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The Tempest, 4-8 March 2014, Pleasance Theatre, Edinburgh
www.eushakespearecompany.co.uk/
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While Tamara is in Australia (for maybe a year) I get to look after her "son"/my "grandson", Tempest. He has only been here a week now but he seems to be more settled and he even tolerates Shayla.
Tempest is diabetic so I need to give him injections of insulin twice a day. I'm used to it now, but the hard part is keeping him away from Shayla's food because he is only supposed to eat a certain kind of food, and of course Shayla should be kept away from Tempest's food as well. It's the food part that's the hard part.
Terry Tempest Williams read from her work and then joined with Christopher Merrill in a conversation as part of Lannan Foundation's Reading and Conversation Series live at the Lensic Theater.
Wednesday May 30 2007
Santa Fe, New Mexico
Learn more about this event here.
This is a late 70's early 80's Tempest. It had a nylon center gear, replaced it with a brass center, replaced loading rails & reworked the sweep.
Top row: Jasmine Tommaso, Grant Gerard, Daniel Ryan Beckner, Sarah Gold. Center: Doug Jennings (top) and Paul Henry (bottom) in SSC's 2007 Fringe production, The Mock-Tempest
Trying to get down to the Lake more frequently, since I work about 30 minutes from the north shore area. Last night as I was driving there, I noticed the trees blowing in the wind as though the wind was coming from several directions at once. The news said there were thunderstorms over the lake, south of my location. Once at the lake, 4 foot waves and a dark sky were creating quite a bit of drama. I made about 3 images before gale force winds off the lake, along with lightning, made realize how silly it would be to stay. Needless to say, I got outta there pronto!
at Barcade this week, I rediscovered the best game I ever played. I had forgotten how wonderful vectors -- in the old, non-flash sense -- really are. Don't be fooled by the simple premise (shoot at big walking paperclips and flying asterisks) -- this game is a bitch.
The Rude Mechanicals' April 2011 production of Shakespeare's Tempest.
I was the lighting designer for this production!
© Chris Dzombak 2011
Use without permission prohibited.
chris@chrisdzombak.com
The small victories that get you through life. Holding down the daily high score on the Tempest machine at Ground Kontrol in Portland.
It was already in 1530 described simply as "the little landscape on canvas with a tempest, a gypsy woman and a soldier..."
This painting, the meaning of which has been greatly debated, marks a moment of capital importance in the renovation of the Venetian style painting, and perhaps is the most representative of the very few genuine surviving works of Giorgione.
The vigor of cultural life at the beginning of the sixteenth century provided exactly the right fertile ground for the personality of Giorgione. With Giovanni Bellini and Vittore Carpaccio as examples in his early training and with his attentive interest in Northern European painting of Belgium he soon decided to attempt a naturalistic language. Colour attains to new all-important powers of expression of the poetic equivalence of man and nature in a single, fearful apprehension of the cosmos. The finest of all expressions of this new vision of the world is the 'Tempest', commissioned from the artist by Gabriele Vendramin, one of the leading lights in intellectual circles in the Venice of the day, in whose house the picture was recorded as having been hung by Marcantonio Michiel in 1530.