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De G à D:
Glacier du Nant Blanc coiffé de l'Aiguille Verte (4122m), les Drus, puis au loin l'Aiguille du Midi en premier plan du Mont Blanc, Vallée de Chamonix.
vu des Aiguilles des Grands Motets (3295m)
Chamonix
Panoramique.
This has several photo techniques on it. The first, a rainting, is right out of my camera, but through a window with rain on it. That is not really a post processing technique but merely choosing a way to shoot the picture. I coined the word "Rainting." Then the foggy sky was dreadfully dull; so I used an equalizing technique. That made the sky more interesting, but just about washed out *Scrawny* the little tree I named and then named the hill after. So I did some pen technique on the tree in black, but I don't have the steadiest hand in the world; so it was kind of too wide with the lines and too jumpy from point to point.. I used a light marker technique to soften the lines I drew for the tree, but leave them still evident. I embossed the whole photo,
(DSCN7556-rainting+embopeneqlltmrkr-scrawnytreehill-init)
A couple of people here and on Eurobricks asked about the offset in the board walk on my last build. Here is a breakdown. It's something I've seen somewhere on Flickr and shamelessly copied, but I can't find my original source to give proper credit.
One of our favorite window techniques we simply haven't gotten around to using for a large scale castle yet. Play around with the various colors, Grey/Black, Black/Black, Brown/Tan, etc.
Hope you enjoy it!
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New.....Matte Painting....... progetti grafici realizzati da me....!!!
Architetture incastonate in uno scenario fantasy....!!!
Piccole modifiche dell'immagine in post-produzione......!!!
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The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
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Following on from ZoulBrick's technique 0315, here is a small alteration with some different attributes.
If you can tolerate the round tile 4150 sitting slightly proud of the vertical building surface, this method will enable that building surface to be otherwise smooth, rather than broken with the round elements from part 4081. Note that the round tile 4150 is rotated 102° - 90° = 12°.
However. this revised assembly is also unfortunately slightly less strong.
The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
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This is a new wall idea I used in my last Star Wars MOC. (www.flickr.com/photos/162558636@N03/49798867747/in/datepo...)
The plates are connected by clips, which are attached to SNOT bricks.
I think it creates a great look, what do you think?
Stay healthy!
The oldest constructions do not appear to be earlier than the 17th century, although their structure and technique were propagated from a very early period in the valleys of southern Morocco.
Taken @Ait-Ben-Haddou, Morocco, North Africa.
so i was messing around with my own stuff + mulletgod's actions (thanks MG, these are gems, freebies, too god to pass up and not play with! www.mulletgod.org/photoshopactions/ ) and using ghostbones' texture atop them (thanks ghostbones! www.flickr.com/photos/ghostbones/ ) . i decided to do a crazy ps method and used the color range method to select parts of my photo and then dragged them to the texture. sort of fun. obviously wouldn't work for every image but nevermind that. feels old timey to me. almost faux platinotype, eh?
Came up with this variant when I wanted to extend the one in black/white and realized it didn't work. The distance changed - to the better. Now I can fit 1x1 bricks and two cheese slopes and the stress is almost gone.
The technique is implemented in this MOC: www.flickr.com/photos/eiffelben/6197444089/in/set-7215762...
Well, here is the outcome of my Round 4 challenge from Get Pushed .
I was pushed by www.flickr.com/photos/misst.shs/
to:
1. Shoot a moving subject (you choose the subject) using the panning technique
2. The final posted image must be in color and shot in the daylight
3. Must convey a definite feeling of movement
4. Shoot at a maximum shutter speed of 1/30
5. Must have at least part of the main subject somewhat in focus
6. Very little post processing (some cropping and level adjustments are O K).
I'm not going to lie, I was freaking out a little about this challenge. I had never before tried the panning technique, and was a little scared. Yet, even though this is most definitely NOT the best panning shot I have ever seen, I must admit I am satisfied. :)
You can find misst.shs' response to my challenge here!
Wow everyone... Thank you all so much for the Explore! I am so happy and honored to have given you all a photo that you love!
A second brick wall technique. This one is perhaps a bit less useful than the previous ones, but I figured it was still worth posting. Please let me know if you've seen this before!
Rather than placing distance between individual "bricks" as most wall techniques do, I wanted to know what would happen if the bricks were differentiated by depth instead. Here, the individual bricks in the wall are constructed using 1x2 plates with horizontal bar and 1x2 tiles. These are connected to headlight bricks or 1x1 bricks with stud on one side via robot hands, wich allows for the individual bricks to be placed at varying depths. In this example, I used three different depths with differences of roughly 1/4 of a plate (or 2 LDU). It is a rather piece intensive technique, but it yields an interesting texture and is fairly sturdy overall.
I have a couple more techniques left to post! I may not be able to maintain my one-a-day schedule for these last ones, but I hope I'll be able to post them soon.
Technique Week II | Technique Week I
Also, if you're like me and happen to have a lot of 1x2 plates with horizontal bar on hand, here's another brick wall technique that has a lot of cool possibilities, and here's a floor technique using these wonderful pieces as well.
Kind of obvious really, since they're really just 2x2 plates, but I think they look neat. Repeating the pattern, mudguard end to end, is not as easy. If someone has a solution, I'd like to see it.
infrapinklizard has a great solution for this here.
The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
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Ask for a preventive in my virtual shop at the site mobiliperufficio.com/Maurizio_Poli/home
Richiedete un preventico nel mio negozio virtuale al sito mobiliperufficio.com/Maurizio_Poli/home
Some wanted to see how I made the hood on my Regal T class London bus (www.flickr.com/photos/94645638@N07/16486834234/) so here it is. It's nothing special and there have been others who used this technique before.
Edit:
I think I first saw this idea used by [https://www.flickr.com/photos/35385165@N05/]'s Morgan, so credit goes to her.
Technique: Sometimes when I bait a subject they get the sweet stuff all over, and that's what's happened here. I'm holding on to the Lavender stem that the bee is perched on with my left hand, and resting the lens on that same hanf to help keep the scene steady. I also used an artificial flower to keep the background from being black.
Tech Specs: Canon 80D (F11, 1/250, ISO 200 with highlight tone priority) + a Canon MP-E 65mm macro lens (around 4x) + a diffused MT-24EX (both flash heads on the Canon flash mount, E-TTL metering with -1 2/3 FEC). This is a single, uncropped, frame taken hand held.
Welcome to Technique Week! For the next week, and possibly longer if I can keep going, I'll be posting a new technique every day.
To start off, this is a grass technique using 1x2 plates with two vertical clips in green, connected by wedging the side of one piece in between the studs of another. I like this technique because it's much more realistic than using grass stalk pieces, which are way too big for minifigures and usually end up being too far apart. Generally, i think this technique is better suited for modern or sci-fi mocs than medieval building, but there will be several medieval techniques coming soon.
Click here for other days of Technique Week and and here for previous techniques.
Off-flash technique
Toxicity: Non-venomous but will bite if provoke
Length: 1.0-1.2 m
Flll-in flash technique.
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Model - Irina Popova
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(DSCN0918MCDoEmboMoTUoilPaintResamRedsLimeMcDoInitFlickr 041722)
I am not sure why word *Lime* is in my title for this one; so I am removing it from my file name.
Technique: I found this little caterpillar on a flower, and shot it at my patio table with an artificial flower in the background.
Tech Specs: Canon 70D (F11, 1/250, ISO 100) + a Canon MP-E 65mm macro lens (4x) + a diffused MT-24EX. This is a single, uncropped, frame taken hand held.
Last year I messed with various solutions for changing trans-clear to trans-yellow and after failing to achieve anything acceptable, I nearly gave up. Then I realized I'd overlooked the simplest (and what I now believe to be the best) solution: permanent marker.
It's great because the color is spot on, it's safe from coming off when handling, and all that is required to revert it back to trans-clear is some rubbing alcohol.
Some of my personal builds using this technique (marker was applied both inside and out):
Go and make some great new builds now that the trans-yellow gates are wide open :D
I mean technically day 7, but I was really busy yesterday and couldn't post anything.
This one I didn't come up with entirely on my own. It's based on this tree technique by Stuart Kahler, now buried in the depths of Mocpages. It was posted all the way back in 2011, but somehow never came into common practice despite being a brilliant idea. It is based on flipping stacks of grass stalks upside-down and connecting them in a cone shape to create a realistic conifer texture. The technique is excellent, but it is very uniform, so to make it more irregular/organic, instead of constructing the cone with hidden hinges I connected six stacks of grass stalks to a center piece consisting of two more grass stalks using 1x1 flower pieces. Further stacks of grass stalks can be connected to the first six in a similar fashion, theoretically allowing for endless downward expansion as long as solid support structures are present and the connections at the top hold out against gravity. I don't know how big you can go before gravity wins out because I don't have enough pieces to try it out, but I suspect that some pretty big trees can be constructed this way.
As I said, do note that I didn't come up with this all on my own. In fact, one of the comments on the original 2011 post has a suggestion for a similar modification, though I've never seen it put into practice. So consider this particular post more of a publicity boost.
I still have one more technique left! It's my favorite of the bunch so I'll try to get it up soon.
I've also used this technique in an actual build, unlike most of my other ones. You can see it in action here.
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Saint Parthenius of the Armenian Orthodox Church by Daniel Arrhakis (2023)
With the Music / Sacred Choir / Patrick Lenk :
Saint Parthenius (died 3rd century) was an early Christian saint and martyr from Rome of Armenian origin. He is venerated in both the Catholic and Orthodox churches. His brother was Saint Calocerus. He is the patron of Galicia and included in their list of Orthodox saints.
While serving as a eunuch in his wife's palace, Parthenius was accused by Roman emperor Decius with embezzlement of Anatolia's money, and with the capital crime of Christianity. Ignoring the financial accusations, Parthenius and his brother defended the Christian faith. The court took their defense as an admission of their Christianity and sentenced them to death. Parthenius was thrown into a bonfire but did not burn. In order to carry out his sentence, guards took flaming brands from the fire and beat him to death. He was buried in the catacombs under Saint Callixtus.
A creative mystic sacred art series created by Artificial Intelligence Art Generator and edited with several techniques, include Art Collage with some stock elements, layers, color saturation, and digital painting.
I'm not one to post many tablescraps but I figured this one was not likely to be used by me any time soon. Also, it's probably been done before, I just haven't seen it.
Hello everybody :)
Today I want to show you a wall technique I explored while sorting my parts. It´s only made out of suitcases and some clip vertical parts. Moreover it´s also possible to make some variation by using next to the dark bluish gray suitcases some in dark gray. It´s quite a stable design and a decent alternative to the walls made out ot the "hammer" parts.
Thanks for watching :)