View allAll Photos Tagged test
Testing how the film works in the new old camera. Will need to give an extra stop. However, this shot at the winery came out interesting.
Canon Elan II
Canon 50f1.8 (Shot at 1.8)
Svema MZ3 (ISO3)
224/365
This was my only test shot before the rain caught up with me.
I have 30 mins to do this and somehow I was rob of that time.
Maybe because frolicking in the fields with a white fabric is not weird enough. Try to imagine it trailing behind as the person runs for cover. Probably the kind where nightmares are made from.
Or maybe because it's a dire reminder that my camera is not waterproof and it had enough adventures these past 224++++ days.
I doubt.
Anyways, this taught me 2 things.
1. You really have no control of the weather whatsoever. (Trust me, I pathetically told the cloud to hold it for another extra 30 mins!!)
2. And always, always treat your test shots as real cause you never know.
You never know.
I took this as a test shot in our local Jessops (New Road store) in Milton Keynes using a Lumix GF3 to try out the Lumix G 20/F1.7 lens - I thought it was kind of cool :)
sorry I'm behind again - trying to catch up this weekend :)
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© Jon Downs 2012 All Rights Reserved
control of the contrast.
Orwo NP20 plates 6.5x9, Rodinal dev
Ilford Ilfospeed paper 4,35 M, Medium 180 (grain)
@f8 interval 5s
Ilford multigrade dev, economy it can be used at 1:14
Durst M605 + Rodenstock 75/4.5
A taxi driver breaks into my frame.
The first impression of this classic lens is outperformed most modern lenses, in terms of B/W photography. The black and white tonality is pleasant and well-balanced.
It's very sensitive to the light source against available lights in the scenes. It seems that the Leica has done the right thing at the beginning and it's brilliant.
The contrast is smooth when the light source is on average level. And the rendition outcome changed dramatically while the lens engaged a scene like this but still a very classic high contrast image.
FYR.
The Summicron M-bayonet 50mm f/2 Rigid Type II(SOMNI 11918) could be the most versatile lens while comparing with 50 AA and 50 Elcan according to the HORATIO TAN@STREET SILHOUETTES.
In the meanwhile, people often suggested that the M-bayonet 50mm f/2 Rigid Type II(SOSIC 11818) is much better than SOMNI 11918. But my understanding is that either SOSTA, SOMNI or SOSIC are all sharing the same optical design with 3 LaK9 elements. Perhaps the coating might be different?
www.streetsilhouettes.com/home/2018/1/27/three-versions-o...
An impromptu test run of a dress I plan to wear to an upcoming event. No accessories, jewelry or painted nails.Taken 040715.
Telephoto camera: close-up -
Just testing the different lenses (cameras) on the tired old S10+ to decide if it needs replacement. "Not yet" - is my verdict, having seen samples form latest models. Little progress in flagship phones in 2 years :(
Unique Network Rail Class 950 Test DMU 950001 passes thorugh Southcote Junction near Reading in its new livery.
Ultimately, this was just a test shot with my new Canon 90D in order to configure with ISO settings and all that in low light to dark conditions based on how the camera would perform under such circumstances. Not too bad and a vast improvement compared to the Canon T3.
Metra F59PHi 91 leads the way of a Milwaukee West outbound train as it arrives Itasca, IL.
Another test from the other night, will be doing my first real shoot on the backdrop tomorrow, should be interesting!
just testing my brand new flash Nikon sb-700
Manual flash mode - (GN) distance priority - center weighted pattern - flash head down for close up and using diffuser for more softness.
aperture priority mode
iso 100
f/4.5
1/60
Thanks for reading
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Riley Motorsports-TI Auto SRT Viper GTS-R driven by Jeroen Bleekemolen / Ben Keating / Marc Miller during session 1 for the Le Mans 24 Hours test day held at Circuit Des 24 Heures, Le Mans, France, FRA, on the 31st of May 2015 © Paul Foster
© Flagworld.com
Testing some newly wired up LEDs in the Hall grounds with Von Lodz as the model. Odd how nobody came over to ask what we were doing. It was almost as if they thought we were peculiar folk up to dubious shenanigans.
To prove I'm not a *total* sooc snob, this one has been RAW converted.
Lurking Tests.
Bestätigte Gräber unglaubliche alte Augen finsterer Zoll Geheimnisse scheußliche schwarze Intensitäten Zauberer Party's,
rozšiřuje vrchy plebejské příběhy ojedinělých uších silný prach strašidelné vědomosti věčné toky strašlivé stínové snahy,
incolor bosques camponeses mentes anos sinistros idades demonológicas pedras ocultas mistérios da malevolência,
bisagras subterráneas masivas profundas proporciones piercing almas garras voluminosas esqueletos extraños investigaciones huecas,
ترتكب أصوات تهدد بوحشية تشوه الموت بغرف هائلة شنعاء شياطين غامقة,
badanie wyrażeń szerokie skręcające usta animowane przeciwników wilgotnych sparaliżowanych organów krzyczących przemówienia,
恐ろしい寒さの夜アンティークムード解明可能な文明の形翼の空の下で役に立たない月死んでいる手足周囲の大釜警戒話す夢.
Steve.D.Hammond.
Testing Haru´s wig on Natalie, it suits her very nice, i wish the fibers in all wigs would be as in azone wigs, it's has the best quality
For their evening meal, that is. It was too dark for photography, but I tested all the 4 cameras of the Xperia. Dynamics and noise came ok-ish, but detail in low light disappoints :( Especially with the telephotos, where you hope to bring wildlife closer - it's closer, but don't hold your breath for image quality. Better even to view 'as it is' and not to zoom-in to count pixels (and artefacts :(
Telephoto lens - short 'portrait' tele: optically good but in low light the sensor is inferior.
Just a casual walk in my hometown Eskilstuna, Sweden, in order to try the new Nikon D7500 that I had bought.
Pentax 6x7 MUI | Pentax Pentax 67 105mm f2.8 | Ilford FP4+ 125
Scanned with Canon EOS 6D | lighttable | Valoi 360
Home developed in Adox FX39II 1/9 | 8,5 min / 20 deg C
Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier
Substantially enlarged from the original RAW image and resized with ON1 2023 AI Resize. i am very pleased and impressed with the result.
This was ice pack assisted, but I later discovered you still get B&W up to about 80ish degrees, and the contrast isn't this extreme when above 50 and below 80.
- Highest Position on EXPLORE #125 -
Thanks all for your kind visit and support! =)
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I'm back with waterdrops series. This is a beta testing of waterdrops shot in my kitchen using my new gear; CANON EOS 500D!
All these shot was captured using kit lens at focal length of 55mm taken handheld.
No EDITING at all!
• Feel free to view my earlier version of waterdrops shot HERE!
Location, Date & Time:
My Kitchen | 15 August 2009 | 12:09am (+8GMT)
Canon EOS 500D + Kit Lens + Speedlite 580EX ii:
ISO100, f/9, 1/20 sec at 55mm (manual focusing). Speedlite fired at 1/16 power.
Photoshop CS3:
- Only for framing and text editing!
You:
All comments, criticism and tips for improvements are welcome.
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© & ® 2009 annamir@putera.com