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www.magazinetoday.org/facebook-launches-live-video-stream... The new streaming feature will launch in the US before coming to the UK in the next few weeks.
Facebook has announced a new feature that will allow users to broadcast live video across the social network directly from their iPhones.
The move is a deliberate attempt to compete with the likes of...
Technology Rules for young people these days. All were content to be on Facebook or whatever while completely oblivious of each other and verything around them in the busy Queen Street Mall on a Saturday noght.
Students reflect on the role of technology in the kitchen, at the Lab of Gustemology of the Facultad de Ciencias Antropologicas of the Autonomous University of Yucatan
Help using computers to look for a job, computer classes and technology assistance at the Austin Public Library.
Check out my other film shots here.
Film: Kodak Ultra Max 400
Canon A-1
Vivitar Series 1 28-105mm f/2.8-3.8
10 sec.
f/11.0
Museum of Technology [Muzeum Techniki] 1985 S 1935 TehWar_09
Sokół (Polish: Falcon) was a brand of motorcycles manufactured in Poland before World War II for both civilian and military use. Initially designed and produced by the Centralne Warsztaty Samochodowe CWS company (Central Automotive Workshops), they were continued after its takeover by the PZInż between 1934 and 1939.
A vast collection dedicated to the history of everything technological inside the equally enormous Palace of Culture & Science, this museum is only missing a map. Truly huge, and clearly laid out by somebody with a sadistic sense of humour, the scores of rooms are scattered willy nilly and organised with what appears to be a contemptuous disregard for reason and logic. Highlights include a cavalcade of impossible-looking motorbikes and aeroplanes, a room packed with 19th century musical boxes, historical cars like a 1936 Lux-Sport limousine chassis and a small exhibition celebrating space exploration that could do with some serious updating. Decorated with lace curtains and staffed by an army of sinister-looking old ladies, this museum guarantees that you won’t learn a thing no matter how hard you try, but it’s a strangely rewarding experience that really has to be seen to be believed.
This is my wife, and she keeps the internet going by doing this. You're lucky she's doing this now, or you wouldn't have an internet connection. Amazing how technology works. Look at her go!
Photo showing "Partical Images", an installation for the Ars Electronica Center Deep Space 8K created for the TIME OUT .08 exhibition.
Credit: Vanessa Graf
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The Honda Magna was a cruiser motorcycle made from 1982 to 1988 and 1994 to 2003 and powered by Honda's V4 engine taken from the VF/VFR. The engine technology and layout was a descendant of Honda's racing V4 machines, such as the NS750 and NR750. The introduction of this engine on the Magna and the Sabre in 1982 was milestone in the evolution of motorcycles that would culminate in 1983 with the introduction of the Interceptor V4.[1] The V45's performance is comparable to that of Valkyries and Honda's 1800 cc V-twin cruisers. However, its mix of performance, reliability, and refinement was overshadowed by the more powerful 1,098 cc "V65" Magna in 1983.
While Honda's release of their V4 technology in the Magna (and other bikes like the Sabre and Interceptor) was certainly a bold move, it was somewhat overshadowed by at least two problems. One was the decline of motorcycle sales after the boom in the 1970s. While Honda quality was a given and the amount of features provided in these bikes was great, they were still relatively expensive bikes at the time. An expensive, complex bike was difficult to sell in a down market. The second was the manufacturing and engineering problems encountered after the release in 1982.
Oh, the wonders of modern technology! My little Nikon P&S links up to a phone/tablet via an app, and allows you to use the mobile device as a live, WiFi remote control. And so you get photoception, where the camera takes a picture of a man holding a tablet displaying the picture the camera is taking, and so on until one runs out of pixels. Silly but fun, and absolutely no Photoshop required to achieve the effect.
This seemed like a particularly appropriate image for the last of my 52 self portraits project, because, despite all expectations to the contrary, I've come to enjoy the self portraits. Since I'm not possessed of much vanity, I don't really care if the pictures flatter me, and that gives me a great deal of creative freedom. They're more about the message, or dealing with the way things really are. So, I'll probably keep doing them, as I come up with ideas that inspire me... project or no.
52 of 52. My goodness, that feels good.
K6 phone box conversion, at the junction of Sandridge Street and Giesbach Road, off Holloway Road at Archway
Tytöt katsovat televisiota olohuoneessa 1950-luvun lopulla.
Flickor tittar på TV i vardagsrummet i slutet av 1950-talet.
Girls watching television in the living room in the late 1950s.
Kuva / Foto / Photo: Teuvo Kanerva
HK19950323:4009 / Historian kuvakokoelma
Ota yhteyttä / Kontakta / Contact: kuvakokoelmat@museovirasto.fi
We are excited to announce that we are partnering with a new software company to improve our processes. Training starts this week. We are sure to blow the competition out of the water in 2018 with our new strategies!
A school of robotics in Ukraine’s conflict- affected town.
Hanna teaches children science in a small town in Ukraine.
“We educate them with design engineering and robotic science, instilling in them knowledge and skills that they can draw on in the future, we also offer English-speaking clubs for children, as well as modern board games that foster logical and strategic thinking”. “My dream was always to open a centre for children.”
With the help of UNDP and the Government of Japan, Hanna opened “ Pozytyv” (‘Positive’) children’s centre. We work hand in hand with people who have ideas to generate a positive impact on society.
Read more: undpukraine.exposure.co/a-woman-entrepreneur-teaches-chil...
Photo: Galyna Balabanova./ UNDP Ukraine