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Camera : Praktica Super TL1000
Lens : Pentax SMC Takumar 55 f1.8
Film : Fujicolor Superia X-tra ISO 400
....is he a relative?
With a Super-Takumar 85mm f1.9. Many parts of the UK are covered in snow today.....but not here in London. This photo was snapped the last time we had a covering of snow in London - last December.
Super Takumar 50mm, f1.4
For me, it doesn't happen often.
But sometimes everything looks right straight out of camera. No edits, not even a crop.
My very first prime lens was a Super-Multi-Coated Takumar 55mm f1.8, from 1972. I've very much enjoyed using it on film and digital cameras over the years.
In July 2013, I acquired my second version of this series - an Auto-Takumar 55mm f2.2. And since then I've been researching and collecting other versions - the latest being a Takuimar 55mm 2.2, dating to around 1958.
I've just posted a You Tube video guide to all the Takumar 55mm lenses - it's here if you're interested:
I recently bought a Super-Takumar 50mm f/1.4 to use on my D90 with an infinity focus adapter. Results are interesting. Wide open, it is very soft and the focus doesn't seem to correlate with what I see through the view finder. I'm not sure if this is the lens or the adapter. Despite this, wide open it has unusual qualities which I like, things seem to glow and look almost more like a painting than a photo.
And, of course, the Bokeh...
Adding to my album of photos taken with a Takumar 55mm f2.2, early preset version. Taken on a lovely bright day...but nearly directly into the sun.
One of my oldest and rarest M42 lenses - the Takumar 58mm f2, from 1957. The lens has a Sonnar design that was dropped for subsequent 55mm lenses.
Photographed with an Auto-Takumar 55mm f1.8. The black (not zebra) version. One of the most fascinating bokeh lenses I've tried, with a great mix of smoothness and contrast/shapes in the blur.
2/26/2021 Cayce Riverwalk, Cayce, SC
Sony ILCE-6000, Honeywell-Pentax Super-Macro 50mm f/4 (manual focus lens, M42 to NEX adapter)
© 2021 R. D. Waters