View allAll Photos Tagged synesthesia
The many shades of red inhabit a vast portion of the visible light spectrum, but none so alurringly autumnal as the many multiplicities meandering around maroon.
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Time is unfolding upon us relentlessly.
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One sun, but a thousand refracted images.
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The nearly invisible (due to their vast size) forms that shape our world and that we rely upon on a daily basis.
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After having a few interesting conversations about musical theory, especially 12 tone composition, I painted this. It's a synesthetic scale starting with C, ending on B.
Model(s):
- Synesthesia, MM #
Location:
Gaasperplas park, Amsterdam - The Netherlands
Strobist info:
1x Yongnuo YN-560 in 28" Westcott Apollo softbox,
Triggerd with Yongnuo PT-04 trigger set.
PP: Lightroom & Photoshop
Fly agarics resp. fly amanitas (Amanita muscaria) in a forest near the village of Mosbach, Franconia (Bavaria)
Some background information:
Amanita muscaria, commonly known as the fly agaric or fly amanita, is a mushroom and psychoactive basidiomycete fungus, one of many in the genus Amanita. Native throughout the temperate and boreal regions of the Northern Hemisphere, Amanita muscaria has been unintentionally introduced to many countries in the Southern Hemisphere, generally as a symbiont with pine and birch plantations, and is now a true cosmopolitan species. It associates with various deciduous and coniferous trees.
Arguably the most iconic toadstool species, the fly agaric is a large white-gilled, white-spotted, usually red mushroom, and is one of the most recognisable and widely encountered in popular culture. Several subspecies with differing cap colour have been recognised, including the brown regalis (often considered a separate species), the yellow-orange flavivolvata, guessowii, formosa, and the pinkish persicina. Genetic studies published in 2006 and 2008 show several sharply delineated clades that may represent separate species.
Although classified as poisonous, reports of human deaths resulting from its ingestion are extremely rare. After parboiling—which weakens its toxicity and breaks down the mushroom's psychoactive substances—it is eaten in parts of Europe, Asia, and North America. Amanita muscaria is noted for its hallucinogenic properties, with its main psychoactive constituent being the compound muscimol. The mushroom was used as an intoxicant and entheogen by the peoples of Siberia, and has a religious significance in these cultures. There has been much speculation on possible traditional use of this mushroom as an intoxicant in other places such as the Middle East, Eurasia, North America, and Scandinavia.
A large, conspicuous mushroom, amanita muscaria is generally common and numerous where it grows, and is often found in groups with basidiocarps in all stages of development. Fly agaric fruiting bodies emerge from the soil looking like white eggs. After emerging from the ground, the cap is covered with numerous small white to yellow pyramid-shaped warts. These are remnants of the universal veil, a membrane that encloses the entire mushroom when it is still very young. Dissecting the mushroom at this stage will reveal a characteristic yellowish layer of skin under the veil; this is helpful in identification. As the fungus grows, the red colour appears through the broken veil and the warts become less prominent; they do not change in size, but are reduced relative to the expanding skin area. The cap changes from globose to hemispherical, and finally to plate-like and flat in mature specimens. Fully grown, the bright red cap is usually around 8 to 20 cm in diameter (3 to 8 in), although larger specimens have been found. The red colour may fade after rain and in older mushrooms.
The free gills are white, as is the spore print. The stipe is white too, 5 to 20 cm high (2.0 to 7.9 in) by 1 to 2 cm wide (0.5 to 1 in), and has the slightly brittle, fibrous texture typical of many large mushrooms. At the base is a bulb that bears universal veil remnants in the form of two to four distinct rings or ruffs. Between the basal universal veil remnants and gills are remnants of the partial veil (which covers the gills during development) in the form of a white ring. It can be quite wide and flaccid with age. There is generally no associated smell other than a mild earthiness.
Amanita muscaria is a cosmopolitan mushroom, native to conifer and deciduous woodlands throughout the temperate and boreal regions of the Northern Hemisphere,[26] including higher elevations of warmer latitudes in regions such as Hindu Kush, the Mediterranean and also Central America. Fruiting occurs in summer and autumn across Europe and most of North America. This species is often found in similar locations to Boletus edulis, and may appear in fairy rings. Conveyed with pine seedlings, it has been widely transported into the southern hemisphere, including Australia, New Zealand, South Africa and South America.
Amanita muscaria poisoning has occurred in young children and in people who ingested the mushrooms for a hallucinogenic experience. Amanita muscaria contains several biologically active agents, at least one of which, muscimol, is known to be psychoactive. Ibotenic acid, a neurotoxin, serves as a prodrug to muscimol, with approximately 10–20% converting to muscimol after ingestion. An active dose in adults is approximately 6 mg muscimol or 30 to 60 mg ibotenic acid. This is typically about the amount found in one cap of Amanita muscaria. The amount and ratio of chemical compounds per mushroom varies widely from region to region and season to season, which can further confuse the issue. Spring and summer mushrooms have been reported to contain up to 10 times more ibotenic acid and muscimol than autumn fruitings.
A fatal dose has been calculated as 15 caps. Deaths from this fungus Amanita muscaria have been reported in historical journal articles and newspaper reports, but with modern medical treatment, fatal poisoning from ingesting this mushroom is extremely rare. Many older books list Amanita muscaria as "deadly", but this is an error that implies the mushroom is more toxic than it is. The vast majority (90% or more) of mushroom poisoning deaths are from eating the greenish to yellowish "death cap", or perhaps even one of the three white Amanita species which are known as destroying angels, Amanita virosa, Amanita bisporigera and Amanita ocreata.
Fly agarics are known for the unpredictability of their effects. Depending on habitat and the amount ingested per body weight, effects can range from nausea and twitching to drowsiness, cholinergic crisis-like effects (low blood pressure, sweating and salivation), auditory and visual distortions, mood changes, euphoria, relaxation, ataxia, and loss of equilibrium.
In cases of serious poisoning the mushroom causes delirium, somewhat similar in effect to anticholinergic poisoning, characterised by bouts of marked agitation with confusion, hallucinations, and irritability followed by periods of central nervous system depression. Seizures and coma may also occur in severe poisonings. Symptoms typically appear after around 30 to 90 minutes and peak within three hours, but certain effects can last for several days. In the majority of cases recovery is complete within 12 to 24 hours. The effect is highly variable between individuals, with similar doses potentially causing quite different reactions. Some people suffering intoxication have exhibited headaches up to ten hours afterwards. Retrograde amnesia and somnolence can result following recovery.
The wide range of psychoactive effects can be variously described as depressant, sedative-hypnotic, psychedelic, dissociative, and deliriant. Paradoxical effects such as stimulation may occur however. Perceptual phenomena such as synesthesia, macropsia, and micropsia may occur. Some users report lucid dreaming under the influence of its hypnotic effects. Unlike Psilocybe cubensis, Amanita muscaria cannot be commercially cultivated, due to its mycorrhizal relationship with the roots of pine trees.
Far away, far away in the land where the sun will never rise
Far away, far away in the place with marmalade skies
Far away, far away in the land where the sun will hide its eyes
Far away, far away in the place with marmalade skies
All alone she moves
Into a broken paradise surrounded by the colored lights
On and on she moves
Into a paradise without day and without night.
Alle Farben feat. Graham Candy
She Moves (Far Away)
Album: Synesthesia
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“I don’t want to use the word ‘mind-blowing’, but, as a scientific phenomenon, if you can create conditions in which seventy per cent of people will say they have had one of the five most meaningful experiences of their lives? To a scientist, that’s just incredible.”
"The developmental psychologist Alison Gopnik has speculated that the way young children perceive the world has much in common with the psychedelic experience. As she puts it, 'They’re basically tripping all the time.'”
Here are some more interesting excerpts from the new wave of clinical trials, covered in Michael Pollan's new article in New Yorker:
“I felt a little like an archeologist unearthing a completely buried body of knowledge,” he said. Beginning in the nineteen-fifties, psychedelics had been used to treat a wide variety of conditions, including alcoholism and end-of-life anxiety. The American Psychiatric Association held meetings centered on LSD. “Some of the best minds in psychiatry had seriously studied these compounds in therapeutic models, with government funding,” Ross said.
Between 1953 and 1973, the federal government spent four million dollars to fund a hundred and sixteen studies of LSD, involving more than seventeen hundred subjects. (These figures don’t include classified research.) Through the mid-nineteen-sixties, psilocybin and LSD were legal and remarkably easy to obtain. Sandoz, the Swiss chemical company where, in 1938, Albert Hofmann first synthesized LSD, gave away large quantities of Delysid—LSD—to any researcher who requested it, in the hope that someone would discover a marketable application. Psychedelics were tested on alcoholics, people struggling with obsessive-compulsive disorder, depressives, autistic children, schizophrenics, terminal cancer patients, and convicts, as well as on perfectly healthy artists and scientists (to study creativity) and divinity students (to study spirituality). The results reported were frequently positive.
Researchers are using or planning to use psilocybin not only to treat anxiety, addiction (to smoking and alcohol), and depression but also to study the neurobiology of mystical experience, which the drug, at high doses, can reliably occasion. Forty years after the Nixon Administration effectively shut down most psychedelic research, the government is gingerly allowing a small number of scientists to resume working with these powerful and still somewhat mysterious molecules.
their excitement about the results was evident. According to Ross, cancer patients receiving just a single dose of psilocybin experienced immediate and dramatic reductions in anxiety and depression, improvements that were sustained for at least six months.
The fact that a drug given once can have such an effect for so long is an unprecedented finding. We have never had anything like it in the psychiatric field.”
“There is such a sense of authority that comes out of the primary mystical experience that it can be threatening to existing hierarchical structures,” Griffiths told me when we met in his office last spring. “We ended up demonizing these compounds. Can you think of another area of science regarded as so dangerous and taboo that all research gets shut down for decades? It’s unprecedented in modern science.”
Participants ranked these experiences as among the most meaningful in their lives, comparable to the birth of a child or the death of a parent. Two-thirds of the participants rated the psilocybin session among the top five most spiritually significant experiences of their lives; a third ranked it at the top.
Furthermore, the “completeness” of the mystical experience closely tracked the improvements reported in personal well-being, life satisfaction, and “positive behavior change” measured two months and then fourteen months after the session.
A follow-up study by Katherine MacLean, a psychologist in Griffiths’s lab, found that the psilocybin experience also had a positive and lasting effect on the personality of most participants. This is a striking result, since the conventional wisdom in psychology holds that personality is usually fixed by age thirty and thereafter is unlikely to substantially change. But more than a year after their psilocybin sessions volunteers who had had the most complete mystical experiences showed significant increases in their “openness,” one of the five domains that psychologists look at in assessing personality traits. (The others are conscientiousness, extroversion, agreeableness, and neuroticism.) Openness, which encompasses aesthetic appreciation, imagination, and tolerance of others’ viewpoints, is a good predictor of creativity.
The psychedelic experience seems to allow many subjects to reframe, and then break, a lifelong habit. “Smoking seemed irrelevant, so I stopped,” one subject told me. Twelve subjects, all of whom had tried to quit multiple times, using various methods, were verified as abstinent six months after treatment, a success rate of eighty per cent.
adverse effects have not surfaced in the trials of drugs at N.Y.U. and Johns Hopkins. After nearly five hundred administrations of psilocybin, the researchers have reported no serious negative effects.
In his account, he likened the start of the journey to the launch of a space shuttle, “a physically violent and rather clunky liftoff which eventually gave way to the blissful serenity of weightlessness.”
Griffiths likens the therapeutic experience of psilocybin to a kind of “inverse P.T.S.D.”—“a discrete event that produces persisting positive changes in attitudes, moods, and behavior, and presumably in the brain.”
I was struck by how the descriptions of psychedelic journeys differed from the typical accounts of dreams. For one thing, most people’s recall of their journey is not just vivid but comprehensive, the narratives they reconstruct seamless and fully accessible, even years later. They don’t regard these narratives as “just a dream,” the evanescent products of fantasy or wish fulfillment, but, rather, as genuine and sturdy experiences. This is the “noetic” quality that students of mysticism often describe: the unmistakable sense that whatever has been learned or witnessed has the authority and the durability of objective truth. “You don’t get that on other drugs”
Aldous Huxley concluded from his psychedelic experience that the conscious mind is less a window on reality than a furious editor of it. The mind is a “reducing valve,” he wrote, eliminating far more reality than it admits to our conscious awareness, lest we be overwhelmed. “What comes out at the other end is a measly trickle of the kind of consciousness which will help us to stay alive.” Psychedelics open the valve wide, removing the filter that hides much of reality, as well as dimensions of our own minds, from ordinary consciousness.
“This culture has a fear of death, a fear of transcendence, and a fear of the unknown, all of which are embodied in this work.” Psychedelics may be too disruptive for our society and institutions ever to embrace them.
The first time I raised the idea of “the betterment of well people” with Roland Griffiths, he shifted in his chair and chose his words carefully. “Culturally, right now, that’s a dangerous idea to promote,” he said. And yet, as we talked, it became clear that he, too, feels that many of us stand to benefit from these molecules and, even more, from the spiritual experiences they can make available.
“We are all terminal,” Griffiths said. “We’re all dealing with death. This will be far too valuable to limit to sick people.”
Standing on the edge of reality, I look back to see the mist. I see that there is the aimless, worthless, and serpentine life I live, and then… there are my dreams. There are my legs, rooted and twined heavily with responsibilities, and then… there are my wings. There are my exhausted dry eyes that stare emptily at emptiness, and then… there is my synesthesia. There are my wounds, scars and urges to stay alive, and then… there are you.
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A while back, I suffered from an inner-ear infection which resulted in a week-long never-ending headache. I felt like the stuffing inside my skull was spinning clockwise every time I sat up or moved my head. Several months later, I still remember exactly what it looked like to me; perhaps because it was practically imprinted into my mind. Or perhaps because while painting this, I had a sinus infection which likewise lead to a migraine, and which inevitably reminded me of the past one.
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Any unauthorized use of this image is illegal and strictly prohibited.
An indistinct grouping of flora on a steep hillside reaching for the sky.
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#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum #AESTHETIOPIUM
At this point in the 21st Century, I'm sure there are dozens of versions of this song to chose from.
Having grown up on a self-imposed diet of Punk, Ska, and Underground, I've always enjoyed Goldfinger's the best. It literally oozes color--sunshine yellow, deep amber, coral red, and lime green. There's a lot going on all at once. A rise and fall, a change in tone and mood, and all of a sudden, I feel as if I'm seeing a completely different song...yet it all blends together so wonderfully, I had quite a hard time attempting to portray it on such a small canvas.
I could probably cover an entire wall with this song!
Do take a moment to compare this to other works I've done and you'll see why I tend to think of this as a rather 'refreshing' piece of music. I've listened to it a million and one times, and I still feel like there's always something new about it. I'm probably going to do a larger version of this (and 'Whereabouts Unknown' by Rise Against) when I get back to my art classes in Oregon. In the meantime, though, take a listen to the song here: www.youtube.com/watch?v=ZXjo-3uYZys
As always, I'm open for commissions (starting at $10.99). Just contact me at lionheart09@comcast.net if interested and I'll get back to you in a timely manner.
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See the commission I did for David Coalburn: www.flickr.com/photos/littlelioness09/4267902266/
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A fern and its feathered new frond.
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Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
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Tangerines galore psychedelically more. Dream on.
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¿A dónde sube lo que sube? El punto que pinta.
Part of Around synesthesia very, very shy series.
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The purest form of H²O.
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Daniel Tammet is a savant with synesthesia, an unusual crosstalk in the mind.
Like Shakespeare or Nobokov weaving evocative metaphor from cognitive associations, Daniel can navigate numbers and language with amazing power.
On a dare, he taught himself the Icelandic language in a week.
And he recited 22,514 digits of Pi, which is like memorizing a random string of digits for most people.
He’s the one I wanted to speak with at the party... =)
And it got even more interesting, moonwalking with Einstein.
Seeing my last name, he praised the beauty of the vowel-rich Estonian language. He did not like the associations of his birth name (Corney) and so he changed it to Tammet, which means "tree" in Estonian. This fit better with the way he sees himself.
For Tammet, each integer up to 10,000 has a unique shape, colour, texture and feel. He can see the results of calculations as landscapes and can sense whether a number is prime. 25 is energetic, the "kind of number you would invite to a party." (examples below)
Memorizing Pi was like walking through a 3D tapestry of colors and shapes, a “rolling numerical landscape.” He told my Dad that it would be like a mental stroll through his garden. It is not that hard to remember what you see. And yes, it’s just as easy to walk the other way. So he could recite Pi in reverse as well.
Pi is beautiful to him, and so he can instantly spot a single flipped digit across thousands as an ugly scar in his beautiful landscape.
When he recited Pi to over 22 thousand digits, it took a bit over five hours, and he says he was limited by fatigue not memory capacity. The organizers of the event were most impressed by his ability to stop for a drink of water at every 1000 digits without being told the time had come.
While numbers have color and shape, words have color and emotion. So he does not form the same landscapes with text, but he does have a more evocative experience with certain strings of words. “Nabokov was synaesthetic!” he exclaims. Tammet sees harmonious colors in his writings, like a string of purple words with melancholy associations.
He was familiar with Ramachandran’s work studying synesthesia: “The brain did not evolve to represent numbers, but it did evolve to represent space. Cardinality maps onto space.”
I was reminded of my first reaction to meeting Ramachandran:
The mastery of evocative metaphor, in written or visual form, seems like a touch of synaesthesia to me. Great artists can tap into their internal cross talk, and synaesthesia is the extreme example of what might lie along a spectrum from rationalist to artiste.
It also seems that young children are better at this than the average adult. Given the 10x reduction in synaptic connections at the age of 2 to 3 years, perhaps the benefits of crosstalk are lost in the carvings of maturity.
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A human touch upon emotive technology.
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Another synesthetic view of music. This time, 'Status' by RX Bandits. I really like the message of the song, but mostly, I like the simplicity and up-beat tempo.
Note: The color is a little off on this. The yellow is brighter, and there is a bit of white in here.
Original works this size (roughly 16X10) go for $100.00, thanks to much poking and prodding from this guy. Will happily take commissions for certain songs and the like. Synesthesia art is increasingly rare, and a good investment for art collectors.
I'm trying to get me a new camera!
Drope me an email at lionheart09@comcast.net
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Finally got around to making a chart of my synesthesia colors. I had done one a while ago when I first learned that I had the condition, but this one is more accurate.
My colors are generally pretty warm, I guess, and I see a lot of reds and other earthy tones. X, K, Y, and A have the strongest colors for me, which override my perception of the letters nearby. That said, the color for U (though apparently much duller than the aforementioned) is also very strong.
S is a bit of a strange one, because if it is by itself, at the end of a word, or in the middle of a word, it is actually more similar in color to A (sort of a rusty red without so much orange). In these cases when it's red, it is a strong, confident, and supporting.
But when it is at the start of a word, it looks pale blue as pictured. This has always bothered me, because my name, Sarah, starts with an S so the whole name is a pale blue color. I perceive the color as weak, pathetic, and easy to give in to demands. It's completely the opposite of my personality. So in other words, I hate my name because it starts with an S.
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