View allAll Photos Tagged tableware
File name: 10_03_001858a
Binder label: Home Furnishings
Title: Royal blue porcelain. International Pottery Co. Burgess & Campbell, Trenton, N. J. (front)
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 9 x 16 cm.
Genre: Advertising cards
Subject: Tableware
Notes: Title from item.
Statement of responsibility: International Pottery Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
File name: 10_03_001859a
Binder label: Home Furnishings
Title: Waldorf. Our new hotel pattern, golden green. J. & G. Meakin, Ltd., Hanley, England. (front)
Created/Published: Hanley, England : Wood, Mitchell & Co.
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 10 x 16 cm.
Genre: Advertising cards
Subject: Tableware
Notes: Title from item. Item verso is blank.
Statement of responsibility: French, Mitchell, Woodbury Co.
Collection: 19th Century American Trade Cards
Location: Boston Public Library, Print Department
Rights: No known restrictions.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Japanese early 1900s ceramic and porcelain designs from the Noritake Factory, a renowned Japanese tableware brand. Noritake was established in 1904 with the intent to create western style dinnerware for export. The early dinnerware plates were carefully handcrafted and hand painted by artisans with decorative floral patterns. Today Noritake Factory is a leader in tableware manufacturing known for unique designs and superior quality. We have digitally enhanced these antique porcelain design illustrations into high resolution printable quality. Download for free and use under the Creative Commons License.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1318552/vintage-porcelain-designs-noritake-factory-i-free-cc0-japanese-graphics?sort=curated&mode=shop&page=1
Uno de mis regalos de cumpleaños ha sido la famosa vitrina de Ikea y el set de muebles. En el resto de las baldas, están colocadas las pullips, pero la última decidí dejarla para amueblarla y meter a las blythes. De momento, sólo está Mandarina (que tiene cuerpo nuevo también), pero está encantada, aunque le haya tocado estar abajo del todo xD
White earthenware dinner plate, scalloped rim, printed in black with 'Loochoo' design of bamboo and cranes circling around a floating picture of a desert island.
Printed factory mark, pattern name and registered design mark with encoded date of 24th March 1877, made by Powell and Bishop, Hanley, Stoke-on-Trent, Staffordshire.
c1877
HMCMS:DA1992.7
DPAASN25
Do they mean the rape from "rapeseed oil"? Either way, it doesn't make a good impression. Found in Shanghai.
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Share — copy and redistribute the material in any medium or format
Adapt — remix, transform, and build upon the material for any purpose, even commercially.
You must give appropriate credit and provide a link to the www.napavalley.com home page.
Demel
The title of this article is ambiguous. Other uses, see Demel (disambiguation).
K.u.K. Hofzuckerbäcker Ch Demel 's Söhne GmbH
Founded in 1786
Coffee and pastry industry
Products Coffee, tea, cakes
website www.Demel.at
Interior furnishings from Komptoir Demel in Vienna, from Portois Fix
When decorating goods Visitors may watch.
Demel is one of the most famous Viennese pastry at the carbon (cabbage) market (Kohlmarkt) 14 in the first Viennese district Innere Stadt. Demel was a k.u.k. Hofzuckerbäcker and runs this item today in public.
History
1778 came the of Wurttemberg stemming confectioner Ludwig Dehne to Vienna. 1786, he founded his pastry shot at the place of St. Michael. Dehne died in 1799 of tuberculosis. His widow then married the confectioner Gottlieb Wohlfahrt. In 1813 they bought the house in St. Michael's Square 14. Despite numerous innovations such as frozen the company's finances could not be rehabilitated. After the death of Gottlieb Wohlfahrt in 1826 the widow and her son from her first marriage August Dehne succeeded but the economic boom. August Dehne managed to great wealth, he invested in land. As the son of August Dehne struck another career as a lawyer, Dehne sold the confectionery in 1857 to his first mate Christoph Demel.
Demel also had success in the continuation of the company and established it to a Viennese institution. After the death of Christoph Demel in 1867 his sons Joseph and Charles took over the business, which is why it since "Christoph Demel 's Söhne" means. On request Demel received 1874 the Hoflieferantentitel (the titel as purveyor to the court). The proximity to the Imperial Palace directly opposite made business more profitable. The Hofburg borrowed from Demel occasionally staff and tableware for special occasions such as proms and parties. Recent developments in the art of confectionery were brought from Paris. Trained at Demel, professionals quickly found employment.
1888 Old Burgtheater was demolished at Michael's place and transformed the place. Demel had to move out of the house and he moved to the Kohlmarkt 14. The new store inside was equipped inside with high costs by purveyor to the court Portois & Fix. The interior is decorated in the style of Neo-Rococo with mahogany wood and mirrors. Regulars were members of the Viennese court as Empress Elisabeth, and other prominent members of the Vienna society of the time, the actress Katharina Schratt and Princess Pauline von Metternich. A peculiarity of Demel from the time of the monarchy is that the always female attendance, which originally was recruited from monastic students, is dressed in a black costume with a white apron. They are called Demelinerinnen and address the guest traditionally in a special "Demel German", which is a polite form of the third person plural, omitting the personal salutation and with questions such as "elected Have you?" or "want to eat?" was known.
After the death of Joseph and Carl Demel took over Carl's widow Maria in 1891 the management. She also received the k.u.k. Hoflieferantentitel. From 1911 to 1917 led Carl Demel (junior) the business and then his sister Anna Demel (4 March 1872 in Vienna - November 8, 1956 ibid ; born Siding). Under her leadership, the boxes and packaging were developed by the Wiener Werkstätte. Josef Hoffmann established in 1932 because of a contract the connection of the artist Friedrich Ludwig Berzeviczy-Pallavicini to Anna Demel. The design of the shop windows at that time was an important means of expression of the shops and there were discussions to whether they should be called visual or storefront (Seh- or Schaufenster - display window or look window). While under the Sehfenster (shop window) an informative presentation of goods was understood, the goods should be enhanced by staging the showcase. From 1933 until his emigration in 1938 took over Berzeviczy-Pallavicini the window dressing of Demel and married in 1936 Klara Demel, the adopted niece of Anna Demel.
During the Nazi regime in Austria the confectioner Demel got privileges from the district leadership because of its reputation. Baldur von Schirach and his wife took the confectioner under their personal protection, there were special allocations of gastronomic specialties from abroad in order to continue to survive. But while the two sat in the guest room and consumed cakes, provided the Demelinerinnen in a hallway between the kitchen and toilet political persecutws, so-called U-Boats. Those here were also hearing illegal radio stations and they discussed the latest news.
1952 Anna Demel was the first woman after the war to be awarded the title Kommerzialrat. She died in 1956. Klara Demel took over the management of the bakery. Berzeviczy-Pallavicini, who lived in the United States until then returned to Vienna. After Clara's death on 19 April 1965, he carried on the pastry. During his time at Demel he established the tradition to make from showpieces of the sugar and chocolate craft extravagant neo-baroque productions. Baron Berzeviczy sold the business in 1972 for economic reasons to the concealed appearing Udo Proksch, who established in 1973 in the first floor rooms for the Club 45; also Defence Minister Karl Lütgendorf had his own salon. After Proksch was arrested in 1989 in connection with the Lucona scandal, he sold Demel to the non-industry German entrepreneur Günter Wichmann. 1993 it came to insolvency. Raiffeisen Bank Vienna as principal creditor, acquired the property in 1994 from the bankrupt company to initially continue itself the traditional Viennese company through a subsidiary. In the process of the renovation in March 1995 on the fourth floor were mura painting from the 18th century exposed and the baroque courtyard covered by a glass construction which since the re-opening on 18 April 1996 can be used as Schanigarten (pavement café) or conservatory.
In 2002 the catering company Do & Co took over the Demel. The company was awarded with the "Golden Coffee Bean " of Jacobs coffee in 1999. Demel now has additional locations in Salzburg and New York.
Products
Demel chocolate products
One of the most famous specialty of the house is " Demel's Sachertorte" . The world-famous Sachertorte was invented by Franz Sacher, but completed only in its today known form by his son Eduard Sacher while training in Demel. After a 1938 out of court enclosed process occurred after the Second World War a till 1965 during dispute between Demel and the Sacher Hotel: The hotel insisted on its naming rights, Demel, however, could pointing out already since the invention of the "Original Sacher" called pie "having used the denomination". Demel had after the death of Anna Sacher in 1930, under defined conditions, the generation and distribution rights for "Eduard-Sacher-Torte" received. The dispute was settled in favor of the Hotel Sacher and the Demelsche cake is today, "Demel 's Sachertorte" and is still made by hand. While a layer of apricot jam under the chocolate icing and another in the center of the cake can be found in the "Original Sacher-Torte", is in "Demel 's Sachertorte " the layer in the middle omitted.
Besides the Sachertorte helped another specialty the pastry to world fame: the original gingerbread figures whose modeling came from the collection of Count Johann Nepomuk Graf Wilczek on Castle Kreuzenstein. Then there are the Demel cake (almond-orange mass with blackcurrant jam, marzipan and chocolate coating), Anna Torte, Dobos cake, cake trays, Russian Punch Cake, Esterházy cake, apple strudel and other confectionary specialties. Popular with many tourists are the candied violets with which Demel earlier supplied the imperial court and they allegedly have been the Lieblingsnaschereien (favorite candies) of Empress Elisabeth ("Sisi"). Rooms in the upper floors as the Pictures Room, Gold Room and the Silver rooms are rented for events. In addition to the pastry shop Demel operates, as it did at the time of the monarchy, a catering service, after the re-opening in 1996 as well as storage, shipping and packaging was desettled in the 22nd District of Vienna. Demel is also responsible for the catering at Niki Aviation.
Arabia are perhaps the best known designer of tableware in Finland, and you really have to pay through the nose to get Arabia style.
So there I was in Anttila looking for some hinges when I came across some stylish white cups and tea pots. I was drawn to the severe clean lines and simplicity of the desgin.
Every single piece had some sort of flaw. It looked like small bits of green grass baked into the glaze. There was no rhyme or reason regarding the occurance of these delicate markings. I imagined a monk burning grass on a bronze platter and whill it was aflame blowing the ash and bits of grass over the unglazed plates and cups before they were fired in the oven. Each item was unique and idividual.
There was no label on the base of any of the items. I thoroughly liked the idea that they were not branded. Neither were they priced. There was a swarm of women picking up beautiful soup tureens, and enormous serving plates
And the price? Well let me just say everything was sold by kilo weight.
Gearing up for my Friday Faves!
1. Little Kenmore washer!!!, 2. crystal and china salt shakers, 3. best friends, 4. DSC_5848, 5. Linens for sale, 6. tableware_kitchenware_pict0662, 7. shelf over door with antique ironstone, 8. Kitchen collection, 9. White Dessert Table Setting, 10. Garolini Size 7.5 M, 11. Peg, 12. dried hydrangeas in light fixture, 13. Silver and glass, 14. Chemex Coffee Maker & Son, 15. 1jeannesands, 16. Dreaming of Paris- winter whites, 17. Wanting To Play In The Snow, 18. Silver matchbox, 19. The Ice Wagon - ca 1910, 20. 365/344 Swirl for a gray day, 21. 1aging, 22. matasnow, 23. Sterne, stars, étoiles, 24. LUNCHEON ON RESTAURANT WARE, 25. They are ready!!!!, 26. Imagine peace..., 27. Bubble-ice-ski, 28. Sweet Shoes, 29. Genuine Wilendure, 30. Museum mannequins - Original, 31. Autumnal Dish Display, 32. vintage bling, 33. Weighing in at..., 34. Seasonal sale in Shed, 35. Joshua Tree NM Snow, 36. 096
I am unable to make mosaics the way I used to, so I created this one by going into my Favorites, clicking on each photo, copying the URL for it and then pasting it into the Mosaic Maker form.
I used to be able to see ALL of my Favorites in a long string of photos in Mosaic Maker and select the ones I wanted to feature. Now, I can only see about 50 of my latest Favorites OR choose a whole Favorites page which may contain blanks that I'd rather not see.
It was fun assembling these photos, but very time intensive. Hope anyone who stops by to see this enjoys perusing it as much as I enjoyed making it. ;o)
Created with fd's Flickr Toys
Another detail shot.
This was all natural light, and no flash. A bit of clarity added and highlights reduced in LR.
One photograph, fragmented with geometric precision, some parts discarded, some parts casually stripped of all sense of orientation - the remaining survivors try to huddle close (strength gained by foisting responsibility onto the others), but something is not right - barriers! The lines which bring to the fore the rectilinearity and symmetry that define the arrangement as a singular whole are the very same lines that lock the four partitions into four separate entities.