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Came up with this variant when I wanted to extend the one in black/white and realized it didn't work. The distance changed - to the better. Now I can fit 1x1 bricks and two cheese slopes and the stress is almost gone.
The technique is implemented in this MOC: www.flickr.com/photos/eiffelben/6197444089/in/set-7215762...
A second brick wall technique. This one is perhaps a bit less useful than the previous ones, but I figured it was still worth posting. Please let me know if you've seen this before!
Rather than placing distance between individual "bricks" as most wall techniques do, I wanted to know what would happen if the bricks were differentiated by depth instead. Here, the individual bricks in the wall are constructed using 1x2 plates with horizontal bar and 1x2 tiles. These are connected to headlight bricks or 1x1 bricks with stud on one side via robot hands, wich allows for the individual bricks to be placed at varying depths. In this example, I used three different depths with differences of roughly 1/4 of a plate (or 2 LDU). It is a rather piece intensive technique, but it yields an interesting texture and is fairly sturdy overall.
I have a couple more techniques left to post! I may not be able to maintain my one-a-day schedule for these last ones, but I hope I'll be able to post them soon.
Technique Week II | Technique Week I
Also, if you're like me and happen to have a lot of 1x2 plates with horizontal bar on hand, here's another brick wall technique that has a lot of cool possibilities, and here's a floor technique using these wonderful pieces as well.
The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
Kind of obvious really, since they're really just 2x2 plates, but I think they look neat. Repeating the pattern, mudguard end to end, is not as easy. If someone has a solution, I'd like to see it.
infrapinklizard has a great solution for this here.
Some wanted to see how I made the hood on my Regal T class London bus (www.flickr.com/photos/94645638@N07/16486834234/) so here it is. It's nothing special and there have been others who used this technique before.
Edit:
I think I first saw this idea used by [https://www.flickr.com/photos/35385165@N05/]'s Morgan, so credit goes to her.
FOR ABCs and 123s group, *P* is for PENS
For the Sliders Sunday group, and also for Dave C. with the *Soul of a photograph group. This started life as a photo of several red & white ball point pens and a a few red extra caps. I found this version the most interesting and colorful.
I took three versions, and thought I was working to get all 3 on Flickr. A lot of time got wasted, as only this version ended up on Flickr so far. I'll be going back to try to fix the problem, but I am not a very happy camper about it. Of the two versions that are mostly just red & white on dark background, I gave one a watercolor technique and one an oil paint technique.
The two that I thought did not show up at all, actually got posted but with quite a delayed reaction. There was no sign of them for quite awhile. Oh well...
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"My thin white border is not so much a frame as a defense against Flickr's all dark background"
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(DSCN7739Red&WhitePensResamWacolQbrtcontBOITSNICAAflickr041821)
The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
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(DSCN0918MCDoEmboMoTUoilPaintResamRedsLimeMcDoInitFlickr 041722)
I am not sure why word *Lime* is in my title for this one; so I am removing it from my file name.
I mean technically day 7, but I was really busy yesterday and couldn't post anything.
This one I didn't come up with entirely on my own. It's based on this tree technique by Stuart Kahler, now buried in the depths of Mocpages. It was posted all the way back in 2011, but somehow never came into common practice despite being a brilliant idea. It is based on flipping stacks of grass stalks upside-down and connecting them in a cone shape to create a realistic conifer texture. The technique is excellent, but it is very uniform, so to make it more irregular/organic, instead of constructing the cone with hidden hinges I connected six stacks of grass stalks to a center piece consisting of two more grass stalks using 1x1 flower pieces. Further stacks of grass stalks can be connected to the first six in a similar fashion, theoretically allowing for endless downward expansion as long as solid support structures are present and the connections at the top hold out against gravity. I don't know how big you can go before gravity wins out because I don't have enough pieces to try it out, but I suspect that some pretty big trees can be constructed this way.
As I said, do note that I didn't come up with this all on my own. In fact, one of the comments on the original 2011 post has a suggestion for a similar modification, though I've never seen it put into practice. So consider this particular post more of a publicity boost.
I still have one more technique left! It's my favorite of the bunch so I'll try to get it up soon.
I've also used this technique in an actual build, unlike most of my other ones. You can see it in action here.
The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
Visit www.facebook.com/Maurizio-Poli-760405867422348/
Ask for a preventive in my virtual shop at the site mobiliperufficio.com/Maurizio_Poli/home
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The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
A revolutionary technique of expression because it relates to time in an absolutely special way; the image, with its multiple meanings, can only be found if it exists in the photographer before it is fixed on film and must then be reconquered when it becomes an image to look at. A search within a search, a continuous collection of moments for the moment which in the photographic moment will be fixed forever.
～ Kamir
P.S. Non-HDR-processed / Non-GND-filtered ● Black Card Technique 黑卡作品
I'm not one to post many tablescraps but I figured this one was not likely to be used by me any time soon. Also, it's probably been done before, I just haven't seen it.
As requested, here is an image of the round tower technique I've been using recently.
The two bricks + two plates stack out from the tracks means the tiles interlace perfectly on the outside layer of bricks.
Hello everybody :)
Today I want to show you a wall technique I explored while sorting my parts. It´s only made out of suitcases and some clip vertical parts. Moreover it´s also possible to make some variation by using next to the dark bluish gray suitcases some in dark gray. It´s quite a stable design and a decent alternative to the walls made out ot the "hammer" parts.
Thanks for watching :)
Per qualsiasi informazione contattatemi all e-mail maurizio.poli1972@libero.it
New.....Matte Painting....... progetti grafici realizzati da me....!!!
Piccole modifiche dell'immagine in post-produzione......!!!
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The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
Visit www.facebook.com/Maurizio-Poli-760405867422348/
Ask for a preventive in my virtual shop at the site mobiliperufficio.com/Maurizio_Poli/home
Richiedete un preventico nel mio negozio virtuale al sito mobiliperufficio.com/Maurizio_Poli/home
The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
Luckily in the 3D Visual Effects and Animation Industry, it's possible to work from home, but I've been processing old Astrophotography data and experimenting with new techniques and software after hours during the #stayathome period (March/April 2020).
About this image:
To focus on the interesting structure of the nebula, this is a starless 3nm Narrowband Hydrogen-Alpha and Doubly Ionized Oxygen (HOO Palette) study of the dust and gas in the Carina Nebula (also known as NGC 3372, the Grand Nebula, Great Nebula in Carina, or Eta Carinae Nebula).
The Carina Nebula is the closest giant star-forming region to our Solar System, in the Carina-Sagittarius Arm of the Milky Way Galaxy (7,500 light-years from Earth). It is situated in the Southern Hemisphere Constellation Carina (the Keel). This is one of the largest Diffuse Nebulae in our skies, and contains at least two stars with a combined luminosity over five million times that of the Sun. The star Eta Carinae is at least a hundred times more massive than our star (the Sun), and is a candidate for a Supernova.
Wavelengths of light:
H-Alpha line 656nm (3nm bandwidth).
OIII line 501nm (3nm bandwidth).
Gear:
William Optics Zenithstar 103 APO Refractor Telescope.
QHY163M camera sensor cooled to -20°C.
Calibration frames: Bias, Darks and Flats.
SGP Mosaic and Framing Wizard.
PlaneWave PlateSolve 2 via SGP.
Pre-Processing and Linear workflow in PixInsight,
star removal in Straton and finished in Photoshop.
Integration time:
32 hours.
Martin
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I'd like to say Parker is experimenting with new techniques to coax cattle to move. The fact is he was zeroing for a low heel, the steer stopped and Parker plowed into him.
Vendo matte painting visualizzabili su www.flickr.com/photos/polimaurizio/,
a 20 euro l'uno con firma e numero di serie e dimensioni originali.
Per eventuali chiarimenti mi potete contattare all^ email maurizio.poli1972@libero.it.
Per qualsiasi informazione contattatemi all e-mail maurizio.poli1972@libero.it
New.....Matte Painting....... progetti grafici realizzati da me....!!!
Piccole modifiche dell'immagine in post-produzione......!!!
Ask for a preventive in my virtual shop at the site mobiliperufficio.com/Maurizio_Poli/home
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The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
Visit www.facebook.com/Maurizio-Poli-760405867422348/
Ask for a preventive in my virtual shop at the site mobiliperufficio.com/Maurizio_Poli/home
Richiedete un preventico nel mio negozio virtuale al sito mobiliperufficio.com/Maurizio_Poli/home
Setup shot for this polaroid photo. Home Depot light and aluminum foil reflector. I only shoot with the high budget stuff!
I wasn't sure I was ready for a long shot tonight, although I have been doing a lot of research on food lighting techniques, processing and "food styling" so I was kind of tempted to try some of it out...When I opened the fridge to see if we had anything worth shooting, this jumped out at me, and I couldn't really ignore it based on how I was feeling! Decided to have a go at getting that "soft, dreamy" look anyway, and go for the "random that is actually the opposite of random" food styling on my days off!
strobist: 580exii lastlolite softbox 1/16 24mm camera right, lastolite trigrip reflector camera left.
Using circus techniques, pyrotechnics, and video projection to create the visualization of liberty and the joy of flying, GLOBE is an alienating, fairylike spectacle full of symbolism.
Established in 1991, Close-Act is an international street theatre company that combines various disciplines of performing arts, like dance, music and circus, with stunning visual representations.
The company performed mostly in Europe in the early years, but now present their shows and acts worldwide.*
*http://nightfestival.sg/programmes/detail/globe
Not sure if it’s been shared by others. This is a simple SNOT technique that has small footprint and is quite stable.
The matte painting (which can be translated with painting backgrounds) is a technique used mainly in film used to allow the representation of landscapes or places otherwise too costly or impossible to reconstruct or reach directly.
Visit www.facebook.com/Maurizio-Poli-760405867422348/
Ask for a preventive in my virtual shop at the site mobiliperufficio.com/Maurizio_Poli/home
Richiedete un preventico nel mio negozio virtuale al sito mobiliperufficio.com/Maurizio_Poli/home
If you're anything like me, you're swimming in spares of the stud shooter triggers. They're a fiddly bit that doesn't seem to connect to anything else. Seems to...
In this album are a few other ways of using them, but here is a very easy way to turn them into spaceship greebling, or ornate building ledges, and well, many more possible uses.
Anyway, what are some cool uses you've found for them?
Courses: nope
Equipment: nothing new
Techniques: I did an online tutorial to make the Dada style portrait. That was fun!
1. Skylight, 2. Mountains in the Rear View, 3. Placid Water, 4. Happy After Butter Chicken, 5. Self Portrait With Goat, 6. Me Copycatting Jeff Copycatting Me..., 7. Borrowed, 8. Hands Up!, 9. Teensy Mexican Doll, 10. Garage, 11. Experiments in Dada, 12. Mellow Yellow, 13. Questionin' Mescaline, 14. Happy Pi Day, 15. Daisies, 16. Yoink!, 17. Green, 18. Abandoned, 19. Sphere of Influence, 20. Cover, 21. Fish say it’s GRATE!, 22. Poultry Day, 23. Happy World Poetry Day, 24. Young at Heart, 25. Drippy Pulmonaria, 26. Where’s Waldo - Penguin Version, 27. Teal Blue Azure, 28. White Chair, 29. Cone and Shadow, 30. Old-timey Skates, 31. Vancouver Maritime Museum, 32. Modern Birdie, 33. Church Tower