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This looked like a memorial stone tablet in The Hirosaki Castle Park. Everything written on it was in Japanese so I couldn’t understand it and no one around me spoke English. It look old enough to have something to do with World War II but I really have no idea.
Reflection.
Check it out my Portfolio: GETTY IMAGES
Rien ne se perd, rien ne se craie, mais tout se transforme. (Antoine Laurent de Lavoisier... ou presque ;-)
I've been familiarizing myself with ArtRage for Android, which is a stripped-down version (e.g., no stencils, transform tool, or paint symmetry; I added the text on my laptop). Still has loads of bells and whistles for me to play with, for a cool 5 bucks, and I can doodle on the road. (ArtRage also offers a free oil painter for Android). I'm also grooving on the joy of finger-painting on the touch screen, which I much prefer to using the soft-tipped stylus. Done on a Lenovo TAB2 A8.
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At the Zeedijk. Batch three of my walk through the Red Light District with photoclub Foto in Beeld, last week.
What an ebook looks like across a number of popular reading devices.
Pictured: iPad2, Nexus 7, Kindle touch, Kindle 2nd Gen & HTC One X.
Photo originally taken for use with my blog post www.zakmensah.co.uk/2012/10/16/under-the-cover-of-the-mrc...
Please put Photo credit as: Nigel Goldsmith www.nigelgoldsmith.co.uk/
drawn on a wacom tablet with photoshop
for jkpp group
photo ref; www.flickr.com/groups/portraitparty/discuss/7215762788083...
while on the subject of drawing tools I thought I'd show our new toy. ever since I laid my hands on the first cintiq in college I have wanted a tablet for drawing wicked badly. apple's reluctance to announce a mac tablet at wwdc forced my hand. since pc is out of the question, that leaves the cintiq and axiotron's modified macbook. it was a tough choice, but the untethered freedom of the modbook won out.
I still love good old pencil and paper, but this thing has saved me tons of time and allows me to get our artwork finished and print ready from anywhere. my other workstation is a 20" imac w/ a 9x12" intuos3 wacom, which is great, but I hate being cooped up in the studio all the time.
*some folks have asked about various features. if you are thinking of getting one for art, here are some notes...
powerwise, I was a little worried that it wasn't a macbook pro, but the macbook is super freakin fast. I got the 2.4 ghz model and loaded it with 4 gb ram. when I open photoshop, the dock icon doesn't even have time to bounce once before it is open and ready to go.
I'm a monitor fingerprint freak, but this screen is pretty smudge resistant. I totally rest my hand on it when drawing, just like on paper, and the screen stays pretty clean. it's rad.
the pen board on the screen is made by wacom and although the specs say it only has 512 levels of pressure sensitivity (as opposed to 1024 found in most other wacoms) I don't notice a difference when drawing in any of the software I use (alias sketchbook, illustrator, photoshop).
there is little to no lag when drawing. and lines look just as they would on paper. in fact, it's so similar, that when I flip the pen over to erase something, I instinctively try to brush away the invisible eraser shavings!
probably my favorite new superpower this thing gives me is the ability to turn the monitor in any direction when I'm drawing or coloring. I can get better lines when drawing at certain angles and sometimes it just helps to see the art upside down or sideways. beats the heck out of rotate canvas anyway!
on the downside, it's kinda heavy (same weight as a regular macbook) and it gets kinda hot. I'd recommend getting one of those nice cushiony lap pads they make for drawing or some kind of tablet folio.
I love it lots, but the second apple releases a macbook air tablet this ones getting handed over to the kids ^__^
Me gusta escribir. Casi tanto como hacer fotos. No soy muy bueno haciendo ni una cosa ni la otra, pero me divierte, y me sirve para pensar. Tampoco soy muy constante, no tengo grandes pretensiones, salvo sentirme mejor, inquieto, y finalmente, vivo.
Para Lío de Fotos: Cosas que me gustan y hablan de mí.
Seen at the Newark airport: tablets for displaying menus and ordering food at every seat. Once you finished ordering the tablets also provided news, magazines, and games (none of which interested me enough to try).
Celebrities had to shrink down to 5 inches tall for a Christmas advert and they loved every bit of it where they can play the piano using there high heels on a smart tablet!
Disclaimer: I do not own this photo it's very.co.uk.
The train-tablet system is operated to implement a train-spacing system designed to prevent more than one train occupying a single line section between any two tablet-stations at one and the same time. When the line is not occupied ( "Line Closed" ) their operation may permit the admittance of a train from one or other end of the tablet section. This is accomplished by requiring the driver of each train to carry an appropriate tablet, a hard-wood disc familiarly know as the biscuit. The biscuits not in active use are naturally locked up within the tablet instruments. The Tablets are severely rationed, not more than one can be extracted from the relevant cupboard at any one time. Control of the cupboards is remote.
The unlocking of the instrument at the approach end of the section involves complementary action by the tablet porter at the terminal end, the one to which the given train is travelling, the withdrawal of the tablet leaves locked the instrument from which it is taken. It cannot be unlocked again for the obtaining of a successive tablet until the operator at the far station inserts into his own machine the tablet that has been carried along the entire section. It is however possible for a tablet to be replaced into either machine.
Title: #1A - ''Temple of the Tablets'' Relief Carving
Creator: Medellin, Octavio
Date: 1938
Place: Yucatan, Mexico
Physical Description: 1 slide: color
File: medellin_8a_tablets_001a_opt.jpg
Rights: Please cite Bywaters Special Collections, Southern Methodist University when using this file. For more information contact bywatersspecialcollections@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/med/id/3103
View Octavio Medellin: Works of Art and Artistic Processes digitalcollections.smu.edu/all/cul/med/