View allAll Photos Tagged tangible
Guests at Ideum's Fall 2017 Open House explore an innovative experience developed for Starbucks. The elegant wooden "coasters" contain patterned conductive bases recognized by Ideum's Tangible Engine object-recognition software. When a coaster is placed on the table, information about the coffee's provenance and preparation appear. Learn more at tangibleengine.com/.
Running during the 2012 Toronto Fringe Festival, Where You Become New is a celebration of the members of ByoLogyc's Versatile Intern Program, and a sneak peek into the future of biotechnological innovation...
A tangible interface for buying and selling equities on the London, New York, Tokyo and Frankfurt stock markets. The visitors make their purchases in an unconventional manner—by inhaling a line of “cocaine” (i. e. pure sugar).
Credit: Florian Voggeneder
In Can It Kill You?, placing a petri dish with a 3D-printed conductive base on the touch table activates information on the screen. This engaging object recognition experience was created with Tangible Engine Media Creator. Learn more at: ideum.com/portfolio/can-it-kill-you
Silicone, Lasercut Silicone, Drawing, Freestyle, Experiment, Texture, Elasticity, Opaque, Semi-Transparent, Stretchable, Surface Decoration, Materials Experiment, R+D, Tangible Interfaces Project, Eleanor-Jayne Browne, The D/sign Lounge
Since 2007, the LUX Prize has been a tangible expression of Parliament's belief in the creativity and talent in Europe's film industry, in its ability to reflect the wealth and diversity of European culture, and its capacity to stimulate reflection and debate on Europe, its values and its future.
It is awarded annually based on voting by MEPs. In the end three films are shortlisted for the award. The winner will receive financial support from the Parliament to subtitle the film into the 23 European Union official languages, including an adaptation for visually or hearing-impaired people and to produce a 35 mm print or a digital cinema package for each Member State.
Previous winners were "Auf der anderen Seite" in 2007, "Le silence de Lorna" in 2008, "Welcome" in 2009, "Die Fremde" in 2010.
This year the three finalists for the 2011 LUX prize were: Greece's "Attenberg" by Athina Rachel Tsangari. France's "Les neiges du Kilimandjaro" by Robert Guédiguian and "Play" by Ruben Östlund - a Swedish, French, Danish production.
Today it has been announced by the European Parliament president Jerzy Buzek the name of the winner: the French director Robert Guédiguian with "Les neiges du Kilimandjaro".
www.europarl.europa.eu/en/headlines/content/20111006FCS28...
© European Union 2011 PE-EP/Pietro Naj-Oleari
A small-scale test model for a grid of ball-bearings and LEDs, to act as a tangible interface. Richard made the PCB on his CNC mill.
Photographed at the Bristol Hackspace: bristol.hackspace.org.uk/
In the study of the universe, light is the one of the main sources of information accessible to us. Using satellites and telescopes, we collect the light of astronomical objects. First, each object appears as a single cloud of light. In the closer analysis of light, we recognize its nature and can distinguish stars from galaxies. In the virtual environment, numerical satellite data is translated into light sculptures and light is made tangible by haptic stimuli.
Credit: tom mesic
Fibre Optic Lights, Experiment, Venus Flower Basket, 2 Part Ceramic Bowl, Light, Shadow, Basket Weave, Ephemeral, Glowing, Sensual, Pretty, Tangible Interfaces Project, R+D, Prototype, Eleanor-Jayne Browne, The D/sign Lounge
Fibre Optic Lights, Experiment, Venus Flower Basket, 2 Part Ceramic Bowl, Light, Shadow, Basket Weave, Ephemeral, Glowing, Sensual, Pretty, Tangible Interfaces Project, R+D, Prototype, Eleanor-Jayne Browne, The D/sign Lounge
Let's talk about our beliefs, and what we can learn about them. We believe nature is solid, and time a constant. Matter has substance and time a direction. There is truth in flesh and the solid ground. The wind may be invisible, but it's real. Smoke, fire, water, light - they're different! Not as to stone or steel, but they're tangible. And we assume time is narrow because it is as a clock - one second is one second for everyone! Cause precedes effect - fruit rots, water flows downstream. We're born, we age, we die. The reverse NEVER happens... None of this is true! Say goodbye to classical reality, because our logic collapses on the subatomic level... into ghosts and shadows.
Professor Howard Birack
(From John Carpenter's Prince of Darkness)
Thanks to gdiazdeleon of the deleteme group
Since 2007, the LUX Prize has been a tangible expression of Parliament's belief in the creativity and talent in Europe's film industry, in its ability to reflect the wealth and diversity of European culture, and its capacity to stimulate reflection and debate on Europe, its values and its future.
It is awarded annually based on voting by MEPs. In the end three films are shortlisted for the award. The winner will receive financial support from the Parliament to subtitle the film into the 23 European Union official languages, including an adaptation for visually or hearing-impaired people and to produce a 35 mm print or a digital cinema package for each Member State.
Previous winners were "Auf der anderen Seite" in 2007, "Le silence de Lorna" in 2008, "Welcome" in 2009, "Die Fremde" in 2010.
This year the three finalists for the 2011 LUX prize were: Greece's "Attenberg" by Athina Rachel Tsangari. France's "Les neiges du Kilimandjaro" by Robert Guédiguian and "Play" by Ruben Östlund - a Swedish, French, Danish production.
Today it has been announced by the European Parliament president Jerzy Buzek the name of the winner: the French director Robert Guédiguian with "Les neiges du Kilimandjaro".
www.europarl.europa.eu/en/headlines/content/20111006FCS28...
© European Union 2011 PE-EP/Pietro Naj-Oleari
Nuance. Holding this journal, the difference is tangible. Not a perfect book, but perfect for someone. The Zerkall Frankfurt paper is truly lovely.
9.75" x 7" 96 sheets (192 pages, both sides)
Materials
>About the leather: Kodiak Oil-Tanned Leather, dark brown.
Here is a leather as rugged as its name implies. This oil-tanned leather has pronounced grain that gives character to the soft hide that is durable and moisture resistant. 4 oz.
The leather detail on front cover flap is a bit of green nubuck cowhide (an old favorite).
>About the paper: Frankfurt, Ivory, by Zerkall
Characterized by irregular 'wavy' laid lines and the sexy Zerkall watermark, Frankfurt is a delight to handle. Writing on this artisan paper versus commercial paper is a world of difference. But don't take my word for it!
Zerkall Renker & Sohne paper mill, run by the Renker family in its fourth generation, dates from 16th century in the valley of the river Kall between Cologne and Aachen in Germany. Although the mill now only manufactures mouldmade papers, their sheets mirror papers of the past while incorporating modern technology to insure stability and permanence. Zerkall mixes exacting amounts of cotton rag and high alpha cellulose to obtain sheets that are strong, yet able to absorb ink without bleeding. All their papers are acid free, neutral sized, alkaline buffered with calcium carbonate and contain no optical brighteners.
>About the endpaper: Egyptian Papyrus
Papyrus was, and continues today to be handmade from the papyrus reed that grows in freshwater marshes along the river Nile, though today this growth is rare and controlled. Egyptians considered it the "everlasting" paper because it has been found in perfect condition in tombs dating back to 2700 B.C.
Nuance Journals are handbound with 4-ply waxed Irish linen thread in New Orleans by Emily Renee.
Simon Bolivar Statue
One of a trio of bronze equestrian sculptures representing Latin American leaders, the Simon Bolivar statue commemorates a military general and advocate of Pan-Americanism. Bolivar (1783-1830) is credited with the liberation from Spanish domination of Venezuela, Colombia, Ecuador, Peru, Bolivia, and Panama.
R. De Las Cora designed the first statue of Simon Bolivar that was installed in Central Park in 1891 on a knoll near West 83rd Street, dubbed “Bolivar Hill.” Critics of the statue believed it did not live up to the original artistic vision and it was subsequently removed at the direction of the Park Board. Sculptor Giovanni Turinni submitted a second interpretation of Bolivar in 1897, but it was rejected by the National Sculpture Society, which at that time advised the Board on sculpture installations.
In 1916, the Venezuelan government sponsored a worldwide competition to select a sculptor to render Bolivar. From 20 entrants, the committee selected Sally James Farnham (1876-1943), a relatively unknown sculptor. Farnham’s statue depicts Bolivar in full military dress upon his steed, which has its hoofs in the air. The sculpture was dedicated at Bolivar Hill on April 19, 1921. United States President Warren G. Harding (1865-1923), who spoke at the event, used the occasion to deliver a major policy address in which he urged greater cooperation between North and South America.
In 1945, Sixth Avenue was renamed Avenue of the Americas at the suggestion of Mayor Fiorello H. LaGuardia (1882-1947), to honor Pan-American ideals and principles. A new plaza was designed where the avenue meets Central Park. The statue of Bolivar was moved to the eastern side of the plaza, placed on a new black granite pedestal designed by the firm of Clarke and Rapuano, and rededicated on April 19, 1951. A month later, the statue of Argentine general Jose de San Martin was unveiled on the plaza’s west side, and in 1965 the dynamic statue of Cuban poet and activist Jose Marti was dedicated between the two earlier works.
In 1988, the Simon Bolivar statue was conserved through the Adopt-A-Monument Program, a joint venture of Parks, the Municipal Art Society, and the New York City Art Commission. The restored statue, now maintained by the Central Park Conservancy, remains a tangible symbol of the independence of Latin America.
Place a lighted petri dish on to the Ideum multitouch table and see if you will survive. We are developing an exhibit on pathogens using a tangible user interface (TUI). The exhibit is developed on an Ideum touch table: www.ideum.com Using Tangible Engine www.tangibleengine.com
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
Ideum's new Can It Kill You? application lets guests at the Fall 2017 Open House investigate mysterious samples--including their lethal potential. The app was created with the Tangible Engine Media Creator, which allows designers to build elegant and compelling object-recognition apps with little or no coding required. Find out how at tangibleengine.com/media-creator/.
Ideum is developing an exhibit on pathogens. We are developing tangible user interface (TUI) using lighted petri dishes to represent different microorganisms. This is being developed with our Tangible Engine Media Creator - www.tangibleengine.com
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
Since 2007, the LUX Prize has been a tangible expression of Parliament's belief in the creativity and talent in Europe's film industry, in its ability to reflect the wealth and diversity of European culture, and its capacity to stimulate reflection and debate on Europe, its values and its future.
It is awarded annually based on voting by MEPs. In the end three films are shortlisted for the award. The winner will receive financial support from the Parliament to subtitle the film into the 23 European Union official languages, including an adaptation for visually or hearing-impaired people and to produce a 35 mm print or a digital cinema package for each Member State.
Previous winners were "Auf der anderen Seite" in 2007, "Le silence de Lorna" in 2008, "Welcome" in 2009, "Die Fremde" in 2010.
This year the three finalists for the 2011 LUX prize were: Greece's "Attenberg" by Athina Rachel Tsangari. France's "Les neiges du Kilimandjaro" by Robert Guédiguian and "Play" by Ruben Östlund - a Swedish, French, Danish production.
Today it has been announced by the European Parliament president Jerzy Buzek the name of the winner: the French director Robert Guédiguian with "Les neiges du Kilimandjaro".
www.europarl.europa.eu/en/headlines/content/20111006FCS28...
© European Union 2011 PE-EP/Pietro Naj-Oleari
Mourners gather at a Fire Station in the Westchester area of Los Angeles, California on April 3, 2008 to honor and remember fallen Firefighter Brent Lovrien. © Photo by Ryan W. Ling, EPN
THE HISTORY OF PENA ADOBE
Lagoon Valley was settled by two friends, from New Mexico, along with their families. The only tangible reminder of their efforts is the adobe built by Juan Felipe Pena. The two Juans,
Juan Manuel Vaca and Juan Felipe Pena gathered their families and struck out for California in 1841. They left New Mexico, seeking the land of milk and honey. Juan Felipe brought his wife, Isabella Gonsalves and their six children. Juan Manuel had lost his wife in 1839.
The widower was accompanied by their eight children. The intrepid families followed the Old Spanish Trail that terminated at Pueblo de Los Angeles. Their arrival coincided with the visit to the area by Mariano Vallejo. Admiring of Pena’s and Vaca’s pluck, Vallejo told them of the fertile Lagoon Valley. He convinced them to trek a little further, where he would agree to grant them a vast amount of land if they fulfilled his requirement to build homes, plant trees and pasture livestock.
When the two Juans had satisfied Vallejo’s requirements, they were granted ten square leagues of the Rancho de Los Putos. Ten square leagues amounted to 44,384 acres. This huge territory encompassed all of Lagoon Valley and stretched into what is now, Yolo County. During the 1840s, both families engaged in cattle ranching. Hides and tallow were the principal source of trade and income. It has been speculated that they hauled the hides and tallow by ox-cart to landings along the sloughs of Suisun Bay. The families also engaged the few remaining Native Americans to serve as ranch hands, cowboys and servants. The Vaca’s and Pena’s cultivated orchards and gardens near their homes.
Those were tumultuous times in California history. In just five short years, after their arrival, the Bear Flag revolt occurred, in which Vallejo, his brother and their families were taken to Sutter’s Fort from Sonoma, as captives care of General Charles Fremont and Kit Carson. Many of the “Bear Flaggers” objected to the treatment by Fremont of the captives and made sure that the Vallejo families were accorded some protection on their way to John Sutter’s fort. One of the stops along the way was at Pena’s adobe, where they were treated with respect, “quantities of food and liquid refreshment.”
In 1847, Americans Albert Lyon, John Patton Sr. and Jr., along with J.P.Willis and Clay Long arrived in the Vaca Valley. In April 1849, Vaca agreed to sell a half league of land between Alamo and Ulatis creeks for eight thousand dollars to Albert Lyon and the Pattons. On August 21, 1850, Vaca deeded nine square miles to another new arrival, William McDaniel for three thousand dollars to establish the town of Vacaville.
The Vaca adobe “melted” away in the elements long ago. Pena and his family are believed to have hauled, by oxen or mule teams, from Napa, the redwood that was hand hewn for the joists that support the thatched roof and make up the
window and door lintels. The two feet thick adobe blocks were formed on site from our “famous” local clay soil, straw and water. Sometime around the 1880s, the adobe was modernized and enlarged by encasing the entire building in wood sheathing and frame extension.
The restored home and grounds are now a county park located just off of I-80 west of Vacaville, California.
Tactile interface for musical expression that interprets a score on the basis of its physical shape, surface structure and spatial configuration.
Credit: Florian Voggeneder
Since 2007, the LUX Prize has been a tangible expression of Parliament's belief in the creativity and talent in Europe's film industry, in its ability to reflect the wealth and diversity of European culture, and its capacity to stimulate reflection and debate on Europe, its values and its future.
It is awarded annually based on voting by MEPs. In the end three films are shortlisted for the award. The winner will receive financial support from the Parliament to subtitle the film into the 23 European Union official languages, including an adaptation for visually or hearing-impaired people and to produce a 35 mm print or a digital cinema package for each Member State.
Previous winners were "Auf der anderen Seite" in 2007, "Le silence de Lorna" in 2008, "Welcome" in 2009, "Die Fremde" in 2010.
This year the three finalists for the 2011 LUX prize were: Greece's "Attenberg" by Athina Rachel Tsangari. France's "Les neiges du Kilimandjaro" by Robert Guédiguian and "Play" by Ruben Östlund - a Swedish, French, Danish production.
Today it has been announced by the European Parliament president Jerzy Buzek the name of the winner: the French director Robert Guédiguian with "Les neiges du Kilimandjaro".
www.europarl.europa.eu/en/headlines/content/20111006FCS28...
© European Union 2011 PE-EP/Pietro Naj-Oleari
Fibre Optic Lights, Experiment, Venus Flower Basket, 2 Part Ceramic Bowl, Light, Shadow, Basket Weave, Ephemeral, Glowing, Sensual, Pretty, Tangible Interfaces Project, R+D, Prototype, Eleanor-Jayne Browne, The D/sign Lounge
Fibre Optic Lights, Experiment, Venus Flower Basket, 2 Part Ceramic Bowl, Light, Shadow, Basket Weave, Ephemeral, Glowing, Sensual, Pretty, Tangible Interfaces Project, R+D, Prototype, Eleanor-Jayne Browne, The D/sign Lounge
A sculpture by Hiram Powers at the Cincinnati Art Museum.
From the placard:
In tangible form, this sculpture represents the power of patronage to encourage the arts. For all Hiram Powers was able to accomplish, he felt indebted to his great Cincinnati benefactor Nicholas Longworth (1782-1863). Inscribed H.P.–N.L. on the back of the base, this marble was Powers' tribute to his patron, who had passed away in 1863. When the suclptor died ten years later, the marble remained partially carved in his studio. His master carvers completed the work, which was purchased by Longworth's grandson, also named Nicholas, who donated it to the Cincinnati Art Museum.
Powers chose the culminating moment from the book of Genesis when Eve, after yielding to temptation by eating the forbidden fruit, realizes the consequences of her actions. According to the sculptor, he portrayed Eve "with her face raised to Heaven with an expression of deep contrition' one hand upon her breast, the other pointing down to the serpent, who recoils at her feet as if sensible to the accusation.
Fibre Optic Lights, Experiment, Venus Flower Basket, 2 Part Ceramic Bowl, Light, Shadow, Basket Weave, Ephemeral, Glowing, Sensual, Pretty, Tangible Interfaces Project, R+D, Prototype, Eleanor-Jayne Browne, The D/sign Lounge
Fibre Optic Lights, Experiment, Venus Flower Basket, 2 Part Ceramic Bowl, Light, Shadow, Basket Weave, Ephemeral, Glowing, Sensual, Pretty, Tangible Interfaces Project, R+D, Prototype, Eleanor-Jayne Browne, The D/sign Lounge
Nuance. Holding this journal, the difference is tangible. Not a perfect book, but perfect for someone. The Zerkall Frankfurt paper is truly lovely.
9.75" x 7" 96 sheets (192 pages, both sides)
Materials
>About the leather: Kodiak Oil-Tanned Leather, dark brown.
Here is a leather as rugged as its name implies. This oil-tanned leather has pronounced grain that gives character to the soft hide that is durable and moisture resistant. 4 oz.
The leather detail on front cover flap is a bit of green nubuck cowhide (an old favorite).
>About the paper: Frankfurt, Ivory, by Zerkall
Characterized by irregular 'wavy' laid lines and the sexy Zerkall watermark, Frankfurt is a delight to handle. Writing on this artisan paper versus commercial paper is a world of difference. But don't take my word for it!
Zerkall Renker & Sohne paper mill, run by the Renker family in its fourth generation, dates from 16th century in the valley of the river Kall between Cologne and Aachen in Germany. Although the mill now only manufactures mouldmade papers, their sheets mirror papers of the past while incorporating modern technology to insure stability and permanence. Zerkall mixes exacting amounts of cotton rag and high alpha cellulose to obtain sheets that are strong, yet able to absorb ink without bleeding. All their papers are acid free, neutral sized, alkaline buffered with calcium carbonate and contain no optical brighteners.
>About the endpaper: Egyptian Papyrus
Papyrus was, and continues today to be handmade from the papyrus reed that grows in freshwater marshes along the river Nile, though today this growth is rare and controlled. Egyptians considered it the "everlasting" paper because it has been found in perfect condition in tombs dating back to 2700 B.C.
Nuance Journals are handbound with 4-ply waxed Irish linen thread in New Orleans by Emily Renee.
The South Dakota School of Mines and Technology is delighted to share in the excitement of the recent National Science Foundation (NSF) announcement of the selection of the Sanford Underground Science and Engineering Laboratory at Homestake as the development site for the Deep Underground Science and Engineering Laboratory (DUSEL). "The School of Mines would like to thank our congressional delegation, Governor Rounds, South Dakota Science Technology Authority, T. Denny Sanford, Co-Principle Investigator Dr. Kevin Lesko and Barrick Gold Corporation, as well as those individuals on campus, in community organizations and our other elected officials that worked to make this happen, beginning in 2000 with the announcement of the Homestake mine closure," School of Mines President Dr. Charles Ruch said. "While there are many steps remaining, this is a significant milestone that we have reached."
"The project provides for unlimited research potential, and the School of Mines look forward to participating in research in a wide array of fields, from physics to geology to biology. In return, we have had the opportunity to work closely with renowned researchers from the University of California Berkeley, the project lead on DUSEL, as well as eminent researchers from around the world." Dr. Gautam Pillay, vice president for research, said. "We would like to thank Co-Principle Investigator Dr. Bill Roggenthen for his role as the School of Mines liaison with the broader scientific community."
Roggenthen has been heavily involved in the underground lab development from the beginning, and will continue in his leadership role as liaison between the School of Mines and the DUSEL project. Roggenthen's involvement has already yielded tangible results to the School of Mines as noted by the National Science Foundation's recent selection of Roggenthen and faculty from University of California-Berkeley to conduct a cooperative project on seismic research at the Homestake Mine.
"I have been privileged to work with outstanding individuals on this process. While there is still a long road to seeing the lab to fruition, today's announcement represents a monumental achievement and great cause to celebrate," Roggenthen said. "School of Mines research is already underway, with projects that range from extremophile microbes to economic geology," he added.
The deans of the School of Mines' two colleges also see the possibilities for positive impact on both faculty and students.
"Today’s announcement is exciting news for both the university and the faculties of both colleges at the School of Mines," Dr. Duane Hrncir, dean of the college of science and letters, said. "We look forward to collaborating with the project team as the next phase begins."
"The new facility creates unparalleled opportunities for state-of-the-art research by our students and faculty. For example, a senior design proposal included robots for collecting samples in flooded environments," Dr. Duane Abata, dean of the college of engineering, said. "Not unlike the space program, research conducted in extreme environments, in this case in underground, high temperature and high pressure areas, has the potential for developing engineering solutions that may influence everyday life in the near future."
The theme of the evening was "tactile" and it featured several Digital Design students and grads presenting their projects. Alex Beim, CEO/Creative Director from Tangible Interactions presented a special talk about projects that are both multi-touch in their behaviour and "touching" in the way they connect with audiences.
Find out more about VFS's one-year Digital Design program at www.vfs.com/digitaldesign.
The energy was tangible at this year's PMA Fresh Connections: Retail! Over 170 attendees gathered April 11-12 at the Philadelphia Airport Marriott to make new connections and gain new business solutions. From the cocktail reception and immersive UnConference to the optional Produce Rescue Glean and Produce Retail Tour, attendees were surrounded by peers and potential partners at every turn, and the buzz could be felt over the entire two days.
There has been a shrine at this location since Fatimid times, but tangible architectural documentation does not appear until the 1549, when a series of builders, beginning with Muhammad Ali Pasha in 1549 and ending with Sa'id Pasha in 1859, contributed to it. The current mosque was enlarged in 1942 & in the late 1990s.
The cenotaph is protected by a magnificent silver screen provided by the Dawoodi Bohras, from the Shiʿa Ismaʿili Mustaʿli Tayyibi branch of Islam who adhere to the faith of the Fatimid Imam-caliphs.
Zaynab bint 'Ali c.626-c.682, the eldest daughter of 'Ali ibn Abi Talib & Fatimah bint Muhammad, sister of Husayn. She was with him at the battle of Karbala. The Prophet Muhammad was her maternal grandfather, and thus she is a member of his Ahl al-Bayt (People of the House, the holy family of the Prophet Muhammad). She married ‘Abdullah ibn Ja‘far. Some historians consider that Sayyida Zaynab was exiled to Egypt in c.679, and that she was buried at this site. However, many people, primarily Twelver Shias, believe that Sayyida Zaynab was buried in Damascus, Syria (see www.flickr.com/photos/gballardice/5081543467 & ff.).
Along with Sayyidas Nafisa & Ruqayya, Zaynab bint 'Ali are traditionally considered the patron saints of Cairo.
Patron: Tewfik Pasha (Muḥammad Tawfīq Bāshā) 1852-1892, eldest son of Khedive Ismail, Khedive (Ottoman viceroy) of Egypt & Sudan (r.1879-1892).
Islamic Monument #620
Photography is the art of making memories tangible. Trinity Studio offers high quality fine art prints, gorgeous gallery wraps and elegant luxury albums for a spectacular presentation of your most beautiful memories. All Boudoir sessions are tailored specifically to you, and include a consultation session with Gigi where she will begin designing your dream shoot. She will discuss ideas on posing, lighting, wardrobe, and style. We will work closely with you and learn from your ideas and expectations to make sure that your vision becomes a reality. Once your session is booked,we will send you a Boudoir Guide with plenty of tips on how to prepare for your photo session. Book Your Boudoir Photography Session Today.
The Rainbow Group Seminar was off due to exams so Alan organised a demo for Neil Jenkins' Tangible HarmonySpace and Rose Johnson's MusicJacket
Fibre Optic Lights, Experiment, Venus Flower Basket, 2 Part Ceramic Bowl, Light, Shadow, Basket Weave, Ephemeral, Glowing, Sensual, Pretty, Tangible Interfaces Project, R+D, Prototype, Eleanor-Jayne Browne, The D/sign Lounge
inFORM is a shape display that gives physical form to digital information. Motorized pins extend from a tabletop to form a physical sculpture that users can view, touch and deform. inFORM can also interact with the world around it, by accurately moving and manipulating objects placed on its surface.
credit: Sean Follmer
Are you a firstborn?
Have you been struggling all your life without experiencing any tangible results for all your hard work?
Do you feel as if you are walking a thread mill constantly moving while remaining in one place without making any meaningful progress from one day to the next and from one year to another?
Are you now at the verge of giving up because it seems there is no end of the problem in sight?
Are you desperate of breaking the curse of the firstborn by any means possible?
WAIT!
There is hope.
Your prayers have finally been answered!!!
Here comes the solution to your spiritual problems as a firstborn in your father's household.
It is the new fresh-from-the-oven smoking-hot powerful mind-blowing 299-page book by Motunrayo Omonoteje titled:
"OMEOVOUSU: 50 Painful Years Of Agonizing Battles & Torture Of A Mother And Her Firstborn (A Personal Memoir)".
For the full post, go here: solutionsquarters.com/spiritual-problems-of-the-firstborn
This powerful fresh-from-the-oven smoking-hot new ground-breaking book by Motunrayo Omonoteje will open your eyes to the firstborn spiritual problems and breaking the curse of the firstborn.
The mind-blowing book is in various formats - pdf, kindle, paper back and hard cover.
Here is what "OMEOVOUSU: 50 Painful Years Of Agonizing Battles & Torture Of A Mother And Her Firstborn (A Personal Memoir)" will do for you:
As a firstborn, you will gain complete clarity regarding why things have not been going on well in your life.
If you are not a firstborn, you will have complete understanding of why your elder brother has not been making any appreciable progress all through his life.
And if you are in a country where things of this nature are not common, this book will make you wonder how anyone can survive for so long with such fierce torment in his life.
“OMEOVOUSU: 50 Painful Years Of Agonizing Battles & Torture Of A Mother And Her Firstborn” by Motunrayo Omonoteje will make you laugh.
“OMEOVOUSU: 50 Painful Years Of Agonizing Battles & Torture Of A Mother And Her Firstborn” by Motunrayo Omonoteje will also make you cry.
And it will make you feel every other thing in between.
It is time to take your rightful place as firstborn and heir in your father's house.
ORDER ONE TODAY AND GIFT ONE TO A FRIEND OR FAMILY MEMBER.
For the full post, go here: solutionsquarters.com/spiritual-problems-of-the-firstborn
WAKAF TOK SELEHOR- Wakaf ini terletak tanah perkuburan islam Tok Selehor di Kok Pasir, Tumpat Kelantan. Tok Selehor merupakan Ulama Melayu yang sangat tersohor di kelantan. Beliau bersahabat Baik dengan Tok Kenali.
Wakaf ini didirikan oleh Tok Selehor bersama-sama dengan suluk beliau. Tok selehor Terkenal dengan Suluk tok Selehor.
Asalnya Wakaf ini termasuk dalam kawasan madrasah beliau, selepas itu madarasah ini dinaik taraf kepada masjid. Wakaf ini digunakan oleh Tok Selehor untuk Mengajar Ilmu agama kepada murid-muridnya.
Dari segi seni bina wakaf ini memiliki seni bina Patani-Kelantan. Hal ini di sebab Tok Selehor ini pernah menetap dan mengaji di Patani selama beberapa tahun. wakaf Tok Selehor ini menggunakan atap singgora, Pemelesnya adalah pemeles Kelewang, Prambung Ekor Itik dan Som Ekor Itik. Kayu yang digunakan adalah dari jenis kayu cengal. Dari segi usia sudah mencecah 70 tahun
Sumber : Persatuan Pencinta Sejarah Kelantan dan Penduduk Kampung Berhampiran Tanah Perkuburan.