out of the garden. Damayanti says, "It appears that the whole garden is thrilled. The flowers are blooming and smiling. Cuckoos are singing and the bees are dancing. Gentle winds are blowing and rubbing against our bodies. How beautiful the whole garden looks." Then Nala says that the sun is going down and it is time for them to go back and takes her away.

SHABDA VARNANA: HANUMAN IN KALYANA SAUGANDHIKAM

While Bhima goes in search of the flower, here Hanuman is sitting doing Tapas with mind concentrated on Sri Rama.

When he hears the terrible noises made by Bhima in the forest he feels disturbed in doing his Tapas. He thinks "What is the reason for this?" Then the sounds become bigger. "What is this?" He thinks, "The sounds are getting bigger. Such a terrible noise. Is the sea coming up thinking that the time is ripe for the great deluge (Pralaya). Birds are flying helter-skelter. Trees look shocked. Even Kali Yuga is not here. Then what is it? Are mountains quarreling with each other? No, That can't be it. Indra had cut off the wings of mountains so that they don't quarrel. Is the sea changing its position? No it can't be. The sea has promised it will not change its position again. It can't break the promise." Hanuman starts looking for clues. "I see elephants and lions running in fear of somebody. Oh a huge man is coming this way. Oh, a hero is coming. He is pulling out trees and throwing it here and there. Okay. Let him come near, We will see."

THANDEDATTAM: RAVANA IN BALI VADHAM

After his theranottam Ravana is seen sitting on a stool. He says to himself "I am enjoying a lot of happiness. What is the reason for this?" Thinks. "Yes I know it. I did Tapas to Brahma and received all necessary boons. Afterwards I won all ten directions. I also defeated my elder brother Vaishravana. Then I lifted Kailas mountain when Siva and Parvathi were having a misunderstanding. Parvathi got frightened and embraced Siva in fear. Siva was so happy he gave a divine sword called Chandrahasa. Now the whole world is afraid of me. That is why I am enjoying so much happiness." He goes and sits on the stool. He looks far away. "Who is coming from a distance. he is coming fast. Oh, it is Akamba. Okay. Let me find out what news he has for me."

ASHRAMA VARNANA: ARJUNA IN KIRATHAM

Arjuna wants to do Tapas to Lord Siva and he is looking a suitable place in the Himalayan slopes. He comes to place where there is an ashram. Arjuna looks closely at the place. "Oh. What a beautiful place this is. A small river in which a very pure water is flowing. Some hermits are taking baths in the river. Some hermits are standing in the water and doing Tapsas. Some are facing the Sun. Some are standing in between five fires." Arjuna salutes the hermits from far. He says to himself "Look at this young one of a deer. It is looking for its mother. It seems to be hungry and thirsty. Nearby a female tiger is feeding its young ones. The little deer goes towards the tigress and pushes the young tiger cubs aside and starts drinking milk from the tigress. The tigress looks lovingly at the young deer and even licks its body as if it were its own child. How beautiful. How fulfilling."

Again he looks "Here on this side a mongoose and a serpent forgetting their enmity are hugging each other. This place is really strange and made divine by saints and hermits. Let me start my Tapas somewhere nearby."

A sloka called "Shikhini Shalabha" can be selected instead of the above if time permits.

AN ATTAM BASED ON A SLOKA

Sansrit slokas are sometimes shown in mudras and it has a pleasing and exhilarating effect. Different actors use slokas as per his own taste and liking. However, the slokas are taught to students during their training period. An example is given below.

Kusumo Kusumolpatti Shrooyathena Chathushyathe

Bale thava Mukhambuje Pashya Neelolpaladwayam

Meaning a flower blooming inside another flower is not known to history. But, my dear, in your lotus like face are seen two blue Neelolpala flowers (eyes).

A CONVERSATION BASED ON A SLOKA

Sanskrit slokas can also be used to express an intent. One such example is a sloka used by Arjuna addressed to Mathali the charioteer in Kalakeya Vadham. Sloka:

Pitha: Kushalee Mama hritha Bhujaam

Naatha Sachee Vallabha:

Maatha: kim nu Pralomacha Kushalinee

Soonurjayanthasthayo

Preethim va Kushchate Thadikshnavidhow

Cheta Samutkanuthe

Sutha: tvam Radhamashu Chodaya vayam

Dharmadivam Mathala

Meaning: The husband of Indrani and the lord of gods my father - Is he in good health? His son Jayantha - Is he strictly following the commands of his father? Oh, I am impatient to see all of them.

SWARGA VARNANA: ARJUNA IN KELAKEYA VADHAM

Arjuna goes to heaven on the invitation of his father, Indra. After taking permission from Indrani he goes out to see all the places in Swarga. First he sees a building, his father's palace. It is so huge with four entrances. It is made of materials superior to gold and jewels of the world. Then he goes ahead and sees Iravatha. Here he describes it as a huge elephant with four horns. He is afraid to touch it. Then he thinks that animals in Swarga can't be cruel like in the world and so thinking he goes and touches and salutes Iravatha. He describes the churning of the white sea by gods and demons with many details and how Iravatha also came out of the white sea due to this churning.

He walks on and sees his father's (Indra's) horse. It is described as being white and its mane is sizzling like the waves of the white sea from which it came. He touches and salutes the horse also. Then he goes to see the river of the sky (or milky way). He sees many birds by this river and how the birds fly and play is shown.

Then he sees the heavenly ladies. Some are collecting flowers, and one of them comes late and asks for some flowers for making garland. The others refuse. She goes to the Kalpa Vriksha and says "please give me some flowers." Immediately a shower of flowers occurs which she collects in her clothes and goes to make garlands chiding the others. "See... I also got flowers." After this he sees the music and dance of the heavenly ladies. First it starts with the adjustments of instruments Thamburu, Mridangam, Veena. Then the actual music starts along with the striking of cymbals. Then two or three types of dances are shown. Then comes juggling of balls. It is described by a sloka thus:

Ekopi Thraya Iva Bhathi Kandukoyam

Kanthayaa: Karathala Raktharaktha:

Abhrastho Nayanamareechi Neelaneelo

Popular belief is that kathakali is emerged from "Krishnanattam", the dance drama on the life and activities of Lord Krishna created by Sri Manavedan Raja, the Zamorin of Calicut (1585-1658 AD). Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Due to the political rivalry between the two, Zamorin did not allow this. So Kottarakkara Thampuran created another art form called Ramanattam which was later transformed into Aattakatha. Krishnanaattam was written in Sanskrit, and Ramanattam was in Malayalam. By the end of 17th century, Attakatha was presented to the world with the title 'Kathakali'. Kathakali also shares a lot of similarities with Krishnanattam, Koodiyattam (a classical Sanskrit drama existing in Kerala) and Ashtapadiyattam (an adaptation of 12th-century musical called Gitagovindam). It also incorporates several other elements from traditional and ritualistic art forms like Mudiyettu, Thiyyattu, Theyyam and Padayani besides a minor share of folk arts like Porattunatakam. All along, the martial art of Kalarippayattu has influenced the body language of Kathakali. The use of Malayalam, the local language (albeit as a mix of Sanskrit and Malayalam, called ), has also helped the literature of Kathakali sound more transparent for the average audience. As a part of modernising, propagating, promoting and popularizing Kathakali, the International Centre for Kathakali at New Delhi has taken up a continuing project since 1980 of producing new plays based on not only traditional and mythological stories, but also historical stories, European classics and Shakespeare's plays. Recently they produced Kathakali plays based on Shakespeare's Othello and Greek-Roman mythology of Psyche and Cupid.

Even though the lyrics/literature would qualify as another independent element called Sahithyam, it is considered as a component of Geetha or music, as it plays only a supplementary role to

Bhumau Talcharana Naghamshu Gaurgaura:

Meaning One ball looks like three balls. When it is in the hands of the juggler, it takes the redness of the hands, when it goes up it takes the blueness of the eyes, when it strikes the ground it becomes white from the whiteness of the leg nails. Once a juggled ball falls down. Then she, the juggler, somehow manages to proceed and remarks "See.. how I can do it".

At one time a garment slips from a lady's body and she adjusts the cloth showing shameful shyness (Lajja). Then the ladies go in for a Kummi dance. As Arjuna was enjoying this dance, suddenly somebody calls him. Arjuna feels scared. "Oh God, where am I?" he says and beats a hasty retreat.

TAPAS ATTAM: RAVANA IN RAVANA ULBHAVAM

[Background: Mali, Sumali and Malyavan were three brothers ruling Sri Lanka. During a war between them and Indra, Indra requested help from Lord Vishnu and as a consequence Lord Vishnu killed Mali. Sumali and Malyavan escaped to Patala. Kaikasi was the daughter of Sumali. She wandered in the forest. She belong three boys through a great sage called Vishravassu. (Vishravassu had an earlier son called Vaishravana who became the richest among all people.) The eldest boy of Kaikasi was Ravana followed by Kumbhakarna and Vibhishana.]

SCENE 1

When Ravana was a young boy (Kutti Ravana vesham), one day he was sleeping on his mothers lap in a place called madhuvanam. At that time Kaikasi sees Vaishravana flying overhead in his vimana (mythical aeroplane). She thinks “Oh, that is Vaishravana, technically a brother of my son who is sleeping on my lap. He is rich and strong. My son is so poor and weak. While thinking thus a drop of tear from her eyes drops on Ravana’s face. Ravana suddenly wakes up and sees his mother crying. When he knew the reason he could not bear it. He says he is going to do tapas to Brahma to get boons so that he will be strong and rich.

SCENE 2

(The tapas itself is shown as a part of autobiographical narration of adult ravana)

Ravana (adult Ravana, not kutti Ravana) is sitting on a stool. He thinks “Why am I so happy? How did I become so rich and strong? Oh yes. It is because of the tapas I did. What made me do the tapas? When I was a young boy, one day I was sleeping on my mother’s lap in a place called Madhuvanam. A drop of tear from her eyes falls on my face. I asked her why she was crying. She said she saw Vaishravana flying overhead in his vimana (plane). She told me Vaishravan was a brother of mine now flying in a plane. He is rich and strong. I am so poor and weak. When I heard this comparison between me and my brother, I could not bear it. I am going to do tapas to Brahma to get boons so that I will be strong and rich.

I made five different types of fires (while doing tapas gods are approached through Agni the god of fire). Then I started my tapas. I asked my brothers to stand guard and also keep the fires burning. Then I fully concentrated on tapas. Time passed but Brahma did not appear. I looked. Why is Brahma not appearing? I doubled my concentration. Time passed. Brahma is not appearing. Still not appearing? I cut one of my heads and put it in the fire. Waited, Brahma did not come. One more head rolls. Still no Brahma comes. Heads roll and roll. No Brahma. Only one head is left. First I thought of stopping my tapas. But no! Never! That will be an insult to me and my family. It is better to die than stop. Also when I die Brahma will be judged as being partial. With great determination I swung the sword at my last neck, when, lo and behold, suddenly Brahma appeared and caught my hand. I looked at him with still un-subsided, but gradually subsiding anger. Brahma asked me what boons I wanted. I asked for a boon that I should win all the worlds and have all the wealth and fame and that I should not be killed except by man. I also asked him to give boons for my brothers.

In the next scene Ravana asks Kumbhakarna and Vibhishana what boons they got. Unfortunately Kumbhakarna’s tongue got twisted while asking for boon and he got ‘sleep’ instead of becoming the ‘king of gods’. Ravana laughed it off. As for Vibhishana, he being a bhaktha of Vishnu, asked for Vishnu’s blessings and got it. Ravana laughs it off and also decides to conquer all the worlds and starts preparing his grand army for the big conquest of the worlds.

[This method of presentation with a peculiar sequence has a tremendous dramatic affect. The main actor redoes a small part of what happened to kutti Ravana vesham, and this gives a view of the high contrast between the boy and the man Ravana. Similarly the presence of Kumbhakarna and Vibhishana in the subsequent scene offers a good smile on the face of the viewer at the end of the play.]

KAILASA UDDHARANAM: RAVANA IN BALI VIJAYAM

[Background and Previous scene: After receiving the boons, and widening his kingdom in all directions, Ravana lives in Sri Lanka with great pomp and splendor. One day he sees Saint Narada approaching his palace singing songs in praise of him ‘Jaya jaya Ravana, Lanka Pathe’. Happily he receives Narada and seats him next to him. After telling Narada about the victory of his son Indrajith on Indra, Ravana tells Narada “Now there is nobody on earth or other worlds who can fight with me”. To this Narada replies “ Very true indeed, but there is one huge monkey called Bali who says he can defeat you. He even said that you are just like a blade of grass to him. Well let him say what he wants. You are unbeatable.” Then Narada says ‘let us go there and see him’. Both decide to go. But Ravana takes his famous sword called “Chandrahasam”. Then Narada asks the history of this sword. Ravana’s Attam Starts.]

Ravana says “I received this sword from Lord Siva. It happened thus. Once when I was conquering new places and expanding my empire I happened to be going across the Kailasa mountain. The plane got stuck on the mountain unable to move forward. I got down from the plane and looked at the mountain. (Looks from one end to the other first horizontally and then vertically.) So huge it was. Then I decided to lift it with my bare hand and keep it aside and move forward. I started sticking my hands under it one by one. Then I tried to lift it. It doesn’t move. I put more force and more force. It moved just a bit. I pushed harder and harder, slowly it started moving then again and again and it moved easily. Then I lifted it up with my hands and started juggling it (exaggeration evident).

“At that particular time Lord Siva was quarreling with his wife Parvathi. Why did they fight? The story is as follows. Parvathi had gone for enjoying swimming and bathing in some beautiful pond. At that time Siva opened his jata (disheveled long hair) and called Ganga for some entertainment after asking Ganapathi and Subramania to go for some errands. Somehow becoming suspicious, right at that time, Parvathi came back in a hurry with wet clothes and saw Siva with Ganga. Siva was wondering what to do and it was at that time that Ravana started lifting the Kailasa. When Kailasa started shaking Parvathi got scared and ran to Siva and hugged him. So the quarrel ended and Siva was happy. “As a reward Siva called me and gave me this famous Chandrahasa sword.”

Then Narada and Ravana leave to meet Bali. Ravana wanted to take the sword along with him, but Narada suggested that the sword is not required for teaching a lesson to Bali who is after all an unarmed monkey.

WIKIPEDIA

Rule of Thirds by Sophie McKenna

Third Burroughs Summit by Kirk & Barb Nelson

View of Mt Rainier and the Winthrop Glacier from Third Burroughs Mountain. Third Burroughs is effectively an extension of a ridge off Mt Rainier and gets you up close and personal with the mountain.

Tercios by Nahuel Guerra

Thirds

Speedtest 3 - 24/07/2016 Al Thefiri by Francois el Bacha

Third Speedetest - Crédit Photo: François el Bacha, Renault Sport Lebanon, Libnanews.com

Third Eye Blind by epiclectic

6 6

Symphonie Fantastique

Munch, Charles

RCA Victor LPM-1900

1955

Found this beautiful cover staring up at me at estate sale crying out my name.

About the Cover

The album cover is a reproduction of an original oil painting by Jane Sinnickson. Recognized for a highly individualized technique, she has paintings in public and private collections throughout this country and Mexico. Jane Sinnickson, who attended Cincinnati Art Museum and is represented in exhibitions of paintings at the Cloisters, the Cincinnati Art Museum and the Silvermine Guild, has long been an admirer of Berlioz, and in this work she pays tribute to the composer and his love for the Irish actress, Henrietta Smithson.

Rule of the Thirds by parkrosesoccer9

1 1

I took this picture using the rule of the thirds technique. There is the sky, building, and the car.

This image is taken from United States Naval Medical Bulletin Vol. 8, Nos. 1-4, 1914 by Medical Heritage Library, Inc.

Go to the Book with image in the Internet Archive

Title: United States Naval Medical Bulletin Vol. 8, Nos. 1-4, 1914

Creator: U.S. Navy. Bureau of Medicine and Surgery

Publisher:

Sponsor:

Contributor:

Date: 1914

Language: eng

Table of Contents

Number 1

Preface v

Special articles:

The application of psychiatry to certain military problems, by W. A.

White, M. D 1

Schistosomiasis on the Yangtze River, with report of cases, by R. H.

Laning, assistant surgeon, United States Navy 16

A brief discussion of matters pertaining to health and sanitation,

observed on the summer practice cruise of 1913 for midshipmen of the third

class, by J. L. Neilson, surgeon, United States Navy 36

Technique of neosalvarsan administration, and a brief outline of the

treatment for syphilis used at the United States Naval Hospital, Norfolk, Va., by

W. Chambers, passed assistant surgeon, United States Navy 45

Some notes on the disposal of wastes, by A. Farenholt, surgeon, United States

Navy 47

The medical department on expeditionary duty, by R. E. Hoyt, surgeon, United

States Navy 51

A new brigade medical outfit, by T. W. Richards, surgeon, United States

Navy 62

Early diagnosis of cerebrospinal meningitis; report of 10 cases, by G.

F. Cottle, passed assistant surgeon, United States Navy 65

Comments on mistakes made with the Nomenclature, 1913, Abstract of patients

(Form F), and the Statistical report (Form K), by C. E. Alexander, pharmacist,

United States Navy 70

Classification of the United States Navy Nomenclature, 1913, by C. E. Alexander,

pharmacist, United States Navy 75

On the methods employed for the detection and determination of

disturbances in the sense of equilibrium of flyers. Translated by H. G. Beyer,

medical director, United States Navy, retired 87

United States Naval Medical School laboratories:

Additions to the pathological collection 107

Additions to the helminthological collection 107

Suggested devices:

A portable air sampling apparatus for use aboard ship, by E. W. Brown, passed

assistant surgeon, United States Navy 109

A new design for a sanitary pail 111

Clinical notes:

A case of paresis, with apparent remission, following neosalvarsan, by R.

F. Sheehan, passed assistant surgeon, United States Navy 113

Case reports from Guam, by E. O. J. Eytinge, passed assistant surgeon, United

States Navy 116

Stab wound of ascending colon; suture; recovery, by H. C. Curl,

surgeon, United States Navy 123

Perforation of a duodenal ulcer, by H. F. Strine, surgeon, United

States Navy 124

Two cases of bone surgery, by R. Spear, surgeon, United States Navy 125

Editorial comment:

Brig. Gen. George II. Torney, Surgeon General United States Army 127

Medical ethics in the Navy 127

Medical officers in civil practice 128

Progress in medical sciences:

General medicine. —Some anatomic and physiologic principles concerning

pyloric ulcer. By H. C. Curl. Low-priced clinical thermometers; a warning. By.

L. W. Johnson. The value of X-ray examinations in the

diagnosis of ulcer of the stomach and duodenum. The primary cause of

rheumatoid arthritis. Strychnine in heart failure. On the treatment of

leukaemia with benzol. By A. W. Dunbar and G. B. Crow 131

Surgery. — Surgical aspects of furuncles and carbuncles. Iodine

idiosyncrasy. By L. W. Johnson. Rectus transplantation for deficiency of

internal oblique muscle in certain cases of inguinal hernia. The technic of

nephro- pyelo- and ureterolithotomy. Recurrence of inguinal hernia. By H. C.

Curl and R. A. Warner 138

Hygiene and sanitation. —Ozone: Its bactericidal, physiologic and

deodorizing action. The alleged purification of air by the ozone machine. By E.

W. Brown. The prevention of dental caries. Gun-running operations in the

Persian Gulf in 1909 and 1910. The croton bug (Ectobia germanica) as a factor

in bacterial dissemination. Fumigation of vessels for the destruction of rats.

Improved moist chamber for mosquito breeding. The necessity for international

reforms in the sanitation of crew spaces on

merchant vessels. By C. N. Fiske and R. C. Ransdell 143

Tropical medicine. —The transmissibility of the lepra bacillus by the

bite of the bedbug. By L. W. Johnson. A note on a case of loa loa. Cases of

syphilitic pyrexia simulating tropical fevers. Verruga peruviana, oroya fever

and uta. Ankylostomiasis in Nyasaland. Experimental entamoebic dysentery. By E.

R. Stitt ... 148

Pathology, bacteriology, and animal parasitology. —The relation of the spleen

to the blood destruction and regeneration and to hemolytic jaundice: 6, The

blood picture at various periods after splenectomy. The presence of tubercle

bacilli in the feces. By A. B. Clifford and G. F. Clark 157

Chemistry and pharmacy. —Detection of bile pigments in urine. Value of the

guaiacum test for bloodstains. New reagent for the detection of traces of

blood. Estimation of urea. Estimation of uric acid in urine. By E. W. Brown and

O. G. Ruge 158

Eye, ear, nose, and throat. —Probable deleterious effect of salvarsan

on the eye. Effect of salvarsan on the eye. Fate of patients with

parenchymatous keratitis due to hereditary lues. Trachoma, prevalence of, in

the United States. The exploratory needle puncture of the maxillary antrum in

100 tuberculous individuals. Auterobic organisms associated with acute

rhinitis. Toxicity of human tonsils. By E. J. Grow and G. B. Trible 160

Miscellaneous. —Yearbook of the medical association of

Frankfurt-am-Main. By R. C. Ransdell 163

Reports and letters:

Notes on the Clinical Congress of Surgeons. By G. F. Cottle, passed

assistant surgeon, United States Navy 167

Number 2

Preface v

Special articles:

Report of the fourteenth annual meeting of the American Roentgen Ray Society,

by J. R. Phelps, passed assistant surgeon, United States Navy. 171

Typhoid perforation; five operations with three recoveries, by G. G.

Holladay, assistant surgeon, Medic al Reserve Corps, United States Navy 238

A satisfactory method for easily obtaining material from syphilitic

lesions, by E. R. Stitt, medical inspector, United States Navy 242

An epidemic of measles and mumps in Guam, by C. P. Kindleberger, surgeon,

United States Navy 243

The feeble-minded from a military standpoint, by A. R. Schier, acting assistant

surgeon, United States Navy 247

The Towne-Lambert elimination treatment of drug addictions, by W. M. Kerr,

passed assistant surgeon, United States Navy 258

Medical experiences in the Amazonian Tropics, by C. C. Ammerman, assistant

surgeon, Medical Reserve Corps, United States Navy 270

United States Naval Medical School laboratories:

Additions to the pathological collection 281

Additions to the helminthologieal collection 281

Suggested devices:

An easy method for obtaining blood cultures and for preparing blood

agar, by E. R. Stitt, medical inspector, and G. F. Clark, passed assistant surgeon,

United States Navy 283

Humidity regulating device on a modern battleship, by R. C. Ransdell, passed

assistant surgeon, United States Navy 284

Clinical notes:

Lateral sinus thrombosis, report of case, by G. F. Cottle, passed

assistant surgeon. United States Navy 287

Twenty-two cases of poisoning by the seeds of Jatropha curcai, by J. A.

Randall, passed assistant surgeon, United States Navy 290

Shellac bolus in the stomach in fatal case of poisoning by weed

alcohol, by H. F. Hull and O. J. Mink, passed assistant surgeons, United States

Navy 291

A case of pneumonia complicated by gangrenous endocarditis, by G. B. Crow,

passed assistant surgeon, United States Navy 292

Progress in medical sciences:

General medicine. —On progressive paralysis in the imperial navy during

the years 1901-1911. By H. G. Beyer. An etiological study of Hodgkin's disease.

The etiology and vaccine treatment of Hodgkin's dis

ease. Coryncbacterium hodgkini in lymphatic leukemia and Hodgkin's disease.

Autointoxication and subinfection. Studies of syphilis. The treatment of the

pneumonias. Whooping cough: Etiolcgy, diagnosis, and vaccine treatment. A new

and logical treatment for alcoholism. Intraspinous injection of salvarsanized

serum in the treatment of syphilis of the nervous system, including tabes and

paresis. On the infective nature of certain cases of splenomegaly and Banti's

disease. The etiology and vaccine treatment of Hodgkin's disease. Cultural

results in Hodgkin's disease. By A. W. Dunbar and G. B. Crow 295

Surgery- Interesting cases of gunshot injury treated at Hankow during

the revolution of 1911 and 1912 in China. The fool's paradise stage in

appendicitis. By L. W. Johnson. The present status of bismuth paste treatment

of suppurative sinuses and empyema. The inguinal route operation for femoral

hernia; with supplementary note on Cooper's ligament. By R. Spear and R. A.

Warner 307

Hygiene and sanitation. — A contribution to the chemistry of

ventilation. The use of ozone in ventilation. By E. \V. Brown. Pulmonary

tuberculosis in the royal navy, with special reference to its detection and

prevention. An investigation into the keeping properties of condensed milks at

the temperature of tropical climates. By C. N. Fiske and R. C. Ransdell 313

Tropical medicine. —Seven days fever of the Indian ports. By L. W.

Johnson. Intestinal schistosomiasis in the Sudan. Disease carriers in our army

in India. Origin and present status of the emetin treatment of amebic

dysentery. The culture of leishmania from the finger blood of a case of Indian

kala-azar. By E. R. Stitt 315

Pathology, bacteriology, and animal parasitology. —The isolation of

typhoid bacilli from feces by means of brilliant green in fluid medium. By C.

N. Fiske. An efficient and convenient stain for use in the eeneral examination

of blood films. By 0. B. Crow. A contribution to the epidemiology of

poliomyelitis. A contribution to the pathology of epidemic poliomyelitis. A

note on the etiology of epidemic

oliomyelitis. Transmutations within the streptococcus-pneumococcus

group. The etiology of acute rheumatism, articular and muscular. By A. B.

Clifford and G. F. Clark 320

Chemistry and pharmacy.— Centrifugal method for estimating albumin in

urine. Detection of albumin in urine. New indican reaction A report on the

chemistry, technology, and pharmacology of and the legislation pertaining to

methyl alcohol. By E. W. Brown and O. O. Ruge. . 325

Eye, ear, nose, and throat. —The use of local anesthesia in

exenteration of the orbit. Salvarsan in

ophthalmic practice. The effect of salvarsan on the eye. Total blindness

from the toxic action of wood alcohol, with recovery of vision under negative

galvanism. Furunculosis of the external auditory canal; the use of alcohol as a

valuable aid in treatment. Local treatment of Vincent's angina with salvarsan.

Perforated ear drum may be responsible for sudden death in water. The indications

for operating in acute mastoiditis. Turbinotomy. Why is nasal catarrh so

prevalent in the United States? By E. J. Grow and G. B. Trible 330

Miscellaneous. — The organization and work of the hospital ship Re d’

Italia. ByG. B. Trible 333

Reports and letters:

Correspondence concerning the article "Some aspects of the

prophylaxis of typhoid fever by injection of killed cultures," by Surg. C.

S. Butler, United States Navy, which appeared in the Bulletin, October, 1913

339

Malaria on the U. S. S. Tacoma from February, 1913, to February, 1914.

by I. S. K. Reeves, passed assistant surgeon, United States Navy 344

Extracts from annual sanitary reports for 1913 345

Number 3

Preface vii

Special articles:

Economy and waste in naval hospitals, by E. M. Shipp, surgeon, and P.

J. Waldner, chief pharmacist, United States Navy 357

The new method of physical training in the United States Navy, by J. A.

Murphy, surgeon, United States Navy 368

A study of the etiology of gangosa in Guam, by C. P. Kindleberger,

surgeon, United States Navy 381

Unreliability of Wassermann tests using unheated serum, by E. R. Stitt,

medical inspector, and G. F. Clark, passed assistant surgeon, United States

Navy 410

Laboratory note on antigens, by G. F. Clark, pasted assistant surgeon,

United States Navy 411

Prevention of mouth infection, by Joseph Head, M. D., D. D. S 411

The Medical Department at general quarters and preparations for battle,

by A. Farenholt, surgeon, United States Navy 421

A bacteriological index for dirt in milk, by J. J. Kinyoun, assistant

surgeon, Medical Reserve Corps, United States Navy 435

Brief description of proposed plan of a fleet hospital ship, based upon

the type auxiliary hull, by E. M. Blackwell, surgeon, United States Navy.. 442

The diagnostic value of the cutaneous tuberculin test in recruiting, by

E. M. Brown, passed assistant surgeon, United States Navy, retired 448

United States Naval Medical School laboratories:

Additions to the pathological collection 453

Suggested devices:

A sanitary mess table for hospitals, by F. M. Bogan, surgeon, United

States Navy 455

A suggested improvement of the Navy scuttle butt, by E. M. Blackwell,

surgeon, United States Navy 455

Clinical notes:

Malaria cured by neosalvarsan, by F. M. Bogan, surgeon, United States

Navy 457

A case of rupture of the bladder with fracture of the pelvis, by H. F.

Strine, surgeon, and M. E. Higgins, passed assistant surgeon, United States

Navy. 458

Clinical observations on the use of succinimid of mercury, by T. W.

Reed, passed assistant surgeon, United States Navy 459

Points in the post-mortem ligation of the lingual artery, by O. J.

Mink, passed assistant surgeon, United States Navy 462

Notes on the wounded at Vera Cruz, by H. F. Strine, surgeon, and M. E.

Higgins, passed assistant surgeon. United States Navy 464

Case reports from the Naval Hospital, Portsmouth, N. H., by F. M.

Bogan, surgeon, United States Navy 469

Progress in medical sciences:

General medicine. —The mouth in the etiology and symptomatology of

general systemic disturbances. Statistique m£dicale de la marine, 1909. By L.

W. Johnson. Antityphoid inoculation. Vaccines from the standpoint of the

physician. The treatment of sciatica. Chronic gastric ulcer and its relation to

gastric carcinoma. The nonprotein nitrogenous constituents of the blood in

chronic vascular nephritis

(arteriosclero-iis) as influenced by the level of protein metabolism.

The influence of diet on hepatic necrosis and toxicity of chloroform. The

rational treatment of tetanus. The comparative value of cardiac remedies. By A.

W. Dunbar and G. B. Crow

Psychiatry. —Abderhalden's method. Precis de psychiatric Constitutional

immorality. Nine years' experience with manic-depressive insanity. The pupil

and its reflexes in insanity. By R. F. Sheehan.

Surgery. —On the occurrence of traumatic dislocations (luxationen) in

the Imperial German Navy during the last 20 years. By H. G. Beyer. The wounding

effects of the Turkish sharp-pointed bullet. By T. W. Richards. Intestinal

obstruction: formation and absorption of toxin. By G. B. Crow

Hygiene and sanitation. —Relation of oysters to the transmission of

infectious diseases. The proper diet in the Tropics, with some pertinent remarks

on the use of alcohol. By E. W. Brown. Report of committee

upon period of isolation and exclusion from school in cases of

communicable disease. Resultats d'une enquete relative a la morbidity venerienne

dans la division navale d'Extreme-Orient et aux moyens susceptibles de la

restreindre. Ship's hygiene in the middle of the seventeenth century- Progress in

ship's hygiene during the nineteenth century. The origin of some of the

streptococci found in milk. On the further perfecting of mosquito spraying. By

C. N. Fiske and R. C. Ransdell

Tropical medicine. — Le transport, colloidal de medicaments dans le cholera.

By T. W. Richards. Cholera in the Turkish Army. A supposed case of yellow fever

in Jamaica. By L. W. Johnson. Note on a new geographic locality for balantidiosis.

Brief note on Toxoplasma pyroqenes. Note on certain protozoalike bodies in a

case of protracted fever with splenomegaly. The emetine and other treatment of

amebic dysentery and hepatitis, including liver abscess. A study of epidemic dysentery

in the Fiji Islands. By E. R. Stitt

Pathology, bacteriology, and animal parasitology. — The best method of staining

Treponema pallidum. By C. N. Fiske. Bacteriological methods of meat analysis.

By R. C. Ransdell. Primary tissue lesions in the heart produced by Spirochete

pallida. Ten tests by which a physician may determine when p patient is cured

of gonorrhea. Diagnostic value of percutaneous tuberculin test (Moro). Some

causes of failure of vaccine therapy. A method of increasing the accuracy and

delicacy of the Wassermann reaction: By A. B. Clifford and G. F. Clark

Chemistry and pharmacy. —Quantitative test of pancreatic function. A comparison

of various preservatives of urine. A clinical method for the rapid estimation

of the quantity of dextrose in urine. By E. W. Brown and O. G. Ruge

Eye, ear, nose, and throat. —Intraocular pressure. Strauma as an

important factor in diseases of the eye. Carbonic cauterization "in the

treatment of granular ophthalmia. Ocular and other complications of syphilis treated

by salvarsan. Some notes on hay fever. A radiographic study of the mastoid. Ear

complications during typhoid fever. Su di un caso di piccola sanguisuga

cavallina nel bronco destro e su 7 casi di grosse sanguisughe cavalline in

laringe in trachea e rino-faringe. By E. J. Grow and G. B. Trible

Reports and letters:

American medico-psychological association, by R. F. Sheehan, passed assistant

surgeon, United States Navy 517

Report of 11 cases of asphyxiation from coal gas, by L. C. Whiteside,

passed assistant surgeon, United States Navy 522

Extracts from annual sanitary reports for 1913 — United States Naval

Academy, Annapolis, Md., by A. M. D. McCormick, medical director, United States

Navy 523

U. S. S. Arkansas, by W. B. Grove, surgeon, United States Navy 524

Marine barracks, Camp Elliott, Canal Zone, Panama, by B. H. Dorsey, passed

assistant surgeon, United States Navy 525

U. S. S. Cincinnati, by J. B. Mears, passed assistant surgeon. United States

Navy 526

U. S. S. Florida, by M. S. Elliott, surgeon, United States Navy 527

Naval training station, Great Lakes, Ill., by J. S. Taylor, surgeon, United

States Navy 527

Naval station, Guam, by C. P. Kindleberger, surgeon, United States Navy

528

Naval Hospital, Las Animas, Colo., by G. H. Barber, medical inspector, United

States Navy 532

U. S. S. Nebraska, by E. H. H. Old, passed assistant surgeon, United States

Navy 533

U. S. S. North Dakota, by J. C. Pryor, surgeon, United States Navy. .

534

Navy yard, Olongapo, P. L, by J. S. Woodward, passed assistant surgeon,

United States Navy 536

U. S. S. San Francisco, by T. W. Reed, passed assistant surgeon, United

States Navy 537

U. S. S. Saratoga, by H. R. Hermesch, assistant surgeon, United States Navy

538

U. S. S. Scorpion, by E. P. Huff, passed assistant surgeon, United States

Navy 538

U. S. S. West Virginia, by O. J. Mink, passed assistant surgeon, United

States Navy 539

Number 4

Preface V

Special articles:

Some prevailing ideas regarding the treatment of tuberculosis, by

Passed Asst. Surg. G. B. Crow 541

The Training School for the Hospital Corps of the Navy, by Surg. F. E. McCullough

and Passed Asst. Surg. J. B. Kaufman 555

Khaki dye for white uniforms, by Passed Asst. Surg. W. E. Eaton 561

Some facts and some fancies regarding the unity of yaws and syphilis,

by Surg. C. S. Butler 561

Quinine prophylaxis of malaria, by Passed Asst. Surg. L. W. McGuire 571

The nervous system and naval warfare, translated by Surg. T. W.

Richards. 576

Measles, by Surg. G. F. Freeman 586

Smallpox and vaccination, by Passed Asst. Surg. T. W. Raison 589

Rabies; methods of diagnosis and immunization, by Passed Asst. Surg. F.

X. Koltes 597

Syphilis aboard ship, by Passed Asst. Surg. G. F. Cottle 605

Systematic recording and treatment of syphilis, by Surg. A. M.

Fauntleroy and Passed Asst. Surg. E. H. H. Old 620

Organization and station bills of the U. S. naval hospital ship Solace,

by Surg. W. M. Garton 624

United States Naval Medical School laboratories:

Additions to the pathological collection 647

Additions to the helminthological collection 647

Clinical notes:

Succinimid of mercury in pyorrhea alveolaris, by Acting Asst. Dental Surg.

P. G. White 649

A case of pityriasis rosea, by Surg. R. E. Ledbetter 651

Emetin in the treatment of amebic abscess of the liver, by Surg. H. F. Strine

and Passed Asst. Surg. L. Sheldon, jr 653

Salvarsan in a case of amebic dysentery, by Passed Asst. Surg. O. J.

Mink. . 653

Laceration of the subclavian artery and complete severing of brachial plexus,

by Surg. H. C. Curl and Passed Asst. Surg. C. B. Camerer 654

Malarial infection complicating splenectomy, by Surg. H. F. Strine 655

A case of gastric hemorrhage; operative interference impossible, by

Passed Arst. Surg. G. E. Robertson 656

Operation for strangulated hernia, by Passed Asst. Surg. W. S. Pugh 657

A case of bronchiectasis with hypertrophic pulmonary osteoarthropathy,

by Passed Asst. Surg. L. C. Whiteside 658

Editorial comment:

Systematic recording and treatment of syphilis 665

Progress in medical sciences:

General medicine. —A note of three cases of enteric fever inoculated

during the incubation period. By T. W. Richards. The modern treatment of

chancroids. The treatment of burns. By W. E. Eaton. Experiments on the curative

value of the intraspinal administration of tetanus antitoxin. Hexamethylenamin.

Hexamethylenamin as an internal

antiseptic in other fluids of the body than urine. Lumbar puncture as a special

procedure for controlling headache in the course of infectious diseases.

Cardiospasm. Acromion auscultation; a new and delicate test in the early

diagnosis of incipient pulmonary tuberculosis.

Diabetes mellitus and its differentiation from alimentary glycosuria.

The complement fixation test in typhoid fever; its comparison with the

agglutination test and blood culture method. By C. B. Crow.. 671

Mental and nervous diseases. —A voice sign in chorea. By G. B. Crow.

Wassermann reaction and its application to neurology. Epilepsy: a theory of

causation founded upon the clinical manifestations and the therapeutic and

pathological data. Salvarsanized serum (Swift-Ellis treatment) in syphilitic diseases

of the central nervous system. Mental manifestations in tumors of the brain.

Some of the broader issues of the psycho-analytic n movement. Mental disease

and defect in United States troops. By R. Sheehan 6S1

Surgery. — Infiltration anesthesia. War surgery. Tenoplasty; tendon transplantation;

tendon substitution; neuroplasty. Carcinoma of the male breast. Visceral

pleureotomy for chronic empyema. By A. M. Fauntleroy and E. H. H. Old 6S8

Hygiene and sanitation. — Further experiences with the Berkefold filter

in the purifying of lead-contaminated water. By T. W. Richards. Experiments in

the destruction of fly larvae in horse manure. By A. B. Clifford. Investigation

relative to the life cycle, brooding, and tome practical moans of reducing the

multiplication of flies in camp. By W. E. Eaton, Humidity and heat stroke;

further observations on an analysis of

50 cases. By C. N. Fiske 693

Tropical medicine. — The treatment of aneylostoma anemia. Latent dysentery

or dysentery carriers. Naphthalone for the destruction of mosquitoes. Emetin in

amebic dysentery. By E. R. Stitt 704

Pathology, bacteriology, and animal parasitology. —Meningitis by

injection of pyogenic microbes in the peripheral nerves. The growth of pathogenic

intestinal bacteria in bread. Present status of the complement fixation test in

the diagnosis of gonorrheal infections. Practical application of the luetin

test. By A. B. Clifford and G. F. Clark 707

Eye, ear, nose, and throat. — Misting of eyeglasses. By E. L. Sleeth.

The treatment of ocular syphilis by salvarsan and neo salvarsan. The moving

picture and the eye. Treatment of various forms of ocular syphilis with

salvarsan. Rapid, painless, and bloodless method for removing the inferior

turbinate. Hemorrhage from the superior petrosal sinus. The frequency of

laryngeal tuberculosis in Massachusetts.

Intrinsic cancer of larynx. Treatment of hematoma of the auricle. By E.

J. Grow and G. B. Trible 709

Reports and letters:

Care of wounded at Mazatlan and at Villa Union, by Medical Inspector S.

G. Evans 713

Medico-military reports of the occupation of Vera Cruz 715

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Thirds by Simon Bleasdale

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mod. Cavour by 5preview

T-shirts & tanktops

BLACK. Yes. Someone wanted it.

rule of thirds by Micheline Lavergne-Brassard

Playing Third by Rodrick

Sand Lot summer baseball camp, with different vibes.

Third Wall. by Mischklang

IT WAS AMAZING!!!! THE MONSTERS ROCKED THE SHOW!

The first Mischklang Exhibition called MonsterParty, was a huge success! Thanks to everyone who took the time to check out my world inspired by everything and everyone, especially Star Wars and Pokémon!

I still can’t believe how much people made it! I guess it were like 200 hundreds, which felt like 83205982309582095205 persons!

Thanks to everyone who helped me over the years! Who accepted my mistakes, my good sides and my dark sides!

Simple but HUGE thanks to:

Jesus, Mum, Dad, Tabea, Grandpas and Grandmas, Matze, Birgitte, Harry, Ebo and Wife, Hellen, Janica, Robin, Amélie, Ingo, Sven, Flo, Nadja, Michi, Bibi, Nathalie, Zucker, Sophie, Valerie, Anna, Alex, Philipp, Freddy, Ali, Stirnchen, Patrick, Anju, Sonne, Ceni, Marie, Luisa, Lucie, Lilly, Lilly, Paul, Vanessa, Johnny, Tobi, Sophie, Olga, Domi, Nico, Tim, Laura, Bettina, Feline, Svenja, Larissa, Lars, Lea, Franzi, Kai, Aylin, Rolli, Julia, Caro, Dominik, Simon, Alexander, Bernard, Michael, Juli, Marko, Gerrit, Dani, Fr.Abele-Liens, Fr.Tobisch, Fr.Möller, Fr. Schweitzer

Thanks fort the support to:

Rudolf Maurer Schwerpunkt Galerie, Smile Skateboarding, ÜberDing,Titus Stuttgart, Hall Eleven, Flush 25, Schocken, Mata Hari, Kauf Dich Glücklich, Palast der Republik, Gravis, Apple, Idee, Bücherei Münchingen/Korntal/Stuttgart, Edding, Aka Stuttgart, Kunstmuseum Stuttgart, Otto Fischer, everyone else

Thanks fort he education/inspiration:

Pete Fowler, Mr.Jago, Stick-A-Thing, DeeDeeKid, FriendsWithYou, JamFactory, James Jarvis, Banksy, 123Klan, Zeek&Destroy, Ed Templeton, LaFraise, TokiDoki, Kidrobot, Jägle Design, L2M3 Design, The Organe Guys

Thanks to everyone who helped preparing the show:

Laura, Amélie, Dome, Sophie, Feline, Jenny, Nicolas Cole & Sven Sutulovic (Funky Jam Session), Eva Marose&Charlotte Rapp&Nicola Rosenthal&Stefanie Schneller&Annina Stutz (Short Cut), Patrick (for the patience hanging the prints with me) and everyone else involved

THANK YOU ALL!

GVSvsBR 09212016 by mreinc49

Third game in a row for the Rebels leaves them short on the score board.

Third Lockdown (3) by Polis Poliviou

There is one thing the photograph must contain, the humanity of the moment.

We are making photographs to understand what our lives mean to us.

The best thing about a picture is that it never changes, even when the people in it do.

The camera is an instrument that teaches people how to see without a camera.

I really believe there are things nobody would see if I didn’t photograph them.

Third place by Stephanie C

12 7

Third day by Sands Beach Active Lanzarote

Third day of the IX Waterpolo Master Open Cup of Spain

Atlantic Bridge under construction and container ship by Carsten ten Brink

The third bridge over the Panama Canal, known as the Atlantic Bridge, is a road bridge under construction in Colón, Panama, which will span the Atlantic entrance to the Canal. When completed it will be a third bridge over the Panama Canal after the Bridge of the Americas and the Centennial Bridge both on the Pacific side of the canal.

The bridge is proposed to be a double-pylon, double-plane, concrete girder, cable-stayed bridge with a main span of 530 metres (1,740 ft), and two side spans of 230 metres (750 ft). The east and west approaches are to be 1,074 metres (3,524 ft) and 756 metres (2,480 ft) long respectively. The bridge was designed by the China Communication Construction Company (CCCC) consisting of HPDI and Louis Berger Group. Source - wikipedia

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