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For more information about the items used in this photo please visit my blog at : darkestserenityblog.wordpress.com/

A wider view of Beadnell harbour , this time showing the lime kilns which date from ca. 1800 and were used to produce lime (used as a fertilizer) from crushed local limestone. Their use to produce lime was very short-lived and they were no longer used for this purpose much beyond 1820. They are now used for storage by local fishermen.

Beadnell harbour is a rarity: a west-facing harbour on an east-facing coast.

The people in the shot seem to be practising social distancing a few months ahead of time! Something I was about to mess up when I went and sat next to my bike!

 

Time for some colour :-)

 

I'm not normally into busy shots but these caught my eye

 

This is an arrangement of ropes that I saw on a moored boat on The Thames.

Polperro is a fishing port on a rocky coastline near Looe, with narrow, cobbled alleys and houses perched on slopes above the harbour.

 

Much of the village dates to the 13th century, and for many years the prosperity of Polperro was founded on the pilchard fishery. When the pilchard fishery waned, smuggling became perhaps the major source of Polperro's riches. One well-known smuggler was Willy Wilcox, who, according to legend, was lost in the bewildering network of caves that wind through the cliffs.

 

Now the village relies on tourism, with visitors drawn by the tightly packed lanes and idyllic fishermen's' cottages that line the picturesque harbour. Most of the buildings near the harbour are untouched by time, giving Polperro a quaint, old world feel.

  

At North West Cove, Nova Scotia.

Shot with the Olympus E-M1 camera and Olympus M.40-150mm F4.0-5.6 lens inside the harbor at Rockport, Massachusetts along Cape Ann.

  

- White Rock, British Columbia, Canada -

Nuttall's thistle (Cirsium nuttallii - Asteraceae), opening and unopened flower heads, tethered by spider webs,

Lake Woodruff National Wildlife Refuge, De Leon Springs, Central Florida

Sorry - behind again!!!

 

Many thanks for all the kind comments and faves - they're very much appreciated :)

A top down that I couldn't resist when we were at Derwent Water.

Another view of the tenders stranded at low tide along the Pittwater.

 

This one stylised with some textures from the Aussie bushland.

While this house near the coast of Manie carries the signs of age and wear, it remains tethered to electricity and the 21st century.

Ponce Denis Écouchard Le Brun

Fishing trawler .

 

Cabbage Tree Creek

Shorncliffe

Brisbane

Sunset on the Lancaster Canal near Garstang, Lancashire. This barge was called "Predator", hence the title! The owner had obviously cut quite a lot of firewood to keep his wood burner going, looking at the amount of saw dust on the towpath!

 

The colours in the sky were magical!

Lake Wyola cove ~ Shutesbury MA

 

Please visit my other Flickr gallery:

www.Flickr.com/photos/walkingbolsachica

Thank you and warm regards, Jane

In the last few days I have been reviewing some old pictures from a few years ago. I never processed them because I did not know exactly what to do with them. I have given it another try.

 

And is a photograph of a flying man street photography?? :-))

Schondorf, Lake Ammersee, Upper Bavaria, Germany

Lightroom classic tethering doesn't work for me anymore -so having to learn Eos version!

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tulips tethered tabletop-2327APX

This is 2 (7x5 in) silver gelatin prints from my recent Tethered project.

Tethered is a mixed-media project blending photography, animation, and traditional darkroom techniques with experimental processes and tactile materials. Through themes of grounding and isolation, freedom and rootedness, attachment and separation, the project weaves a visual narrative that explores the dualities of connection and solitude. Incorporating materials like thread, rope, food coloring, and elements inspired by landscapes, Tethered emphasizes the materiality of the medium, encouraging viewers to engage physically and emotionally. The addition of animation introduces a dynamic interplay between energy and stillness, enhancing the work’s exploration of landscapes as spaces of reflection, distance, and connection. By merging tactile elements with experimental approaches, Tethered invites viewers to reflect on their own relationship to place, identity, and the tension between solitude and belonging.

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