View allAll Photos Tagged technotes
Page 3 of 4.
Note in the top image that the water coming over the barrier is the same height, all the way back in that bay. There must have been a road on the other side of the wall that is being breached, because there were cars over there that are being lifted over the wall. It's like a bathtub which is usually filled to six inches of the brim. Now it is overflowing.
Source videos:
The two images are stills from videos.
The top one is from counter 0:17, here:
www.newyorker.com/online/blogs/newsdesk/2011/03/japan-mor...
The bottom one is from counter 3:47, here:
Stroll lessons at the first party. The steps were drawn in chalk on the sidewalk and on the parking lot.
This scene was the same at the second (2004) party as well, except for the presence of a confused dog.
Indentifiable people: on the asphalt, Elf and Steve; center, Yvette; then, Dana and Don; in the doorway, Michelle ______.
Photo, copywrite 2003 by Michelle Nixon. For a photo of Michelle, go here:
Page 5 of 5.
This is a poster made by Cady at U.C. Davis.
You really have to think ahead when you do a screen print.
The poster is made with four ink colors:
brown, blue, yellow, black.
But there are five colors in the print:
brown, blue, yellow, tan, black.
The tan is made of two colors- a light one printed over a dark one:
The reddish brown ink is used to print the top area and the arm on the right. Then yellow is printed over both arms. The brown shows through the yellow, making the tan colored arm.
The black ink is brought in last.
Cady leaves soon for a year in France as an exchange student at the University of Bordeaux. She has some French from previous trips. This time, she hopes to become fluent.
Poster included by permission.
___
Don- reshoot this with white balance established. the print paper doesn't look white here.
Page 3 of __________. [ i don’t know what i had planned here. This is years later. This is in the Commissions Album. ( 2020 note. ) ]
A glass 'dalle' in a local faceted glass window, as seen from the outside.
The molten glass is poured into a mold and flipped out onto a surface that produces the faint grid pattern visible here. Don't know what causes the creases* and other marks but I really love this texture.
If you can't see the grid pattern, go to the smaller image in the photostream. It is easier to discern there.
Tech note-
I made the epoxy concrete window panals for a big job by Donald Drury in San Francisco. In an earlier job, I cut hundreds of dalles with a diamond saw and chipped them. This one is sawn on the top and right side; the left side and the bottom were left as they came from the box. The untrained viewer can see the difference in the light around the edges when looking at the window from inside. It produces an inconsistant effect on the eyes. That's a no-no.
___
* - it may be that the creases develop as the piece cools and shrinks.
___
Link station.:
www.flickr.com/photos/doneastwest/410836646/in/album-7215...
____
____________________
Usually, chocolate is added by the customer, after the foam design is done in white against the medium tone of the coffee.
Today, Mona added the dark chocolate herself, to increase the contrast with the white design.
She dusted the chocolate over the coffee- that is, before the foam was added. Then the design was drawn on the fly with the stream of foam itself.
Geo's photo at Thanksgiving, placed in Facebook.
His comment: "My brother and dad line up for their thanksgiving body scan."
___
Tech note-
- yes this photo is a joke, but...
- i heard one news piece- only one- that said that body scanners can come with sensitivity filters that fade out the body and leave only what they are looking for. if so, why are we talking about this? where are these machines? is this a slow news week?
___
- fact is, Photoshop, has sensitivity filters right now:
- it can take an image from a body scanner and fade out the body and show only the bomb. this is a no brainer.
Here is the canvas mount of "Painting in Greys".
___
- as the painting progresses, the brown paper tape gets covered with excess paint from the image. at the end, the roughed up tape is either removed or covered with pretty new tape like this.
- the tape is not pressure-sensitive, which cannot handle anything wet. this is the old-fashioned tape, which is coated with a water-based glue. that allows it to be used to glue down damp paper, which will dry and stretch tight, the way we like it.
- the stretcher is assembled with white glue, using a biscuit cutter and biscuits. ( this is a power tool, not for pastry. maybe technically called a biscuit jointer, but Norm Abrams calls it a biscuit cutter.)
- the cotton canvas is regular 8 ounce duck.
I just got word that Developer Technote 31 has disappeared off Apple's site and so too does the final relic of Apple's younger days of obtuse weirdness and pirate flags and interbreeding bovines and canines.
Archive.org to the rescue.
Page 1 of 8.
Painted wood layers, acrylic, flush oak frame, about four feet square.
This started as a faint pencil drawing, about four inches square, which went to 3-D.
See next photo to see 3-D layers.
WHERE: this one is on display in Julia's law office in Marin:
www.flickr.com/photos/doneastwest/8414921930/
and
www.flickr.com/photos/doneastwest/8420529411/
___
- in my book, this painting is correctly framed with a flush frame that reveals all of the edges of the image. If it had been frame with the usual, overlapping frame, it would have had wood stripping added around the edge first. the idea is that the added wood becomes the part that is lapped by the standard frame- not the edges of the painting, itself.
- and i'm not just preventing the overlap of the image- i mean to SHOW the edge: how the canvas and the paint 'arrive' at the edge. this is a natural border that is a pleasure to see.
______
There is also a version of this design on stretched canvas layers about 14 inches square. It was made as a prototype for the large piece, but it stands on its own feet. It is presently (Sept. 12, 2005) damaged with heat bubbles; may have to be redone.
______
Flickr note-
If you want to see alot of my finished work, it does not work to type 'don art' (without quotation marks) into the Search window. You get extra pages, that way.
But, "don art" (with the quotes) does work.
Page 2 of 8.
The main photo of the layer paiinting- a 2-D image of a 3-D object- needs help. This detail photo gives a better idea of what is going on.
See also the shot by Michelle Nixon of the piece on the wall at the exhibition.
Ben Krupp is in a previous photo, chatting with Yvette.
Ben is in Japan now teaching English. He helped me with what to read, being a Russian lit major.
Tech notes-
The top image is a still frame from video, pixelated by enlargement to fit with the one below.
In the one below, Ben and I are goofing around with a PDA camera. This is now a thing of the past, since cell phones now have cameras. But- once again- I got important photos and, sometimes, they were important because of the flaws of the image quality.
[ don- verify year. verify Vogler.
[ put in Woodie Parkers sax hand photo as an example of a good photo taken with a camera on a PDA.
Nov. 29, 2023-
PDA means Personal Digital Assistant.
Model: Dinah Lirio-Reyes
Location: BluRose Farm, Batangas
TechNote: 580EXII set at M 1/4 as main light, 480EX set at M 1/16 as fill
Notes page.
Detail for my larger painting of La Salute-
<<<<<<<<<<<<<<>>>>>>>>>>>>>>>>
- the only water based paint i remembered was the Vinivil. it is discussed below.
- but i just documented the Colomba and it says on the back that it was painted with casein tempera. that's got to be accurate. so, the larger La Salute painting could be either one.*
- Vinavil- a poly(vinyl acetate) resin, combined with pigment in jars for artists in Italy. www.vinavil.net/home_english.html
- i had been mixing pigments in powder form with polymer medium back at home. manufactured acrylic colors were not yet available.
- the painting probably received a coating of polymer to protect it after we got back to Boston.
- the color has held up very well.
- photography note: my effort to shoot this painting with a digital camera in grey light resulted in too rich color. the image had to be cooled in Photoshop, using a -20 saturation reduction with no other changes.
___
* - the small La Salute is oil on sized paper.
Page 2 of 2.
The canvas on these two pages is Utrecht DW linen from Belgium. I use the double weave canvas for larger works and on smaller canvasses when the weave will be an element in the painting. As seen here, in this unfinished piece, the paint is applied as a wash, so that it settles into the weave to emphasize it.
___
Tech note-
- the mark near the facing corner is a hole from a nail.
- the stretcher was nailed down while the canvas was prepared to receive paint. this process can shrink the canvas so severely that the stretcher torques up and breaks.
- when the balance is struck just right, you get a "bung-bung" canvas that rings when you tap it. that's painter heaven.
- this wasn't the case, here, but this torque is most likely to happen when a canvas is sized with water-based rabbit skin glue- the traditional method.
___
LINK STATION-
www.flickr.com/photos/doneastwest/33916195784/in/datepost...
_______________
no editor given [see note to newsletter 1].
Toronto, Coach House Press, august 1977.
8-1/2 x 11, 2 unattached leaves 3-hole punched buff Domtar Belfast Bond, all printed purple offset.
cover photo likely by Stan Bevington.
6 contributors ID'd:
Robert Amos, Stan Bevington, Barbara Godard, The Green Parrot, Steve McCaffery, bpNichol.
Nichol contributes:
i) Technotes: Integrated Random Grain Screenless Photography, as by "The Green Parrot" (prose with 2 photoïilustrations by [Stan Bevington?])
ii) Postcard Sets Now Available, unsigned (prose advertisment)
iii) A Coach House Bibliographic History (part 3), unsigned (list)
iv) News Notes, unsigned (prose)
v) The Thermometer, unsigned (prose with "The Coach House Top Ten", headed by Nichol's Martyrlogy 3 & 4 & The Story So Four)
Next to the framing work on the high color painting is the, "ugly grey painting", which is winding down.
___
The grey painting was started in 1995 and 6. "Ugly grey pt" was a file name, early on.
It pulled away from the overall grey, when the deep red and amber colors and blues came in, but the name stuck.
Stacey felt sorry for the painting when she heard that, but it won't really have a title.
Finished piece: www.flickr.com/photos/doneastwest/7659707636/in/set-72157...
___
- the high color painting is getting a special frame that hides an undesired, rounded-off, edge in the commercial stretcher. I wanted the usual pretty sharp turn to the side, so the frame reaches out across the too-wide edge, revealing only the flat surface and the true edges of the image.
- normally, i make my own stretchers, but this one was a linen canvas with a good proportion and was very tightly stretched, yielding the satisfying "bung-bung" when you tap it- the painter's joy *.
-but it had that bad edge which is rounded on a one inch radius; you couldn't be sure where the painting ended. i care about the edges a lot. ( i also caution that my paintings not be protected with the usual frames that overlap the edges of the image. ** )
- so the top edge of the frame reaches in across the rounding to cover it, and shows the actual edge of the image.
____
Stacey:
www.flickr.com/photos/doneastwest/124263490/in/set-1021610/
and
www.flickr.com/photos/doneastwest/3639347902/in/set-1132426/
___
May 4, 2012.
- having only seen this photograph, Virginia likes this painting alot. but she is a painter.
- i figured that- even with the color- it would be unpleasant for people to look at it. ( that doesn't stop me from showing it next year, in September. )
___
* BUNG-BUNG:
www.flickr.com/photos/doneastwest/8395406689/in/set-72157...
___
** - you see that done all the time, but there is no need to cover the edges of a painting, just to hold it in the frame.
- what you do instead is tack wood stripping around the edge of the work. the added wood becomes the part of the surface that is overlapped by the frame.
- by the way, it is not just a matter of not covering the edges of the painted area: it is good- in my case- to SHOW the edges. how the canvas and paint meets the edge is important: the edge always looks different from the rest of the painting. it is a natural border that is a pleasure to see.
- another point is that when frames overlap the image, and the painting is cut out of the frame during a theft, that means that a quarter inch of the painting is lost all around.
- it is not uncommon for a fine painting to have a life of five hundred years.
- so- in broad terms- it is worse to cut a painting than it is to steal it.
- there endeth the lesson.
Colleen sent this picture; turns out it shows the outside of the kichen.
Also, the quonset hut is from George's bunch as well. He said in a IM:
... "it was a structure made of curved metal pipes lashed to straight ones, with a fabric cover over it. we all pitched in and bought it.
i think it was too expensive, it turned out to look rather nasty but it was great at night- it really kept out dust and grunge and while it unfortunately didn't keep out heat during the day, it did retain it nicely at night which helped with the cold."
For ideas on improved insulation (and outsulation) and a comprehensive photo of Camp Stupid, go here:
www.flickr.com/photos/doneastwest/66543373/in/set-1223240/
This article also gets into tipis and earth lodges.
no editor given [see note to newsletter 1].
Toronto, Coach House Press, november 1977.
8-1/2 x 11, 2 unattached leaves 3-hole punched buff Domtar Belfast Bond, all printed navy offset.
cover photo unackowledged.
6 contributors ID'd:
Ray Ellenwood, Robert Fones, The Green Parrot, Doug Jones, bpNichol, David St.Alwart.
Nichol contributes:
i) Technotes: Sheet-Fed Offset, as by "The Green Parrot" (prose)
ii) News Notes, unsigned (prose)
iii) The Return of Bertie, unsigned (on Robert Fones with lengthy quote)
iv) Special Offer from Coach House, unsigned (prose)
v) Coach House Bibliographic History (part 4), unsigned (annotated list)
also includes:
vi) THE MARTYROLOGY bp bpNichol, by David Saint Alwart (prose on Nichol's the martyrology)
___________________________
• David Aylward's contribution reprinted from its first appearance (in 1972) as An Afterword to THE MARTYROLOGY
Colleen's hairpiece at Burning Man calls her dreadlocks period to mind.
Tech note-
- this is still frame from video. i will still use the video camera to shoot photos of camera-shy people.
- you give up alot of picture quality but some of my favorite photos came from a "camcorder".
- bye the way, do you know why that awkward term, 'camcorder' came about? it is because there is a sound recording made in sinc with the picture.
before the modern era*, home movies were silent.
- for an example of this, remember the home movie scene in the film, "Paris, Texas":
www.netflix.com/MovieDisplay?movieid=70018806&trkid=1...
___
* it's a good thing that the dinosaurs' home movies were silent. they were too loud for a camcorder and they didn't have much to say, anyway.
Kelly's Mom sent her this photo recently.
What are the little round things on the spokes?
Cool.
I wish I had had them on my first bike.
Kelly says they are Spokey Dokes, which slide up and down on the spokes and make a sound like putting cards in the spokes. Never heard of them.
Tech note-
There is a thicker place where the spoke meets the wheel. Looks like these SDs are pushed up on there for the photo; otherwise, I think the top ones would slide down to the hub, as usual.
( More to come on this important subject. )
Page 2 of 6-
This picture is in here to show more zip-zooeeeoo color lines.
Note that the trippy red source is different from the other two. It must be that the blue and green are steady beams; the red must be a blinking light.
In any case, now you know what music looks like.
This is also a note to Lydia:
Ok, I think I know what is happening. You guys are moving the camera, combining a sort of time exposure which- at some point- includes a flash shot. You get a crisp image of the subject but you also get " time " in it, which creates the Gjon Mili light effects.
Right?
If I have that much right, I'm still confused: the red and green curves match but the blue one doesn't. Maybe an effect of parallax?
See Lydia's answer to the first question in the comment panal below:
I checked my camera manual (for the Canon A70). It is called 'night scene mode' but they don't mention the light effects:
"Use this mode to capture human subjects against the backdrop of an evening sky or night scene. The people are illumiinated with light from the flash while the backdrop is captured at a slow shutter speed so that both appear correctly exposed."
See my first three light tests on the next pages:
Photo by Lydia.
Josh on the job and the stage.
This is the only known photo of a drummer at a concert. It is normally impossible because they are behind in the dark. A drum stand doesn't help.
Drummers are loud as a protest.
The photo was shot with a powerful spotlight and the DrummerCam, which is owned by KOMO in Seattle.
( OK, it's a joke but it is almost impossible to photograph drummers. George is a bass player and easy. But he is a drummer as well and I have to get up on the stage to find him with the camera.
As for the KOMO joke [ didn't it make you wonder for a second? ], it is based on the fact that there used to be only one zoom lens in the world. The Seattle TV station owned it and they loaned it around the country for things like the Super Bowl. It was five or six feet long. That was your Fact For The Day. )*
___
* I found out about this because my Uncle Paul was the account executive for KOMO and gave me a tour of the station when I was a teenager. Color TV was just starting and had flaws that the station took advantage of :
I think it was the color, blue, which always had an unwanted yellow fringe above it. So they rolled up tubes of blue paper in candle holders on the set. On the monitor, they looked like they were lit.
This is Uncle Paul much earlier:
Page 3 of __.
This is Jeff Bickner in the kayak with the Chinese sail, north of the Golden Gate Bridge in Richardson's Bay.
Jeff is a fabulous potter.
He gave me this raku vase:
www.flickr.com/photos/doneastwest/95406039/in/set-1223240/
and this high fire bowl:
www.flickr.com/photos/doneastwest/95406015/in/set-1223240/
He does his business for fun:
www.bicknerdancefloors.com/branches.html
Tag search Jeff Bickner.
Tech note on this photo- This is how I made video still frames before I could work on video in a computer: the movie was brought up on a TV and stopped and the screen was shot in a dark room with a film camera. The hard way but I like the TV lines in the picture.
I sent George this image to show what I'm up to today.
He answered, "I love this!! Such beautiful work, bless Virginia's heart for starting this wonderful war"…
Later in the day, son, Pete, saw this page and said, "Now that's the kind of War I can relate to…"
___
- this is "Painting in Greys", the replacement for the lost original, which was also painted on prepared paper.
- this method of painting was used in Venice, with the paper tape border in the final mount.
- the next step is always to mount the painting on a stretched canvas, which is happening here.
___
- aside from looking good, the initial purpose of the paper tape is to get the paper good and flat: the tape is moistened before applying to damp paper. then it all dries and stretches tight. then- for oil paint- the paper is prepared with rabbit skin glue and white lead, or- nowadays- with many many coats of acrylic gesso.
- the method started as a way to make it easier to carry paintings back from Europe, to be mounted in the States. now, i do it because i like the look of it. it is also removable by conservators.
- gluing paper is tricky. it usually makes a wrinkly mess. YES paste is special- an archival, water based glue that does not wrinkle paper.
- the blue tape protects the canvas edge from the glue coat. the canvas will show around the painting's border.
- here is a canvas-mounted painting, but without the paper tape border:
www.flickr.com/photos/doneastwest/4939428049/in/set-72157...
Michelle in the Piper Arrow. See the Arrow on the next page.
Tech note-
- this is a photo taken by a cellphone. it was sent from the phone to my email.
- then, the transmission was verified on a wireless laptop at Coffetopia.
- will wonders never cease.
From the Archives.
An early spring rain in Örebro, Sweden. Taken April 30, 2008.
TechNote:
This is not a 'Photoshopped' image.
It was taken at f 18, 6/10ths of a second at ISO 800 using a circular polarizing filter and an amazingly terrible day from a weather point of view... It was cropped to square and brightened in Photoshop CS3.
Right before I went up on stage, as I sat on the edge waiting.
Shortly after this, Mark "The Red" Harlan and I opened the extremely old
can of Pork Brains in Milk Sauce, that I had volunteered to eat with the spork I had just finished hunting down.
It was pretty nasty, so he wimped out and didn't make me eat it. Other lulz were had, and I ended up with a shirt and a partially boxed copy of System 7 with the discs and documentation.
Where might you recognize the name Mark Harlan from? Maybe... Technote 31 or one of the other Apple Technotes detailing the origins and life of Clarus, the Dogcow.
Sint-Nikolaasbasiliek te Ijsselstein
Technote: same position like previous picture (51001), but used a Schneider-Kreuznach 120mm f/5.6 objectiv, no crop
Page 2 of 3-
The tall tree here is not a tree but a cell phone tower. It is on Mission Street behind the Potter's Depot; next to Long's; across from Coffeetopia. See next page....
technote: Once I got to town the evening got drastically darker and I had to crack up the ISO, which was a good thing.
Now the shots look like old film grain. Always nice for this type of shots. Brings out the textures of the motive.
… gets repainted. This is the third new version- larger, and in oil, to lend body to the image.
This one has a title: "Geometric Still Life". The original was painted in Rome in 1962. The photo in the binder is of the lost original.
___
Paint note.
- there is a young painter at Coffeetopia- who has boldly chosen to start in oil.
- i said to her:
Acrylic is good because it dries fast; it is bad because it dries fast.
Oil is good because it dries slow; it is bad because it dries slow.
- the benefits of acrylic are easier to see than those of oil (or alkyd resin), but they are often overstated:
- the first painting book that came out for acrylic in the early 1960s had this in the index:
Oil paint- limitations of; decline of.
___
- the binder of photos was prepared in Boston for presentation to the Guggenheim Foundation, but I didn't get a fellowship. dern.
___
- the camera is the Canon Powershot A610, which has a flip screen like a video camera. this is good for framing shots of people; also, good for framing a shot from an awkward position.
The Palomar is fulla dibos at the moment.*
I'm waiting for food and tuning Jeff into the use of a digital camera. i've got that, 'Is-the-camera-gonna-work', look on my face, but it serves, also for dee dibo, who is up to no good.
The joke is on me. Ivy is trying to hide her grin.
Photo by Jeff Lantis:
www.flickr.com/photos/doneastwest/310742544/in/set-1331782/
____
Tech note-
What Jeff wants to know has to do with the surfing photos on the wall behind me: What resolution camera do you need to make photos as big as the surf photos without showing the pixels.
This camera is a 5.0 megapixel. The original version of this photo- which was set at high res and low compression- produced a 180 dpi image which was 14 1/2 inches wide. Compressed to 96 dpi, the photo could be 27 inches wide: abit larger than the photos on the wall.
Jeff uses a 35 mm film camera. To get that quality takes 8.0 megs in a digital camera but I think 5.0 might work out just fine for 24 inch photos like the ones on the wall.
___
* - the reference i'm shooting for here is Huckleberry Finn: Twain's alliteration of 'devil'.
Re: the horns.
Page 1 of 2.
Here is a continuous layered rock, split, artificially, in Photoshop.
Then, the left side was shifted up abit.
It looks, now, as if the left side of the rock has ridden up on the right side by the force of an earthquake. But, of course, it's too neat.
Now for the real thing...
This one's for Jenny:
The foam work is A-OK in Seoul! Went to Cafe Minto last week : letmeknowkorea.com/technote/board.php?board=restaurants&a.... My first *real* latte since I arrived in Seoul about three weeks ago; and the first time I was moved to take a photo!
Page 2 of 2.
It's harder to see here, but this split- with the left side pushed up onto the right- is the real thing.
Marco at work.
He is probably making a steel armature for a clay sculpture. I think it is for one of the Greek warriors.
Mars is very big lately and will get bigger. On August 29 it will be its closest- a once in many lifetimes event.
It rises in the east, is amber colored and- like all planets- does not twinkle.
Don't ask me why.
no editor given [see note to newsletter 1].
Toronto, Coach House Press, february 1978.
8-1/2 x 11, 3 unattached leaves 3-hole punched buff Domtar Belfast Bond, all printed offset, sheets 1 & 2 brown/sheet 3 black.
5 contributors ID'd:
Paul Collins, Frank Davey, David Hlynsky, bpNichol, David Young.
Nichol contributes:
i) Technotes: Line Printers, unsigned (prose)
ii) Type Notes, unsigned (prose)
iii) WEST COAST WRITING KIT A Special Offer from Coach ouse Press>, unsigned (prose advertisement)
iv) News Notes, unsigned (prose)
v) Coach House Bibliographic History, unsigned (annotated list)
vi) The Thermometer, unsigned (the Coach House "top ten" of the moment, with the martyrology 1-4 & The Story So Four at top)
The upper photo is an actual image of the black and white painting on the presentation wall of the 2003 exhibition. The lower photo is an illusion. The large version of the blue mosaic cartoon was not painted when this image was made. It is the small original version made to look big and placed over the black and white painting in Photoshop.
This was done to show how the 2004 exhibition would look, done for fun and to show to the owner of Coffeetopia when proposing the second show.
To the right is the chanters' Christmas tree made up by Waldemar and borrowed from him for saturday and sunday.
( You can't usually see that table cloth. )
The green thing above George is a Hoberman Mini Spectrum Sphere by Hoberman Designs. Marco gave it to me a few years ago.
(Later, see a photo of Kaylah when she was small enough to get inside of the expanded sphere. When closed, it is 10 inches across; when opened it measures 30 inches.)
Page 5 of 6-
Katie Dodd suggested that Devin should stand in the foreground to get the full effect. Devin aggreed, but put up a "What's goin' on?" face for effect.
The experiment worked, because we had a firm subject to contrast to the time exposure.
The effect still puzzles me: why the hair across the face is steady when the surrounding hair blurs with the rest of the picture; why the grape vine is steady.
Today ( 1.31.06 ), Katie saw this and noted that the blue and the grapes on the left are much closer to the camera than the red wall, and caught more flash, as Devin did.
View this area from a different angle:
George plays bass with Permagrin at Palookaville.
( The black edges of this photo are the borders of a TV screen.
This was getting still frames from video the hard way by photographing the screen with a 35 millimeter film camera. )
no editor given [see note to newsletter 1].
Toronto, Coach House Press, may 1977.
8-1/2 x 11, 2 unattached leaves 3-hole punched buff Domtar Belfast Bond, all printed light green offset.
5 contributors ID'd:
Frank Davey, The Green Parrot, Gladys Hindmarch, bpNichol, C.For Silver.
Nichol contributes:
i) Coach House Qebec Translations, unsigned (prose with references to Nichol)
ii) A Coach House Bibliographic History (part 2), unsigned; with notes on Nichol's Two Novels)
iii) The Coach House Experimental Writing Kit, unsigned (list includes The Story So Four)
iv) Technotes: Computer-Assisted Proofreading, as by "The Green Parrot" (prose)
also includes:
v) PETER STORIES by Gladys Hindmarch, by Gladys Hindmarch (prose; part 1 of the multiply-authored Booknotes)